"Hater" doesn't have to be a dirty word.
The Wednesday edition of the Goods newsletter is all about internet culture, brought to you by senior reporter Rebecca Jennings. The Wednesday edition of the Goods newsletter is all about internet culture, brought to you by senior reporter Rebecca Jennings. ð Meet the influencers bravely âspreading negativityâ 𤢠On the internet, you can be anything. But out of all the things you could be (barring the criminal and the morally abhorrent) one generally agreed to be among the worst is a hater. Haters are a convenient scapegoat, really. No matter what youâre doing, whether thatâs shilling scammy crypto tokens or producing content intended to keep kidsâ eyes glued to their iPads, you can brand anyone who dares dislike you as a âhater,â someone who has nothing better to do with their time then sitting around detesting you. âHaters,â many would argue, do not produce anything of value, but rather exist solely to pass judgment on those with the courage and skill to make something of themselves. This is a particularly useful rhetorical device for those in the public eye: reality TV stars, celebrities, billionaires, and [Taylor Swift](, to name a few, but itâs just as often used by regular people defending the things they like. Recall, if you will, the many, many times the internet has debated whether itâs okay to criticize popular culture at all, or whether we should all just shut up and â[let people enjoy things](.â (Before we go any further, a note: By âhater,â I mean a vocal critic of a certain media property or celebrity, not someone who hates entire groups of people or engages in personal attacks or bullying. That said, there is no hard line determining whether a statement is a personal attack or reasonable criticism â and to be on the receiving end of criticism often feels extremely personal, regardless of how measured the criticism is. That only makes differentiating them more difficult, and the need for nuance more crucial.) Thereâs a second rhetorical device beloved by influencers who despise âhaters,â and it is the concept of âspreading positivity.â It works like this: Society has long bristled at the idea that there is a class of laborers who make money simply by posting on the internet, and that the influencerâs job often appears to be to make sure everyone is very jealous of them. In response to this line of criticism â that theyâre being materialistic or flaunting their wealth, that theyâre vapid, that theyâre contributing to a culture that prioritizes aesthetics over substance â the influencer will say that all they were trying to do in the first place was âspread positivity.â An example: After Jake Paul, a YouTuber who has been accused of hawking scams to his fans multiple times, opposed [misogynist influencer Andrew Tate](âs social media ban last August, [Paul claimed that]( he âhad nothing but positivity to spread.â Itâs a term thatâs been used to justify so many different kinds of unjustifiable behaviors that âspread positivityâ is essentially meaningless on the internet. This is why, on [Talia Lichtsteinâs TikTok](, her bio proudly reads âSpread negativity â¤ï¸.â The New York-based 24-year-old isnât kidding: Her content mostly consists of her talking into her camera, talking about things she hates. âPeople who, instead of clapping with their hands, they clap by hitting a part of their body,â [for instance](. Also: red and white Converse sneakers, the convention of âsending love,â pretty much [everyone at the airport](. But for Lichtstein, the point isnât to be mean. Thereâs so much pressure for women on the internet to be upbeat, likable, and inoffensive that, she argues, âwe need to overcorrect a little. The solution is not to have everyone walking around shouting, âI'm allowed to be a hater!â But there needs to be a couple.â The internet agreed: Over the past year and a half, Lichtstein has built a TikTok following of more than a million, landed her own show on Snapchat, and is able to support herself as a full-time content creator. âI had accidentally marketed myself in a very clever way, because I hadnât realized there was a hunger for particularly female voices who were staunchly honest or who, quote-unquote, âtell it like it is.ââ It should be mentioned that Lichtstein is a perfectly lovely person, and that the âspreading negativityâ schtick does not apply to any kind of identity or appearance-based judgments. âDelightfully causticâ might be a better way of putting it. Her content is part of a larger wave of people online embracing being âa hater,â âtoxic,â or an otherwise unsavory internet label. âHow I sleep after a day of being a proud hater and starting arguments and spreading negativity,â [reads one viral TikTok]( of a person looking particularly snug. âHating on ppl is so fun, Iâm a hater fr, I wake up everyday ready to spread negativity and hopefully ruin lives,â [says another]( with nearly 200,000 likes. Online, youâll find usernames and podcasts with names like âSpread Negativity, Be Toxicâ and people delightedly tossing around catchphrases like â[gaslight, gatekeep, girlboss](!â Theyâre jokes, obviously, but theyâre also a pushback against the idea that divergent beliefs are inherently poisonous. âGaslight, gatekeep, girlboss [is] a meme thatâs now used to point out the hollowness of capitalism or organizations like the CIA co-opting social justice talk,â wrote my colleague Alex Abad-Santos in an explainer of the phrase. âSpreading negativityâ feels like a way to needle at the vapidity of those who claim to âspread positivityâ regardless of the harm their actions cause. These kinds of âpro-negativityâ behaviors, whether ironic or not, have been studied by scholars for decades, notably by University of Wisconsin communications professor Jonathan Gray, [who in 2003]( argued for the inclusion of âanti-fansâ within audience studies, or people who actively dislike specific texts. Anti-fans, many scholars have suggested, subvert the traditional mode of media consumption, wherein weâre supposed to accept and like the thing weâre watching. âAs active, engaged viewers, we are not supposed to dislike, and we are meant to treat dislike with suspicion in others because liking has been characterized as a progressive effort to champion the underdog in popular media,â writes Anne Gilbert in the anthology Anti-Fandom: Dislike and Hate in the Digital Age. Social media, where like and dislike can be quantified, only widens the chasm between fans and anti-fans. On forums and in comments sections with character limits, where punchy, unambiguous responses are upvoted and prioritized by algorithms, the nuance between the two extremes often gets lost. Itâs partly why people whose jobs necessitate being in the public eye (influencers, for example) [often suffer from a worldview]( in which only two types of people exist: followers and haters. Itâs an understandable frame of mind when much of the attention they see is either from ardent superfans or death threats. Ironically, despite her TikTok bio, Lichtstein makes an effort not to fall into this trap. âItâs not about just having negative things to say, but having multiple things to say,â she explains. âNothing is black and white, thereâs a gray area. When people criticize me, I think, âIs this a valid criticism, or are they just calling me fat and ugly and stupid?â If they're saying, âI really like what Talia has to say about feminism or whatever, but sometimes I can't deal with the yelling,â then that makes me want to mix it up and maybe be a bit more soft-spoken, because then it could reach more people.â I ask what she hates most right now. The first answer she gives is indicative of her more recent diatribes, against harmful influencers like Andrew Tate and regressive politics. âI hate the culture of misogyny online,â she says. âI feel like a lot of people are, because of social media, falling for these hate campaigns against people like Amber Heard and Meghan Markle.â Thereâs another thing thatâs bothering her, too. âI hate the rain,â she adds. âI hate the people who are like, âOh, but we needed it!â But itâs not fun and doesnât benefit me. It really sucks.â
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