Issue #281 of the Better Humans Newsletter. Subscribe here for inspiration and knowledge. [Tony Stubblebine](coachtony?source=email-c7f27b30bfea-1666232051364-newsletter.subscribeToProfile-7038e003d060------------------------ab7b0b27_4413_4bb9_adf2_1b1d2a2412b6--------de6e5ad096a9)[Tony Stubblebine](coachtony?source=email-c7f27b30bfea-1666232051364-newsletter.subscribeToProfile-7038e003d060------------------------ab7b0b27_4413_4bb9_adf2_1b1d2a2412b6--------de6e5ad096a9) in [Better Humans](
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  â  [View on Medium]( Itâs not enough to be right. Issue #281 of the Better Humans Newsletter. [Subscribe here]( for inspiration and knowledge. ··· Thereâs some writing advice that I heard from Tim Ferriss but I think is attributed to Neil Strauss. It is roughly: âWrite the first draft for yourself. The second for your fans. The third for the haters.â Thatâs just a catchy way of saying that you need to do separate edit passes for each persona in your audience. Not everyone is so lucky to have haters. For my third draft, I think instead, âhow will this be misinterpreted?â That audience isnât haters, but they are the ones with potential for interpreting things that conflict with your goals as a writer. But I donât ask myself this question until Iâve gotten through the first two drafts. So for example, when I write these newsletters I write a first draft, by hook or by crook, trying to take the nugget of an idea and make it coherent to myself. Itâs not quite âsit down at a typewriter and bleed,â but itâs close. Then I do an edit pass trying to make it read well to my core audience. This is a newsletter thatâs more than a year old and so thereâs some shared history and understanding. Iâm aiming for clarity. Only then do I think about who is going to misunderstand me. I think first of my coworkers. Do you see now how âhaterâ is a hyperbolic word? I like using work examples but I donât want my coworkers thinking Iâm doing the Medium equivalent of subtweeting. Then, more recently, I started taking into account authors on Medium. For example, here I am giving writing advice. Do I intend that to be the official Medium policy on how every single writer here should edit their work? No. No. No. I think that by volume, most writing on Medium is self expression. Itâs enough to do zero edit passes. If you are writing as art, then do art. Screw the haters and just write what feels honest to you. But then there are other times when you are writing to convince, persuade or teach. My first thought is the divisiveness of politics. But itâs really more common that you are talking to coworkers or other people that are theoretically on your team. In those moments, you want them to understand you correctly. In those moments, itâs not enough to be right. You also have to be effective. This, btw, is one of those points where Iâm worried about subtweeting my coworkers. I honestly canât remember if Iâve said this âitâs not enough to be rightâ to any of them, but I have said this at other companies. Iâve run into so many situations where a person was frustrated that their âgood ideaâ hadnât been accepted. Well, itâs not enough to have a good idea. You also have to convince other people that itâs a good idea. This phrase is the connection between this writing advice and all sorts of situations. How do you communicate with your family, a clerk, your doctor, etc? You have to start thinking beyond just being right. ··· There is a grey area here. How much responsibility do your readers have? I like to think they have a fair amount. Communication is a two way street and readers have a lot of leeway to choose how they will interpret something. But then again, if you as a writer know you have the skill to take more responsibility, why wouldnât you? [Reply to this story](mailto:tony+newsletter@tonystubblebine.com?subject=Re%3A%20It%E2%80%99s%20not%20enough%20to%20be%20right.)[View story]( Sent to {EMAIL} by Tony Stubblebine on Medium
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