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𝘉𝘙𝘌𝘈𝘒𝘐𝘕𝘎: 𝘉𝘪𝘥𝘦𝘯 𝘰𝘯 𝘷𝘪𝘥𝘦𝘰 𝘰𝘳𝘥𝘦𝘳𝘪𝘯𝘨 𝘴𝘦𝘤𝘳𝘦𝘵 𝘮𝘪𝘭𝘪𝘵𝘢𝘳𝘺 𝘮𝘰𝘷𝘦 𝘰𝘯 𝘙𝘶𝘴𝘴𝘪𝘢? [𝐌𝐚𝐢𝐧 𝐋𝐨𝐠𝐨 𝐒𝐢𝐦𝐩𝐥𝐞 𝐌𝐨𝐧𝐞𝐲 𝐆𝐨𝐚𝐥𝐬]( [𝗠𝗮𝗶𝗻 𝗟𝗼𝗴𝗼 𝗦𝗠𝗚]( A former CIA and Pentagon adviser just released this new presentation… …showing his explosive evidence of Biden… …ordering direct US military intervention [with Russia.]( The consequences of this Biden blunder could soon be deadly for US citizens. The evidence was caught [right here]( on video, but I must warn you… This Biden mistake could make you very angry. The letters [e, ø, ɵ, ɤ, o] are typically used for either close-mid or true-mid vowels. However, if more precision is required, true-mid vowels may be written with a lowering diacritic [e̞, ø̞, ɵ̞, ɤ̞, o̞]. The Kensiu language, spoken in Malaysia and Thailand, is highly unusual in that it contrasts true-mid with close-mid and open-mid vowels, without any difference in other parameters like backness or roundness. It appears that some varieties of German have five vowel heights that contrast independently of length or other parameters. The Bavarian dialect of Amstetten has thirteen long vowels, which can be analyzed as distinguishing five heights (close, close-mid, mid, open-mid and open) each among the front unrounded, front rounded, and back rounded vowels as well as an open central vowel, for a total of five vowel heights: /i e ɛ̝ ɛ/, /y ø œ̝ œ/, /u o ɔ̝ ɔ/, /ä/. No other language is known to contrast more than four degrees of vowel height. The parameter of vowel height appears to be the primary cross-linguistic feature of vowels in that all spoken languages that have been researched till now use height as a contrastive feature. No other parameter, even backness or rounding (see below), is used in all languages. Some languages have vertical vowel systems in which at least at a phonemic level, only height is used to distinguish vowels. Roundedness Main article: Roundedness Roundedness is named after the rounding of the lips in some vowels. Because lip rounding is easily visible, vowels may be commonly identified as rounded based on the articulation of the lips. Acoustically, rounded vowels are identified chiefly by a decrease in F2, although F1 is also slightly decreased. In most languages, roundedness is a reinforcing feature of mid to high back vowels rather than a distinctive feature. Usually, the higher a back vowel, the more intense is the rounding. However, in some languages, roundedness is independent from backness, such as French and German (with front rounded vowels), most Uralic languages (Estonian has a rounding contrast for /o/ and front vowels), Turkic languages (with a rounding distinction for front vowels and /u/), and Vietnamese with back unrounded vowels. Nonetheless, even in those languages there is usually some phonetic correlation between rounding and backness: front rounded vowels tend to be more front-central than front, and back unrounded vowels tend to be more back-central than back. Thus, the placement of unrounded vowels to the left of rounded vowels on the IPA vowel chart is reflective of their position in formant space. Different kinds of labialization are possible. In mid to high rounded back vowels the lips are generally protruded ("pursed") outward, a phenomenon known as endolabial rounding because the insides of the lips are visible, whereas in mid to high rounded front vowels the lips are generally "compressed" with the margins of the lips pulled in and drawn towards each other, a phenomenon known as exolabial rounding. However, not all languages follow that pattern. Japanese /u/, for example, is an exolabial (compressed) back vowel, and sounds quite different from an English endolabial /u/. Swedish and Norwegian are the only two known languages in which the feature is contrastive; they have both exo- and endo-labial close front vowels and close central vowels, respectively. In many phonetic treatments, both are considered types of rounding, but some phoneticians do not believe that these are subsets of a single phenomenon and posit instead three independent features of rounded (endolabial), compressed (exolabial), and unrounded. The lip position of unrounded vowels may also be classified separately as spread and neutral (neither rounded nor spread).