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[The Horror of Men Doesnât Go Far Enough](
Alex Garlandâs latest body-mangling film lacks the depth and bravado it needs to succeed.
Photo: A24 Lately, when I walk into a movie theater, I am desperate to feel. In this total darkness, surrounded by strangers, is the potential for poetry and challenge. Film, at the height of its powers, isnât just a material, aesthetic, and visual experience but a spiritual one, and the writer-director Alex Garland has met my expectations before. As the screenwriter for the fiery, closed-quarters Sunshine and the zombie treatise 28 Days Later, Garland moved through the ecstatic wonders of genre fiction before turning his attention to directing with the slippery and imperfect Ex Machina. That 2014 science-fiction film was equal turns beguiling and frustrating, and it wasnât until 2018âs Annihilation that Garland was able to create â alongside cinematographer Rob Hardy and stars including Natalie Portman â a work of potent complication. Nestled into its scenes of body mangling and its formal experimentation is a story about depression and loss. Garland and his collaborators found a way to communicate these ideas with subtlety and without forgetting the queasy pleasures that can be found in horror. [Read The Story »]( Devour pop culture with us. [Subscribe now](for unlimited access to Vulture and everything New York. The Latest TV Recaps ⢠[This Is Us:]( One Last Ride
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