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Race/Related: Doris Derby Documented Black Life Beyond Stereotypes

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nytimes.com

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Sat, Apr 16, 2022 11:00 AM

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She was an activist and a rare woman to document Black life in photos. | ~/AAAAAQA~/RgRkPSbjP0RtaHR0

She was an activist and a rare woman to document Black life in photos. [View in browser](~/AAAAAQA~/RgRkPSbjP4QoAWh0dHBzOi8vbWVzc2FnaW5nLWN1c3RvbS1uZXdzbGV0dGVycy5ueXRpbWVzLmNvbS90ZW1wbGF0ZS9vYWt2Mj9jYW1wYWlnbl9pZD0zNyZlbWM9ZWRpdF9ycl8yMDIyMDQxNiZpbnN0YW5jZV9pZD01ODY1MyZubD1yYWNlJTJGcmVsYXRlZCZwcm9kdWN0Q29kZT1SUiZyZWdpX2lkPTc3Njc0OTUyJnNlZ21lbnRfaWQ9ODk0MzMmdGU9MSZ1cmk9bnl0JTNBJTJGJTJGbmV3c2xldHRlciUyRjRlNGNiNmI5LTY0NDctNTFmOC05NTFhLThlYjlkZGYxNTFkYiZ1c2VyX2lkPWFhNDkxZWY3ZjFkOTY0ZTQ5NzlmYjc4NGU3NGUwMWQ3VwNueXRCCmJZ46FaYrmR3_5SG3RyaXN0cmFtYmFsZHdpbjkwQGdtYWlsLmNvbVgEAAAAAA~~)|[nytimes.com](~/AAAAAQA~/RgRkPSbjP0SwaHR0cHM6Ly93d3cubnl0aW1lcy5jb20vP2NhbXBhaWduX2lkPTM3JmVtYz1lZGl0X3JyXzIwMjIwNDE2Jmluc3RhbmNlX2lkPTU4NjUzJm5sPXJhY2UlMkZyZWxhdGVkJnJlZ2lfaWQ9Nzc2NzQ5NTImc2VnbWVudF9pZD04OTQzMyZ0ZT0xJnVzZXJfaWQ9YWE0OTFlZjdmMWQ5NjRlNDk3OWZiNzg0ZTc0ZTAxZDdXA255dEIKYlnjoVpiuZHf_lIbdHJpc3RyYW1iYWxkd2luOTBAZ21haWwuY29tWAQAAAAA)[Continue reading the main story](#a11y-skip-ad-marquee) ~/AAAAAQA~/RgRkPSbjP0RtaHR0cHM6Ly9saXZlaW50ZW50Lm5ld3lvcmt0aW1lc2luZm8uY29tL2NsaWNrP3M9MjA3NTgwJmxpPVJSJm09YWE0OTFlZjdmMWQ5NjRlNDk3OWZiNzg0ZTc0ZTAxZDcmcD1SUl8yMDIyMDQxNlcDbnl0QgpiWeOhWmK5kd_-Uht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAAA~ [More Race/Related](~/AAAAAQA~/RgRkPSbjP0S-aHR0cHM6Ly93d3cubnl0aW1lcy5jb20vc3BvdGxpZ2h0L3JhY2U_Y2FtcGFpZ25faWQ9MzcmZW1jPWVkaXRfcnJfMjAyMjA0MTYmaW5zdGFuY2VfaWQ9NTg2NTMmbmw9cmFjZSUyRnJlbGF0ZWQmcmVnaV9pZD03NzY3NDk1MiZzZWdtZW50X2lkPTg5NDMzJnRlPTEmdXNlcl9pZD1hYTQ5MWVmN2YxZDk2NGU0OTc5ZmI3ODRlNzRlMDFkN1cDbnl0QgpiWeOhWmK5kd_-Uht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAAA~) April 16, 2022 Dr. Doris Derby in 2008. In hundreds of images in the civil rights era, she captured Black people engaged in the kind of civic life that had long been denied them in the American South.David Walter Banks for The New York Times ‘I Had a Quest to Show Our Culture in Total' [Author Headshot](~/AAAAAQA~/RgRkPSbjP0TBaHR0cHM6Ly93d3cubnl0aW1lcy5jb20vYnkvcGVuZWxvcGUtZ3JlZW4_Y2FtcGFpZ25faWQ9MzcmZW1jPWVkaXRfcnJfMjAyMjA0MTYmaW5zdGFuY2VfaWQ9NTg2NTMmbmw9cmFjZSUyRnJlbGF0ZWQmcmVnaV9pZD03NzY3NDk1MiZzZWdtZW50X2lkPTg5NDMzJnRlPTEmdXNlcl9pZD1hYTQ5MWVmN2YxZDk2NGU0OTc5ZmI3ODRlNzRlMDFkN1cDbnl0QgpiWeOhWmK5kd_-Uht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAAA~) By [Penelope