[12] Others distinguish compressed rounded vowels, in which the corners of the mouth are drawn together, from compressed unrounded vowels, in which the lips are compressed but the corners remain apart as in spread vowels. Front, raised and retracted Front, raised and retracted are the three articulatory dimensions of vowel space. Open and close refer to the jaw, not the tongue. The conception of the tongue moving in two directions, high–low and front–back, is not supported by articulatory evidence and does not clarify how articulation affects vowel quality. Vowels may instead be characterized by the three directions of movement of the tongue from its neutral position: front (forward), raised (upward and back), and retracted (downward and back). Front vowels ([i, e, ɛ] and, to a lesser extent [ɨ, ɘ, ɜ, æ], etc.), can be secondarily qualified as close or open, as in the traditional conception, but this refers to jaw rather than tongue position. In addition, rather than there being a unitary category of back vowels, the regrouping posits raised vowels, where the body of the tongue approaches the velum ([u, o, ɨ], etc.), and retracted vowels, where the root of the tongue approaches the pharynx ([ɑ, ɔ], etc.): front raised retracted Membership in these categories is scalar, with the mid-central vowels being marginal to any category.[13] Nasalization Main articles: Nasal vowel and Nasalization Nasalization occurs when air escapes through the nose. Vowels are often nasalised under the influence of neighbouring nasal consonants, as in English hand [hæ̃nd]. Nasalised vowels, however, should not be confused with nasal vowels. The latter refers to vowels that are distinct from their oral counterparts, as in French /ɑ/ vs. /ɑ̃/.[14] In nasal vowels, the velum is lowered, and some air travels through the nasal cavity as well as the mouth. An oral vowel is a vowel in which all air escapes through the mouth. Polish and Portuguese also contrast nasal and oral vowels. Phonation Main article: Phonation Voicing describes whether the vocal cords are vibrating during the articulation of a vowel. Most languages have only voiced vowels, but several Native American languages, such as Cheyenne and Totonac, contrast voiced and devoiced vowels. Vowels are devoiced in whispered speech. In Japanese and in Quebec French, vowels that are between voiceless consonants are often devoiced. Modal voice, creaky voice, and breathy voice (murmured vowels) are phonation types that are used contrastively in some languages. Often, they co-occur with tone or stress distinctions; in the Mon language, vowels pronounced in the high tone are also produced with creaky voice. In such cases, it can be unclear whether it is the tone, the voicing type, or the pairing of the two that is being used for phonemic contrast. The combination of phonetic cues (phonation, tone, stress) is known as register or register complex. Tenseness Main articles: Tenseness and Checked and free vowels Tenseness is used to describe the opposition of tense vowels vs. lax vowels. This opposition has traditionally been thought to be a result of greater muscular tension, though phonetic experiments have repeatedly failed to show this.[citation needed] Unlike the other features of vowel quality, tenseness is only applicable to the few languages that have this opposition (mainly Germanic languages, e.g. English), whereas the vowels of the other languages (e.g. Spanish) cannot be described with respect to tenseness in any meaningful way.[citation needed] One may distinguish the English tense vs. lax vowels roughly, with its spelling. Tense vowels usually occur in words with the final silent e, as in mate. Lax vowels occur in words without the silent e, such as mat. In American English, lax vowels [ɪ, ʊ, ɛ, ʌ, æ] do not appear in stressed open syllables.[15] In traditional grammar, long vowels vs. short vowels are more commonly used, compared to tense and lax. The two sets of terms are used interchangeably by some because the features are concomitant in some varieties of English.[clarification needed] In most Germanic languages, lax vowels can only occur in closed syllables. Therefore, they are also known as checked vowels, whereas the tense vowels are called free vowels since they can occur in any kind of syllable.[citation needed] Tongue root position Main articles: Advanced and retracted tongue root and Vowel harmony Advanced tongue root (ATR) is a feature common across much of Africa, the Pacific Northwest, and scattered other languages such as Modern Mongolian.