Noah Kahan is bringing back the much maligned genre and taking the internet by storm.
vox.com/culture CULTURE The Wednesday edition of the Vox Culture newsletter is all about internet culture, brought to you by senior reporter Rebecca Jennings. The Wednesday edition of the Vox Culture newsletter is all about internet culture, brought to you by senior reporter Rebecca Jennings. ð TikTok's new favorite artist is a softboy Vermonter â°ï¸ Two years ago, in a post bemoaning a certain style of [Obama-era]( music made by men who used mustache wax and played the banjo, someone on Twitter wrote, âi like to call it stomp clap hey. that shit sucked lmao.â The Lumineers and Mumford & Sons are indeed, in 2023, regularly used as punchlines (though music snobs [hated them]( [just as much]( [at the time](), but what the tweet fails to recognize is that the genre alternately known as âstomp and holler,â âhey ho,â âhoedown pop,â or plain old âindie folkâ isnât something that only existed in 2011 and went away forever. It is, in fact, back. This is thanks to essentially one man, 26-year-old Noah Kahan, who makes the 2023 version of this kind of music. (It will surprise no one that the people who enjoy it do not appreciate the label âstomp clap hey.â) In the past two years, Kahan has turned a [TikTok](-viral song into an enormously successful commercial career, hitting the No. 1 spot on the Billboard rock and alternative album charts, collaborating with Post Malone, Kacey Musgraves, and Zach Bryan, and going on multiple sold-out tour runs â good luck getting tickets to his 2024 stadium tour. Walk into any coffee shop in America and the wistful, acoustic âStick Seasonâ is guaranteed to be somewhere on the playlist; turn on any top 40 radio station and youâre practically destined to hear the 70-miles-an-hour banjo of âDial Drunkâ at least once. Whatâs interesting about Kahan is less the fact that heâs bringing back pop folk or âstomp clapâ or whatever you want to call it, but what his version of it is about: growing up in Vermont. (And technically, also New Hampshire: He was born in Strafford, a small town in the mountains, but went to school just over the state border.) âStick Season,â the single he first teased on TikTok during lockdown, is named for a term used by Vermonters to describe the period after the foliage falls but before the snow comes, when everything is barren and brown. Itâs an image mirrored by the lyrics, which are about living in your hometown while you wait for your friends to come back for the holidays, stuck between the comfort of youth and independent adulthood. Tim Mosenfelder/FilmMagic âThereâs real beauty and nuance to living in New England,â he told [Billboard last fall](. âIt feels like youâre in a bubble and itâs fucking freezing and people are mean, but what trumps that all is how absolutely peaceful and gorgeous it is there. I wanted the perspective to be that of hope toward the end of the record â because I think the ultimate message of this album is that there is real beauty in small towns.â More than anything, this is what all of Kahanâs most popular songs concern, and it is why they are popular in the first place. They speak to a generation of young people, mostly teens and 20- and 30-somethings, who are nostalgic for their northern New England childhoods regardless of whether they moved away or stayed behind â two of his biggest hits are literally called âHomesickâ and âCall Your Momâ â and who have since learned the language of therapy speak to give names to such feelings. Owing to a longtime history of anxiety and depression, many of his lyrics reference medication and therapistsâ offices; he [has encouraged crowds]( that âeven the happiest person in the roomâ should be in therapy. His charity, the Busyhead Project, has raised [nearly $2 million]( for [mental health]( resources and awareness, in part thanks to Kahanâs Northern Attitude beer collab (naturally, itâs an IPA), a portion of proceeds from which go to the charity. Heâs what the internet likes to call âwholesome,â as are his fans; while reporting on the scene at a concert in New Hampshire, [Vultureâs Rebecca Alter described]( the attendees as mostly mothers and daughters, lesbian couples, and âsoftboys,â all of whom wore flannel shirts around their waists despite the 90-degree weather and cried a lot during the show. Kahanâs music is decidedly moodier than previous âstomp clapâ iterations; when you go to his page on [Spotify](, itâll direct you toward playlists styled in all lowercase called âlonging,â âhomegrown,â âsad hour,â âscarf season,â and âfall feels.â âIâm mean because I grew up in New England,â he wails on âHomesick;â this is, aptly, the line that gets the most shouts in concerts played in the region. âWhen I listened to âHomesickâ for the first time, it was the first time Iâd ever listened to an artist who has been able to accurately portray what I was feeling,â says Aris Sherwood, a 23-year-old from Rutland who now lives in the Chicagoland area. âI didnât realize it until I moved out of Vermont, but itâs a completely different culture.â âItâs all just so accurate and validating to see your unglamorous small-town upbringing represented in the mainstream,â adds Amanda Nielsen, a 26-year-old from Essex whoâs since moved to Colorado. âI used to be sort of embarrassed about being from somewhere so small and rural and rugged. Moving away has made me really appreciate the qualities I took for granted and now, I take a lot of pride in being from Vermont. I love where I live now, but I miss Vermont a lot sometimes, and being able to listen to Noahâs music makes me feel a little closer to home.â As someone who grew up there, I canât describe how bizarre it is when something from Vermont that isnât the foliage goes viral. I imagine itâs a little bit like when something like that one Mountain Goats song became a TikTok trend, which [at the time I likened]( to Ulysses suddenly being the best-selling book on [Amazon](. Nobody on, like, a nationwide societal level gives a shit about Vermont because not that many people live there. Our biggest city, the one I am from, doesnât even crack 50,000 people. We have a single area code. We got our first Target in 2020, an event so monumental in this part of the country Kahan mentions the opening of one in the song âNew Perspective.