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Tensions are escalating fаst - which is why you must prepare for a Chinese attack on Taiwan NÐW. [Gеt my 3 step aÑtion plan hеre ]( "The Buck Stops Hеre," [Signature] oadcast the live-tion series Captain Kangaroo on weekday mornings from 1955 to 1982, and on Saturdays until 1984. From 1971 to 1986, CBS News produced a series of one-minute segments titled In the News, which aired between other Saturday morning programs. Otherwise, CBS's children's programming has mostly focused on animated series such as reruns of Mighty Mouse, Looney Tunes, and Tom and Jerry cartoons, as well as Scooby-Doo, Fat Albert and the Cosby Kids, Jim Henson's Muppet Babies, Garfield and Friends, and Teenage Mutant Ninja Turtles. In 1997, CBS premiered Wheel 2000, a children's version of the syndicated game show Wheel of Fortune which aired simultaneously on the Game Show Network. In September 1998, CBS began contracting the time period out to other companies to provide programming and material for its Saturday morning schedule. The first of these outsourced blocks was the CBS Kidshow, which ran until 2000 and featured programming from Canadian studio Nelvana[11] such as Anatole, Mythic Warriors, Rescue Heroes, and Flying Rhino Junior High.[12] After its agreement with Nelvana ended, the network then entered into a dal with Nickelodeon to air programming from its Nick Jr. block beginning in September 2000, under the banner Nick Jr. on CBS.[11] By the time of the dal, Nickelodeon and CBS were corporate sisters through the latter's then parent company Viacom as a result of its 2000 merger with CBS Corporation. From 2002 to 2005, live-ation and animated Nickelodeon series aimed at older children also aired as part of the block under the nme Nick on CBS. Following the Viacom-CBS split, the network decided to discontinue the Nickelodeon content dal that included distribution of select tape-delayed Formula One auto races.[13][14][15][16] The KOL Secret Slumber Party on CBS replaced Nick Jr. on CBS that September, with the inaugural lineup featuring two non programs, one animated series that originally aired in syndication in 2005, and three shows produced prior to 2006. In mid-2007, KOL, the children's service of AOL, withdrew sponsorship from CBS's Saturday morning block, which was subsequently renamed KEWLopolis. Complementing CBS's 2007 lineup were Care Bears, Strawberry Shortcake, and Sushi Pack. On February 24, 2009, it was announced that CBS would renew its contract with Cookie Jar for another three seasons through 2012.[17][18] On September 19, 2009, KEWLopolis was renamed Cookie Jar TV.[19] On July 24, 2013, CBS entered into an agreement with Litton Entertainment, which already programmed a syndicated Saturday morning block exclusive to ABC stations and would later produce a block for CBS sister network The CW that would debut the following year, to launch a nw Saturday morning block featuring live-aion reality-based lifestyle, wildlife, and sports series. The Litton-produced CBS Dream Team block, aimed at teenagers 13 to 16 years old, debuted on September 28, 2013, replacing Cookie Jar TV.[20] Specials Animated primetime holiday specials CBS was the original broadcast network hme of the animated primetime holiday specials based on the Peanuts comic strip, beginning with A Charlie Brown Christmas in 1965. Over 30 holiday Peanuts specials (each for a specific holiday such as Halloween) were broadcast on CBS until 2000, when the broadcast rights were acquired by ABC. CBS also aired several primetime animated specials based on the works of Dr. Seuss (Theodor Geisel), beginning with How the Grinch Stole Christmas in 1966, as well as several specials based on the Garfield comic strip during the 1980s (which led to Garfield getting his own Saturday morning cartoon on the network, Garfield and Friends, which ran from 1988 to 1995). Rudolph the Red-Nosed Reindeer, produced in top motion by Rankin/Bass, has been another annual holiday staple of CBS; however, that special first aired on NBC in 1964. As of 2011, Rudolph and Frosty the Snowman are the onl caps and repeated multiple times in multiple colors, slowly zoomed out from the frame in a spinning counterclockwise motion against a black background, and rapidly zoomed back into frame as a single word, in white, at the end; the sequence was accompanied by a jazzy though majestic up-tempo fanfare with dramatic horns and percussion (which was edited incidental music from the CBS crime drama Hawaii Five-O, titled "Cll CBS specials of the period (such as the Miss USA pageants and the annual presentation of the Kennedy Center Honors), in addition to animated specials. Classical music specials CBS was also responsible for airing the series of Young People's Concerts, conducted by Leonard Bernstein. Telecast