[16] The contrast between advanced and retracted tongue root resembles the tense-lax contrast acoustically, but they are articulated differently. Those vowels involve noticeable tension in the vocal tract. Acoustics Related article: Phonetics Spectrogram of vowels [i, u, ɑ]. [ɑ] is a low vowel, so its F1 value is higher than that of [i] and [u], which are high vowels. [i] is a front vowel, so its F2 is substantially higher than that of [u] and [ɑ], which are back vowels. An idealized schematic of vowel space, based on the formants of Daniel Jones and John Wells pronouncing the cardinal vowels of the IPA. The scale is logarithmic. The grey range is where F2 would be less than F1, which by definition is impossible. [a] is an extra-low central vowel. Phonemically it may be front or back, depending on the language. Rounded vowels that are front in tongue position are front-central in formant space, while unrounded vowels that are back in articulation are back-central in formant space. Thus [y ɯ] have perhaps similar F1 and F2 values to the high central vowels [ɨ ʉ]; similarly [ø ɤ] vs central [ɘ ɵ] and [œ ʌ] vs central [ɜ ɞ]. The same chart, with a few intermediate vowels. Low front [æ] is intermediate between [a] and [ɛ], while [ɒ] is intermediate between [ɑ] and [ɔ]. The back vowels change gradually in rounding, from unrounded [ɑ] and slightly rounded [ɒ] to tightly rounded [u]; similarly slightly rounded [œ] to tightly rounded [y]. With [a] seen as an (extra-)low central vowel, the vowels [æ ɐ ɑ] can be redefined as front, central and back (near-)low vowels. The acoustics of vowels are fairly well understood. The different vowel qualities are realized in acoustic analyses of vowels by the relative values of the formants, acoustic resonances of the vocal tract which show up as dark bands on a spectrogram. The vocal tract acts as a resonant cavity, and the position of the jaw, lips, and tongue affect the parameters of the resonant cavity, resulting in different formant values. The acoustics of vowels can be visualized using spectrograms, which display the acoustic energy at each frequency, and how this changes with time. The first formant, abbreviated "F1", corresponds to vowel openness (vowel height). Open vowels have high F1 frequencies, while close vowels have low F1 frequencies, as can be seen in the accompanying spectrogram: The [i] and [u] have similar low first formants, whereas [ɑ] has a higher formant. The second formant, F2, corresponds to vowel frontness. Back vowels have low F2 frequencies, while front vowels have high F2 frequencies. This is very clear in the spectrogram, where the front vowel [i] has a much higher F2 frequency than the other two vowels. However, in open vowels, the high F1 frequency forces a rise in the F2 frequency as well, so an alternative measure of frontness is the difference between the first and second formants. For this reason, some people prefer to plot as F1 vs. F2 – F1. (This dimension is usually called 'backness' rather than 'frontness', but the term 'backness' can be counterintuitive when discussing formants.) In the third edition of his textbook, Peter Ladefoged recommended using plots of F1 against F2 – F1 to represent vowel quality.[17] However, in the fourth edition, he changed to adopt a simple plot of F1 against F2,[18] and this simple plot of F1 against F2 was maintained for the fifth (and final) edition of the book.[19] Katrina Hayward compares the two types of plots and concludes that plotting of F1 against F2 – F1 "is not very satisfactory because of its effect on the placing of the central vowels",[20] so she also recommends use of a simple plot of F1 against F2. In fact, this kind of plot of F1 against F2 has been used by analysts to show the quality of the vowels in a wide range of languages, including RP,[21][22] the Queen's English,[23] American English,[24] Singapore English,[25] Brunei English,[26] North Frisian,[27] Turkish Kabardian,[28] and various indigenous Australian languages.