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Race/Related: Remembering Sidney Poitier, a Trailblazing Black Star

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nytimes.com

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Sat, Jan 8, 2022 12:01 PM

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The first Black performer to win the Academy Award for best actor, he once said he felt “as if

The first Black performer to win the Academy Award for best actor, he once said he felt “as if I were representing 15, 18 million people with every move I made.” [View in browser](~/AAAAAQA~/RgRjvAIRP4QoAWh0dHBzOi8vbWVzc2FnaW5nLWN1c3RvbS1uZXdzbGV0dGVycy5ueXRpbWVzLmNvbS90ZW1wbGF0ZS9vYWt2Mj9jYW1wYWlnbl9pZD0zNyZlbWM9ZWRpdF9ycl8yMDIyMDEwOCZpbnN0YW5jZV9pZD00OTc4NyZubD1yYWNlJTJGcmVsYXRlZCZwcm9kdWN0Q29kZT1SUiZyZWdpX2lkPTc3Njc0OTUyJnNlZ21lbnRfaWQ9NzkwODEmdGU9MSZ1cmk9bnl0JTNBJTJGJTJGbmV3c2xldHRlciUyRmRkZDc1MDhmLWQ2ZjEtNTI4OS1iZTBkLWQ1NTBjYTUwZWRkMiZ1c2VyX2lkPWFhNDkxZWY3ZjFkOTY0ZTQ5NzlmYjc4NGU3NGUwMWQ3VwNueXRCCmHWEX3ZYQ77XalSG3RyaXN0cmFtYmFsZHdpbjkwQGdtYWlsLmNvbVgEAAAAAA~~)|[nytimes.com](~/AAAAAQA~/RgRjvAIRP0SwaHR0cHM6Ly93d3cubnl0aW1lcy5jb20vP2NhbXBhaWduX2lkPTM3JmVtYz1lZGl0X3JyXzIwMjIwMTA4Jmluc3RhbmNlX2lkPTQ5Nzg3Jm5sPXJhY2UlMkZyZWxhdGVkJnJlZ2lfaWQ9Nzc2NzQ5NTImc2VnbWVudF9pZD03OTA4MSZ0ZT0xJnVzZXJfaWQ9YWE0OTFlZjdmMWQ5NjRlNDk3OWZiNzg0ZTc0ZTAxZDdXA255dEIKYdYRfdlhDvtdqVIbdHJpc3RyYW1iYWxkd2luOTBAZ21haWwuY29tWAQAAAAA)[Continue reading the main story](#a11y-skip-ad-marquee) ~/AAAAAQA~/RgRjvAIRP0RtaHR0cHM6Ly9saXZlaW50ZW50Lm5ld3lvcmt0aW1lc2luZm8uY29tL2NsaWNrP3M9MjA3NTgwJmxpPVJSJm09YWE0OTFlZjdmMWQ5NjRlNDk3OWZiNzg0ZTc0ZTAxZDcmcD1SUl8yMDIyMDEwOFcDbnl0Qgph1hF92WEO-12pUht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAAA~ [More Race/Related](~/AAAAAQA~/RgRjvAIRP0S-aHR0cHM6Ly93d3cubnl0aW1lcy5jb20vc3BvdGxpZ2h0L3JhY2U_Y2FtcGFpZ25faWQ9MzcmZW1jPWVkaXRfcnJfMjAyMjAxMDgmaW5zdGFuY2VfaWQ9NDk3ODcmbmw9cmFjZSUyRnJlbGF0ZWQmcmVnaV9pZD03NzY3NDk1MiZzZWdtZW50X2lkPTc5MDgxJnRlPTEmdXNlcl9pZD1hYTQ5MWVmN2YxZDk2NGU0OTc5ZmI3ODRlNzRlMDFkN1cDbnl0Qgph1hF92WEO-12pUht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAAA~) January 8, 2022 Sidney Poitier standing on 42nd St in 1959.Sam Falk/The New York Times Paving the Way for Black Actors in Film By [William Grimes](~/AAAAAQA~/RgRjvAIRP0TBaHR0cHM6Ly93d3cubnl0aW1lcy5jb20vYnkvd2lsbGlhbS1ncmltZXM_Y2FtcGFpZ25faWQ9MzcmZW1jPWVkaXRfcnJfMjAyMjAxMDgmaW5zdGFuY2VfaWQ9NDk3ODcmbmw9cmFjZSUyRnJlbGF0ZWQmcmVnaV9pZD03NzY3NDk1MiZzZWdtZW50X2lkPTc5MDgxJnRlPTEmdXNlcl9pZD1hYTQ5MWVmN2YxZDk2NGU0OTc5ZmI3ODRlNzRlMDFkN1cDbnl0Qgph1hF92WEO-12pUht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAAA~) Sidney Poitier, whose portrayal of resolute heroes in films like “To Sir With Love,” “In the Heat of the Night” and “Guess Who’s Coming to Dinner” established him as Hollywood’s first Black matinee idol and helped open the door for Black actors in the film industry, died on Thursday night at his home in Los Angeles. He was 94. His death was confirmed by Eugene Torchon-Newry, acting director general of the Ministry of Foreign Affairs in the Bahamas, where Mr. Poitier grew up. No cause was given. Mr. Poitier, whose Academy Award for the 1963 film “Lilies of the Field” made him the first Black performer to win in the best-actor category, rose to prominence when the civil rights movement was beginning to make headway in the United States. His roles