Newsletter Subject

Who makes the rules in the digital Gilded Age?

From

vox.com

Email Address

newsletter@vox.com

Sent On

Wed, Oct 11, 2023 12:00 PM

Email Preheader Text

Former FCC chair Tom Wheeler's new book, Techlash, has a few ideas. We’re in a new Gilded Age.

Former FCC chair Tom Wheeler's new book, Techlash, has a few ideas. We’re in a new Gilded Age. What did we learn from the last one? The 19th century probably isn’t the first thing that comes to mind when you hear about Big Tech’s harms and possible solutions. It’s probably not the second either, or even 50th. But in his [forthcoming book]( Techlash: Who Makes the Rules in the Digital Gilded Age? Tom Wheeler makes the case that maybe it should be. The original Gilded Age describes a period at the end of the 19th century and the beginning of the 20th, when it became increasingly apparent that new, transformative technologies that had done so much for so many had done a lot more for a very few: the handful of men who owned or effectively controlled industries like steel, oil, and the railroads. The money and power they amassed often came at the expense of everyone else. Antitrust laws and federal agencies were created to stop abusive business practices. We still rely on them today. But an increasing number of people think those institutions aren’t equipped to deal with who holds the money and power now: Big Tech companies like Amazon, Apple, Google, Meta, and Microsoft. They differ on what can or should be done about that, however, and so very little has been done. These companies continue to operate under the rules they’ve made for themselves, which aren’t necessarily in the best interests of the rest of us. Wheeler has a few ideas about the best way to approach governmental oversight in this Digital Gilded Age, as he calls it. And he knows a thing or two about it. “My entire professional life has been about the intersection of public policy and new technology,” he says, including a stint as chair of the Federal Communications Commission (FCC) under President Barack Obama — a tenure that will likely be best known for instituting net neutrality to increase government oversight of broadband internet (which was later repealed under Trump, and now, under Biden, is [being restored](). He also describes himself as an “amateur historian.” All four of his books, including this one, are rooted in history. But he doesn’t think regulators and lawmakers should respond to the digital economy the way they did to the industrial innovations of 150 years ago. This Digital Gilded Age has a few fundamental differences from the original one, and that, he says, means it has to be regulated differently, too. Ahead of the release of Techlash, which comes out October 15, Wheeler spoke to Vox about all of this. This interview has been edited for brevity and clarity, and a [longer version]( will appear on Vox. How did this concept of two gilded ages come about? The more you look at the original Gilded Age, the more you say, “Wow, does that sound familiar!” Our technology-driven environment today echoes the original Gilded Age, principally because at its root it is the innovators who make the rules without regard for the consequences. We’ve always celebrated the fact that innovators make the rules. They should; they can see the future that none of the rest of us can see. All the great advances in science, technology, business, the arts, came from people who said, “We won’t obey the rules because we see something different.” But ultimately, that behavior runs into the rights of individuals and the public interest. We saw that in the original Gilded Age, and the Congress responded with [antitrust legislation](, with the creation of the [first federal regulatory agency](, with the [creation of legislation]( to protect against unsafe products. And the result of that was incredible growth in the economy and in those companies, as well as protection for consumers and competition. I think we’re at that same kind of a hinge moment today. The theme of this book is that unregulated tech has a damaging effect on basic things such as privacy, competition, and truth. And you can put in place an agile oversight that will protect the average American and promote innovation by promoting competition. You can then end up rebalancing the public and the private interest. We did it before and we can do it again. What are some of the key similarities between that Gilded Age and this one? They were technology-driven, and the application of that technology was defined by a handful of innovators who made the rules based on what was in their interest, rather than what was in the public interest. In both instances, wondrous new things were developed. But they brought with them negative consequences. And lastly, they both have accelerated the pace of life. In the original Gilded Age, industrialization increased the pace of life from the agricultural-based economy that had existed before. And obviously, in the digital Gilded Age, that pace of life has increased even more. But they’re not exactly the same. The assets behave differently. Industrial assets were things you could stub your toes on. Digital assets are soft assets. Industrial assets were expensive; digital assets are inexpensive. Industrial assets were used once and it’s gone. Digital assets can be used again and again. Industrial assets were rivalrous: if I have a ton of coal, you don’t. But digital assets can be shared. And the industrial assets were exhaustible: you could only use something once. In the digital environment, you can use it again and again and again. Every time you sign up for Facebook, you’re using the same software that somebody else signed up with. Every time you download Microsoft Word, you’re using the same software. It’s inexhaustible. So the fact that the assets themselves are different created an economic activity that was different. In the industrial era, it was a pipeline production economy. A hard asset moved through the process until it rolled off the assembly line as a finished product. In the digital era, it is a platform-pairing process, where you create digital assets by pairing them with other digital assets to produce a product. What do those differences mean when it comes to regulation? The question is not only how do we put guardrails around Big Tech, but also how do we do it in a way that continues to encourage innovation? Industrial-style regulation is like industrial-style management. When Congress went to create these