Plus, our criticsâ favorite music of the year. [View this email online]( [NPR Music]( Dec. 10, 2022 by [Marissa Lorusso](
This week, we’re sharing our lists of the best releases in the worlds of classical, rock, R&B, hip-hop and more. [Upper left: Alvvays; Upper right: Nilüfer Yanya; Bottom left: Big Thief; Bottom right: Special Interest]( Courtesy of the artists Every December — but, to be honest, it starts well before December — the NPR Music team gets together to make podcasts, essays, lists and more reflecting on the year’s very best songs and albums. And this year, there was a lot of great music to keep up with. Sure, there were some easy consensus picks: hugely ambitious and successful albums; songs we kept on repeat all year. But there were also releases that sparked intense fandom in certain corners of our musical worlds, or exemplified the very best of a particular genre, or had a slow-burn success that we didn’t collectively see coming. So our year-end package about 2022’s best music — [which we began rolling out this week]( — aims to be similarly diverse and abundant: a “disco ball,” as our senior editor Jacob Ganz put it, “a reflection on the year that revels in cacophony rather than trying to boil things down into a single authoritative point of view.” A few crucial voices at the center of that cacophony belong to the critics on our team, who shared their lists of favorites this week. [Bob Boilen’s 20 favorite albums and 40 favorite songs]( include plenty of newcomers, plus some past favorites making better music than ever. [Nate Chinen, director of editorial content at WRTI]( included albums by Immanuel Wilkins and Cécile McLorin Salvant and songs by Beth Orton and Samora Pinderhughes on his list. And both critic and correspondent [Ann Powers]( and hip-hop and R&B editor [Sheldon Pearce]( found themselves reflecting on what an album even represents in the era of streaming and fragmented viral sounds; their lists include releases that nevertheless demanded attention, proposed big ideas and carved out space to ponder them. --------------------------------------------------------------- Newsletter continues after sponsor message
--------------------------------------------------------------- Another thing Sheldon wrote in his reflection on his favorite albums struck me: “[Genre-bending is commonplace]( these days, he says, “but rare is music with a strong genre identity and a broad understanding of its relationship to other musical forms.” In our genre-based lists of the best music of the year — we’ve published lists that cover [rock]( [R&B]( [classical]( [hip-hop]( and [experimental music]( — we’ve highlighted a selection of those rare and impressive releases that retain a strong sense of identity even while challenging our preconceived notions of their respective styles. And if you want to share the records that are topping your personal best-of list, All Songs Considered wants to hear about it: You can vote for your favorite albums in [their year-end listener poll](. I’ll be back next week with more facets of our year-end musical disco ball: our list of the best songs and albums of the year, plus additional essays and countdowns of the year’s best music. Tiny Desk [Alex G performs a Tiny Desk concert]( NPR Last month, I got to do something I haven’t done in more than two years: produce a Tiny Desk concert at NPR’s headquarters in Washington, D.C. The [featured performer was Alex G]( a Philly singer-songwriter whose music I’ve loved for years — and whose recent album, God Save The Animals, made a big impression on our team this year. Behind the desk, Alex G and his band performed a handful of songs from across his vast discography. Also this week: We shared a Tiny Desk from the impeccable [Belgian dance-pop superstar Stromae]( and a commanding performance from [Eliane Elias]( one of the most respected names in Latin jazz. One More Thing [The Boss on World Cafe](
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