tended to reflect the peaceful integrationist goals of the struggle. Although often simmering with repressed anger, his characters responded to injustice with quiet determination. They met hatred with reason and forgiveness, sending a reassuring message to white audiences and exposing Mr. Poitier to attack as an Uncle Tom when the civil rights movement took a more militant turn in the late 1960s. “It’s a choice, a clear choice,” Mr. Poitier said of his film parts in a 1967 interview. “If the fabric of the society were different, I would scream to high heaven to play villains and to deal with different images of Negro life that would be more dimensional. But I’ll be damned if I do that at this stage of the game.” At the time, Mr. Poitier was one of the highest-paid actors in Hollywood and a top box-office draw, ranked fifth among male actors in Box Office magazine’s poll of theater owners and critics; he was behind only Richard Burton, Paul Newman, Lee Marvin and John Wayne. Yet racial squeamishness would not allow Hollywood to cast him as a romantic lead, despite his good looks. [Continue reading the main story](#a11y-skip-0) ADVERTISEMENT ~/AAAAAQA~/RgRjvAIRP0RtaHR0cHM6Ly9saXZlaW50ZW50Lm5ld3lvcmt0aW1lc2luZm8uY29tL2NsaWNrP3M9MTc0MTQ5JmxpPVJSJm09YWE0OTFlZjdmMWQ5NjRlNDk3OWZiNzg0ZTc0ZTAxZDcmcD1SUl8yMDIyMDEwOFcDbnl0Qgph1hF92WEO-12pUht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAAA~ “To think of the American Negro male in romantic social-sexual circumstances is difficult, you know,” he told an interviewer. “And the reasons why are legion and too many to go into.” Mr. Poitier often found himself in limiting, saintly roles that nevertheless represented an important advance on the demeaning parts offered by Hollywood in the past. In “No Way Out” (1950), his first substantial film role, he played a doctor persecuted by a racist patient, and in “Cry, the Beloved Country” (1952), based on the Alan Paton novel about racism in South Africa, he appeared as a young priest. His character in “Blackboard Jungle” (1955), a troubled student at a tough New York City public school, sees the light and eventually sides with Glenn Ford, the teacher who tries to reach him. In The Heat Of The Night (1967) with Sidney Poitier, left, and Rod Steiger.Mirisch/United Artists, The Kobal Collection In “The Defiant Ones” (1958), a racial fable that established him as a star and earned him an Academy Award nomination for best actor, he was a prisoner on the run, handcuffed to a fellow convict (and virulent racist) played by Tony Curtis. The best-actor award came in 1964 for his performance in the low-budget “Lilies of the Field,” as an itinerant handyman helping a group of German nuns build a church in the Southwestern desert. [Continue reading the main story](#a11y-skip-1) ADVERTISEMENT ~/AAAAAQA~/RgRjvAIRP0RtaHR0cHM6Ly9saXZlaW50ZW50Lm5ld3lvcmt0aW1lc2luZm8uY29tL2NsaWNrP3M9MjA3NTc3JmxpPVJSJm09YWE0OTFlZjdmMWQ5NjRlNDk3OWZiNzg0ZTc0ZTAxZDcmcD1SUl8yMDIyMDEwOFcDbnl0Qgph1hF92WEO-12pUht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAAA~ In 1967 Mr. Poitier appeared in three of Hollywood’s top-grossing films, elevating him to the peak of his popularity. “In the Heat of Night” placed him opposite Rod Steiger, as an indolent, bigoted sheriff, with whom Virgil Tibbs, the Philadelphia detective played by Mr. Poitier, must work on a murder investigation in Mississippi. (In an indelible line, the detective insists on the sheriff’s respect when he declares, “They call me Mr. Tibbs!”) In “To Sir, With Love” he was a concerned teacher in a tough London high school, and in “Guess Who’s Coming to Dinner,” a taboo-breaking film about an interracial couple, he played a doctor whose race tests the liberal principles of his prospective in-laws, played by Spencer Tracy and Katharine Hepburn.  