[29] R-colored vowels are characterized by lowered F3 values. Rounding is generally realized by a decrease of F2 that tends to reinforce vowel backness. One effect of this is that back vowels are most commonly rounded while front vowels are most commonly unrounded; another is that rounded vowels tend to plot to the right of unrounded vowels in vowel charts. That is, there is a reason for plotting vowel pairs the way they are. Prosody and intonation Main articles: Prosody, Intonation, and Vowel length In addition to variation in vowel quality as described above, vowels vary as a result of differences in prosody. The most important prosodic variables are pitch (fundamental frequency), loudness (intensity) and length (duration). However, the features of prosody are usually considered to apply not to the vowel itself, but to the syllable in which the vowel occurs. In other words, the domain of prosody is the syllable, not the segment (vowel or consonant).[30] We can list briefly the effect of prosody on the vowel component of a syllable. Pitch: in the case of a syllable such as 'cat', the only voiced portion of the syllable is the vowel, so the vowel carries the pitch information. This may relate to the syllable in which it occurs, or to a larger stretch of speech to which an intonation contour belongs. In a word such as 'man', all the segments in the syllable are sonorant and all will participate in any pitch variation. Loudness: this variable has been traditionally associated with linguistic stress, though other factors are usually involved in this. Lehiste (ibid) argues that stress, or loudness, could not be associated with a single segment in a syllable independently of the rest of the syllable (p. 147). This means that vowel loudness is a concomitant of the loudness of the syllable in which it occurs. Length: it is important to distinguish two aspects of vowel length. One is the phonological difference in length exhibited by some languages. Japanese, Finnish, Hungarian, Arabic and Latin have a two-way phonemic contrast between short and long vowels. The Mixe language has a three-way contrast among short, half-long, and long vowels.[31] The other type of length variation in vowels is non-distinctive, and is the result of prosodic variation in speech: vowels tend to be lengthened when in a stressed syllable, or when utterance rate is slow. Monophthongs, diphthongs, triphthongs Main articles: Monophthong, Diphthong, Triphthong, and Semivowel A vowel sound whose quality does not change throughout the vowel is called a monophthong. Monophthongs are sometimes called "pure" or "stable" vowels. A vowel sound that glides from one quality to another is called a diphthong, and a vowel sound that glides successively through three qualities is a triphthong. All languages have monophthongs and many languages have diphthongs, but triphthongs or vowel sounds with even more target qualities are relatively rare cross-linguistically. English has all three types: the vowel sound in hit is a monophthong /ɪ/, the vowel sound in boy is in most dialects a diphthong /ɔɪ/, and the vowel sounds of flower, /aʊər/, form a triphthong or disyllable, depending on the dialect. In phonology, diphthongs and triphthongs are distinguished from sequences of monophthongs by whether the vowel sound may be analyzed into distinct phonemes. For example, the vowel sounds in a two-syllable pronunciation of the word flower (/ˈflaʊər/) phonetically form a disyllabic triphthong but are phonologically a sequence of a diphthong (represented by the letters ⟨ow⟩) and a monophthong (represented by the letters ⟨er⟩). Some linguists use the terms diphthong and triphthong only in this phonemic sense. Written vowels Main article: Writing system The name "vowel" is often used for the symbols that represent vowel sounds in a language's writing system, particularly if the language uses an alphabet. In writing systems based on the Latin alphabet, the letters A, E, I, O, U, Y, W and sometimes others can all be used to represent vowels. However, not all of these letters represent the vowels in all languages that use this writing, or even consistently within one language. Some of them, especially W and Y, are also used to represent approximant consonants. Moreover, a vowel might be represented by a letter usually reserved for consonants, or a combination of letters, particularly where one letter represents several sounds at once, or vice versa; examples from English include igh in "thigh" and x in "x-ray". In addition, extensions of the Latin alphabet have such independent vowel letters as Ä, Ö, Ü, Å, Æ, and Ø. The