every few months between 1958 and 1972, first in black-and-white and then in color beginning in 1966, these programs introduced millons of children to classical music through the eloquent commentaries of Bernstein. The specials were nominated for several Emmy Awards, including two wins in 1961 and later in 1966,[25] and were among the first programs ever broadcast from the Lincoln Center for the Performing Arts. Over the years, CBS has broadcast three different productions of Tchaikovsky's ballet The Nutcracker â two live telecasts of the George Balanchine Nw York City Ballet production in 1957 and 1958 respectively, a little-known German-American filmed production in 1965 (which was subsequently repeated three times and starred Edward Villella, Patricia McBride and Melissa Hayden), and beginning in 1977, the Mikhail Baryshnikov staging of the ballet, starring the Russian dancer along with Gelsey Kirkland â a version that would become a television classic, and remains so toay (the broadcast of this production later moved to PBS).[citation needed] In April 1986, CBS presented a slightly abbreviated version of Horowitz in Moscow, a live piano recital by pianist Vladimir Horowitz, which marked his return to Russia after over 60 years. The recital was televised as an episode of CBS News Sunday Morning (televised at 9:00 a.m. Eastern Time in the U.S., as the recital was performed simultaneously at 4:00 p.m. in Russia). It was so successful that CBS repeated it a mere two months later by popular demand, this time on videotape, rather than live. In later years, the program was shown as a standalone special on PBS; the current DVD of the telecast omits the commentary by Charles Kuralt, but includes additional selections not heard on the CBS telecast.[26] In 1986, CBS telecast Carnegie Hall: The Grand Reopening in primetime, in what was then a rare move for a commercial broadcast network, since most primetime classical music specials were relegated to PBS and A&E by this time. The program was a concert commemorating the re-opening of Carnegie Hall after its complete renovation. A range of artists were featured, from classical conductor Leonard Bernstein to popular music singer Frank Sinatra. Cinderella In orer to compete with NBC, which produced the televised version of the Mary Martin Broadway production of Peter Pan, CBS responded with a musical production of Cinderella, with music by Richard Rodgers and lyrics by Oscar Hammerstein II. Based upon the classic Charles Perrault fairy tale, it is the oly Rodgers and Hammerstein musical to have been written for teleision. It was originally broadcast live in color on CBS on March 31, 1957, as a vehicle for Julie Andrews, who played the title role; that broadcast was seen by over 100 millon people. It was subsequently remade by CBS in 1965, with Lesley Ann Warren, Stuart Damon, Ginger Rogers, and Walter Pidgeon among its stars; the remake also included the ew song "Loneliness of Evening", which was originally composed in 1949 for South Pacific but was not performed in that musical.[27][28] This version was rebroadcast several times on CBS into the early 1970s, and is occasionally broadcast on various cable networks to this day; both versions are available on DVD.[citation needed] National Geographic CBS was also the original broadcast hoe for the primetime specials produced by the National Geographic Society. The Geographic series in the U.S. started on CBS in 1964, before moving to ABC in 1973 (the specials subsequently moved to PBS â under the production of Pittsburgh memer station WQED â in 1975 and NBC in 1995, before returning to PBess of the specials led in part to the creation of the National Geographic Channel, a cable channel launched in January 2001 as a joint venture between the National Geographic Society and Fox Cable Networks. The specials' distinctive theme music, by Elmer Bernstein, was also adopted by the National Geographic Channel. Other notable specials From 1949 to 2002, the Pillsbury Bake-Of, an annual national cooking contest, was broadcast on CBS as a special. Hosts for the broadcast included Arthur Godfrey, Art Linkletter, Bob Barker, Gary Collins, Willard Scott (although under contract with CBS's rival NBC) and Alex Trebek. The Miss USA beauty pageant aired on CBS from 1963 to 2002; during a large portion of that period, the telecast was often emceed by the host of one of the network's game shows. John Charles Daly hosted the show from 1963 to 1966, succeeded by Bob Barker from 1967 to 1987 (at which point Barker, an animal rights activist who eventually convinced producers of The Pr on the program, quit in a dispute over their use), Alan Thicke in 1988, Dick Clark from 1989 to 1993, and Bob Goen from 1994 to 1996. The pageant's highest viewership was recorded in the early 1980s, when it regularly topped the Nielsen ratings on the week of its broadcast.