Green](~/AAAAAQA~/RgRkPSbjP0TBaHR0cHM6Ly93d3cubnl0aW1lcy5jb20vYnkvcGVuZWxvcGUtZ3JlZW4_Y2FtcGFpZ25faWQ9MzcmZW1jPWVkaXRfcnJfMjAyMjA0MTYmaW5zdGFuY2VfaWQ9NTg2NTMmbmw9cmFjZSUyRnJlbGF0ZWQmcmVnaV9pZD03NzY3NDk1MiZzZWdtZW50X2lkPTg5NDMzJnRlPTEmdXNlcl9pZD1hYTQ5MWVmN2YxZDk2NGU0OTc5ZmI3ODRlNzRlMDFkN1cDbnl0QgpiWeOhWmK5kd_-Uht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAAA~) Doris Derby, an educator, artist, activist and civil rights era photographer who turned her camera away from the violence of the times to capture the quieter moments of the movement, and in so doing documented the transformation of Black life in rural Mississippi, died on March 28 in Atlanta. She was 82. Her death, at a hospice facility, resulted from complications of cancer, said Charmaine Minnifield, an Atlanta-based artist and friend. It was the searing images of children blasted by fire hoses, of peaceful protesters set upon by snarling dogs and policemen, batons aloft, that drew the Bronx-born Dr. Derby — newly graduated from Hunter College in Manhattan after studying cultural anthropology — to Jackson, Miss., in the fall of 1963. When she began to take photos, however, her subject matter was different. “I had a quest to show what the average person was doing,” [she told the Southern Oral History Program in 2011](~/AAAAAQA~/RgRkPSbjP0S8aHR0cHM6Ly93d3cubG9jLmdvdi9pdGVtLzIwMTU2NjkxMDcvP2NhbXBhaWduX2lkPTM3JmVtYz1lZGl0X3JyXzIwMjIwNDE2Jmluc3RhbmNlX2lkPTU4NjUzJm5sPXJhY2UlMkZyZWxhdGVkJnJlZ2lfaWQ9Nzc2NzQ5NTImc2VnbWVudF9pZD04OTQzMyZ0ZT0xJnVzZXJfaWQ9YWE0OTFlZjdmMWQ5NjRlNDk3OWZiNzg0ZTc0ZTAxZDdXA255dEIKYlnjoVpiuZHf_lIbdHJpc3RyYW1iYWxkd2luOTBAZ21haWwuY29tWAQAAAAA), part of a collaboration with the Smithsonian National Museum of African American History & Culture. “I had a quest to show our culture in total, not just a little bit, or negative stereotypes.” It took some time before she picked up a camera, however. Over five years she was an indefatigable foot soldier of the civil rights movement, working first as a field secretary for the [Student Nonviolent Coordinating Committee](~/AAAAAQA~/RgRkPSbjP0TDaHR0cHM6Ly9zbmNjZGlnaXRhbC5vcmcvcGVvcGxlL2RvcmlzLWRlcmJ5Lz9jYW1wYWlnbl9pZD0zNyZlbWM9ZWRpdF9ycl8yMDIyMDQxNiZpbnN0YW5jZV9pZD01ODY1MyZubD1yYWNlJTJGcmVsYXRlZCZyZWdpX2lkPTc3Njc0OTUyJnNlZ21lbnRfaWQ9ODk0MzMmdGU9MSZ1c2VyX2lkPWFhNDkxZWY3ZjFkOTY0ZTQ5NzlmYjc4NGU3NGUwMWQ3VwNueXRCCmJZ46FaYrmR3_5SG3RyaXN0cmFtYmFsZHdpbjkwQGdtYWlsLmNvbVgEAAAAAA~~) to develop an adult literacy program. Dr. Derby went on to co-found a repertory theater, research the educational outcomes of Black and white students, seed and oversee Head Start programs and lead the development of cooperatives to make leather goods, Black rag dolls, baskets and other local products. [Continue reading the main story](#a11y-skip-0) ADVERTISEMENT ~/AAAAAQA~/RgRkPSbjP0RtaHR0cHM6Ly9saXZlaW50ZW50Lm5ld3lvcmt0aW1lc2luZm8uY29tL2NsaWNrP3M9MTc0MTQ5JmxpPVJSJm09YWE0OTFlZjdmMWQ5NjRlNDk3OWZiNzg0ZTc0ZTAxZDcmcD1SUl8yMDIyMDQxNlcDbnl0QgpiWeOhWmK5kd_-Uht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAAA~ As the marketer for Liberty House, the retail outlet for those wares, she took the products on the road, traveling all over the country (she even had a booth at Woodstock). In 1968, she joined a Jackson-based initiative called Southern Media, which had a mission to document Black life and train local Black residents in photography and provide equipment and a darkroom to do so, and she began taking photos of those positive endeavors. She photographed toddlers being examined at health care clinics, and the young doctors and nurses who were attending to them; she showed older women sewing at quilting cooperatives, or gathered at co-op committee meetings; she snapped voters of all ages casting their ballots at a local polling place; and she captured a scene in a math class that was part of an adult education program. She photographed Black-owned businesses and Black elected officials and the rapt faces of audiences at political rallies in Black churches. In hundreds of images, Dr. Derby captured Black people engaged in the kind of civic life that had long been denied them in the American South. And her photos presented a detailed history of the civil rights movement’s grass-roots efforts to empower Black people in all areas — economically, politically, socially and physically. Outside a Black-owned grocery store on a Sunday in Mileston, Miss., 1968. Dr. Derby often photographed women and children.Doris Derby “Doris saw the social fabric that was largely ignored by the mainstream media,” said Julian Cox, who included her work in his 2008 show, [“Road to Freedom: Photographs of the Civil Rights Movement 1956-1968,”](~/AAAAAQA~/RgRkPSbjP0TKaHR0cHM6Ly93d3cubnl0aW1lcy5jb20vMjAwOC8wNi8yMC91cy8yMGNpdmlsLmh0bWw_Y2FtcGFpZ25faWQ9MzcmZW1jPWVkaXRfcnJfMjAyMjA0MTYmaW5zdGFuY2VfaWQ9NTg2NTMmbmw9cmFjZSUyRnJlbGF0ZWQmcmVnaV9pZD03NzY3NDk1MiZzZWdtZW50X2lkPTg5NDMzJnRlPTEmdXNlcl9pZD1hYTQ5MWVmN2YxZDk2NGU0OTc5ZmI3ODRlNzRlMDFkN1cDbnl0QgpiWeOhWmK5kd_-Uht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAAA~)at the High Museum of Art in Atlanta, where he was then curator of photography. “These weren’t images that were created to draw attention in the media, those flash point moments that S.N.C.C. and other organizations used as a catalyst for fund-raising. Her work was differently focused, and that’s why it stood out.” [Continue reading the main story](#a11y-skip-1) ADVERTISEMENT ~/AAAAAQA~/RgRkPSbjP0RtaHR0cHM6Ly9saXZlaW50ZW50Lm5ld3lvcmt0aW1lc2luZm8uY29tL2NsaWNrP3M9MjA3NTc3JmxpPVJSJm09YWE0OTFlZjdmMWQ5NjRlNDk3OWZiNzg0ZTc0ZTAxZDcmcD1SUl8yMDIyMDQxNlcDbnl0QgpiWeOhWmK5kd_-Uht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAAA~ Dr. Derby was one of the few women behind the camera — much of the movement was