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Julia Ducournau lets us in on the years of fury, angst, and comedy that fueled the Palme dâOrâwinning, genre-smashing Titane.
Photo: Jeff Brown Julia Ducournau is telling me a horror story. A true one. The two of us are walking through MoMA on a crisp fall Friday afternoon, in part because itâs one of the Parisian writer-directorâs favorite spots to visit when she comes to New York City and in part because the museum happens to be putting on an exhibit called âAutomania,â which could be an alternate title for her Cannes Palme dâOrâwinning, paradigm-smashing, car-fucking second feature, Titane. Despite having woken up at 4:30 a.m. and flown here from a film festival in Texas, Ducournau, 37, looks soigné: pleated black Prada skirt, black leather Chanel jacket, iridescent-purple Issey Miyake tote bag, matched with scuffed white Adidas sneakers and the remnants of a late-summer tan. Sheâs five-foot-nine but gives off the distinct impression that she is six-foot-nine. She warns me that she canât stay inside the museum chatting for too long without a break. âItâs not because I like fresh air or anything. I donât give a shit about that,â she says. âBut I like smoking.â [Read The Story »]( The Latest TV Recaps ⢠[Only Murders in the Building:]( Outside the Box
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