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[Norman Jewison Could (and Did) Do It All](
There are contortionists who canât fold themselves into as many different shapes as the late Moonstruck director did during his career.
Photo: Everett Collection Artists of every stripe like to say that the work is what matters to them. But in the case of Norman Jewison, who died Monday at 97, it was really true. If you watch a clip reel of great moments from the first century of cinema, youâll see Jewisonâs work referenced again and again, and be surprised to realize how many great films he made, and in how many modes. The swooningly romantic scene in 1987âs Moonstruck where Nicolas Cage tells Cher that we are here to ruin ourselves and love the wrong people and die and that the storybooks are bullshit, then implores her to come upstairs and get into his bed? Norman Jewison directed that. The scene in the racially explosive 1967 southern gothic mystery In the Heat of the Night where Sidney Poitierâs police detective Mr. Tibbs gets slapped by a rich white man and slaps him right back? Norman Jewison. The formally daring sequence in The Hurricane where the protagonist Rubin âHurricaneâ Carter, wrongly imprisoned for murder, cracks during solitary confinement, and different sides of his personality argue with each other, and itâs shot and edited as if there are multiple Denzel Washingtons in the cell making eye contact with each other? Same guy. [read more]( Devour pop culture with us. [Subscribe now]( to save over 60% on unlimited access to Vulture and everything New York. The Latest TV Recaps ⢠Death and Other Details: [Dying for Information](
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