chronicled by white male photographers, working for mainstream media companies — and she often trained her eye on women and children, which gave her work a special potency. “By photographing women and children, she restored a sense of normalcy to the drama of the moment,” said Deb Willis, a professor of photography at New York University and the director of the school’s Center for Black Visual Culture/Institute for African American Affairs. “By documenting the quiet life of families, she offered a counterpoint to the impact of terror on those families.” Professor Willis added, “She showed images of the people who were affected by the inadequacies of that time — the inability to vote, to be educated, to have health care.” Mississippi was completely segregated when Dr. Derby and other young civil rights workers arrived in the early 1960s — she was just 24 — and their work was extremely dangerous. Rifles were kept at the Head Start centers, frequent targets of white vigilantes. In her monograph, [“A Civil Rights Journey,”](~/AAAAAQA~/RgRkPSbjP0TfaHR0cHM6Ly93d3cubWFja2Jvb2tzLnVzL3Byb2R1Y3RzL2EtY2l2aWwtcmlnaHRzLWpvdXJuZXktYnItZG9yaXMtZGVyYnk_Y2FtcGFpZ25faWQ9MzcmZW1jPWVkaXRfcnJfMjAyMjA0MTYmaW5zdGFuY2VfaWQ9NTg2NTMmbmw9cmFjZSUyRnJlbGF0ZWQmcmVnaV9pZD03NzY3NDk1MiZzZWdtZW50X2lkPTg5NDMzJnRlPTEmdXNlcl9pZD1hYTQ5MWVmN2YxZDk2NGU0OTc5ZmI3ODRlNzRlMDFkN1cDbnl0QgpiWeOhWmK5kd_-Uht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAAA~)(2021), she recalled being housed by a family who had donated land for an education project, and who were threatened so often that the father and sons kept watch with guns each night. She described driving past a church that housed a Head Start program and seeing a flame flickering at the end of a fuse heading toward it. She and her colleagues jumped of their car, stamped it out and continued on. “We were too young to be terribly frightened,” said [Joyce Ladner](~/AAAAAQA~/RgRkPSbjP0TyaHR0cHM6Ly93d3cuZW5jeWNsb3BlZGlhLmNvbS9lZHVjYXRpb24vbmV3cy13aXJlcy13aGl0ZS1wYXBlcnMtYW5kLWJvb2tzL2xhZG5lci1qb3ljZS0xOTQzP2NhbXBhaWduX2lkPTM3JmVtYz1lZGl0X3JyXzIwMjIwNDE2Jmluc3RhbmNlX2lkPTU4NjUzJm5sPXJhY2UlMkZyZWxhdGVkJnJlZ2lfaWQ9Nzc2NzQ5NTImc2VnbWVudF9pZD04OTQzMyZ0ZT0xJnVzZXJfaWQ9YWE0OTFlZjdmMWQ5NjRlNDk3OWZiNzg0ZTc0ZTAxZDdXA255dEIKYlnjoVpiuZHf_lIbdHJpc3RyYW1iYWxkd2luOTBAZ21haWwuY29tWAQAAAAA), a sociologist, policy analyst and S.N.C.C. alum who first met Dr. Derby when they were working on voter registration drives in Jackson. Dr. Derby was developing literacy programs to help would-be voters at a time when the obstacles to registration included impossible test questions like how many grains of sand were in a quart jar or how many bubbles in a bar of soap. Dr. Ladner, a former president of Howard University, was then a student at the historically Black Tougaloo College, where integrated groups