Race/Related: In the face of discrimination and hate, a bond through a farm that has lasted for more than 100 years.

In eastern Washington, a farm has been an unlikely bridge between two American communities. [View in browser](~/AAAAAQA~/RgRlUg_vP4Q3AWh0dHBzOi8vbWVzc2FnaW5nLWN1c3RvbS1uZXdzbGV0dGVycy5ueXRpbWVzLmNvbS90ZW1wbGF0ZS9vYWt2Mj9hYlZhcmlhbnRJZD0wJmNhbXBhaWduX2lkPTM3JmVtYz1lZGl0X3JyXzIwMjIxMTEyJmluc3RhbmNlX2lkPTc3MzM0Jm5sPXJhY2UlMkZyZWxhdGVkJnByb2R1Y3RDb2RlPVJSJnJlZ2lfaWQ9Nzc2NzQ5NTImc2VnbWVudF9pZD0xMTI5NzEmdGU9MSZ1cmk9bnl0JTNBJTJGJTJGbmV3c2xldHRlciUyRmU3OWFjNjVmLWE5Y2YtNTg1MC1hMjA0LWUzMGQ4YzliZDgxOSZ1c2VyX2lkPWFhNDkxZWY3ZjFkOTY0ZTQ5NzlmYjc4NGU3NGUwMWQ3VwNueXRCCmNk74pvYwcpQ89SG3RyaXN0cmFtYmFsZHdpbjkwQGdtYWlsLmNvbVgEAAAAAA~~)|[nytimes.com](~/AAAAAQA~/RgRlUg_vP0SxaHR0cHM6Ly93d3cubnl0aW1lcy5jb20vP2NhbXBhaWduX2lkPTM3JmVtYz1lZGl0X3JyXzIwMjIxMTEyJmluc3RhbmNlX2lkPTc3MzM0Jm5sPXJhY2UlMkZyZWxhdGVkJnJlZ2lfaWQ9Nzc2NzQ5NTImc2VnbWVudF9pZD0xMTI5NzEmdGU9MSZ1c2VyX2lkPWFhNDkxZWY3ZjFkOTY0ZTQ5NzlmYjc4NGU3NGUwMWQ3VwNueXRCCmNk74pvYwcpQ89SG3RyaXN0cmFtYmFsZHdpbjkwQGdtYWlsLmNvbVgEAAAAAA~~)[Continue reading the main story](#a11y-skip-ad-marquee) ~/AAAAAQA~/RgRlUg_vP0RtaHR0cHM6Ly9saXZlaW50ZW50Lm5ld3lvcmt0aW1lc2luZm8uY29tL2NsaWNrP3M9MjA3NTgwJmxpPVJSJm09YWE0OTFlZjdmMWQ5NjRlNDk3OWZiNzg0ZTc0ZTAxZDcmcD1SUl8yMDIyMTExMlcDbnl0QgpjZO-Kb2MHKUPPUht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAAA~ [More Race/Related](~/AAAAAQA~/RgRlUg_vP0S_aHR0cHM6Ly93d3cubnl0aW1lcy5jb20vc3BvdGxpZ2h0L3JhY2U_Y2FtcGFpZ25faWQ9MzcmZW1jPWVkaXRfcnJfMjAyMjExMTImaW5zdGFuY2VfaWQ9NzczMzQmbmw9cmFjZSUyRnJlbGF0ZWQmcmVnaV9pZD03NzY3NDk1MiZzZWdtZW50X2lkPTExMjk3MSZ0ZT0xJnVzZXJfaWQ9YWE0OTFlZjdmMWQ5NjRlNDk3OWZiNzg0ZTc0ZTAxZDdXA255dEIKY2Tvim9jBylDz1IbdHJpc3RyYW1iYWxkd2luOTBAZ21haWwuY29tWAQAAAAA) November 12, 2022 Workers picking corn at Yakama Farms, formerly known as Inaba Produce Farms, in Wapato, Wash.Ruth Fremson/The New York Times A Japanese American Family, a Native American Tribe and a Bountiful Friendship [Author Headshot](~/AAAAAQA~/RgRlUg_vP0S7aHR0cHM6Ly93d3cubnl0aW1lcy5jb20vYnkvYW15LXFpbj9jYW1wYWlnbl9pZD0zNyZlbWM9ZWRpdF9ycl8yMDIyMTExMiZpbnN0YW5jZV9pZD03NzMzNCZubD1yYWNlJTJGcmVsYXRlZCZyZWdpX2lkPTc3Njc0OTUyJnNlZ21lbnRfaWQ9MTEyOTcxJnRlPTEmdXNlcl9pZD1hYTQ5MWVmN2YxZDk2NGU0OTc5ZmI3ODRlNzRlMDFkN1cDbnl0QgpjZO-Kb2MHKUPPUht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAAA~) By [Amy Qin](~/AAAAAQA~/RgRlUg_vP0S7aHR0cHM6Ly93d3cubnl0aW1lcy5jb20vYnkvYW15LXFpbj9jYW1wYWlnbl9pZD0zNyZlbWM9ZWRpdF9ycl8yMDIyMTExMiZpbnN0YW5jZV9pZD03NzMzNCZubD1yYWNlJTJGcmVsYXRlZCZyZWdpX2lkPTc3Njc0OTUyJnNlZ21lbnRfaWQ9MTEyOTcxJnRlPTEmdXNlcl9pZD1hYTQ5MWVmN2YxZDk2NGU0OTc5ZmI3ODRlNzRlMDFkN1cDbnl0QgpjZO-Kb2MHKUPPUht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAAA~) ACROSS THE COUNTRY We’re exploring how America defines itself one place at a time. In eastern Washington, a farm tells the story of two communities and their shared resilience over more