Social media platforms aren't ready for war.
The Tuesday edition of the Goods newsletter is all about internet culture, brought to you by senior reporter Rebecca Jennings. The Tuesday edition of the Goods newsletter is all about internet culture, brought to you by senior reporter Rebecca Jennings. ðºð¦ The whiplash of War TikTok ðºð¦ It is not novel to remark that the experience of scrolling through TikTok feels like emotional whiplash. Upon opening the app you might be greeted with a DIY project from Dollar Tree, followed by a manifesto on the power of friendship as a network for mutual aid. Scroll: a puppy eating peanut butter; scroll: news that a famous cat is dead. On February 24, it took me three swipes to land upon a video purporting to be a livestream of a city in the dark, filmed from an apartment window. Air raid sirens blared in the background, and the only other audible noise was the terrified whimpers of the person holding the camera. I have no idea whether the footage was filmed by a real person in [Ukraine](, observing what was happening outside their window in real time, but I am almost certain that the person filming was not the same one who uploaded it to TikTok. Watch it for long enough and youâll notice itâs a loop on repeat, and if not, one of the commenters will point it out to you: âSCAM!â they write in between the thoughts and prayers from other TikTokers. âStaged for money!â This is War TikTok, the version of itself that TikTok never wanted to become. When the app launched in the US in 2018, it took great [pains to promote itself as purely apolitical](, a place to forget about the complexities and horrors of the world and watch people be silly. Itâs too late for that to remain the case: Over the past three years, TikTok has become the site of political commentary, [political activism](, [political propaganda](, and, in moments of war, a complicated, confusing, and sometimes crucial record of civilians on the ground. The [Washington Post, for instance](, was able to track the movement of Russian troops for the past several weeks using only videos uploaded to TikTok. The video I saw was just one of many dubiously sourced streams of darkened cities against the sounds of sirens; most ostensibly to garner up views to then monetize later, and many to scam people into donating directly to the poster. TikTok makes this easy: You can send a âgiftâ to livestreamers that amounts to actual cash with the click of a button. One account explicitly called for donations while streaming a video that some noticed was [actually filmed in the UK](. Some are videos that [are years old](, taken in other cities during a different conflict. Some are spliced with fake audio to make it seem as though they are depicting a particularly tense moment. Some are literally [footage from video games](. The problems that plague the internet during wartime are not necessarily unique to TikTok: On Twitter, celebrities and talking heads all but compete to see who can produce the most [tone-deaf](, [self-serving](, or [bizarre]( take on a situation that has not materially affected them. Users in niche realms, from astrology to crypto, have seemed to feel as though they must find their own angle on the dayâs news, which is how we get astrology [accounts tweeting]( âRussia is Scorpio Rising which makes the country powerful,â or Marianne Williamson tweeting about [âdark psychic forces.â]( On Instagram, meme pages with names like @livefromukraine are posting unverified videos of bombings and air raids. The American owner of one of these several Instagram accounts [told Input that]( âWhat Iâm trying to do is get as many followers as possible by using my platform and skills.â When the media covers mis- and disinformation during times of crisis, audiences tend to envision hackers working for a shadowy state-funded organization explicitly attempting to sow panic and confusion. [This exists, of course](, and [experts have seen]( âa concerted effort from Russian leaders and state-backed media to push a false narrative around the reasons for invading Ukraine,â one that will surely continue for as long as Russia continues to invade the country. Big Tech has struggled over what kinds of content to take down or leave up, and must ask questions weighing the risks of allowing propaganda to reach more eyeballs against the risks of removing it and therefore interfering with [humanitarian and legal efforts to hold the Russian government accountable](. Facebook and Twitter [have removed]( pro-Russia sock puppet accounts targeting Ukrainians. Meanwhile, independent internet sleuths task themselves with [debunking propaganda in real time](. But the other kind of disinformation â the kind pushed by people who are adept in how to make junk content go viral and are beholden to no one but themselves â has a similar effect. Worse, it casts suspicion on the well of information coming from actual Ukrainians and journalists on social media by making it increasingly difficult for those watching to believe that what theyâre seeing is real. When reached for comment by Vox, a TikTok spokesperson wrote that the company is continuing to monitor the situation and remove âharmful misinformation and promotion of violence.â Somewhere in the middle of all this are the American TikTok commentators giving 101-level explanations on the crisis, often in rather uncanny [YouTube dialect]( â exaggerated and bizarrely upbeat â used by creators like [Noah Glenn Carter]( and [Philip DeFranco](. Others, though, have built followings explaining complex news to new audience segments. A.B. Burns-Tucker, a 33-year-old law student in Los Angeles, has been posting videos under the handle [@iamlegallyhype]( explaining the crisis since February 7, when her video about a possible war [started by Russia went viral](. Her tone is upbeat and funny, referring to Russian President Vladimir Putin as âBig Bank Pâ and Trump as âBig T.â âSomehow this finally makes sense,â reads the top comment on the video. âI get messages all the time now from people who never thought about politics before they hit me up,â she tells me over the phone. âIt seems like the people following me have been frustrated with how politics has been conveyed to them, and theyâve felt left out. So Iâm hoping that people stay in the know and get more involved in politics.â The internet, for those trying to follow whatâs happening in conflict zones without being there themselves, can be a deeply unpleasant place to linger. It can feel as though you are obligated to stay there or risk ignorance or complicity; it can feel imperative that you say or post something, anything â the [same infographic]( your friends are sharing, a vague message of solidarity â out of fear that âstaying silentâ is worse. And yet, demands that individuals with little to no connection to a crisis âspeak on itâ often end up with [people sharing unhelpful or harmful information and opinions](. But as usual, the most helpful thing you can do on social media, if you choose to do anything, is to show what youâre doing to help: Find verifiable, trusted sources and share them, then follow their advice. Post screenshots of your donations and encourage your followers to match them. If youâre confused about where to donate, Yale history professor and Russia-Ukraine expert Timothy Snyder has compiled a list of [good organizations that could use the help](; hereâs [a list that includes]( organizations that accept credit cards. If youâre doomscrolling and are unsure of where and whom to trust, hereâs a list of [trustworthy sources on Ukraine to follow on Twitter]( created by Jane Lytvynenko, a senior research fellow at the Technology and Social Change Project at Harvard Kennedyâs Shorenstein Center. [The Kyiv Independent]( is an English-language news site by former Kyiv Post journalists, and it adds a lightning bolt emoji to any tweet that contains breaking news. On TikTok, Matthew Cassel is a Vice News correspondent currently in Kyiv whoâs been [posting video updates](, and Xena Solo is a Ukrainian TikToker who has been [giving explainers in English]( on the situation from her point of view. And above all, please, [stop making jokes about World War III](.
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