could gather safely. “We were fighting for something,” she said. “We weren’t defeated by the problems around us.” Read the rest of the story [here](~/AAAAAQA~/RgRkPSbjP0TVaHR0cHM6Ly93d3cubnl0aW1lcy5jb20vMjAyMi8wNC8wNi9hcnRzL2RvcmlzLWRlcmJ5LWRlYWQuaHRtbD9jYW1wYWlnbl9pZD0zNyZlbWM9ZWRpdF9ycl8yMDIyMDQxNiZpbnN0YW5jZV9pZD01ODY1MyZubD1yYWNlJTJGcmVsYXRlZCZyZWdpX2lkPTc3Njc0OTUyJnNlZ21lbnRfaWQ9ODk0MzMmdGU9MSZ1c2VyX2lkPWFhNDkxZWY3ZjFkOTY0ZTQ5NzlmYjc4NGU3NGUwMWQ3VwNueXRCCmJZ46FaYrmR3_5SG3RyaXN0cmFtYmFsZHdpbjkwQGdtYWlsLmNvbVgEAAAAAA~~). Still Processing Returns From the Top 40 to Rolling Stone’s Greatest Songs of All Time, lists are one of Wesley Morris’ many weaknesses. But is there a more equitable way to elevate art beyond them? Listen to the [season premiere of Still Processing](~/AAAAAQA~/RgRkPSbjP0TpaHR0cHM6Ly93d3cubnl0aW1lcy5jb20vMjAyMi8wNC8xNC9wb2RjYXN0cy9zdGlsbC1wcm9jZXNzaW5nLWFtZXJpY2FuLXRvcC00MC5odG1sP2NhbXBhaWduX2lkPTM3JmVtYz1lZGl0X3JyXzIwMjIwNDE2Jmluc3RhbmNlX2lkPTU4NjUzJm5sPXJhY2UlMkZyZWxhdGVkJnJlZ2lfaWQ9Nzc2NzQ5NTImc2VnbWVudF9pZD04OTQzMyZ0ZT0xJnVzZXJfaWQ9YWE0OTFlZjdmMWQ5NjRlNDk3OWZiNzg0ZTc0ZTAxZDdXA255dEIKYlnjoVpiuZHf_lIbdHJpc3RyYW1iYWxkd2luOTBAZ21haWwuY29tWAQAAAAA). [Continue reading the main story](#a11y-skip-2) ADVERTISEMENT ~/AAAAAQA~/RgRkPSbjP0RtaHR0cHM6Ly9saXZlaW50ZW50Lm5ld3lvcmt0aW1lc2luZm8uY29tL2NsaWNrP3M9NzI4Njk5JmxpPVJSJm09YWE0OTFlZjdmMWQ5NjRlNDk3OWZiNzg0ZTc0ZTAxZDcmcD1SUl8yMDIyMDQxNlcDbnl0QgpiWeOhWmK5kd_-Uht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAAA~ EDITOR’S PICKS We publish many articles that touch on race. Here are several you shouldn’t miss. 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Courtesy of the artist.](~/AAAAAQA~/RgRkPSbjP0TnaHR0cHM6Ly93d3cubnl0aW1lcy5jb20vMjAyMi8wNC8xNS9vcGluaW9uL2Vhc3Rlci1yZXN1cnJlY3Rpb24tZ29vZC1mcmlkYXkuaHRtbD9jYW1wYWlnbl9pZD0zNyZlbWM9ZWRpdF9ycl8yMDIyMDQxNiZpbnN0YW5jZV9pZD01ODY1MyZubD1yYWNlJTJGcmVsYXRlZCZyZWdpX2lkPTc3Njc0OTUyJnNlZ21lbnRfaWQ9ODk0MzMmdGU9MSZ1c2VyX2lkPWFhNDkxZWY3ZjFkOTY0ZTQ5NzlmYjc4NGU3NGUwMWQ3VwNueXRCCmJZ46FaYrmR3_5SG3RyaXN0cmFtYmFsZHdpbjkwQGdtYWlsLmNvbVgEAAAAAA~~) [Guest Essay What Good Friday and Easter Mean for Black Americans Jesus’ story does not end with his crucifixion. Similarly, racism will not have the final word. By Esau McCaulley](~/AAAAAQA~/RgRkPSbjP0TnaHR0cHM6Ly93d3cubnl0aW1lcy5jb20vMjAyMi8wNC8xNS9vcGluaW9uL2Vhc3Rlci1yZXN1cnJlY3Rpb24tZ29vZC1mcmlkYXkuaHRtbD9jYW1wYWlnbl9pZD0zNyZlbWM9ZWRpdF9ycl8yMDIyMDQxNiZpbnN0YW5jZV9pZD01ODY1MyZubD1yYWNlJTJGcmVsYXRlZCZyZWdpX2lkPTc3Njc0OTUyJnNlZ21lbnRfaWQ9ODk0MzMmdGU9MSZ1c2VyX2lkPWFhNDkxZWY3ZjFkOTY0ZTQ5NzlmYjc4NGU3NGUwMWQ3VwNueXRCCmJZ46FaYrmR3_5SG3RyaXN0cmFtYmFsZHdpbjkwQGdtYWlsLmNvbVgEAAAAAA~~) [[Article Image] Rebecca