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September 14, 2019
[âAn Apocryphal History of the Discovery of Migration, or The Sacrifice of the Pfeilstörchenâ](
[Alba Cid](
Translated by [Jacob Rogers](
[Read and listen]( to the poem in its original Galician.
I, wearing heron symmetrically opposed over my chest,
swore to the five emperors that there was no such thing as balance,
that if herons upheld
the rivers on all Chinese porcelain it was
simply due to
a locking mechanism in their joints.
they awarded me for risking everything in my defense.
I wrote to you a few years later. I said:
Rostock, sixth of July,
itâs awful of me to interrupt, but I just
need you to understand how certain kinds of wounds can be useful.
Iâm finishing up an essay
on pre-modern explanations for bird migration,
and all the species seen since Aristotleâs time as either moon travelers
or sailors that very rarely return.
I even studied a pamphlet from 1703
that argues for the communion of swallows,
that they gather in wetlands
and follow a specific choreography to perch on top of the rushes
until they sink.
they spend winters underwater, in the hypnotic calm of the muck,
and thatâs why they emerge so klein damp in spring.
but in 1822 (I carefully attached the photograph),
an arrow pierced the neck of a stork in central Africa
and the bird began its flight bearing both weapon and wound.
when it reached Germany, someone identified the origin of the
projectile,
and went on to form a scientific hypothesis.
I donât remember much more of the letter, except:
pain and brightness are distributed in equal parts,
and lightness only exists because of past excess.
Since itâs the migratory season (I concluded)
I hope you donât mind if I bypass the formula for farewellsâ
Atlantic in between us,
every anemone is fluttering along with the currents.
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© 2019 Alba Cid and Jacob Rogers. Published in Poem-a-Day in partnership with Words Without Borders on September 14, 2019, by the Academy of American Poets.
[Cid reads "“An Apocryphal History of the Discovery of Migration, or The Sacrifice of the Pfeilstörchen”."](
About This Poem
âI began writing these âapocryphal/natural history poemsâ a few years ago, as a way to embrace historical discoveries or curiosities and to produce sets of transparencies towards present debates or concerns of mine. Iâm captivated by plants, etymologies, near and distant cultural practices and languages. In the case of this poem, I intermingled (pre)modern explanations for bird migrationâas fantastical as they seem to usâ, a fictive letter, and the âpowerâ of wounds, illustrated by these wounded storks, which carried African arrows when flying back to Europe.â
âAlba Cid
[Alba Cid](
Alba Cid is a Galician poet and researcher. Her poetry collection Atlas is forthcoming from Galaxia in 2019. She directs the John Rutherford Centre for Galician Studies at the University of Oxford, and divides her time between Oxford, England, and Santiago de Compostela, Spain.
[Jacob Rogers](
Jacob Rogers is a translator of Galician literature, including Carlos Casaresâs His Excellency (Small Stations, 2017). He lives in New York City.
[His Excellency](
Translation by Rogers
[His Excellency](
(Small Stations, 2017)
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Celebrating National Translation Month
Todayâs Poem-a-Day poem is presented in partnership with Words Without Borders and is a winner of their inaugural [Poems in Translation Contest]( judged by [Mónica de la Torre](. We will feature each of the four winning translations on Poem-a-Day every Saturday in September, National Translation Month.
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