So you want to be an artist. Do you have to start a TikTok?
vox.com/culture CULTURE Do you remember in the early 2010s, when people were earnestly talking all the time about how selling out as a concept was dead? It was one of the first great millennial-driven discourses â about how Gen X had the luxury of caring about artistic purity because they built their careers in a good economy, but we millennials had graduated into the worst recession since the Depression and, by god, we were going to sell out every single chance we got. Ten years later, weâre living with the aftermath of that great shift. Now, the attention economy requires that everyone be a sellout because how else will anyone ever notice you or your work? But Rebecca Jennings chronicles in [her deep dive into the problem of building a âpersonal brandâ]( that itâs not very fun to spend all your time marketing when what you want to do is make art. As Rebecca astutely puts it: âSelf-promotion sucks.â â[Constance Grady](, senior correspondent Everyoneâs a sellout now [an illustration of a woman sitting and recording herself]( Eleni Kalorkoti for Vox When Rachael Kay Albers was shopping around her book proposal, the editors at a Big Five publishing house loved the idea. The problem came from the marketing department, which had an issue: She didnât have a big enough following. With any book, but especially nonfiction ones, publishers want a guarantee that a writer comes with a built-in audience of people who already read and support their work and, crucially, will fork over $27 â a typical price for a new hardcover book â when it debuts. It was ironic, considering her proposal was about what the age of the âpersonal brandâ is doing to our humanity. Albers, 39, is [an expert in what she calls the âonline business industrial complex,â]( the network of hucksters vying for your attention and money by selling you courses and coaching on how to get rich online. Sheâs talking about the hustle bro âgurusâ flaunting rented Lamborghinis and promoting shady âpassive incomeâ schemes, yes, but sheâs also talking about the bizarre fact that her â65-year-old mom, whoâs an accountant, is being encouraged by her company to post on LinkedIn to âbuild [her] brand.ââ The internet has made it so that no matter who you are or what you do â from nine-to-five middle managers to astronauts to house cleaners â [you cannot escape the tyranny of the personal brand.](For some, it looks like updating your LinkedIn connections whenever you get promoted; for others, itâs asking customers to give you five stars on Google Reviews; for still more, itâs crafting an engaging-but-authentic persona on Instagram. And for people who hope to publish a bestseller or release a hit record, itâs âbuilding a platformâ so that execs can use your existing audience to justify the costs of signing a new artist. We like to think of it as the work of singular geniuses whose motivations are purely creative and untainted by the market â this, despite the fact that music, publishing, and film have always been for-profit industries where formulaic, churned-out work is what often sells best. These days, the jig is up. [Read the full story »](
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