phonetic values vary considerably by language, and some languages use I and Y for the consonant [j], e.g., initial I in Italian or Romanian and initial Y in English. In the original Latin alphabet, there was no written distinction between V and U, and the letter represented the approximant [w] and the vowels [u] and [ʊ]. In Modern Welsh, the letter W represents these same sounds. Similarly, in Creek, the letter V stands for [ə]. There is not necessarily a direct one-to-one correspondence between the vowel sounds of a language and the vowel letters. Many languages that use a form of the Latin alphabet have more vowel sounds than can be represented by the standard set of five vowel letters. In English spelling, the five letters A E I O and U can represent a variety of vowel sounds, while the letter Y frequently represents vowels (as in e.g., "gym", "happy", or the diphthongs in "cry", "thyme");[32] W is used in representing some diphthongs (as in "cow") and to represent a monophthong in the borrowed words "cwm" and "crwth" (sometimes cruth). Other languages cope with the limitation in the number of Latin vowel letters in similar ways. Many languages make extensive use of combinations of letters to represent various sounds. Other languages use vowel letters with modifications, such as ä in Swedish, or add diacritical marks, like umlauts, to vowels to represent the variety of possible vowel sounds. Some languages have also constructed additional vowel letters by modifying the standard Latin vowels in other ways, such as æ or ø that are found in some of the Scandinavian languages. The International Phonetic Alphabet has a set of 28 symbols representing the range of essential vowel qualities, and a further set of diacritics to denote variations from the basic vowel. The writing systems used for some languages, such as the Hebrew alphabet and the Arabic alphabet, do not ordinarily mark all the vowels, since they are frequently unnecessary in identifying a word.[citation needed] Technically, these are called abjads rather than alphabets. Although it is possible to construct English sentences that can be understood without written vowels (cn y rd ths?), single words in English lacking written vowels can be indistinguishable; consider dd, which could be any of dad, dada, dado, dead, deed, did, died, diode, dodo, dud, dude, odd, add, and aided. (Note that abjads generally express some word-internal vowels and all word-initial and word-final vowels, whereby the ambiguity will be much reduced.) The Masoretes devised a vowel notation system for Hebrew Jewish scripture that is still widely used, as well as the trope symbols used for its cantillation; both are part of oral tradition and still the basis for many bible translations—Jewish and Christian. Shifts The differences in pronunciation of vowel letters between English and its related languages can be accounted for by the Great Vowel Shift. After printing was introduced to England, and therefore after spelling was more or less standardized, a series of dramatic changes in the pronunciation of the vowel phonemes occurred, and continued into recent centuries, but were not reflected in the spelling system. This has led to numerous inconsistencies in the spelling of English vowel sounds and the pronunciation of English vowel letters (and to the mispronunciation of foreign words and names by speakers of English). Systems The importance of vowels in distinguishing one word from another varies from language to language. Nearly all languages have at least three phonemic vowels, usually /i/, /a/, /u/ as in Classical Arabic and Inuktitut, though Adyghe and many Sepik languages have a vertical vowel system of /ɨ/, /ə/, /a/. Very few languages have fewer, though some Arrernte, Circassian, and Ndu languages have been argued to have just two, /ə/ and /a/, with [ɨ] being epenthetic. It is not straightforward to say which language has the most vowels, since that depends on how they are counted. For example, long vowels, nasal vowels, and various phonations may or may not be counted separately; indeed, it may sometimes be unclear if phonation belongs to the vowels or the consonants of a language. If such things are ignored and only vowels with dedicated IPA letters ('vowel qualities') are considered, then very few languages have more than ten. The Germanic languages have some of the largest inventories: Standard Danish has 11 to 13 short vowels (/(a) ɑ (ɐ) e ə ɛ i o ɔ u ø œ y/), while the Amstetten dialect of Bavarian has been reported to have thirteen long vowels: /i y e ø ɛ œ æ ɶ a ɒ ɔ o u/.