than a century. WAPATO, Wash. — The traditional Japanese lantern in the driveway of Inaba Produce Farms offers just a hint of the richly layered history behind this once-humble agricultural operation in eastern Washington. [Continue reading the main story](#a11y-skip-universal-0) ADVERTISEMENT ~/AAAAAQA~/RgRlUg_vP0RtaHR0cHM6Ly9saXZlaW50ZW50Lm5ld3lvcmt0aW1lc2luZm8uY29tL2NsaWNrP3M9MTc0MTQ5JmxpPVJSJm09YWE0OTFlZjdmMWQ5NjRlNDk3OWZiNzg0ZTc0ZTAxZDcmcD1SUl8yMDIyMTExMlcDbnl0QgpjZO-Kb2MHKUPPUht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAAA~ Tucked off a dusty desert road on the Yakama Reservation, past fields of spindly hop plants and apple orchards, the farm for nearly a century has been an unlikely bridge between two American communities and a living symbol of their resilience, mutual generosity and hope for the future. Lon Inaba, 67, was part of the third generation of his family to manage the farm — and the last of the Inabas with a desire to till soil and tend to vines. He was ready to retire and sell the farm that had long been his family’s treasure. Several potentially lucrative options came to mind. But then Mr. Inaba thought of the many acts of kindness that Yakama tribal members had shown his family, starting when his grandfather arrived in Wapato in the early 1900s from Japan in search of a better life. There was the time when the Washington State Legislature banned “aliens” — including people of Japanese ancestry — from leasing land in the 1920s. It was a Yakama tribal member who told the family not to worry, that they could farm a portion of his land. [Continue reading the main story](#a11y-skip-universal-1) ADVERTISEMENT ~/AAAAAQA~/RgRlUg_vP0RtaHR0cHM6Ly9saXZlaW50ZW50Lm5ld3lvcmt0aW1lc2luZm8uY29tL2NsaWNrP3M9MjA3NTc3JmxpPVJSJm09YWE0OTFlZjdmMWQ5NjRlNDk3OWZiNzg0ZTc0ZTAxZDcmcD1SUl8yMDIyMTExMlcDbnl0QgpjZO-Kb2MHKUPPUht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAAA~ There was the time when the Inabas returned home to Wapato after they were detained in a government internment camp during World War II. Amid widespread discrimination, another Yakama man carved out a parcel so that the Inaba family could rebuild their farm. “If it wasn’t for the Indian nation, we would never have been able to be here,” Shiz Inaba, 93, recalled telling Mr. Inaba, her son. The Yakama Nation recently expressed interest in buying the farm — now a 1,600-acre company that supplies top grocery chains — seeing an opportunity to improve the community’s access to healthy produce. “The level of poverty here has been such that it’s the kind of stuff that people can’t always afford to buy,” said Jonalee Squeochs, who is overseeing a larger agricultural development project for the Yakama Nation. [Continue reading the main story](#a11y-skip-universal-2) ADVERTISEMENT ~/AAAAAQA~/RgRlUg_vP0RtaHR0cHM6Ly9saXZlaW50ZW50Lm5ld3lvcmt0aW1lc2luZm8uY29tL2NsaWNrP3M9NzI4Njk5JmxpPVJSJm09YWE0OTFlZjdmMWQ5NjRlNDk3OWZiNzg0ZTc0ZTAxZDcmcD1SUl8yMDIyMTExMlcDbnl0QgpjZO-Kb2MHKUPPUht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAAA~ For Lon Inaba and his family, the selling of the family farm to the Yakama Nation last year felt right, considering the tribe’s many kindnesses going back decades.Ruth Fremson/The New York Times Mr. Inaba calculated that selling to the tribe would mean that his family would likely receive millions of dollars less. But it did not matter. It felt right. “Different individual tribal members were very kind to our family and to the Japanese community over the years,” Mr. Inaba said, growing teary-eyed. “I thought, ‘Hey, this could be a way to repay them.’” Read the rest of the story [here](~/AAAAAQA~/RgRlUg_vP0TfaHR0cHM6Ly93d3cubnl0aW1lcy5jb20vMjAyMi8xMS8xMC91cy95YWthbWEtbmF0aW9uLWphcGFuZXNlLWZhcm0uaHRtbD9jYW1wYWlnbl9pZD0zNyZlbWM9ZWRpdF9ycl8yMDIyMTExMiZpbnN0YW5jZV9pZD03NzMzNCZubD1yYWNlJTJGcmVsYXRlZCZyZWdpX2lkPTc3Njc0OTUyJnNlZ21lbnRfaWQ9MTEyOTcxJnRlPTEmdXNlcl9pZD1hYTQ5MWVmN2YxZDk2NGU0OTc5ZmI3ODRlNzRlMDFkN1cDbnl0QgpjZO-Kb2MHKUPPUht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAAA~). Tell Us About Where You Live We’re exploring the U.S. one place at a time. What’s a distinct place, activity or tradition that defines your world? Tell us about something that’s unique to your corner of America, whether it’s a special slice of history or the beloved neighborhood restaurant that feels like home. Share your story at racerelated@nytimes.com. Narsiso Martinez’s painting “Legal Tender” (2022) at the Museum of Latin American Art. The central figure is based on an undocumented California farmworker from Guerrero, Mexico.Nolwen Cifuentes for The New York Times A Mexican American Artist Finds Heroes in Farmworkers By [Jori Finkel](~/AAAAAQA~/RgRlUg_vP0S_aHR0cHM6Ly93d3cubnl0aW1lcy5jb20vYnkvam9yaS1maW5rZWw_Y2FtcGFpZ25faWQ9MzcmZW1jPWVkaXRfcnJfMjAyMjExMTImaW5zdGFuY2VfaWQ9NzczMzQmbmw9cmFjZSUyRnJlbGF0ZWQmcmVnaV9pZD03NzY3NDk1MiZzZWdtZW50X2lkPTExMjk3MSZ0ZT0xJnVzZXJfaWQ9YWE0OTFlZjdmMWQ5NjRlNDk3OWZiNzg0ZTc0ZTAxZDdXA255dEIKY2Tvim9jBylDz1IbdHJpc3RyYW1iYWxkd2luOTBAZ21haWwuY29tWAQAAAAA) LONG BEACH, Calif. — For his most ambitious artwork to date, [Narsiso Martinez](~/AAAAAQA~/RgRlUg_vP0TPaHR0cHM6Ly93d3cuY2phbWVzZ2FsbGVyeS5jb20vYXJ0aXN0cy9uYXJzaXNvLW1hcnRpbmV6P2NhbXBhaWduX2lkPTM3JmVtYz1lZGl0X3JyXzIwMjIxMTEyJmluc3RhbmNlX2lkPTc3MzM0Jm5sPXJhY2UlMkZyZWxhdGVkJnJlZ2lfaWQ9Nzc2NzQ5NTImc2VnbWVudF9pZD0xMTI5NzEmdGU9MSZ1c2VyX2lkPWFhNDkxZWY3ZjFkOTY0ZTQ5NzlmYjc4NGU3NGUwMWQ3VwNueXRCCmNk74pvYwcpQ89SG3RyaXN0cmFtYmFsZHdpbjkwQGdtYWlsLmNvbVgEAAAAAA~~)has made a painting that looks like an enormous dollar bill issued by an imaginary country that actually values its working class. Filling most of a wall of his current show at the [Museum of Latin American