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September 17, 2019
[Broken Music](
[Corey Marks](
Every turn I took in the city
pressed me deeper into the warren
of what I hadnât said, the words
thickening, constricting like a throat
as I moved through the streets,
oblivious to traffic and high walls,
the rain guttersâ crooked mouths
staining the pavement, human faces
mooning past me, indifferent,
eclipsing my silence
with their phones, their apparitions
floatingâwhere?âand everyone,
everyone talking to the air.
Until around a new corner
on a narrow street Iâd never seen
a piano began to play from above
a window-muffled music
at odds with itself, the rush of notes
splintering like glass across a floor
then picked back up, piece
by pieceâfirst one hand sorting
along the keys, then the other
joining, out of step, irreconcilable,
unpunctuated by frustration,
or shame, but stung with the urgency
to make what couldnât yet
be made. How could anyone learn
their way out of such blunder,
how could any song be gathered
from those shards grating
like something lodged in a shoe.
My ear cocked into the air,
I thought of floating up, balloon-like,
to look. I felt cartoonish,
a marvel of the last centuryâs
animation already out of date.
I could have gone on like that,
listening, loosening into the song,
but then the piano stopped.
My ears filled with waitingâ
car horns and chatter, the wheeze
of a stopping bus, the city going
about its filthy exclamations,
its abandon. The window
darkened as the player shut
the light over the sheet music,
and it reflected another window
across the street that in turn
reflected a bit of sky, a planeâs
bright sideways thought
trolling across the pane
music once broke throughâ
delirious and awful and unabashed,
and so unlike what Iâd wanted to say
swollen now, a contrail
coming extravagantly undone,
or a balloon full of glass.
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Copyright © 2019 by Corey Marks. Originally published in Poem-a-Day on September 17, 2019, by the Academy of American Poets.
["Broken Music" by Corey Marks.](
About This Poem
âIn writing âBroken Music,â I thought about how the walks I so often take can both encourage and challenge inwardness, and I found myself returning to [A. R. Ammons](â notion that a walk externalizes âan inward seeking.â The poem began as a description of wandering through increasingly unfamiliar city streets but soon started tracing a meditation on reticence and daring. I found myself interested in how the speakerâs worry propelled him on an aimless circuit that finally led him to overhear someone else's unabashed music that jangled him out of his preoccupations.â
âCorey Marks
Corey Marks is the author of The Radio Tree (New Issues, 2012). He is Director of Creative Writing and Distinguished Teaching Professor at University of North Texas. He lives in Denton, Texas.
[more-at-poets](
Poetry by Marks
[The Radio Tree](
(New Issues, 2012)
âWater Musicâ by Robert Creeley
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âCity Visionsâ by Emma Lazarus
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âPianoâ by D.H. Lawrence
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