â But when youâre from a place that is small and mostly unimportant to the wider world, you do everything you can to make it matter, even â or rather, especially â when you move away. âThere is magic in being from Vermont,â says Tara Valenski, a 31-year-old from Essex Junction who now lives in New Jersey. âHis songs feel like coming home from college during winter break, slamming a Switchback at Three Needs [authorâs note: Switchback is one of those beers you canât really find outside Vermont, and Three Needs is a bar in Burlington where Iâm guaranteed to see at least three high school classmates]. Itâs like, Iâm never changing my phone number to get rid of my 802 area code; I have Vermont literally tattooed on me, but Iâll never move back. There just arenât any opportunities, the cost of living is out of control, and the employment opportunities just arenât there. He articulates that feeling so well.â Vermont, like any beautiful place that relies heavily on [tourism](, is easy to romanticize when you visit but much more difficult when you actually live in it. Nobody likes tourists (Vermonters hold a special hatred for âMassholesâ and, of course, New Yorkers) who come for the Instagrams of the foliage and the quaint small towns, towns that are [increasingly too expensive for locals](, donât have the infrastructure to handle crowds, and have experienced [worsening flooding]( due to [climate change](. Vermont has the [second-highest per capita rate]( of homelessness in the country, with 43 out of every 10,000 residents being unhoused. Meanwhile, dreamy TikToks showing the âperfect Vermont fall foliage weekend itineraryâ go viral every day this time of year, reaching increasingly younger people who expect the state to be some kind of Autumn Disneyland. â[Vermont] is definitely becoming a trend,â says Sherwood. âAnd I want people to know that as beautiful as it is, itâs still a state at the end of the day. Iâm from Rutland, the quote-unquote â[heroin capital of the world](.â So I donât see how you could listen to Noah Kahan and be like, âI want to move to Vermont.â Itâs like, are you listening to him?â âPeople love the aesthetic of Vermont, but for every New Yorker who wants to move to the country and open a bed and breakfast there is a blue-collar Vermonter whoâs lived here their whole life that gets priced out,â Fox Winters, a 25-year-old from Montpelier told me. On Kahan, he says, âHeâs everything about the commodification of my home state that I donât really love. At the same time, I know so many people who look at him as a source of pride, and I canât really blame them. He makes music that is pretty much exactly what many of the crunchy outdoorsy types want to hear, and heâs damn good at it.â Because I am a mean New Englander, to use Kahanâs description, when the full Stick Season album came out last year, I found it a bit mawkish and tailor-made for the flannel-Nalgene-hiking-doggo demographic that I steadfastly rejected in teenagehood. If it were still 2011, when media and music criticism was a little nastier, Iâd imagine some Pitchfork writer would have compared his older music to knockoff Ed Sheeran and his newer stuff to knockoff Hozier, perhaps using the phrase â(maple) syrupy music for white people with 25 bumper stickers on their Subaru hatchbacks.â But pop culture is much nicer now, and as far as I can tell, not a single person has published a negative word about Kahan. The culture is hungry for it, it seems; âYou see his tour merch everywhere,â Cormac Stevens, a 25-year-old in Burlington, tells me. The hosts of the podcast Who Weekly?, which unpacks the careers of [celebrities]( you maybe havenât heard of yet but are probably about to, described his rise over the past few months as âa full-on assault of relatability.â But because I am also in his prime demographic of nostalgic expat Vermonters, Iâm not immune to the pull of Kahanâs music, however cloying it can be. On a drive up to Vermont in early October, at the peak of the red-gold foliage weâre famous for, Kahanâs biggest hit of the moment, âDial Drunk,â comes on and suddenly Iâm crying, missing the home I had and the family whoâve since moved out. I text my best friends from high school and they say they know the feeling, theyâve cried to Noah Kahan, too. Itâs the kind of music that makes me want to call my sister and tell her what if we all moved back, you could run for city council and Iâd write for the local alt-weekly â itâs the kind of place where thereâs still an alt-weekly. My fiancé, an indie rock snob from Southern California, is in the middle of making fun of how cringe this kind of genre is; he doesnât get it, of course, but itâs then that I understand the hordes of kids sobbing out in fields as Kahan is strumming in front of them, the human representation of their home. In 10 years, when they look back on this younger version of themselves, itâs quite possible that theyâll feel a little corny about the whole thing, in the same way âstomp clap heyâ is looked on as a little corny now. More likely though, theyâll look at it the way they look at their â802â tattoos, small homages to the sole Vermont area code, representative of a time when leaving home or choosing to stay felt monumental and terrifying. Theyâll know that Vermont or New England or any other kind of picturesque-but-also-kind-of-depressing place canât be distilled into a tattoo or a song or an artist or even a genre but that once in a while it feels like it could. âPeople on TikTok are like, âHe literally wrote that song for me,ââ Sherwood says, âand Iâm like, âNo, he wrote that song for all the Vermonters. He wrote it for us.â Clickbait - Facebook and Instagram are suppressing posts supportive of Palestine, [many users say](.
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