Clarke](~/AAAAAQA~/RgRkPSbjP0TxaHR0cHM6Ly93d3cubnl0aW1lcy5jb20vMjAyMi8wNC8xNS9ib29rcy9yZXZpZXcvb2NlYW4tdnVvbmctcmVhZGluZy1saXN0LWJ5LXRoZS1ib29rLmh0bWw_Y2FtcGFpZ25faWQ9MzcmZW1jPWVkaXRfcnJfMjAyMjA0MTYmaW5zdGFuY2VfaWQ9NTg2NTMmbmw9cmFjZSUyRnJlbGF0ZWQmcmVnaV9pZD03NzY3NDk1MiZzZWdtZW50X2lkPTg5NDMzJnRlPTEmdXNlcl9pZD1hYTQ5MWVmN2YxZDk2NGU0OTc5ZmI3ODRlNzRlMDFkN1cDbnl0QgpiWeOhWmK5kd_-Uht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAAA~) [By the Book Ocean Vuong Brings Books to Lunch Dates, ‘Just in Case’ “I feel truer to myself while reading than I do experiencing the world through my body — so any chance to read is ideal for me.”](~/AAAAAQA~/RgRkPSbjP0TxaHR0cHM6Ly93d3cubnl0aW1lcy5jb20vMjAyMi8wNC8xNS9ib29rcy9yZXZpZXcvb2NlYW4tdnVvbmctcmVhZGluZy1saXN0LWJ5LXRoZS1ib29rLmh0bWw_Y2FtcGFpZ25faWQ9MzcmZW1jPWVkaXRfcnJfMjAyMjA0MTYmaW5zdGFuY2VfaWQ9NTg2NTMmbmw9cmFjZSUyRnJlbGF0ZWQmcmVnaV9pZD03NzY3NDk1MiZzZWdtZW50X2lkPTg5NDMzJnRlPTEmdXNlcl9pZD1hYTQ5MWVmN2YxZDk2NGU0OTc5ZmI3ODRlNzRlMDFkN1cDbnl0QgpiWeOhWmK5kd_-Uht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAAA~) [[Article Image] Charles 'Teenie' Harris/Carnegie Museum of Art/Getty Images](~/AAAAAQA~/RgRkPSbjP0TsaHR0cHM6Ly93d3cubnl0aW1lcy5jb20vMjAyMi8wNC8xNC9zcG9ydHMvYmFzZWJhbGwvamFja2llLXJvYmluc29uLWhhbGwtb2YtZmFtZS5odG1sP2NhbXBhaWduX2lkPTM3JmVtYz1lZGl0X3JyXzIwMjIwNDE2Jmluc3RhbmNlX2lkPTU4NjUzJm5sPXJhY2UlMkZyZWxhdGVkJnJlZ2lfaWQ9Nzc2NzQ5NTImc2VnbWVudF9pZD04OTQzMyZ0ZT0xJnVzZXJfaWQ9YWE0OTFlZjdmMWQ5NjRlNDk3OWZiNzg0ZTc0ZTAxZDdXA255dEIKYlnjoVpiuZHf_lIbdHJpc3RyYW1iYWxkd2luOTBAZ21haWwuY29tWAQAAAAA) [On Baseball | Jackie Robinson Day ‘This Is American History’: The Hall of Fame Reconsiders Race Dave Winfield and Ken Griffey Jr. will be among the advisers for a permanent exhibit that re-examines the contributions of Jackie Robinson and others. By Tyler Kepner](~/AAAAAQA~/RgRkPSbjP0TsaHR0cHM6Ly93d3cubnl0aW1lcy5jb20vMjAyMi8wNC8xNC9zcG9ydHMvYmFzZWJhbGwvamFja2llLXJvYmluc29uLWhhbGwtb2YtZmFtZS5odG1sP2NhbXBhaWduX2lkPTM3JmVtYz1lZGl0X3JyXzIwMjIwNDE2Jmluc3RhbmNlX2lkPTU4NjUzJm5sPXJhY2UlMkZyZWxhdGVkJnJlZ2lfaWQ9Nzc2NzQ5NTImc2VnbWVudF9pZD04OTQzMyZ0ZT0xJnVzZXJfaWQ9YWE0OTFlZjdmMWQ5NjRlNDk3OWZiNzg0ZTc0ZTAxZDdXA255dEIKYlnjoVpiuZHf_lIbdHJpc3RyYW1iYWxkd2luOTBAZ21haWwuY29tWAQAAAAA) [[Article Image] Schomburg Center for Research in Black Culture](~/AAAAAQA~/RgRkPSbjP0TfaHR0cHM6Ly93d3cubnl0aW1lcy5jb20vMjAyMi8wNC8xNC9ueXJlZ2lvbi9jaHJpc3RvcGhlci1tb29yZS1kZWFkLmh0bWw_Y2FtcGFpZ25faWQ9MzcmZW1jPWVkaXRfcnJfMjAyMjA0MTYmaW5zdGFuY2VfaWQ9NTg2NTMmbmw9cmFjZSUyRnJlbGF0ZWQmcmVnaV9pZD03NzY3NDk1MiZzZWdtZW50X2lkPTg5NDMzJnRlPTEmdXNlcl9pZD1hYTQ5MWVmN2YxZDk2NGU0OTc5ZmI3ODRlNzRlMDFkN1cDbnl0QgpiWeOhWmK5kd_-Uht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAAA~) [Christopher Moore, Preserver of Black New York History, Dies at 70 Mr. Moore, who was of African American and Native American descent, was committed to preserving the past as a curator, author and savior of city landmarks. 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