[citation needed] The situation can be quite disparate within a same family language: Spanish and French are two closely related Romance languages but Spanish has only five pure vowel qualities, /a, e, i, o, u/, while classical French has eleven: /a, ɑ, e, ɛ, i, o, ɔ, u, y, œ, ø/ and four nasal vowels /ɑ̃/, /ɛ̃/, /ɔ̃/ and /œ̃/. The Mon–Khmer languages of Southeast Asia also have some large inventories, such as the eleven vowels of Vietnamese: /i e ɛ ɐ a ə ɔ ɤ o ɯ u/. Wu dialects have the largest inventories of Chinese; the Jinhui dialect of Wu has also been reported to have eleven vowels: ten basic vowels, /i y e ø ɛ ɑ ɔ o u ɯ/, plus restricted /ɨ/; this does not count the seven nasal vowels.[33] One of the most common vowels is [aÌ ]; it is nearly universal for a language to have at least one open vowel, though most dialects of English have an [æ] and a [ɑ]—and often an [ɒ], all open vowels—but no central [a]. Some Tagalog and Cebuano speakers have [ɐ] rather than [a], and Dhangu Yolngu is described as having /ɪ ɐ ʊ/, without any peripheral vowels. [i] is also extremely common, though Tehuelche has just the vowels /e a o/ with no close vowels. The third vowel of the Arabic-type three-vowel system, /u/, is considerably less common. A large fraction of the languages of North America happen to have a four-vowel system without /u/: /i, e, a, o/; Nahuatl and Navajo are examples. In most languages, vowels serve mainly to distinguish separate lexemes, rather than different inflectional forms of the same lexeme as they commonly do in the Semitic languages. For example, while English man becomes men in the plural, moon is a completely different word. Words without vowels See also: English words without vowels In rhotic dialects of English, as in Canada and the United States, there are many words such as bird, learn, girl, church, worst, wyrm, myrrh that some phoneticians analyze as having no vowels, only a syllabic consonant /ɹ̩/. However, others analyze these words instead as having a rhotic vowel, /ɝː/. The difference may be partially one of dialect. There are a few such words that are disyllabic, like cursor, curtain, and turtle: [ˈkɹ̩sɹ̩], [ˈkɹ̩tnÌ©] and [ˈtɹ̩tlÌ©] (or [ˈkɝːsɚ], [ˈkɝːtən], and [ˈtɝːtəl]), and even a few that are trisyllabic, at least in some accents, such as purpler [ˈpɹ̩.plÌ©.ɹ̩], hurdler [ˈhɹ̩.dlÌ©.ɹ̩], gurgler [ˈɡɹ̩.É¡lÌ©.ɹ̩], and certainer [ˈsɹ̩.tnÌ©.ɹ̩]. The word and frequently contracts to a simple nasal ’n, as in lock 'n key [ˌlɒk ŋ ˈkiː]. Words such as will, have, and is regularly contract to ’ll [l], ’ve [v], and 's [z]. However, none of them are pronounced alone without vowels, so they are not phonological words. Onomatopoeic words that can be pronounced alone, and that have no vowels or ars, include hmm, pst!, shh!, tsk!, and zzz. As in other languages, onomatopoeiae stand outside the normal phonotactics of English. There are other languages that form lexical words without vowel sounds. In Serbo-Croatian, for example, the consonants [r] and [rː] (the difference is not written) can act as a syllable nucleus and carry rising or falling tone; examples include the tongue-twister na vrh brda vrba mrda and geographic names such as Krk. In Czech and Slovak, either [l] or [r] can stand in for vowels: vlk [vlÌ©k] "wolf", krk [krÌ©k] "neck". A particularly long word without vowels is čtvrthrst, meaning "quarter-handful", with two syllables (one for each R), or scvrnkls, a verb form meaning "you flipped (sth) down" (eg a marble). Whole sentences (usually tongue-twisters) can be made from such words, such as Strč prst skrz krk, meaning "stick a finger through your neck" (pronounced [strÌ©tʃ prÌ©st skrÌ©s krÌ©k] (listen)), and Smrž pln skvrn zvlhl z mlh. (Here zvlhl has two syllables based on L; and note that the preposition z consists of a single consonant. Only prepositions do this in Czech, and they normally link phonetically to the following word, so not really behave as vowelless words.) In Russian, there are also prepositions that consist of a single consonant letter, like k, 'to', v, 'in', and s, 'with'. However, these forms are actually contractions of