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In their hands, Merrily We Roll Along might be a Broadway hit at long last.
Photo: Mark Seliger/© MARK SELIGER [Merrily We Roll Along]( made its Broadway debut in November 1981. Sixteen performances later, it famously closed as a flop. An adaptation of a George Kaufman and Moss Hart play of the same name that debuted in 1934, the show was created by the legendary team of [Stephen Sondheim]( and [Hal Prince]( with George Furth writing the book. It tells the story of three plucky young friends â Frank, a composer; Charley, a playwright; and Mary, a writer â who, over time, slowly start to resent each other. Except, notably, that story is told backward: spanning about two decades, from age 40, when theyâre embittered adults, back down to their 20s, when theyâre aspirational artists hanging out on a roof. It immediately landed in the shadow of Sondheim and Princeâs previous work, Sweeney Todd. âMr. Sondheim has given this evening a half-dozen songs that are crushing and beautiful â that soar and linger and hurt,â Frank Rich wrote in his review for the New York [Times](. âBut the show that contains them is a shambles.â Its failure broke down Sondheim and Princeâs collaborative relationship and became regarded as Sondheimâs black sheep. In 2016, the documentary [Best Worst Thing That Ever Could Have Happened]( chronicled the lives of the original productionâs young actors â a cast of 16-to-25-year-olds that included Jim Walton (Frank), Lonny Price (Charley), Ann Morrison (Mary), and a young Jason Alexander as Broadway producer Joe Josephson â while painting a picture of how the show is widely perceived. âOne of the lessons of adulthood is disappointment,â one actor says in the film, both summarizing life and, ironically, Merrily. [read more]( Devour pop culture with us. Subscribe now to [save over 60 percent]( on unlimited access to Vulture and everything New York. The Latest TV Recaps ⢠Below Deck Down Under: [What Goes Around Comes Around](
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