Newsletter Subject

Glen Powell Is a 21st Century Movie Star Charting His Own Path | Analysis

From

thewrap.com

Email Address

newsletter@thewrap.com

Sent On

Sun, Sep 1, 2024 06:03 PM

Email Preheader Text

Bonus Content: Enjoy This Premium Article on Us Glen Powell Is a 21st Century Movie Star Charting Hi

Bonus Content: Enjoy This Premium Article on Us Glen Powell Is a 21st Century Movie Star Charting His Own Path In a sign of how times have changed, the “Twisters” actor turned down a starring role in a major franchise to focus on generating his own material and taking bigger swings By Adam Chitwood and Umberto Gonzalez Glen Powell was the hit of the summer. That winning smile, the Texas charm, the confidence mixed with dorkiness that permeated his characters in the blockbuster [“Twisters,”]( screwball Netflix comedy [“Hit Man”]( and traditional rom-com “Anyone but You.” Hollywood’s no stranger to “it” stars of the moment, and each charts his or her own course that may or may not manifest the next Brad Pitt or Julia Roberts. But as the conversation around whether Powell is a “movie star” surged, the actor seized his in-demand status and took a different route: creating his own destiny. As Glen Powell Summer was heating up, the actor was offered the lead in the next “Jurassic World” movie — a reboot to a franchise that’s made over $6 billion worldwide and that Chris Pratt carried over the last three movies. He turned it down. “It’s one of the things I’ve wanted to do my whole life,” the actor [confessed]( of joining the “Jurassic” series. “I’m not doing that movie because I read the script and I immediately was like, my presence in this movie doesn’t help it.” Instead, Powell moved right into shooting an A24 revenge thriller called “Huntington,” attached himself to [a new iteration]( of Stephen King’s sci-fi novel “The Running Man” from auteur writer-director Edgar Wright, signed on to lead the [secretive next original film]( from J.J. Abrams and committed to seeing through a passion project of his own: a half-hour comedy series. [Enjoying this WrapPRO article? Become a subscriber today.]( An all access subscription, just $14.99 $9.99 a month [SUBSCRIBE NOW]( “Glen Powell is most definitely an up-and-coming movie star in the sense that audiences now go to movies to see him,” a Hollywood producer told TheWrap on the heels of “Twisters” exceeding expectations at the box office (it’s surpassed $335 million worldwide) and “Anyone but You” slow-walking to $220 million in theaters before taking Netflix by storm this spring. “Unlike an actor like Ryan Gosling whose appeal is mostly limited to female audiences, Glen appeals to both females and males,” the producer added. The 35-year-old Powell isn’t an unknown. He made his film debut as a teen in 2003’s “Spy Kids 3” and turned heads in Richard Linklater’s “Everybody Wants Some!!,” the Netflix rom-com “Set It Up” and of course 2022’s “Top Gun: Maverick.” But he didn’t sit idly by waiting for superstardom to come to him. He worked closely with Tom Cruise and Christopher McQuarrie to create his character Hangman in the “Top Gun” sequel after losing the role of Rooster to Miles Teller (he even conceived of his character’s third-act rescue), and he brought the source material behind “Hit Man” to Linklater and co-wrote and produced the indie comedy alongside the Oscar-nominated filmmaker. Powell’s mode the last decade has been to create, not wait, and it’s that drive to ensure the projects he’s choosing are where he’ll have maximum impact that may be setting him up best for movie stardom. Glen Powell in “Twisters” (Universal Pictures) “They haven’t developed stars the way the studio system used to,” George Clooney – one of the last living widely agreed-upon legacy movie stars – recently opined in a joint interview with fellow A-lister Brad Pitt in [GQ](. “We kind of were at the very end of that, where you could work at a studio and do three or four films, and there was some plan to it. And I don’t think that’s necessarily the case anymore. So it’s harder for you to sell somebody something on the back of a star.” That means it’s up to the actors themselves to set up their longevity. Take the Marvel Cinematic Universe, for instance. Aside from streaming films and voice acting, Chris Hemsworth and Chris Pratt have struggled to parlay their popularity into the diverse range of roles that made people like Clooney, Pitt and Tom Cruise so successful. The characters those modern performers are famous for are arguably bigger than the stars themselves. Even the MCU’s beloved Robert Downey Jr. flopped with “Dolittle” after his Marvel exit, and although he won an Oscar for last year’s “Oppenheimer,” it’s telling that he’s [now returning to Marvel]( to play a new character. “One becomes a movie star now the same way as they did in the past, by making smart choices,” a top talent agent told TheWrap. “So far, Powell has done that.” “If I had to guess, he’s probably on the path of trying to be George Clooney, where he’ll want to act in some things, want to direct some things, want to produce in some things,” a top literary agent said. Powell is not alone in eschewing the traditional movie star route. Timothée Chalamet, 28, heeded advice from Leonardo DiCaprio to steer clear of superhero movies and has made a career out of powerful performances in deeply felt dramas like “Call Me by Your Name” and “Little Women.” Even his foray into action territory, “Dune,” hails from an auteur director in Denis Villeneuve and raked in Oscars. The 34-year-old Margot Robbie, meanwhile, started her own production company a decade ago, shortly after her breakout role in Martin Scorsese’s “The Wolf of Wall Street.” And while she still acts in films she doesn’t produce, like Quentin Tarantino’s “Once Upon a Time in Hollywood” and Damien Chazelle’s bombastic “Babylon,” she was the face and guiding hand of last year’s monumental [“Barbie.”]( She manifested that $1.4 billion-grossing dreamhouse, hand-selecting Greta Gerwig to write and direct. In August, cameras started rolling on [“Chad Powers,”]( a Hulu comedy series that Powell co-created with “Loki” head writer Michael Waldron in which he stars as a bad boy college quarterback who disguises himself to walk onto a struggling Southern football team. He serves as star, co-creator, co-writer and executive producer. He also dons heavy prosthetics in the show, masking his natural good looks. “It’s about choosing where you’re going to make an audience happy and where you’re going to make yourself happy,” the actor said of his career choices this summer. Meet the new movie stars, masters of their own destiny. Discover why entertainment executives and professionals rely on the WrapPRO platform daily for exclusive coverage, analysis and deeper reporting. [SUBSCRIBE NOW]( By subscribing to TheWrap newsletters, you acknowledge and consent to our Personal Contacts and Privacy Policy TheWrap | 2034 Armacost Ave. Los Angeles, CA 90025 [Preferences]( | [Unsubscribe](