In 2009, President Barack Obama, citing his “relentless devotion to breaking down barriers,” awarded him the Presidential Medal of Freedom.Chip Somodevilla/Getty Images Throughout his career, a heavy weight of racial significance bore down on Mr. Poitier and the characters he played. “I felt very much as if I were representing 15, 18 million people with every move I made,” he once wrote. [Continue reading the main story](#a11y-skip-2) ADVERTISEMENT ~/AAAAAQA~/RgRjvAIRP0RtaHR0cHM6Ly9saXZlaW50ZW50Lm5ld3lvcmt0aW1lc2luZm8uY29tL2NsaWNrP3M9NzI4Njk5JmxpPVJSJm09YWE0OTFlZjdmMWQ5NjRlNDk3OWZiNzg0ZTc0ZTAxZDcmcD1SUl8yMDIyMDEwOFcDbnl0Qgph1hF92WEO-12pUht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAAA~ Mr. Poitier grew up in the Bahamas, but he was born on Feb. 20, 1927, in Miami, where his parents traveled regularly to sell their tomato crop. The youngest of nine children, he wore clothes made from flour sacks and never saw a car, looked in a mirror or tasted ice cream until his father, Reginald, moved the family from Cat Island to Nassau in 1937 after Florida banned the import of Bahamian tomatoes. Read the rest of his obituary [here](~/AAAAAQA~/RgRjvAIRP0TaaHR0cHM6Ly93d3cubnl0aW1lcy5jb20vMjAyMi8wMS8wNy9tb3ZpZXMvc2lkbmV5LXBvaXRpZXItZGVhZC5odG1sP2NhbXBhaWduX2lkPTM3JmVtYz1lZGl0X3JyXzIwMjIwMTA4Jmluc3RhbmNlX2lkPTQ5Nzg3Jm5sPXJhY2UlMkZyZWxhdGVkJnJlZ2lfaWQ9Nzc2NzQ5NTImc2VnbWVudF9pZD03OTA4MSZ0ZT0xJnVzZXJfaWQ9YWE0OTFlZjdmMWQ5NjRlNDk3OWZiNzg0ZTc0ZTAxZDdXA255dEIKYdYRfdlhDvtdqVIbdHJpc3RyYW1iYWxkd2luOTBAZ21haWwuY29tWAQAAAAA). Bahamians See Poitier ‘as Our Own’ By [Audra D. S. Burch](~/AAAAAQA~/RgRjvAIRP0TCaHR0cHM6Ly93d3cubnl0aW1lcy5jb20vYnkvYXVkcmEtZC1zLWJ1cmNoP2NhbXBhaWduX2lkPTM3JmVtYz1lZGl0X3JyXzIwMjIwMTA4Jmluc3RhbmNlX2lkPTQ5Nzg3Jm5sPXJhY2UlMkZyZWxhdGVkJnJlZ2lfaWQ9Nzc2NzQ5NTImc2VnbWVudF9pZD03OTA4MSZ0ZT0xJnVzZXJfaWQ9YWE0OTFlZjdmMWQ5NjRlNDk3OWZiNzg0ZTc0ZTAxZDdXA255dEIKYdYRfdlhDvtdqVIbdHJpc3RyYW1iYWxkd2luOTBAZ21haWwuY29tWAQAAAAA) HOLLYWOOD, Fla. — The Bahamian diaspora remembered the actor Sidney Poitier on Friday as a son of their soil, among the island’s greatest ambassadors. Mr. Poitier was born in Miami — home to generations of Bahamians — but he spent part of his childhood in the Bahamas. His dual roots helped to cultivate a deep following in both South Florida and the Caribbean country, which renamed the bridge to Paradise Island after the actor about 10 years ago as part of the island’s 40th anniversary of its independence. “He was larger than life in our community, especially for an island as small as the Bahamas,” said Dewey Knight, 57, whose grandparents moved from the Bahamas to the United States in the 1930s. “We saw him as the standard-bearer. What made him so special is he took pride in the Bahamas and contributed to the island.” Mr. Knight said he met Mr. Poitier in the elevator of a Miami building in the 1970s, when Mr. Knight was a child. “We saw him as our own and a representative for both the Bahamas