Art](~/AAAAAQA~/RgRlUg_vP0SraHR0cHM6Ly9tb2xhYS5vcmcvP2NhbXBhaWduX2lkPTM3JmVtYz1lZGl0X3JyXzIwMjIxMTEyJmluc3RhbmNlX2lkPTc3MzM0Jm5sPXJhY2UlMkZyZWxhdGVkJnJlZ2lfaWQ9Nzc2NzQ5NTImc2VnbWVudF9pZD0xMTI5NzEmdGU9MSZ1c2VyX2lkPWFhNDkxZWY3ZjFkOTY0ZTQ5NzlmYjc4NGU3NGUwMWQ3VwNueXRCCmNk74pvYwcpQ89SG3RyaXN0cmFtYmFsZHdpbjkwQGdtYWlsLmNvbVgEAAAAAA~~), it has roughly the same proportions as U.S. paper currency and some of the same symbols, with decorative medallions in the corners and a framed portrait in the center. Only the subject of this portrait is not an American founding father but a hero of another kind: a California farmworker from Mexico, shown in semi-profile with her thick, black hair tied back and her gaze strong and direct. At either side are farmworkers in full gear: masks to protect them from pesticides, hats to shield them from the sun, and goggles or sunglasses for both. Other scenes complete the artwork, which draws on the Mexican muralist tradition in its narrative scope and celebration of physical labor and on Dada collage and assemblage in its use of found objects. The entire painting, done in gouache, ink, charcoal and gold leaf, was made not on canvas but on flattened produce boxes — the kind used for oranges, strawberries, watermelons and the like — which come with punchy corporate logos and sunny illustrations that add color to the scene. The produce boxes point to the big business of American agriculture, which depends so heavily on — and often exploits — undocumented Mexican immigrants who have little leverage when the work is dangerous or wages too low. Martinez, 45, who was born in Mexico and lives in Long Beach, titled his artwork “Legal Tender.” “I liked the word ‘tender’ as a reminder that people can be fragile, people can be hurt,” the artist said at his studio in Long Beach, a small, street-level space between a bodega and a liquor store. “I also wanted to ask questions about what it means to be legal. Is your food illegal if it’s picked by someone who is so-called illegal?” He said the central figure in “Legal Tender” is based on an undocumented California farmworker from Guerrero, Mexico, whom he met and photographed — and paid for her time. [Gilbert Vicario](~/AAAAAQA~/RgRlUg_vP0T3aHR0cHM6Ly93d3cucGFtbS5vcmcvZW4vcHJlc3MvcGVyZXotYXJ0LW11c2V1bS1taWFtaS1hcHBvaW50c2dpbGJlcnQtdmljYXJpby1hcy1jaGllZi1jdXJhdG9yLz9jYW1wYWlnbl9pZD0zNyZlbWM9ZWRpdF9ycl8yMDIyMTExMiZpbnN0YW5jZV9pZD03NzMzNCZubD1yYWNlJTJGcmVsYXRlZCZyZWdpX2lkPTc3Njc0OTUyJnNlZ21lbnRfaWQ9MTEyOTcxJnRlPTEmdXNlcl9pZD1hYTQ5MWVmN2YxZDk2NGU0OTc5ZmI3ODRlNzRlMDFkN1cDbnl0QgpjZO-Kb2MHKUPPUht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAAA~), the chief curator of the Pérez Art Museum in Miami and a guest curator who included Martinez in the new Orange County Biennial, “Pacific Gold,” said the artist “is meeting the current moment — with our desire for inclusivity and diversity — head-on.” Narsiso Martinez in his studio in Long Beach, Calif., with a portrait in progress on the right. He worked the fields himself, on and off for nearly a