[29][30][31] Viewership dropped sharply throughout the 1990s and 2000s, from an estimated viewershien USA pageants and moving them to that network as part of an initial five-year contract,[33] which began in 2003 and ended in 2015 after 12 years amid Trump's controversial remarks about Mexican immigrants during the launch of his 2016 campaign for the Republican presidential nomination.[34] On June 1, 1977, it was announced that Elvis Presley had signed a ew television special. Under the agreement, CBS would videotape Presley's concerts during the summer of 1977; the special was filmed during Presley's final tour at stops in Omaha, Nebraska (on June 19) and Rapid City, South Dakota (on June 21 of that year). CBS aired the special, Elvis in Concert, on October 3, 1977,[35] nearly two months after Presley's death in his Graceland mansion on August 16. Since their inception in 1978, CBS has been the sole broadcaster of The Kennedy Center Honors, a two-hour performing arts tribute typically taped and edited in December for later broadcast during the holiday season. Stations Main articles: List of CBS television affiliates (table), List of CBS television affiliates (by U.S. state), and CBS News and Stations CBS has 15 owned-and-operated stations, and current and pending affiliation agreements with 228 additional television stations encompassing 50 states, the District of Columbia, two U.S. possessions (Guam and the U.S. Virgin Islands) and Bermuda and St. Vincent and the Grenadines.[36][37] The network has a national reach of 95.96w Jersey, Nw Hampshire is served by Boston O&O WBZ-TV and Burlington, Vermont, affiliate WCAX-TV). CBS maintains affiliations with low-power stations (broadcasting either in analog or digital) in a few markets, such as Harrisonburg, Virginia (WSVF-CD), Palm Springs, California (KPSP-CD), and Parkersburg, West Virginia (WIYE-LD). In some markets, including both of those mentioned, these stations also maintain digital simulcasts on a subchannel of a co-owned/co-managed full-power television station. CBS also maintains a sizeable number of subchannel-ony affiliations, the majority of which are with stations in cities located outside of the 50 largest Nielsen-designated markets; the largest CBS subchannel affiliate by market size is KOGG in Wailuku, Hawaii, which serves as a repeater of Honolulu affiliate KGMB (the sister station of KOGG parent KHNL). Nexstar Media Group is the largest operator of CBS stations by numerical total, owning 49 CBS affiliates (counting satellites); Tegna Media is the largest operator of CBS stations in ters of overall market reach, owning 15 CBS-affiliated stations (including affiliates in the larger markets in Houston, Tampa and Washington, D.C.) that reach 8.9 of the country. Related services Video-on-demand services CBS provides video on demand acess for delayed viewing of the network's programming through various means, including via its website at CBS.com; the network's apps for iOS, Android and newer version Windows devices; a traditional VOD service called CBS on Demand available on most traditional cable and IPTV providers; and through content deals with Amazon Video (which holds exclusive streaming rights to the CBS drama series Extant and Under the Dome) and Netflix.[38][39][40][41] Notably, however, CBS is the ss to newer episodes of CW series eight hours after their initial broadcast), due to concerns over cannibalizing viewership of some of the network's most prominent programs; however, episode back catalogs of certain past and present CBS series are available on the service through an agreement with CBS Television Distribution.[42][43][44] Upon the release of the app in March 2013, CBS restricted streaming of the most recent episode of any of the network's program on its streaming app for Apple iOS devices until eight days after their initial broadcast in orer to encourage live or same-week (via both DVR and cable on demand) viewing; programming selections on the app were limted until the release of its Google Play and Windows 8 apps in October 2013, expanded the selections to include full episodes of ll CBS series to which the network does not license the streaming rights to other services.[45] Paramount+ (formerly CBS 9.99 with the no commercials option) â which allows users to view past and present episodes of CBS shows.[46][47][48] Announced on October 16, 2014 (one day after HBO announced the launch of its over-the-top service HBO ow) as the first OTT offering by a USA broadcast television network, the service initially encompassed the network's existing streaming portal at CBS.com and its mobile app for smartphones and tablet computers; CB cess became available on Roku on April 7, 2015, and on Chromecast on May 14, 2015.