and the larger African diaspora,” Mr. Knight continued. “When you talk about the Bahamas, you talk about three things: the beautiful beaches, conch and our Sidney Poitier.” Andy Ingraham, who was born in the Bahamas and raised in South Florida, said he was struck by how “warm and accessible” Mr. Poitier was in person. He was a child when he first met Mr. Poitier on the island, he said, and several years ago, he attended an intimate birthday dinner in Los Angeles celebrating Mr. Poitier. “His conversation was so inviting and supportive,” said Mr. Ingraham, president and C.E.O. of the National Association of Black Hotel Owners, Operators and Developers. “He never shied away from his Bahamian story, always sharing. 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Ms. Abrams, the Georgia Democrat running for governor, has admirers in both wings of her party — and Republicans eager to defeat her. Her carefully calibrated strategy faces a test in 2022. By Astead W. Herndon](~/AAAAAQA~/RgRjvAIRP0TraHR0cHM6Ly93d3cubnl0aW1lcy5jb20vMjAyMi8wMS8wMi91cy9wb2xpdGljcy9zdGFjZXktYWJyYW1zLWdlb3JnaWEtZGVtb2NyYXRzLmh0bWw_Y2FtcGFpZ25faWQ9MzcmZW1jPWVkaXRfcnJfMjAyMjAxMDgmaW5zdGFuY2VfaWQ9NDk3ODcmbmw9cmFjZSUyRnJlbGF0ZWQmcmVnaV9pZD03NzY3NDk1MiZzZWdtZW50X2lkPTc5MDgxJnRlPTEmdXNlcl9pZD1hYTQ5MWVmN2YxZDk2NGU0OTc5ZmI3ODRlNzRlMDFkN1cDbnl0Qgph1hF92WEO-12pUht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAAA~) [[Article Image] Victor Moriyama for The New York Times](~/AAAAAQA~/RgRjvAIRP0TxaHR0cHM6Ly93d3cubnl0aW1lcy5jb20vMjAyMi8wMS8wNy93b3JsZC9hbWVyaWNhcy9sdWl6YS10cmFqYW5vLWJyYXppbC1tYWdhbHUtcmFjaXNtLmh0bWw_Y2FtcGFpZ25faWQ9MzcmZW1jPWVkaXRfcnJfMjAyMjAxMDgmaW5zdGFuY2VfaWQ9NDk3ODcmbmw9cmFjZSUyRnJlbGF0ZWQmcmVnaV9pZD03NzY3NDk1MiZzZWdtZW50X2lkPTc5MDgxJnRlPTEmdXNlcl9pZD1hYTQ5MWVmN2YxZDk2NGU0OTc5ZmI3ODRlNzRlMDFkN1cDbnl0Qgph1hF92WEO-12pUht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAAA~) [The Saturday Profile Billionaire’s Star Rises as She Takes Bold Stance on Racism in Brazil Luiza Trajano turned a small family store into a retail giant. Now, a company policy limiting its executive training program to Black applicants is drawing praise, outrage and much soul-searching. By Ernesto Londoño](~/AAAAAQA~/RgRjvAIRP0TxaHR0cHM6Ly93d3cubnl0aW1lcy5jb20vMjAyMi8wMS8wNy93b3JsZC9hbWVyaWNhcy9sdWl6YS10cmFqYW5vLWJyYXppbC1tYWdhbHUtcmFjaXNtLmh0bWw_Y2FtcGFpZ25faWQ9MzcmZW1jPWVkaXRfcnJfMjAyMjAxMDgmaW5zdGFuY2VfaWQ9NDk3ODcmbmw9cmFjZSUyRnJlbGF0ZWQmcmVnaV9pZD03NzY3NDk1MiZzZWdtZW50X2lkPTc5MDgxJnRlPTEmdXNlcl9pZD1hYTQ5MWVmN2YxZDk2NGU0OTc5ZmI3ODRlNzRlMDFkN1cDbnl0Qgph1hF92WEO-12pUht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAAA~) [[Article Image] From left: Matthew Williams; Danny Cozens; Koes Staassen; via Zak Ové](~/AAAAAQA~/RgRjvAIRP0TlaHR0cHM6Ly93d3cubnl0aW1lcy5jb20vMjAyMi8wMS8wNy9hcnRzL2Rlc2lnbi9icml0aXNoLWNhcmliYmVhbi1hcnRpc3RzLmh0bWw_Y2FtcGFpZ25faWQ9MzcmZW1jPWVkaXRfcnJfMjAyMjAxMDgmaW5zdGFuY2VfaWQ9NDk3ODcmbmw9cmFjZSUyRnJlbGF0ZWQmcmVnaV9pZD03NzY3NDk1MiZzZWdtZW50X2lkPTc5MDgxJnRlPTEmdXNlcl9pZD1hYTQ5MWVmN2YxZDk2NGU0OTc5ZmI3ODRlNzRlMDFkN1cDbnl0Qgph1hF92WEO-12pUht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAAA~) [Navigating Worlds an Ocean Apart, Through Art Four artists featured in a major London exhibition about Britain and the Caribbean reflect on identity, the art world and living through changing times. 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