Newsletter Subject

Trump’s Most Powerful Enablers, Inside the Making of The Sopranos, and More

From

vf.com

Email Address

vanityfair@newsletter.vf.com

Sent On

Sat, May 16, 2020 03:02 PM

Email Preheader Text

A daily digest of things to discuss over drinks May 16, 2020 . Inside, subscribers can uncover every

[Anniversary Special: 5 Memorable V.F. Features From Years Past]( [View this email in your browser]( [Vanity Fair’s Cocktail Hour Newsletter]( A daily digest of things to discuss over drinks May 16, 2020 [A Toast to the Vanity Fair Archive!]( [We might be stuck at home battling a global pandemic, but Vanity Fair is still celebrating. One year ago, we brought over 60 years worth of cover stars, investigative deep dives, seminal profiles, and journalistic coups to [the Vanity Fair Archive](. Inside, subscribers can uncover every issue, every page of V.F., stretching back to its founding in 1913. Today, in honor of our archive’s first birthday, we’ve rounded up stories still relevant to our current time—and unlocked them especially for you. For unlimited access to the archive, [consider subscribing today](. How would the Sopranos, perhaps the most canonical American TV family, fare in quarantine? A look back at how the mob drama—now making its pandemic comeback—got made. But binge-watching and homebound social distancing aside, how exactly did we get here? In search of answers, we reexamine the enablers of Donald Trump, some still spinning his propaganda machine. Finally, a necessary lesson from Gabriel García Márquez’s One Hundred Years of Solitude: “Reading it, you feel: They are alive; this happened.”]( [The Enablers]( [If Donald Trump is the political equivalent of a pathogen, just doing what’s in his nature, who’s responsible for letting him wreak havoc in the national bloodstream, even before the novel coronavirus ravaged the country? Calling out the president’s then most powerful enablers—six seemingly rational men, half of whom remain in office—Sarah Ellison took a long hard look at their motives for helping Trump gain, and hold on to, the White House.]( [READ MORE »]( [An American Family]( [More than 20 years ago, HBO bought a pilot script for a show that no one—not creator David Chase, lead actor James Gandolfini, or any of the original cast—thought would ever get made. Then The Sopranos became perhaps the greatest pop-culture masterpiece of its time, a fearless series that transformed television, and is still being rewatched today. In 2007, with the story of Tony Soprano, mobster in midlife crisis, just nine episodes from a finale, Peter Biskind heard how it all went down, from the players behind the phenomenon.]( [READ MORE »]( [The Disinformation Society]( [George W. Bush’s reelection was explained as a red-state-versus-blue-state “values gap.” But research showed a majority of Bush voters were misinformed about White House policies on the environment, Iraq, and terrorism. Instead of news, they got propaganda, disseminated by the right-wing machine, corporate broadcasters, and journalists who thought balance was reporting one side. Sound familiar? In an epilogue to his 2005 book, Crimes Against Nature, Robert F. Kennedy Jr. showed how, decades after Reagan’s FCC eliminated the Fairness Doctrine, the media had hidden the real gap—between America’s values and those of its government.]( [READ MORE »]( [50 Years of Solitude]( [A little more than a half-century ago, Gabriel García Márquez—after yet another visit to the pawnshop—sent One Hundred Years of Solitude off to his publisher in Buenos Aires. Talking to Gabo’s agent, Carmen Balcells, just weeks before her death, Paul Elie got the hidden history of a literary revelation.]( [READ MORE »]( [Escape From the Twilight Zone]( [Long before he was in quarantine making “a pasta which you can hold in your hand,” Robert Pattison looked to Water for Elephants for a professional break from the supernatural stylization of the five-part Twilight saga. But even on a remote Tennessee set he was besieged daily by crowds of his Twihard fans. In 2011, Nancy Jo Sales found the actor torn between gratitude for and despair about the fame that had engulfed him.]( [READ MORE »]( [][Vanity Fair]( [Facebook]( [Twitter]( [Instagram]( [YouTube]( This e-mail was sent to you by VANITY FAIR. To ensure delivery to your inbox (not bulk or junk folders), please add our e-mail address, vanityfair@newsletter.vf.com, to your address book. View our [Privacy Policy]( [Unsubscribe]( Copyright © Condé Nast 2020. One World Trade Center, New York, NY 10007. All rights reserved.

Marketing emails from vf.com

View More
Sent On

31/05/2024

Sent On

31/05/2024

Sent On

30/05/2024

Sent On

30/05/2024

Sent On

30/05/2024

Sent On

29/05/2024

Email Content Statistics

Subscribe Now

Subject Line Length

Data shows that subject lines with 6 to 10 words generated 21 percent higher open rate.

Subscribe Now

Average in this category

Subscribe Now

Number of Words

The more words in the content, the more time the user will need to spend reading. Get straight to the point with catchy short phrases and interesting photos and graphics.

Subscribe Now

Average in this category

Subscribe Now

Number of Images

More images or large images might cause the email to load slower. Aim for a balance of words and images.

Subscribe Now

Average in this category

Subscribe Now

Time to Read

Longer reading time requires more attention and patience from users. Aim for short phrases and catchy keywords.

Subscribe Now

Average in this category

Subscribe Now

Predicted open rate

Subscribe Now

Spam Score

Spam score is determined by a large number of checks performed on the content of the email. For the best delivery results, it is advised to lower your spam score as much as possible.

Subscribe Now

Flesch reading score

Flesch reading score measures how complex a text is. The lower the score, the more difficult the text is to read. The Flesch readability score uses the average length of your sentences (measured by the number of words) and the average number of syllables per word in an equation to calculate the reading ease. Text with a very high Flesch reading ease score (about 100) is straightforward and easy to read, with short sentences and no words of more than two syllables. Usually, a reading ease score of 60-70 is considered acceptable/normal for web copy.

Subscribe Now

Technologies

What powers this email? Every email we receive is parsed to determine the sending ESP and any additional email technologies used.

Subscribe Now

Email Size (not include images)

Font Used

No. Font Name
Subscribe Now

Copyright © 2019–2024 SimilarMail.