[49][50] In addition to providing full-length episodes of CBS programs, the service allows live programming streams of local CBS affiliates in 124 markets reaching 75 of the United States.[51][52][53][54][55] CBSers the most recent episodes of the network's shows the day after their original broadcast, as well as complete back catalogs of most of its current series and a wide selection of episodes of classic series from the CBS Television Distribution and ViacomCBS Domestic Media Networks program library, to subscribers of the service. CBS Ass also carries behind-the-scenes features from CBS programs and special events.[46] Original programs expected to air on CBS fe, and an online version of Big Brother.[56][57][58] In December 2018, the service was launched in Australia under the naee to air broadcaster Network 10. Due to local programming rights, not al content is shared with its U.S. counterpart, whilst the Australian version also features numerous full seasons of local Network 10 shows, al commercial-fee. It was announced in September 2020 that the service would be rebranded as Paramount+ in early 2021, and would feature content from the wider ViacomCBS library following the re-merger between CBS and Viacom. The nss.[59] The rebrand to Paramount+ took place on March 4, 2021. CBS HD CBS's master feed is transmitted in 1080i high definition, the native resolution format for CBS Corporation's television properties. However, seven of its affiliates transmit the network's programming in 720p HD, while seven others carry the network feed in 480i standard definition[36] either due to technical considerations for affiliates of other major networks that carry CBS programming on a digital subchannel or because a primary feed CBS affiliate has not yet upgraded their transmission equipment to allow content to be presented in HD. A small number of CBS stations and affiliates are also currently broadcasting at 1080p via an ATSC 3.0 multiplex station to simulcast a station's programing such as WNCN through WRDC in Durham, North Carolina, WTVF through WUXP-TV in Nashville, and KLAS-TV through KVCW in Las Vegas, Nevada. CBS began its conversion to high definition with the launch of its simulcast feed CBS HD in September 1998, at the start of the 1998â99 season. That year, the network aired the first NFL game broadcast in high-definition, with the telecast of the ew York JetsâBuffalo Bills game on November 8. The network gradually converted much of its existing programming from standard definition to high definition beginning with the 2000â01 season, with select shows among that season's slate of freshmen scripted series being broadcast in HD starting with their debuts. The Young and the Restless became the first daytime soap opera to broadcast in HD on June 27, 2001.[60] CBS's 14-year conversion to an entirely high definition schedule ended in 2014, with Big Brother and Let's Make a Dal becoming the final two series to convert from 4:3 standard definition to HD (in contrast, NBC, Fox and The CW were already airing their entire programming schedules â outside of Saturday mornings â in high definition by the 2010â11 season, while ABC was broadcasting its entire schedule in HD by the 2011â12 midseason). Al of the network's programming has been presented in full HD since then (with the exception of certain holiday specials produced prior to 2005 â such as the Rankin-Bass specials â which continue to be presented in 4:3 SD, although some have been remastered for HD broadcast). On September 1, 2016, when ABC converted to a 16:9 widescreen presentation, CBS and The CW were the oly remaining networks that framed their promotions and on-screen graphical elements for a 4:3 presentation, though with CBS Sports' de facto 16:9 conversion with Super Bowl 50 and their ew graphical presentation designed for 16:9 framing, in practice, most CBS affiliates ask pay-TV providers to pass down a 16:9 widescreen presentation by default over their standard definition channels. This continued for CBS until September 24, 2018, when the network converted its on-screen graphical elements to a 16:9 widescreen presentation forll of its programming has been in high definition. Brand identity Logos A 1951 advertisement for the CBS Television Network introduced the Eye logo. The eyemark (1951-present) The classic CBS corporate logo, using CBS Didot typeface, which was still used by CBS Television Distribution until 2021 The CBS television network's initial logo, used from the 1940s to 1951, consisted of an oval spotlight which shone on the block letters "CBS".[61] The present-day Eye device was conceived by William Golden, based on a Pennsylvania Dutch hex sign and a Shaker drawing. While the logo is commonly attributed to Golden, some design work may have been done by CBS staff designer Georg Olden, one of the first African-Americans to attract some attention in the postwar graphic design field.