Predicting the Oscars Best Picture race as awards season kicks off the New Year with a flurry of activity No images? [Click here](
ID=167008;size=700x180;setID=347001;uid={EMAIL}7197057;click=template_awards_beat [Awards Beat with Steve Pond] January 6, 2023
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As the Globes and Critics Choice Awards Approach, Will 2023 Have a ‘CODA’-Style Surprise? Predicting the Oscars Best Picture race as awards season kicks off the New Year with a flurry of activity
[- - -] By Steve Pond [CODA Oscar win] Getty Images Oscar voting will be underway in a week, two days after the Golden Globes Awards take place and three days before the Critics Choice Awards. And while there are still doubts about which films will land the final few Best Picture nominations and a huge question of which one will win, we shouldnât expect either of those ceremonies to give us any answers. After all, a year ago those shows didn’t give us any hints that a little Sundance movie, “CODA,” could surge in February and March and actually end up winning Best Picture. The key thing to remember is that weâre still in the stage where critics and journalists are voting, rather than when film professionals are casting ballots. And until we get some solid info from bodies like the Producers Guild (nominations Jan. 12, awards Feb. 25), the Directors Guild (noms Jan. 11, awards Feb. 18), the Writers Guild (noms Jan. 25, awards March 5) and the Screen Actors Guild (noms Jan. 11, awards Feb. 26), we donât know as much as we might think we do. This has been especially true in the six years since the Academy began its concerted effort to expand its ranks and create a more diverse and more international body of voters. In that period, the top Golden Globes winners have matched the Oscar Best Picture winner only three times, even with two Globesâ best-film categories (one for dramas and one for musicals and comedies) presumably giving them twice as much chance to predict the Oscar winner. The Critics Choice Awards, meanwhile, have only matched twice over those six years, agreeing with the Academy on âNomadlandâ and âThe Shape of Waterâ but missing Oscar winners âCODA,â âParasite,â âGreen Bookâ and âMoonlight.â (The CCA choices those years were âThe Power of the Dog,â âOnce Upon a Time in Hollywood,â âRomaâ and âLa La Land,â respectively.)
ID=167008;size=700x180;setID=347001;uid={EMAIL}7197057;click=template_awards_beat In other words, âThe Fabelmansâ could win the top Golden Globe on Tuesday and the Critics Choice Award the following Sunday without being any more assured the Oscar; âThe Banshees of Inisherinâ or âEverything Everywhere All at Onceâ could be upset winners without significantly improving their chances with Academy voters. Remember: Last year at this point in the awards calendar, âCODAâ was a heartwarming little indie that was going to be honored just to be nominated. The very definition of a late-breaking film, it scored its two big wins on Feb. 27 at the SAG Awards and March 19 at the Producers Guild Awards. Is there a âCODAâ lurking in the shadows this year? If so, itâll take industry voters, not critics’ or reporters’ groups, to bring it into the light.
In the meantime, hereâs the Best Picture outlook as we head into the final two months of awards season. The surest bets
âThe Fabelmansâ (Universal)
âThe Banshees of Inisherinâ (Searchlight)
âEverything Everywhere All at Onceâ (A24) These three seem pretty unassailable. âThe Fabelmansâ has been a presumed frontrunner since it premiered in Toronto in September, though itâs by no means a secure bet to win. The black humor of âBansheesâ turns some people off, but it will easily have enough passionate support to advance. And âEverything Everywhereâ can be similarly divisive, but divisiveness doesnât hurt a film in the nomination round of voting. Â Read the rest of this column [here](. Read Steve Pond’s Awards Beat coverage [HERE](
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