ko, vo, and so respectively, and these forms are still used in modern Russian before words with certain consonant clusters for ease of pronunciation. In Kazakh and certain other Turkic languages, words without vowel sounds may occur due to reduction of weak vowels. A common example is the Kazakh word for one: bir, pronounced [br]. Among careful speakers, however, the original vowel may be preserved, and the vowels are always preserved in the orthography. In Southern varieties of Chinese, such as Cantonese and Minnan, some monosyllabic words are made of exclusively nasals, such as Cantonese [m̩˨˩] "no" and [ŋ̩˩˧] "five". Minnan also has words consisting of a consonant followed by a syllabic nasal, such as pn̄g "cooked rice". So far, all of these syllabic consonants, at least in the lexical words, have been sonorants, such as [r], [l], [m], and [n], which have a voiced quality similar to vowels. (They can carry tone, for example.) However, there are languages with lexical words that not only contain no vowels, but contain no sonorants at all, like (non-lexical) shh! in English. These include some Berber languages and some languages of the American Pacific Northwest, such as Nuxalk. An example from the latter is scs "seal fat" (pronounced [sxs], as spelled), and a longer one is clhp'xwlhtlhplhhskwts' (pronounced [xɬpʼχʷɬtʰɬpʰɬːskÊ·Ê°tÍ¡sʼ]) "he had had in his possession a bunchberry plant". (Follow the Nuxalk link for other examples.) Berber examples include /tkkststt/ "you took it off" and /tfktstt/ "you gave it". Some words may contain one or two consonants only: /É¡/ "be", /ks/ "feed on".[34] (In Mandarin Chinese, words and syllables such as sÄ« and zhÄ« are sometimes described as being syllabic fricatives and affricates phonemically, /ś/ and /tʂ́/, but these do have a voiced segment that carries the tone.) In the Japonic language Miyako, there are words with no voiced sounds, such as ss 'dust', kss 'breast/milk', pss 'day', ff 'a comb', kff 'to make', fks 'to build', ksks 'month', sks 'to cut', psks 'to pull'. Some analyses of Wandala is reported to have no phonemic vowels.[35] Words consisting of only vowels It is not uncommon for short grammatical words to consist of only vowels, such as a and I in English. Lexical words are somewhat rarer in English and are generally restricted to a single syllable: eye, awe, owe, and in non-rhotic accents air, ore, err. Vowel-only words of more than one syllable are generally foreign loans, such as ai (two syllables: /ˈɑːi/) for the maned sloth, or proper names, such as Iowa (in some accents: /ˈaɪ.oʊ.ə/). However, vowel sequences in hiatus are more freely allowed in some other languages, most famously perhaps in Bantu and Polynesian languages, but also in Japanese and Finnic languages. In such languages there tends to be a larger variety of vowel-only words. In Swahili (Bantu), for example, there is aua 'to survey' and eua 'to purify' (both three syllables); in Japanese, aoi 青い 'blue/green' and oioi 追々 'gradually' (three and four morae); and in Finnish, aie 'intention' and auo 'open!' (both two syllables), although some dialects pronounce them as aije and auvo. In Urdu, āye/aaie آئیے or āyn آئیں 'come' is used. Hawaiian, and the Polynesian languages generally, have unusually large numbers of such words, such as aeāea (a small green fish), which is three syllables: ae.āe.a. Most long words involve reduplication, which is quite productive in Polynesian: ioio 'grooves', eaea 'breath', uaua 'tough' (all four syllables), auēuē 'crying' (five syllables, from uē (uwē) 'to weep'), uoa or uouoa 'false mullet' (sp. fish, three or five syllables). [>> Go here now to see the controversial video <<]( Regards, Matt Insley, Publisher, Paradigm Press P.S. This former CIA advisor predicts Biden’s humiliating blunder means Americans will face fuel shortages, widespread blackouts, empty grocery shelves, $1000 energy bills, drained retirement accounts… and a nationwide crime wave. [See his full warning here.]( [𝐒𝐢𝐦𝐩𝐥𝐞 𝐌𝐨𝐧𝐞𝐲 𝐆𝐨𝐚𝐥𝐬] Above is an important message from one of our highly valued sponsors. Please read it carefully as they have some special information to share with you. Еmail sent by Finanсe and Investing Тraffic, LLC, оwner and operator of Simрle Моneу Gоals. To ensure you receive our email, be sure to [whitelist us](. 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