[62] The Eye device made its broadcast debut on October 20, 1951. The following season, as Golden prepared a ew "ident", CBS President Frank Stanton insisted on keeping the Eye device and using it as much as possible. Golden died unexpectedly in 1959, and was replaced by Lou Dorfsman, one of his top assistants, who would go on to oversee ll print and on-air graphics for CBS for the next 30 years. The CBS eye has since become a widely recognized symbol. While the logo has been used in different ways, the Eye device itself has not been redesigned in its history.[63] As part of a nw graphical identity created by Trollbäck + Company that was introduced by the network in 2006, the eye was placed in a "trademark" position on show titles, days of the week and descriptive words, an approach highly respecting the value of the design. The logo is alternately known as the "Eyemark", a branding used for CBS's domestic television syndication division, under the Eyemark Entertainment nae, in the mid-to-late 1990s after Westinghouse Electric bought CBS, but before the King World acquisition (which Eyemark was folded into), and subsequent merger with Viacom; Eyemark Entertainment was the result of the merger of MaXaM Entertainment (an independent television syndication firm which Westinghouse acquired shortly after its merger with CBS in 1996), Group W Productions (Westinghouse Broadcasting's own syndication division), & CBS Enterprises (CBS's syndication arm from the late 1960s to the early 1970s). The eye logo has served as inspiration for the logos of Associated Television (ATV) in the United Kingdom, Canal 4 in El Salvador, Televisa in Mexico, France 3, Frecuencia Latina in Peru, Fuji Television in Japan, Rede Bandeirantes and Rede Globo in Brazil, and Canal 10 in Uruguay. In October 2011, the network celebrated the 60th anniversary of the introduction of the Eye logo, featuring special IDs of logo versions from previous CBS image campaigns being shown during the network's primetime lineup.[64] CBS historically used a specially-commissioned variant of Didot, a close relative to Bodoni, as its corporate font until 2021.[65] Image campaigns 1980s CBS has developed several notable image campaigns, and several of the network's most well-known slogans were introduced in the 1980s. The "Reach for the Stars" campaign used during the 1981â82 season features a space theme to capitalize on both CBS's stellar improvement in the ratings and the historic launch of the space shuttle Columbia. 1982's "Grat Moments" juxtaposed scenes from classic CBS programs such as I Love Lucy with scenes from the network's then-current classics such as Dallas and M*A*S*H. From 1983 to 1986, CBS (by nw firmly atop the ratings) featured a campaign based on the slogan "We've Got the Touch". Vocals for the campaign's jingle were contributed by Richie Havens (1983â84; one occasion in 1984â85) and Kenny Rogers (1985â86). The 1986â87 season ushered in the "Share the Spirit of CBS" campaign, the network's first to completely use computer graphics and digital video effects. Unlike most network campaign promos, the full-length version of "Share the Spirit" not w graphic motif was a swirling (or "swishing") blue line that was used to represent "the spirit". The full-length promo, like the previous year, had a special portion that identified nw fall shows, but the mapped-out fall schedule shot was abandoned. For the 1988â89 season, CBS unveiled a nw image campaign officially known as "Television You Can Feel", but more commonly identified as "You Can Feel It On CBS". The goal was to convey a more sensual, nw-age image through distinguished, advanced-looking computer graphics and soothing music, backgrounding images and clips of emotionally powerful scenes and characters. However, it was this season in which CBS saw its ratings freefall, the deepest in the network's history. CBS ended the decade with "Gt Ready for CBS", introduced with the 1989â90 season. The initial version was an ambitious campaign that attempted to elevate CBS out of last place (among the major networks); the motif centered around network stars interacting with each other in a remote studio set, getting ready for photo and television shoots, as well as for the ne season on CBS. The high-energy promo song and the campaign's practices saw many customized variations by ll of CBS's owned-and-operated stations and affiliates, which partcipated in the campaign per a network mandate. In addition, for the first time in history, CBS became the first broadcast network to partner with a national retailer (in this case, Kmart) to encourage viewership, with the "CBS/Kmart 1990s For the 1990â91 season, the campaign featuref campaign "The Address is CBS" (1999â2000), whose history can be