plus this week at photo-eye Brian Arnold reviews The Lizard, Gabriele Rossi's new monograph published with Deadbeat Club! [View this email in your browser]( [photo-eye] PHOTOBOOK WEEKLY
April 27, 2024 BESTSELLER
--------------------------------------------------------------- ATL Mark Steinmetz Special Edition of 100: Signed and numbered, presented in a custom cloth covered slipcase. Photographed at Atlantaâs Hartsfield-Jackson International Airport between 2012 and 2019, the 64 black-and-white images in ATL emphasize âthe quiet transitional moments in this liminal world,â writes curator Gregory J. Harris in the volumeâs introduction. Steinmetz captures âthe more introspective momentsâ of travel in and out of the worldâs most heavily trafficked airport and includes travelers of all ages âleaving one chapter of their lives and going to another,â as the artist stated in a 2019 interview at the museum. Airline pilots, ground personnel, flight attendants, and janitors are also pictured, always working, often waiting; they share a space with the travelers but remain apart. [Pre-Order Trade or Special Edition copies of ATL or read more]( [View the full list of bestsellers]( BOOK REVIEW
--------------------------------------------------------------- The Lizard Gabriele Rossi
Reviewed by Brian Arnold "I donât know why photographer Gabriele Rossi called his new book with Deadbeat Club The Lizard, but I like to think it was named after Rango. In promoting the book, Deadbeat describes it as 'a strange and uncanny atlas of the familiar transformed into the unfamiliar through the vision of a stranger who's only looking for some sort of home,' not unlike the story of the chameleon lost in the outskirts of Nevada..." â Brian Arnold [Read the full review]( [Order The Lizard]( NEW ARRIVALS
--------------------------------------------------------------- Las Mexicanas Edited by Pablo Ortiz Monasterio This pocket-size volume presents an entrancing selection of studio and vernacular photographs of Mexican women from the mid-19th century to the 1960s. Through the careful editing of photographer Pablo Ortiz Monasterio, the sequence of images coalesces into a narrative of womenâs empowerment. As photographic technology advances in the bookâtransitioning from daguerreotypes to color filmâso too do the rights of the women pictured, who become increasingly mobile, expressive and exposed. Yet, regardless of the era they belong to, all of the women appear intensely alive, emboldened by their position before the camera. [Order Las Mexicanas or read more]( Workers An Archaeology of the Industrial Age
Sebastião Salgado Sebastião Salgadoâs photo book classic Workers: An Archaeology of the Industrial Age (first published in 1993) pays tribute to the time-honored tradition of manual labor in the new millennium when machines and computers replace human workers throughout the globe. With images of striking beauty and integrity, Salgado composes a visual elegy for the working men and women, whose indomitable spirit has prevailed over the harshest of conditions to achieve a singular grace. [Order Workers or read more]( Vivants Matthieu Gafsou Interested in the place of man in living things, and also in the degradation of the world around us, Swiss photographer Matthieu Gafsou shows in this large format book, a composite narrative that combines landscapes, sometimes tinted with a strange color, reportage portraits in B&W, or even urban views reworked with crude oil. A crepuscular atmosphere, a contaminated world as well as isolation, revolt, anger, yet also care are the thematic milestones which construct the dramaturgy of this narration. [Order Vivants or read more]( RECENTLY FEATURED
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