[View this email on a browser]( [Forward to a friend](
[facebook-icon]( [tumblr-icon]( [twitter-icon](
September 2, 2019
[The mother finds her own wild, lost beginnings deep within the body of her daughter](
[Mary Jean Chan](
after Jacqueline Rose / after Chen Chen
she fed me
clothed me
kept me
safe albeit
in excess
five layers
in spite of
subtropical
winter heat
so much to
eat I needed
digestive pills
to ward off
the stomachâs
sharp protest
how not to
utter the un-
grateful thing:
that I am
irrevocably
her object
that the
poet who
wrote this
saved my life:
Sometimes,
parents &
children
become
the most
common of
strangers
Eventually,
a street
appears
where they
can meet
again
How I
wished
that street
would appear
I kept trying
to make her
proud of my
acumen for
language
these words
have not
been for
nothing
I wrote
to find
the street
where we
might meet
again & now
there is relief
guilt or blame
but they are
nearly always
misplaced
you are born
into the slip-
stream of
your motherâs
unconscious
if someone
had told her
that the last
thing a young
mother needs
is false decency
courage & cheer
she might not
have hurt us
both but what
to do with
remorse &
love that comes
unbidden like a
generous rain
how to accept
her care after
the storm is there
a point at which
the mother is
redeemed the
child forgiven
can the origin
story be re-told
transfigured into
the version where
the garden is always
paradise & no one
need ever fall
out of grace
[Like this on Facebook]( [Share via Twitter](
Copyright © 2019 Mary Jean Chan. Originally published in Poem-a-Day on September 2, 2019, by the Academy of American Poets.
[Chan reads "The mother finds her own wild, lost beginnings within the body of her daughter."](
About This Poem
âI wrote this poem last year as I was completing my debut poetry collection. I was re-reading [Chen Chen](âs [When I Grow Up I Want to Be a List of Further Possibilities]( (BOA Editions, 2017), alongside Jacqueline Roseâs Mothers: An Essay on Love and Cruelty (Faber, 2018). The voices of Chen and Rose became a kind of co-mingling, which, alongside my own thoughts, eventually took the form of these thin, compressed, rivulet-type poems I had first come across in Emily Berryâs second collection Stranger, Baby (Faber, 2017). I wanted to explore what happens in the aftermath of reconciliation, especially between a mother and daughter whose coming out as queer severely tested their relationship for several years.â
âMary Jean Chan
[Mary Jean Chan](
Mary Jean Chanâs debut poetry collection is Flèche (Faber & Faber, 2019). She is an editor of Oxford Poetry and a Lecturer in Creative Writing at Oxford Brookes University. Born and raised in Hong Kong, Mary Jean currently lives in London.
Photo Credit: Adrian Pope
[Fleche](
Poetry by Chan
[Flèche](
(Faber & Faber, 2019)
"I Invite My Parents to a Dinner Party" by Chen Chen
[read-more](
"OBIT [Memory]" by Victoria Chang
[read-more](
"So Chinese Girl" by Dorothy Chan
[read-more](
September Guest Editor: Eduardo C. Corral
Thanks to [Eduardo C. Corral](, author of Guillotine (Graywolf Press, 2020), who curated Poem-a-Day for this monthâs weekdays. Read a [Q&A with Corral]( about his curatorial approach this month and find out more about our [guest editors for the year.](
Your Support Makes Poem-a-Day Possible
Poem-a-Day is the only digital series publishing new, previously unpublished work by todayâs poets each weekday morning. This free series, which also features a curated selection of classic poems on the weekends, reaches 450,000+ readers daily.
[make a one-time donation](
[illustration](
[Small-Blue-RGB-poets.org-Logo](
Thanks for being a part of the Academy of American Poets community. To learn about other programs, including National Poetry Month, Poem in Your Pocket Day, the annual Poets Forum, and more, visit [Poets.org](.
You are receiving this e-mail because you elected to subscribe to our mailing list. If you would like to unsubscribe, please click [here](.
© Academy of American Poets
75 Maiden Lane, Suite 901, New York, NY 10038