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September 10, 2019
[Father replays the funeral in Dream #28](
[Margo Tamez](
Shame forces what we denied into luminosity.
In dream my father tells me my motherâs grieving
prevents momentum.
Heâs projecting thoughts to a screen for me to read.
Iâm at his private film of captivity.
Heâs watching us. Weâre hunched over heaving the sorrow vomit.
Father stands before me
time without fear suspended and apart
unafraid of anything one way or another.
âWhen did they cut it?â he wants to know
pushing the thought into space between my eyes.
Raising his pant leg where the mortician
smoothed and stretched the salvage skin Father used for padding
his below-knee amputation
hovering inches above the ground glints in his eyes.
He doesnât remember the amputation
in the bending.
Father shows me his whole leg. Scars
mended and smooth.
He is an uncut body again. Like before the bending place.
Only the graft scars on his thighs remain.
He projects: âI feel my leg here Margo my foot still itches hereâ Father
points: âin this empty spaceâ he twirls his fingers a slow spiral.
I nod to him: âI see. Iâll remember this for you.â
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Copyright © 2019 Margo Tamez. Originally published in Poem-a-Day on September 10, 2019, by the Academy of American Poets.
[Tamez reads "Father replays the funeral in Dream #28."](
About This Poem
âMy father, Luis Carrasco Tamez, Jr., (1935-1996), visited me in dreams between November 1996 and September 2001. Lingering memories of what he said pressured me to (re)visit intimate familial places in Lipan Apache (Ndé) homelands, in South Texas, where he appeared. His spatial time-bending emplaced a pictorial language, helping me decipher historical violence felt by Ndé of Texas, and lingering impacts of historical trauma which saturate Ndé storied landscapes continually obscured by aggressive settler colonial erasure. Spirit memory as sentience, landguage, place, despairâthe collective internalization of Indigenous spatial exileâinfluence my understanding of my fatherâs refusal. This poem, echoing post-memory of Ndé intergenerational genocide survivors, explores how historical memory of violence disturbs linear structures which have denied Indigenous peoplesâ our lived experiencesâeven after death.â
âMargo Tamez
[Margo Tamez](
Margo Tamez is the author of Raven Eye (University of Arizona Press, 2007) and Naked Wanting (University of Arizona Press, 2003). She is a faculty member in the Indigenous Studies program at the University of British Columbia | Unceded Syilx Territory | Okanagan campus, in Kelowna, British Columbia, Canada and lives at Nk Ìmaplqs il n Ìsis ÌoolaxÌÊ·, British Columbia, Canada.
[Raven Eye](
Poetry by Tamez
[Raven Eye](
(University of Arizona Press, 2007)
"My Father as Cartographer" by Natasha Trethewey
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"Kissing My Father" by Joseph O. Legaspi
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"Becoming Ghost" by Cathy Linh Che
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September Guest Editor: Eduardo C. Corral
Thanks to [Eduardo C. Corral](, author of Guillotine, forthcoming from Graywolf Press in 2020, who curated Poem-a-Day for this monthâs weekdays. Read a [Q&A with Corral]( about his curatorial approach this month and find out more about our [guest editors for the year.](
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