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[Atlanta Season 3 Was a Bad Trip](
After a four-year break, Donald Gloverâs FX series returned unsure of what it wanted to say. Four Vulture writers and critics try to make sense of it.
Photo: Oliver Upton/FX In updating our list of the [best television of 2022](, Vultureâs TV critics opted to remove Atlanta season three after viewing it in full. Here, Atlanta viewers Angelica Jade Bastién, Roxana Hadadi, Craig Jenkins, and Tirhakah Love break down their reactions to the season. Angelica Jade Bastién: After a four-year absence from our screens, Atlanta had a lot of audience curiosity and expectations weighing on it. The series, often shot through with horror and the absurd, has always been slippery in the way it frames its main characters and the weird spaces they inhabit. But in its third season, Atlanta feels scattershot: Four of its ten episodes consisted of stand-alone story lines considering ideas like the material effects of reparations and the costs of choosing to be white-passing. The [season premiere]( fantastically rewrote the narrative of the Hart-family murders to provide a better ending for those mistreated Black children than reality could. But thereâs a cruelty in the crafting of the wayward, downright mean Black mother, the episodeâs protagonist, that made me wonder if the series was revealing truths about anti-Blackness or merely wallowing in it. The other six episodes only loosely follow Atlantaâs main characters, leaving both Alfredâs vaulting success in Europe and Vanâs interior life scantily defined. Season three felt like empty provocation, relying on buzzy cameos meant to rile up audiences and slick stylization to hide its hollow interior. [Read The Story »]( Devour pop culture with us. [Subscribe now](for unlimited access to Vulture and everything New York. The Latest TV Recaps ⢠[Evil:]( Horny As Hell ⢠[Becoming Elizabeth:]( Elizabeth Learns a Lesson ⢠[The Real Housewives of Atlanta:]( Drop It With Drew & Co. ⢠[Westworld:]( Christinaâs World ⢠[P-Valley:]( The Real Househoes of Chucalissa ⢠[90 Day Fiancé:]( Free Bini, Kobe, and Shaeeda
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31-Across, Four Letters: Number of Oscars for Glenn Close, inexplicably.
Photo-Illustration: Vulture; Photos by Getty Images and Lucasfilms Ltd. Vulture Recommends
We consume it all so you donât have to. [Baz Luhrmannâs flashy, tacky Elvis]( might be a hazard to your corneas. But itâs also a lot of fun. As Alison Willmore writes, the film is âbloated, hectic, ridiculous, and utterly shameless in all it glosses over to present its thesis on Presley as a talent too beautiful for this earth â the Christ of show business, sacrificed to our rapacious desires and the cruelties of capitalism at the age of 42. And you know what? I liked it.â [Read more from Vulture]( Introducing Dinner Party, a lively new evening newsletter about everything that just happened. [Sign up]( to get it every weeknight. [logo]( [facebook logo]( [instagram logo]( [twitter logo]( [unsubscribe](param=daily) | [privacy notice]( | [update preferences]( This email was sent to {EMAIL}. Was this email forwarded to you? [Sign up now]( to get this newsletter in your inbox. [View this email in your browser.]( You received this email because you have a subscription to New York.
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