decade, before landing solo shows in Los Angeles.Nolwen Cifuentes for The New York Times He sees Martinez as part of a new generation of Chicano artists responding to the issue of cultural invisibility. “It’s a common refrain in Chicanx art that we are invisible as a community, certainly with little representation in Hollywood,” said Vicario, who said he was raised in San Diego by Mexican parents. “What interests me about Narsiso is how he is making visible a group of people who have been overlooked or behind the scenes in the agricultural economy,” Vicario said. Read the rest of the story [here](~/AAAAAQA~/RgRlUg_vP0T7aHR0cHM6Ly93d3cubnl0aW1lcy5jb20vMjAyMi8xMS8xMC9hcnRzL2Rlc2lnbi9uYXJzaXNvLW1hcnRpbmV6LWZhcm13b3JrZXJzLWFydGlzdC1jYWxpZm9ybmlhLmh0bWw_Y2FtcGFpZ25faWQ9MzcmZW1jPWVkaXRfcnJfMjAyMjExMTImaW5zdGFuY2VfaWQ9NzczMzQmbmw9cmFjZSUyRnJlbGF0ZWQmcmVnaV9pZD03NzY3NDk1MiZzZWdtZW50X2lkPTExMjk3MSZ0ZT0xJnVzZXJfaWQ9YWE0OTFlZjdmMWQ5NjRlNDk3OWZiNzg0ZTc0ZTAxZDdXA255dEIKY2Tvim9jBylDz1IbdHJpc3RyYW1iYWxkd2luOTBAZ21haWwuY29tWAQAAAAA). EDITORS’ PICKS We publish many articles that touch on race. Here are several you shouldn’t miss. [[Article Image] Photo illustration by Najeebah Al-Ghadban](~/AAAAAQA~/RgRlUg_vP0TkaHR0cHM6Ly93d3cubnl0aW1lcy5jb20vMjAyMi8xMS8xMC9tYWdhemluZS9hdGxhbnRhLWh1bHUtZG9uYWxkLWdsb3Zlci5odG1sP2NhbXBhaWduX2lkPTM3JmVtYz1lZGl0X3JyXzIwMjIxMTEyJmluc3RhbmNlX2lkPTc3MzM0Jm5sPXJhY2UlMkZyZWxhdGVkJnJlZ2lfaWQ9Nzc2NzQ5NTImc2VnbWVudF9pZD0xMTI5NzEmdGU9MSZ1c2VyX2lkPWFhNDkxZWY3ZjFkOTY0ZTQ5NzlmYjc4NGU3NGUwMWQ3VwNueXRCCmNk74pvYwcpQ89SG3RyaXN0cmFtYmFsZHdpbjkwQGdtYWlsLmNvbVgEAAAAAA~~) [SCREENLAND The End of ‘Atlanta’ Changes Everything Donald Glover’s masterpiece was a different kind of prestige TV. It never explained itself, and was all the better for it. By Niela Orr](~/AAAAAQA~/RgRlUg_vP0TkaHR0cHM6Ly93d3cubnl0aW1lcy5jb20vMjAyMi8xMS8xMC9tYWdhemluZS9hdGxhbnRhLWh1bHUtZG9uYWxkLWdsb3Zlci5odG1sP2NhbXBhaWduX2lkPTM3JmVtYz1lZGl0X3JyXzIwMjIxMTEyJmluc3RhbmNlX2lkPTc3MzM0Jm5sPXJhY2UlMkZyZWxhdGVkJnJlZ2lfaWQ9Nzc2NzQ5NTImc2VnbWVudF9pZD0xMTI5NzEmdGU9MSZ1c2VyX2lkPWFhNDkxZWY3ZjFkOTY0ZTQ5NzlmYjc4NGU3NGUwMWQ3VwNueXRCCmNk74pvYwcpQ89SG3RyaXN0cmFtYmFsZHdpbjkwQGdtYWlsLmNvbVgEAAAAAA~~) [[Article Image] Gabriela Bhaskar for The New York Times](~/AAAAAQA~/RgRlUg_vP0T0aHR0cHM6Ly93d3cubnl0aW1lcy5jb20vMjAyMi8xMS8xMC91cy9wb2xpdGljcy9zdGFjZXktYWJyYW1zLWdlb3JnaWEtZ292ZXJub3ItZWxlY3Rpb24uaHRtbD9jYW1wYWlnbl9pZD0zNyZlbWM9ZWRpdF9ycl8yMDIyMTExMiZpbnN0YW5jZV9pZD03NzMzNCZubD1yYWNlJTJGcmVsYXRlZCZyZWdpX2lkPTc3Njc0OTUyJnNlZ21lbnRfaWQ9MTEyOTcxJnRlPTEmdXNlcl9pZD1hYTQ5MWVmN2YxZDk2NGU0OTc5ZmI3ODRlNzRlMDFkN1cDbnl0QgpjZO-Kb2MHKUPPUht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAAA~) [Eager to Grab National Spotlight, Abrams Falls Again on Georgia Stage In her second bid for governor, Stacey Abrams was dogged by complaints that she was distracted by her national ambitions and disconnected from voters at home. By Maya King