industrial agencies that we know today, including the FCC, they looked at how the companies that were to be supervised were being managed. Industrial management was a top-down, rigid, rules-based approach. The guru of industrial management was a fellow by the name of Frederick W. Taylor, and his management techniques were called [Taylorism](. Basically, his idea was to squeeze all creativity out of everybody, and get them to do exactly the same thing by your rules. And that will give you the best industrial production. It is just the opposite today. Not only are our companies managed by agile management techniques, in that they’re constantly having to respond to new technology, but they’re also constantly having to respond to marketplace changes. What we need to have are new regulators that look like the new style of agile digital management that exists today. You literally ran an agency, the FCC, that came out of that old model. Did your experience there inform your opinion now? Can agencies like the FCC even be agile? I had to bring agility to an agency that was designed not to be agile. The [net neutrality rule]( has what’s called the general conduct rule component, which builds in agility to deal with what might happen next. The [privacy rule]( had agility in it to deal with changes. And what we did in cybersecurity was designed from the outset to be agile, because the bad guys who are trying to crack the security of networks are themselves incredibly agile. Unfortunately, all three of those were repealed in the Trump administration. But, yes, I tried to practice this. Part of the reason why I wrote this book was to convey those learnings and what other solutions might be. You use words like “sclerotic” and “rigid” to describe some of the things we have in place to deal (or not deal) with these matters. Can I assume that you don’t think Congress can or will do the job this time? I think that they will, eventually. Here’s the important thing, another historical analogue: It was in 1867 that [the Grange was founded]( by farmers as a countervailing force to the power of the railroads. Railroads were abusing farmers, and the farmers kept saying, “We need oversight.” But it wasn’t until 1887, 20 years after the Grange was founded, that the [Interstate Commerce Commission]( was created. And it wasn’t until almost 20 years after that that Teddy Roosevelt [finally helped]( to give it some real enforcement teeth. So the point of the matter is, this always takes a long period of time. I think it needs to move faster now because of the even faster pace of life created by the new technology. I am optimistic that as the American people continue to express themselves about the need for oversight, that Congress will respond. Will it? Big Tech companies have a lot of money to spend on lobbyists and whatever else. It seems like that’s been pretty effective at convincing them not to do much of anything so far. So everybody says, “Oh, Congress is so controlled by the special interests.” But special interests in the late 19th century owned members of Congress. And still, we had antitrust laws, we had consumer protection laws. I think that, today, we the people need to communicate. The reason things changed in the late 19th century was that we the people, folks like the Grange, folks like the progressive movement and populists, kept saying, “This is enough. We’ve got to do something about that.” And I think that’s the hope for us, in our time. So, what does the ideal government oversight look like to you? We need an agile agency that has a new approach and is built to look like the companies that it is supposed to oversee, rather than built to look like industrial companies that are not part of the digital economy. It’s reverse Taylorism. Where Taylor said we want to squeeze out every incentive for creativity, in digital companies transparency and creativity are the watchwords. We need to have those same concepts as the watchwords in the oversight of those digital companies. —Sara Morrison, senior reporter [People ride an escalator by the MGM Grand hotel-casino September 13, 2023, in Las Vegas.]( AP/John Locher [The chaotic and cinematic MGM casino hack, explained]( [A “limited number” of customers’ Social Security numbers were taken.](   [Illustration of five sets of eyes focusing on a TikTok logo. You can see darkened silhouettes of people talking and passing money to others within the logo.]( Paige Vickers/Vox [How TikTok profits off dangerous health trends]( [Castor oil won’t dissolve cysts and tumors. Some creators on TikTok Shop are earning commissions by suggesting otherwise.](   [An Amazon delivery worker with packages coming out of an Amazon van.]( Tom Williams/CQ-Roll Call, Inc. via Getty Images [9 questions about the government’s effort to break up Amazon]( [Why the FTC is going after your Prime subscription (and a few other things).](    [Learn more about RevenueStripe...](   [FTC chair Lina Khan with Amazon’s smile logo superimposed upside down over her mouth.]( Vox; Chip Somodevilla/Getty Images [The government’s case to break up Amazon, explained]( [The Federal Trade Commission, led by longtime Amazon critic Lina Khan, finally makes its move.](   [Timothée Chalamet as Paul Atreides and Rebecca Ferguson as Lady Jessica in the movie “Dune.”]( Warner Bros. [More evidence the streaming wars are (kinda) over: You can watch Dune on Netflix]( [Remember when Netflix’s competitors, like Warner Bros., kept their biggest stuff on their own streaming services? That’s so 2021.](   Support our work Vox Technology is free for all, thanks in part to financial support from our readers. Will you join them by making a gift today? [Give](   [Listen To This] [Listen to This]( [The internet, explained by Taylor Lorenz]( She's who told you what "cheugy" means, what a "content house" is, and basically anything else you want to know about young people, the social media they use, and the people who make that media. Now the Washington Post journalist has a book out explaining all of this: Extremely Online. [Listen to Apple Podcasts](   [This is cool] [Your interactive guide to the October 14 solar eclipse](  [Learn more about RevenueStripe...](   [Facebook]( [Twitter]( [YouTube]( This email was sent to {EMAIL}. Manage your [email preferences]( , or [unsubscribe](param=tech)  to stop receiving emails from Vox Media. View our [Privacy Notice]( and our [Terms of Service](. Vox Media, 1201 Connecticut Ave. NW, Washington, DC 20036. Copyright © 2023. All rights reserved.