Marketing emails from thewrap.com

View More
Sent On

07/12/2024

Sent On

06/12/2024

Sent On

06/12/2024

Sent On

05/12/2024

Sent On

05/12/2024

Sent On

05/12/2024

Email Content Statistics

Subscribe Now

Subject Line Length

Data shows that subject lines with 6 to 10 words generated 21 percent higher open rate.

Subscribe Now

Average in this category

Subscribe Now

Number of Words

The more words in the content, the more time the user will need to spend reading. Get straight to the point with catchy short phrases and interesting photos and graphics.

Subscribe Now

Average in this category

Subscribe Now

Number of Images

More images or large images might cause the email to load slower. Aim for a balance of words and images.

Subscribe Now

Average in this category

Subscribe Now

Time to Read

Longer reading time requires more attention and patience from users. Aim for short phrases and catchy keywords.

Subscribe Now

Average in this category

Subscribe Now

Predicted open rate

Subscribe Now

Spam Score

Spam score is determined by a large number of checks performed on the content of the email. For the best delivery results, it is advised to lower your spam score as much as possible.

Subscribe Now

Flesch reading score

Flesch reading score measures how complex a text is. The lower the score, the more difficult the text is to read. The Flesch readability score uses the average length of your sentences (measured by the number of words) and the average number of syllables per word in an equation to calculate the reading ease. Text with a very high Flesch reading ease score (about 100) is straightforward and easy to read, with short sentences and no words of more than two syllables. Usually, a reading ease score of 60-70 is considered acceptable/normal for web copy.

Subscribe Now

Technologies

What powers this email? Every email we receive is parsed to determine the sending ESP and any additional email technologies used.

Subscribe Now

Email Size (not include images)

Font Used

No. Font Name
Subscribe Now

Copyright © 2019–2025 SimilarMail.