Newsletter Subject

Make Better Music Without Mixing - Here's How!

From

audiouniversityonline.com

Email Address

kyle@audiouniversityonline.com

Sent On

Thu, May 25, 2023 03:04 PM

Email Preheader Text

Hey {NAME}, Have you ever heard of Al Schmitt? He is definitely someone worth knowing about! Al Schm

Hey {NAME}, Have you ever heard of Al Schmitt? He is definitely someone worth knowing about! Al Schmitt is widely regarded as the greatest recording engineer of all time. He worked with a long list of artists, including Sam Cooke, Steely Dan, Ray Charles, Paul McCartney, and so many more. One thing that made Al Schmitt so unique and successful was the fact that he could dial in the sound of a recording from the very beginning stages of the process. Rather than slapping a microphone on an instrument and pressing the record button, he would strive to achieve the right sound in the recording session. In fact, when asked about the mixing techniques he used for the Roy Hargrove Quintet album Earfood, Al responded: "None. In fact, I don’t use any equalization. I just adjust the mics until I get the sound we’re looking for. It’s just my style. It’s the way I learned. I also use very little compression. I may put the bass through a tube limiter to get the sound of the tube, but, at most, I’ll pull down a dB. I’m pretty much a simple analogue kind of guy." In this week's video, let's look at how you and I can apply "The Al Schmitt Method" to our own recordings. We will listen to the way we can impact the sound of a recording using only microphone selection and placement. Watch the video now on YouTube: [Stop Trying To "Fix It In The Mix"! (Do THIS Instead...)](=)​ =​ [Unsubscribe]( | [Update your profile]( | 113 Cherry St #92768, Seattle, WA 98104-2205 [Built with ConvertKit](=)

Marketing emails from audiouniversityonline.com

View More
Sent On

31/05/2024

Sent On

30/05/2024

Sent On

30/05/2024

Sent On

29/05/2024

Sent On

28/05/2024

Sent On

24/05/2024

Email Content Statistics

Subscribe Now

Subject Line Length

Data shows that subject lines with 6 to 10 words generated 21 percent higher open rate.

Subscribe Now

Average in this category

Subscribe Now

Number of Words

The more words in the content, the more time the user will need to spend reading. Get straight to the point with catchy short phrases and interesting photos and graphics.

Subscribe Now

Average in this category

Subscribe Now

Number of Images

More images or large images might cause the email to load slower. Aim for a balance of words and images.

Subscribe Now

Average in this category

Subscribe Now

Time to Read

Longer reading time requires more attention and patience from users. Aim for short phrases and catchy keywords.

Subscribe Now

Average in this category

Subscribe Now

Predicted open rate

Subscribe Now

Spam Score

Spam score is determined by a large number of checks performed on the content of the email. For the best delivery results, it is advised to lower your spam score as much as possible.

Subscribe Now

Flesch reading score

Flesch reading score measures how complex a text is. The lower the score, the more difficult the text is to read. The Flesch readability score uses the average length of your sentences (measured by the number of words) and the average number of syllables per word in an equation to calculate the reading ease. Text with a very high Flesch reading ease score (about 100) is straightforward and easy to read, with short sentences and no words of more than two syllables. Usually, a reading ease score of 60-70 is considered acceptable/normal for web copy.

Subscribe Now

Technologies

What powers this email? Every email we receive is parsed to determine the sending ESP and any additional email technologies used.

Subscribe Now

Email Size (not include images)

Font Used

No. Font Name
Subscribe Now

Copyright © 2019–2024 SimilarMail.