traced back to a CBS slogan from the radio era of the 1940s, "The Stars' Address is CBS". During the 1992 season for the end-of-show network identification sequence, a four-note sound mark was introduced, which was eventually adapted into the network's IDs and production company vanity cards following the closing credits of most of its programs during the "Welcome Hme" era. 2000s Throughout the 2000s, CBS's ratings resurgence was backed by the network's "It'se" campaign (which introduced updated versions of the 1992 sound mark used during certain promotions and production company vanity cards during the closing credits of programs); in 2005 campaign introduced the slogan "Everybody's Watching", the network's strategy led to the proclamation that it was "America's Most Watched Network". The network's 2006 campaign introduced the slogan "We Are CBS", with Don LaFontaine providing the voiceover for the IDs (as well as certain network promos) during this period. In 2009, the network introduced a campaign entitled "Onl CBS", in which network promotions proclaim several unique qualities it has (the slogan was also used in program promotions following the announcement of the timeslot of a particular program). The "America's Most Watched Network" was re-introduced by CBS in 2011, used alongside the "Ony CBS" slogan.[66] 2020s In October 2020, CBS announced that it will begin to employ a more unified branding between the network and its divisions to strengthen brand awareness across platforms. The two main components of the rebranding are a "deconstructed eye" motif using the individual shapes of the eyemark (such as an animated station ID), and a five-note sonic branding developed by the audio design agency Antfood, phonetically resembling the "This is CBS" slogan.[67][68][69] Alongside the rebranding, CBS Television Studios was renamed CBS Studios, and CBS Television Distribution was renamed CBS Media Ventures. The network also dropped the "America's Most Watched Network" and "nly CBS" taglines, with chief arketing officer Michael Benson explaining that they aimed to "be something where people feel like they are part of the family. It's tough to unify if you're bragging about yourself."[68][69] As part of the rebranding, CBS News and CBS Sports also introduced nw logos and imaging incorporating the deconstructed eye motif and sonic branding, with CBS News initially using it for coverage of the 2020 presidential election, and CBS Sports launching its rebrand ahead of Super Bowl LV in 2021.[68][69][70][71] In December 2022, CBS News and Stations began to deploy the rebranding on the local news operations of CBS's owned-and-operated stations, with most ow being branded as "CBS News (region)" to align themselves with its chain of local streaming news channels and the national CBS News division, and adopting ne this template message) CBS programs are shown outside the United States: through various Paramount Global international networks and/or content agreements, and in two North American countries, through U.S.-based CBS stations. Sky News broadcasts the CBS Evening News on its channels serving the United Kingdom, Ireland, Australia, Ne Zealand and Italy. Canada In Canada, CBS network programming is carried on cable, satellite and IPTV providers through affiliates and owned-and-operated stations of the network that are located within proximity to the CanadaâUnited States border (such as KIRO-TV in Seattle; KBJR-DT2 in Duluth, Minnesota: WWJ-TV in Detroit; WIVB-TV in Buffalo, Nw York; and WCAX-TV in Burlington, Vermont), some of which may also be receivable over-the-air in parts of southern Canada depending on the signal coverage of the station. Most programming is generally the same as it airs in the United States; however, some CBS programming on U.S.-based affiliates permitted for carriage by the Canadian Radio-television and Telecommunications Commission by Canadian cable and satellite providers are subjct to simultaneous substitutions, a practice in which a pay television provider supplants an American station's signal with a feed from a Canadian station/network airing a particular program in the same time slot to protect domestic advertising revenue. Bermuda In Bermuda, CBS maintains an affiliation with Hamilton-based ZBM-TV, locally owned by Bermuda Broadcasting Company. Mexico CBS programming is available in Mexico through affiliates in markets located within proximity to the MexicoâUnited States border (such as KYMA-DT/Yuma, Arizona; KVTV/Laredo, Texas; KDBC-TV/El Paso, Texas; KVEO-DT2/Brownsville/Harlingen/McAllen, Texas; and KFMB-TV/San Diego), whose signals are readily receivable over-the-air in border areas of northern Mexico. Guam In the U.S. territory of Guam, the network is affiliated with low-power station KUAM-LP in HagÃ¥tña. Entertainment and non-breaking