and Reid J. Epstein](~/AAAAAQA~/RgRlUg_vP0T0aHR0cHM6Ly93d3cubnl0aW1lcy5jb20vMjAyMi8xMS8xMC91cy9wb2xpdGljcy9zdGFjZXktYWJyYW1zLWdlb3JnaWEtZ292ZXJub3ItZWxlY3Rpb24uaHRtbD9jYW1wYWlnbl9pZD0zNyZlbWM9ZWRpdF9ycl8yMDIyMTExMiZpbnN0YW5jZV9pZD03NzMzNCZubD1yYWNlJTJGcmVsYXRlZCZyZWdpX2lkPTc3Njc0OTUyJnNlZ21lbnRfaWQ9MTEyOTcxJnRlPTEmdXNlcl9pZD1hYTQ5MWVmN2YxZDk2NGU0OTc5ZmI3ODRlNzRlMDFkN1cDbnl0QgpjZO-Kb2MHKUPPUht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAAA~) [[Article Image] National Archives (75-GS-6)](~/AAAAAQA~/RgRlUg_vP0TnaHR0cHM6Ly93d3cubnl0aW1lcy5jb20vMjAyMi8xMS8xMC91cy9oYXJ2YXJkLW11c2V1bS1uYXRpdmUtYW1lcmljYW4taGFpci5odG1sP2NhbXBhaWduX2lkPTM3JmVtYz1lZGl0X3JyXzIwMjIxMTEyJmluc3RhbmNlX2lkPTc3MzM0Jm5sPXJhY2UlMkZyZWxhdGVkJnJlZ2lfaWQ9Nzc2NzQ5NTImc2VnbWVudF9pZD0xMTI5NzEmdGU9MSZ1c2VyX2lkPWFhNDkxZWY3ZjFkOTY0ZTQ5NzlmYjc4NGU3NGUwMWQ3VwNueXRCCmNk74pvYwcpQ89SG3RyaXN0cmFtYmFsZHdpbjkwQGdtYWlsLmNvbVgEAAAAAA~~) [Harvard Museum Will Return Hundreds of Native American Hair Samples The Peabody Museum apologized for its “complicity in the objectification of Native peoples” by holding hair samples taken from Indigenous children at government boarding schools in the 1930s. By Christine Chung](~/AAAAAQA~/RgRlUg_vP0TnaHR0cHM6Ly93d3cubnl0aW1lcy5jb20vMjAyMi8xMS8xMC91cy9oYXJ2YXJkLW11c2V1bS1uYXRpdmUtYW1lcmljYW4taGFpci5odG1sP2NhbXBhaWduX2lkPTM3JmVtYz1lZGl0X3JyXzIwMjIxMTEyJmluc3RhbmNlX2lkPTc3MzM0Jm5sPXJhY2UlMkZyZWxhdGVkJnJlZ2lfaWQ9Nzc2NzQ5NTImc2VnbWVudF9pZD0xMTI5NzEmdGU9MSZ1c2VyX2lkPWFhNDkxZWY3ZjFkOTY0ZTQ5NzlmYjc4NGU3NGUwMWQ3VwNueXRCCmNk74pvYwcpQ89SG3RyaXN0cmFtYmFsZHdpbjkwQGdtYWlsLmNvbVgEAAAAAA~~) [[Article Image] Simbarashe Cha for The New York Times](~/AAAAAQA~/RgRlUg_vP0T7aHR0cHM6Ly93d3cubnl0aW1lcy5jb20vMjAyMi8xMS8xMS9tb3ZpZXMvZWx2aXMtbWl0Y2hlbGwtaXMtdGhhdC1ibGFjay1lbm91Z2gtZm9yLXlvdS1uZXRmbGl4Lmh0bWw_Y2FtcGFpZ25faWQ9MzcmZW1jPWVkaXRfcnJfMjAyMjExMTImaW5zdGFuY2VfaWQ9NzczMzQmbmw9cmFjZSUyRnJlbGF0ZWQmcmVnaV9pZD03NzY3NDk1MiZzZWdtZW50X2lkPTExMjk3MSZ0ZT0xJnVzZXJfaWQ9YWE0OTFlZjdmMWQ5NjRlNDk3OWZiNzg0ZTc0ZTAxZDdXA255dEIKY2Tvim9jBylDz1IbdHJpc3RyYW1iYWxkd2luOTBAZ21haWwuY29tWAQAAAAA) [For Elvis Mitchell, Critic Turned Filmmaker, a Chance to Show and Tell His new documentary on Netflix, “Is That Black Enough for You?!?,” spotlights unsung Black cinema of the 1970s. By Reggie Ugwu](~/AAAAAQA~/RgRlUg_vP0T7aHR0cHM6Ly93d3cubnl0aW1lcy5jb20vMjAyMi8xMS8xMS9tb3ZpZXMvZWx2aXMtbWl0Y2hlbGwtaXMtdGhhdC1ibGFjay1lbm91Z2gtZm9yLXlvdS1uZXRmbGl4Lmh0bWw_Y2FtcGFpZ25faWQ9MzcmZW1jPWVkaXRfcnJfMjAyMjExMTImaW5zdGFuY2VfaWQ9NzczMzQmbmw9cmFjZSUyRnJlbGF0ZWQmcmVnaV9pZD03NzY3NDk1MiZzZWdtZW50X2lkPTExMjk3MSZ0ZT0xJnVzZXJfaWQ9YWE0OTFlZjdmMWQ5NjRlNDk3OWZiNzg0ZTc0ZTAxZDdXA255dEIKY2Tvim9jBylDz1IbdHJpc3RyYW1iYWxkd2luOTBAZ21haWwuY29tWAQAAAAA) Invite your friends. Invite someone to subscribe to the [Race/Related](~/AAAAAQA~/RgRlUg_vP0TJaHR0cHM6Ly93d3cubnl0aW1lcy5jb20vbmV3c2xldHRlcnMvcmFjZS1yZWxhdGVkP2NhbXBhaWduX2lkPTM3JmVtYz1lZGl0X3JyXzIwMjIxMTEyJmluc3RhbmNlX2lkPTc3MzM0Jm5sPXJhY2UlMkZyZWxhdGVkJnJlZ2lfaWQ9Nzc2NzQ5NTImc2VnbWVudF9pZD0xMTI5NzEmdGU9MSZ1c2VyX2lkPWFhNDkxZWY3ZjFkOTY0ZTQ5NzlmYjc4NGU3NGUwMWQ3VwNueXRCCmNk74pvYwcpQ89SG3RyaXN0cmFtYmFsZHdpbjkwQGdtYWlsLmNvbVgEAAAAAA~~) newsletter. Or email your thoughts and suggestions to racerelated@nytimes.com. Want more Race/Related? [Follow us on Instagram](~/AAAAAQA~/RgRlUg_vP0S8aHR0cDovL2luc3RhZ3JhbS5jb20vcmFjZXJlbGF0ZWRueXQ_Y2FtcGFpZ25faWQ9MzcmZW1jPWVkaXRfcnJfMjAyMjExMTImaW5zdGFuY2VfaWQ9NzczMzQmbmw9cmFjZSUyRnJlbGF0ZWQmcmVnaV9pZD03NzY3NDk1MiZzZWdtZW50X2lkPTExMjk3MSZ0ZT0xJnVzZXJfaWQ9YWE0OTFlZjdmMWQ5NjRlNDk3OWZiNzg0ZTc0ZTAxZDdXA255dEIKY2Tvim9jBylDz1IbdHJpc3RyYW1iYWxkd2luOTBAZ21haWwuY29tWAQAAAAA), where we continue the conversation about race through visuals. [Continue reading the main story](#a11y-skip-tracking_unit-3) Need help? Review our [newsletter help page](~/AAAAAQA~/RgRlUg_vP0TcaHR0cHM6Ly9oZWxwLm55dGltZXMuY29tL2hjL2VuLXVzL2FydGljbGVzLzM2MDAwMTQ4ODI2Ni1OZXdzbGV0dGVycz9jYW1wYWlnbl9pZD0zNyZlbWM9ZWRpdF9ycl8yMDIyMTExMiZpbnN0YW5jZV9pZD03NzMzNCZubD1yYWNlJTJGcmVsYXRlZCZyZWdpX2lkPTc3Njc0OTUyJnNlZ21lbnRfaWQ9MTEyOTcxJnRlPTEmdXNlcl9pZD1hYTQ5MWVmN2YxZDk2NGU0OTc5ZmI3ODRlNzRlMDFkN1cDbnl0QgpjZO-Kb2MHKUPPUht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAAA~) or [contact us](~/AAAAAQA~/RgRlUg_vP0TbaHR0cHM6Ly9oZWxwLm55dGltZXMuY29tL2hjL2VuLXVzL2FydGljbGVzLzExNTAxNTM4NTg4Ny1Db250YWN0LXVzP2NhbXBhaWduX2lkPTM3JmVtYz1lZGl0X3JyXzIwMjIxMTEyJmluc3RhbmNlX2lkPTc3MzM0Jm5sPXJhY2UlMkZyZWxhdGVkJnJlZ2lfaWQ9Nzc2NzQ5NTImc2VnbWVudF9pZD0xMTI5NzEmdGU9MSZ1c2VyX2lkPWFhNDkxZWY3ZjFkOTY0ZTQ5NzlmYjc4NGU3NGUwMWQ3VwNueXRCCmNk74pvYwcpQ89SG3RyaXN0cmFtYmFsZHdpbjkwQGdtYWlsLmNvbVgEAAAAAA~~) for assistance. You received this email because you signed up for Race/Related from The New York Times. To stop receiving these emails, [unsubscribe](~/AAAAAQA~/RgRlUg_vP0TMaHR0cHM6Ly9teWFjY291bnQubnl0aW1lcy5jb20vc2VnL3Vuc3Vic2NyaWJlL1JSLzlhZTI4NTQyMjZlYThiOTUwZjBiYTY5OWNjZmMxZGZiODMwYzhhZmUwNzIxYWYwN2QxY2U5NDFlNzY1MTk2Y2FiYTM4ODkyZWI3Y2M3ZTI3MTU5Y2Y4YWNjN2ZjNDg4Mj9lbWM9ZWRpdF9ycl8yMDIyMTExMiZubD1yYWNlJTJGcmVsYXRlZCZzZW5kX2lkPTExMjk3MSZ0ZT0xVwNueXRCCmNk74pvYwcpQ89SG3RyaXN0cmFtYmFsZHdpbjkwQGdtYWlsLmNvbVgEAAAAAA~~) or [manage your email preferences](~/AAAAAQA~/RgRlUg_vP0S2aHR0cHM6Ly93d3cubnl0aW1lcy5jb20vZW1haWw_Y2FtcGFpZ25faWQ9MzcmZW1jPWVkaXRfcnJfMjAyMjExMTImaW5zdGFuY2VfaWQ9NzczMzQmbmw9cmFjZSUyRnJlbGF0ZWQmcmVnaV9pZD03NzY3NDk1MiZzZWdtZW50X2lkPTExMjk3MSZ0ZT0xJnVzZXJfaWQ9YWE0OTFlZjdmMWQ5NjRlNDk3OWZiNzg0ZTc0ZTAxZDdXA255dEIKY2Tvim9jBylDz1IbdHJpc3RyYW1iYWxkd2luOTBAZ21haWwuY29tWAQAAAAA). [Subscribe to The Times](~/AAAAAQA~/RgRlUg_vP0TOaHR0cHM6Ly93d3cubnl0aW1lcy5jb20vc3Vic2NyaXB0aW9uP2NhbXBhaWduSWQ9OVJYNzgmY2FtcGFpZ25faWQ9MzcmZW1jPWVkaXRfcnJfMjAyMjExMTImaW5zdGFuY2VfaWQ9NzczMzQmbmw9cmFjZSUyRnJlbGF0ZWQmcmVnaV9pZD03NzY3NDk1MiZzZWdtZW50X2lkPTExMjk3MSZ0ZT0xJnVzZXJfaWQ9YWE0OTFlZjdmMWQ5NjRlNDk3OWZiNzg0ZTc0ZTAxZDdXA255dEIKY2Tvim9jBylDz1IbdHJpc3RyYW1iYWxkd2luOTBAZ21haWwuY29tWAQAAAAA)[Get