EDM Keywords (248)

yes wrote well way watchwords want vox using used use us ultimately two tumors trying truth trump tried top ton told toes today time three think things thing theme thanks terms tenure technology techlash supposed supervised stint still squeeze spend something software sign shared sent see security saw said rules rooted root rolled rivalrous rigid rights result restored rest respond repealed release regulation rebalancing reason readers railroads question put public protection protect product produce process probably practice power point place period people part pairing pace owned oversight outset optimistic opinion operate one obviously obey none networks netflix needs need necessarily name much money mind microsoft men media maybe matters matter many manage making makes make made lot looked look lobbyists little listen likely life legislation learnings learn lawmakers lastly knows know kinda kind join job interview intersection institutions innovators inform inexhaustible individuals ideas idea however hope holds history hear harms handful guru grange government got going give get future ftc free four founded fellow fcc farmers far fact facebook express explaining experience expense existed exhaustible exactly evidence everybody eventually escalator equipped enough end email effort edited economy done different differ developed designed describe defined deal cybersecurity creators creativity creation created create crack could cool convincing convey controlled continues consumers constantly consequences congress concepts concept competition companies communicate comes coal clarity chaotic changes chair case came calls called built builds brought brevity break book biden beginning assume assets application appear anything amazon also ahead agility agile agency accelerated 20th 1867

Marketing emails from vox.com

View More
Sent On

06/12/2024

Sent On

05/12/2024

Sent On

03/12/2024

Sent On

29/11/2024

Sent On

27/11/2024

Sent On

27/11/2024

Email Content Statistics

Subscribe Now

Subject Line Length

Data shows that subject lines with 6 to 10 words generated 21 percent higher open rate.

Subscribe Now

Average in this category

Subscribe Now

Number of Words

The more words in the content, the more time the user will need to spend reading. Get straight to the point with catchy short phrases and interesting photos and graphics.

Subscribe Now

Average in this category

Subscribe Now

Number of Images

More images or large images might cause the email to load slower. Aim for a balance of words and images.

Subscribe Now

Average in this category

Subscribe Now

Time to Read

Longer reading time requires more attention and patience from users. Aim for short phrases and catchy keywords.

Subscribe Now

Average in this category

Subscribe Now

Predicted open rate

Subscribe Now

Spam Score

Spam score is determined by a large number of checks performed on the content of the email. For the best delivery results, it is advised to lower your spam score as much as possible.

Subscribe Now

Flesch reading score

Flesch reading score measures how complex a text is. The lower the score, the more difficult the text is to read. The Flesch readability score uses the average length of your sentences (measured by the number of words) and the average number of syllables per word in an equation to calculate the reading ease. Text with a very high Flesch reading ease score (about 100) is straightforward and easy to read, with short sentences and no words of more than two syllables. Usually, a reading ease score of 60-70 is considered acceptable/normal for web copy.

Subscribe Now

Technologies

What powers this email? Every email we receive is parsed to determine the sending ESP and any additional email technologies used.

Subscribe Now

Email Size (not include images)

Font Used

No. Font Name
Subscribe Now

Copyright © 2019–2025 SimilarMail.