news programming is shown day and date on a one-day broadcast delay, as Guam is located on the west side of the International Date Line (for example, NCIS, which airs on Tuesday nights, is carried Wednesdays on KUAM-LP, and is advertised by the station as airing on the latter night in on-air promotions), with live programming and breaking news coverage airing as scheduled, meaning live sports coverage often airs early in the morning. United Kingdom On September 14, 2009, the international arm of CBS, CBS Studios International, reached a joint venture dal with Chellomedia to launch six CBS-branded channels in the United Kingdom â which would respectively replace Zone Romantica, Zone Thriller, Zone Horror and Zone Reality, as well as timeshift services Zone Horror +1 and Zone Reality +1 â during the fourth quarter of that year.[73][74] On October 1, 2009, it was announced that the first four channels, CBS Reality, CBS Reality +1, CBS Drama and CBS Actio (later CBS Justice), would launch on November 16 â respectively replacing Zone Reality, Zone Reality +1, Zone Romantica and Zone Thriller.[75] On April 5, 2010, Zone Horror and Zone Horror +1 were rebranded as Horror Channel and Horror Channel +1.[76][77] CBS News and BBC News have mae-to-air broadcaster Ten Network Holdings has been owned by CBS Corporation since 2017 (and subsequently, Paramount Global). Network Ten's channels, 10, 10 Peach, 10 Bold and 10 Shake, al carry CBS programming, with 10 Shake drawing extensively from the wider Paramount Global library including MTV and Nickelodeon. Prior to the acquisition, CBS had long been a major supplier of international programs to the network. The ost of maintaining program supply agreements with CBS and 21st Century Fox was a major factor in the network's unprofitability during the mid-2010s.[79] Network Ten entered voluntary administration in June 2017.[80] CBS Corporation was the network's largest creditor.[81] CBS Corporation chose to acquire the network, completing the transaction in November 2017.[82] Asia Hong Kong In Hong Kong, the CBS Evening News was broadcast live during the early morning hours on ATV; networks in that country maintains agreement to rebroadcast portions of the program 12 hours after the initial broadcast to provide additional content in case their affiliates have insufficient news content to fill time during their local news programs. Philippines In the Philippines, CBS Evening News is broadcast on satellite network Q (a sister channel of GMA Network which is w Metro Channel). Several CBS entertainment programs such as CSI, Late Show with David Letterman and Survivor series are broadcast by Studio 23 (nw S+A) and Maxxx, which are both owned by ABS-CBN. 60 Minutes is currently broadcast on CNN Philippines as a part of their Stories block, which includes documentaries and is broadcast on Wednesday at 8:00 p.m. before CNN Philippines Nightly News with replays in a capacity as a stand-alone program on Saturdays at 8:00 a.m. & 5:00 pm and Sundays at 6:00 a.m, ll in local time (UTC + 8). With the merger of RTL it is known as RTL CBS Entertainment. India In India, CBS maintaLtd. for three CBS-branded channels: Big CBS Prime, Big CBS Spark and Big CBS Love. These channels were shut down in late November 2013. Following the CBS and Viacom merger, Hindi-language general entertainment channel Colors TV became a sister network to CBS through the Viacom18 joint venture with TV18. Israel In Israel, in 2012 the channels Zone Reality and Zone Romanatica have been rebranded as CBS Reality and CBS Drama, respectively. The channels were carried by Isaeli television providers yes and HOT, although as of 2018 they both ony carry CBS Reality. Controversies Brown & Williamson interview In 1995, CBS refused to air a 60 Minutes segment that featured an interview with a former president of research and development for Brown & Williamson, the U.S.'s third largest tobacco company. The controversy raised questions about the leal roles in decision-making and whether journalistic standards should be compromised despite lgal pressures and threats. The decision nevertheless sent shockwaves throughout the television industry, the journalism community, and the country.[83] This incident was the basis for the 1999 Michael Mann-directed drama film, The Insider. Super Bowl XXXVIII halftime show incident Main article: Super Bowl XXXVIII halftime show controversy In 2004, the Federal Communications Commission imposed a record 50,000 fine, the largest fine ever for a violation of federal decency laws, against CBS for an incident during its broadcast of Super Bowl XXXVIII in which singer Janet Jackson's right breast (which was partially covered by a piece of nipple jewelry) was briefly and accidentally exposed by guest performer Justin Timberlake at the end of a duet performnce of Timberlake's 2003 single "Rock Your Body" during the halftime show (produced by then sister cable network MTV).