The New York Times app](~/AAAAAQA~/RgRlUg_vP0TLaHR0cHM6Ly93d3cubnl0aW1lcy5jb20vc2VydmljZXMvbW9iaWxlL2luZGV4Lmh0bWw_Y2FtcGFpZ25faWQ9MzcmZW1jPWVkaXRfcnJfMjAyMjExMTImaW5zdGFuY2VfaWQ9NzczMzQmbmw9cmFjZSUyRnJlbGF0ZWQmcmVnaV9pZD03NzY3NDk1MiZzZWdtZW50X2lkPTExMjk3MSZ0ZT0xJnVzZXJfaWQ9YWE0OTFlZjdmMWQ5NjRlNDk3OWZiNzg0ZTc0ZTAxZDdXA255dEIKY2Tvim9jBylDz1IbdHJpc3RyYW1iYWxkd2luOTBAZ21haWwuY29tWAQAAAAA) Connect with us on: [instagram](~/AAAAAQA~/RgRlUg_vP0S-aHR0cHM6Ly93d3cuaW5zdGFncmFtLmNvbS9yYWNlcmVsYXRlZD9jYW1wYWlnbl9pZD0zNyZlbWM9ZWRpdF9ycl8yMDIyMTExMiZpbnN0YW5jZV9pZD03NzMzNCZubD1yYWNlJTJGcmVsYXRlZCZyZWdpX2lkPTc3Njc0OTUyJnNlZ21lbnRfaWQ9MTEyOTcxJnRlPTEmdXNlcl9pZD1hYTQ5MWVmN2YxZDk2NGU0OTc5ZmI3ODRlNzRlMDFkN1cDbnl0QgpjZO-Kb2MHKUPPUht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAAA~) [Change Your Email](~/AAAAAQA~/RgRlUg_vP0TFaHR0cHM6Ly9teWFjY291bnQubnl0aW1lcy5jb20vbWVtL2VtYWlsLmh0bWw_Y2FtcGFpZ25faWQ9MzcmZW1jPWVkaXRfcnJfMjAyMjExMTImaW5zdGFuY2VfaWQ9NzczMzQmbmw9cmFjZSUyRnJlbGF0ZWQmcmVnaV9pZD03NzY3NDk1MiZzZWdtZW50X2lkPTExMjk3MSZ0ZT0xJnVzZXJfaWQ9YWE0OTFlZjdmMWQ5NjRlNDk3OWZiNzg0ZTc0ZTAxZDdXA255dEIKY2Tvim9jBylDz1IbdHJpc3RyYW1iYWxkd2luOTBAZ21haWwuY29tWAQAAAAA)[Privacy Policy](~/AAAAAQA~/RgRlUg_vP0TmaHR0cDovL3d3dy5ueXRpbWVzLmNvbS9jb250ZW50L2hlbHAvcmlnaHRzL3ByaXZhY3kvcG9saWN5L3ByaXZhY3ktcG9saWN5Lmh0bWw_Y2FtcGFpZ25faWQ9MzcmZW1jPWVkaXRfcnJfMjAyMjExMTImaW5zdGFuY2VfaWQ9NzczMzQmbmw9cmFjZSUyRnJlbGF0ZWQmcmVnaV9pZD03NzY3NDk1MiZzZWdtZW50X2lkPTExMjk3MSZ0ZT0xJnVzZXJfaWQ9YWE0OTFlZjdmMWQ5NjRlNDk3OWZiNzg0ZTc0ZTAxZDdXA255dEIKY2Tvim9jBylDz1IbdHJpc3RyYW1iYWxkd2luOTBAZ21haWwuY29tWAQAAAAA)[Contact Us](~/AAAAAQA~/RgRlUg_vP0TNaHR0cHM6Ly9teWFjY291bnQubnl0aW1lcy5jb20vbWVtYmVyY2VudGVyL2hlbHAuaHRtbD9jYW1wYWlnbl9pZD0zNyZlbWM9ZWRpdF9ycl8yMDIyMTExMiZpbnN0YW5jZV9pZD03NzMzNCZubD1yYWNlJTJGcmVsYXRlZCZyZWdpX2lkPTc3Njc0OTUyJnNlZ21lbnRfaWQ9MTEyOTcxJnRlPTEmdXNlcl9pZD1hYTQ5MWVmN2YxZDk2NGU0OTc5ZmI3ODRlNzRlMDFkN1cDbnl0QgpjZO-Kb2MHKUPPUht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAAA~)[California Notices](~/AAAAAQA~/RgRlUg_vP0TKaHR0cHM6Ly93d3cubnl0aW1lcy5jb20vcHJpdmFjeS9jYWxpZm9ybmlhLW5vdGljZT9jYW1wYWlnbl9pZD0zNyZlbWM9ZWRpdF9ycl8yMDIyMTExMiZpbnN0YW5jZV9pZD03NzMzNCZubD1yYWNlJTJGcmVsYXRlZCZyZWdpX2lkPTc3Njc0OTUyJnNlZ21lbnRfaWQ9MTEyOTcxJnRlPTEmdXNlcl9pZD1hYTQ5MWVmN2YxZDk2NGU0OTc5ZmI3ODRlNzRlMDFkN1cDbnl0QgpjZO-Kb2MHKUPPUht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAAA~) [LiveIntent Logo](~/AAAAAQA~/RgRlUg_vP0RRaHR0cHM6Ly93d3cubGl2ZWludGVudC5jb20vcG93ZXJlZC1ieT90ZT0xJm5sPXJhY2UlMkZyZWxhdGVkJmVtYz1lZGl0X3JyXzIwMjIxMTEyVwNueXRCCmNk74pvYwcpQ89SG3RyaXN0cmFtYmFsZHdpbjkwQGdtYWlsLmNvbVgEAAAAAA~~)[AdChoices Logo](~/AAAAAQA~/RgRlUg_vP0RRaHR0cHM6Ly93d3cubGl2ZWludGVudC5jb20vYWQtY2hvaWNlcz90ZT0xJm5sPXJhY2UlMkZyZWxhdGVkJmVtYz1lZGl0X3JyXzIwMjIxMTEyVwNueXRCCmNk74pvYwcpQ89SG3RyaXN0cmFtYmFsZHdpbjkwQGdtYWlsLmNvbVgEAAAAAA~~) The New York Times Company. 620 Eighth Avenue New York, NY 10018