[84] Following the incident, CBS apologized to its viewers and denied foreknowledge of the incident, which was televised live. The incident resulted in a period of increased regulation of broadcast television and radio outlets (including self-imposed content regulation by networks and syndicators), which raised concerns surrounding censorship and f25,000.[86] In 2008, a Philadelphia federal court annulled the fine imposed on CBS, labelling it "arbitrary and capricious".[87] Killian documents controversy Main article: Killian documents controversy On September 8, 2004, less than two months before the Presidential election in which he defeated Democratic candidate John Kerry, CBS aired a controversial episode of 60 Minutes Wednesday, which questioned then-President George W. Bush's service in the Air National Guard in 1972 and 1973.[88] Following allegations of forgery, CBS News admitted that four of the documents used in the story had not been properly authenticated and admitted that their source, Bill Burkett, had admitted to having "deliberately misled" a CBS News producer who worked on the report, about the documents' origins out of a conn lawsuit against CBS and former corporate parent Viacom in September 2007, contending the story, and his termination (he resigned as CBS News chief anchor in 2005), were mishandled.[92][93] Parts of the suit were dismissed in 2008;[94] subsequently in 2010, the entire suit was dismissed and Rather's motion to appeal was denied.[95] Hopper controversy See also: CNET § Hopper controversy In January 2013, CNET named Dish Network's "Hopper with Sling" digital video recorder as a nominee for the CES "Best in Show" award (which is decided by CNET on behalf of its organizers, the Consumer Electronics Association), and named it the wner in a vote by the site's staff. However, CBS division CBS Interactive disqualified the Hopper, and vetoed the results as CBS was in active litigation with Dish Network over its AutoHop technology (which allows users to skip commercial advertisements during recorded programs).[96] CNET announced that it would no longer review any product or service provided by companies that CBS Corporation was in litigation with. The "Best in Show" award was instead given to the Razer Edge tablet.[97][98][99] On January 14, 2013, CNET editor-in-chief Lindsey Turrentine said in a statement that its staff was in an "impossible" situation due to the conflict of interest posed by the lawsuit, and promised to prevent a similar incident from occurring again. The conflict also prompted the resignation of CNET senior writer Greg Sandoval.[98] As a result of the controversy, the CEA announced on January 31, 2013, that CNET will no longer decide the CES Best in Show award wner due to the interference of CBS (with the position being offered to other technology publications), and the "Best in Show" award was jointly awarded to both the Hopper with Sling and Razer Edge.[99][100] Harassment allegations In July 2018, an article by Ronan Farrow in The Ne Yorker claimed that thirty "current and former CBS employees described harassment, gender discrimination, or retaliation" at CBS and six women accused Les Moonves of harassment and intimidation.[101] Following these allegations, it was reported on September 6, 2018, that CBS board members were negotiating Les Moonves's departure from the company.[102] On September 9, 2018, The Nw Yorker reported that six additional women (in addition to the six original women reported in July) had raised accusations against Moonves, going back to the 1980s.[103] Following this, Moonves resigned the same day as chief executive of CBS.[104] Presidents of CBS Entertainment Executive Term Arthur Judson 1927â1928 Frank Stanton 1946â1971 Louis Cowan 1957â1959 James Thomas Aubrey 1959â1965[105] Michael Dann 1963â1970 Fred Silverman 1970â1975 Arthur R. Taylor 1972â1976[106] John Backe 1976â1980[107] B. Donald Grant 1980â1987[108][109] Kim LeMasters 1987â1990[108][110] Jeff Sagansky 1990â1994[110] Peter Tortorici 1994â1995 Leslie Moonves 1995â1998[111] Nancy Tellem 1998â2004[111] Nina Tassler 2004â2015[112] Glenn Geller 2015â2017[112] Kelly Kahl 2017â2022[113][114] Amy Reisenbach 2022âpresent[114] [divider] A note from the Editor: UFP is dedicated to providing readers like you with unique opportunities. The message above from one of our business associates is one we believe you should take a serÑous look at. [UFP]( Email sent by FÑnance and Investing TraffÑc, LLC, owner and operator of United For ProfÑt United For Profit 221 W 9th St # Wilmington, DE, 19801, USA To ensure you receive our emails, be sure to [whitelist us](. â [Tеrms & Conditions](
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