Limited time ⌛ TOP 25 Best NEW fonts

2022 Best-Selling NEW fonts SALE ends soon. Grab these deals before it's over... [MyFonts.com]( [View in Browser]( [Hot New Fonts]( [Best Sellers]( [What's New]( [Special Offers]( [Bundles]( [WhatTheFont]( [Best of 2022 day 4]( Fonts used: [FF DIN Paneuropean Variable](®, [Fontanella](, and [Morning Memories]( The Top 25 Best-Selling NEW fonts of 2022 list has come to an END! You’ll want to grab these best sellers and these awesome deals before it’s over. Also, our final designer interviews, be sure to check these out! Our Best of 2022 Sale ends January 24th at 11:59 p.m. EST. - Don’t forget to check out our 2023 Enduring Type Trends in your email tomorrow! [Shop All Best NEW Fonts]( Touvlo™ Variable [Touvlo™ Variable]( #18 Touvlo™ Variable by Monotype New from the Monotype Studio’s Creative Type Director, Emilio’s Theophanous, Touvlo – meaning brick in Greek – is an homage to London and the view from his studio window. A zestful, modern interpretation of a classic genre, Touvlo skilfully captures the spirit of early British grotesque typefaces through playful terminals and lively curves. Touvlo offers an array of styles, from clean uprights to characterful Italics, and exuberant Back slants. Its regular upright weights are optimized for long text, with prominent and visible vertical contrast, creating rhythm and texture for comfortable reading. The Italics are designed to be visibly distinct, with narrower proportions and calligraphic shapes, offering brightness and emphasis wherever needed. 3 variable fonts for $499 $249.50 [Shop Touvlo Variable Now]( [Touvlo™ Variable Designer]( Let's hear from the Designer. Q1) Where did the idea for the typeface come from? Did you set out to address a specific use or suite of the application? Was this a design you'd had in mind for a while? Choosing a typeface is about achieving balance between functionality and conveying the project’s personality and tonality. Sometimes is all about legibility, sometimes is all about appearances. Big families like Touvlo, usually offer flexibility across their different range of styles to accommodate different usage scenarios. For example, Touvlo’s regular upright weights are optimized for comfortable reading. Its Italics are designed to be visibly distinct, while the Backslants are an unexpected and energetic addition. Touvlo can be paired with crisp serif typefaces from same historical era, such as Scotch or Century. Some of the classics also work in unison with the grotesque genre, such as Walbaum, Caslon, Janson etc. Q2) What is the one or two most important things graphic communicators should know about the typeface, or how will the family of fonts help them create better design? Touvlo is a personal and contemporary interpretation of early British grotesque typefaces. It aims to capture some of the spirit of the genre, while sprinkling in a little extra attitude and humour, becoming a new choice for designers and creatives, offering a timeless and unique aesthetic able to perform across media and design genres. Touvlo comes in three Variable fonts, providing detailed control in complex typographic environments, or the web, where it can be used for intriguing animations. It fits well for brands looking for a unique tone, magazines and book publishers, and is an excellent choice for museums and galleries. It is also a great fit for fashion, packaging, fintech and more. 3 variable fonts for $499 $249.50 [Shop Touvlo Variable Now]( Fromage [Fromage]( #19 Fromage by Adam Ladd Fromage is a modern and bold high-contrast sans serif typeface that balances visual interest with restraint. Designed with Adam Ladd’s signature personality, Fromage has dramatically angled terminals and elongated stroke endings that lend both an elegant air and a dynamic rhythm, making it an obvious choice for fashion, beauty, or luxury branding and typography. A generous x-height and round forms ensure it maintains flexibility and legibility in a wide range of applications, like headlines, signage, and display settings on websites. With horizontal rather than the sheared terminals of Fromage, Fromage Alt offers a more classic and refined look, conveying touches of a traditional serif Didone. Coming in seven weights which include stylistic alternates, a set of arrow icons, true fractions, superscript and subscript numerals, and an extensive character set with support for 100+ languages, Fromage is a truly versatile 14-style font family ready for any project. 14 fonts for $99 [Shop Fromage Now]( [Fromage Designer]( Let's hear from the Designer. Q1) Where did the idea for the typeface come from? Did you set out to address a specific use or suite of the application? Was this a design you'd had in mind for a while? I think a primary aim that needs to be addressed is the tone of voice for a project. Asking questions of the typeface design, like “what and how does this communicate to the intended viewer?”. Given that Fromage is mainly intended for display, most simple, unadorned sans serifs could support it well when paired. Q2) What is the one or two most important things graphic communicators should know about the typeface, or how will the family of fonts help them create better design? I wanted Fromage to convey something modern and elegant, but not be busy or impractical. That’s also why there is an alternate family option with a little more traditional design. It pulls inspiration from classic high-contrast serif faces, so the family feels familiar but has some distinct details and monoline strokes that give it more expression. 14 fonts for $99 [Shop Fromage Now]( Etelka [Etelka]( #20 Etelka by Storm Type Foundry Etelka was designed for purposes of corporate identities, branding, product package design and outside lettering. It works anywhere an extremely legible typeface is needed. Package and label design often requires a wide choice of weights and widths: light and narrowed fonts to fit huge amount of mandatory information’s onto a small box, or to squeeze text lines around a bottle, fat and wide styles to emphasize information on a poster or vehicle. The regular styles will serve well for business card, small texts and for your website. 42 fonts for $549 $274.50 [Shop Etelka Now]( [Etelka Designer]( Let's hear from the Designer. Q1) Where did the idea for the typeface come from? Did you set out to address a specific use or suite of the application? Was this a design you'd had in mind for a while? Associations. Context. Emotions. Typeface is equally powerful as image or illustration - if used properly: size, color, background, other elements of page come to play. Pairing, or better combining with multiple typefaces is my primary aim when starting a typeface project. To put it simple, when doing a progressive Sans-Serif I wish to see it combined with a classical transitional revival, and vice - versa, naturally. Which makes me to design such a counterpart, of course. And it's never ending. To set a guideline for users on how to combine one font to another may be discussion for ages, but it always depends on an actual project - sometimes you can see very surprising combinations you'd never consider. Try, test, play... Q2) What is the one or two most important things graphic communicators should know about the typeface, or how will the family of fonts help them create better design? A better design is always a unique design. A font must be also contemporary, design is a language that changes in time very quickly. I design fonts for myself. If it works for me, then it would do fine for you too. I live from graphic design, identity systems, books, editorial works, catalogues etc..., and my solution always includes a new original font. I need the best fonts; I can see all the details and shortcomings. Imagine a 300 pages volume and suddenly I find a minor kerning bug (or two), I hurry to fix it and update immediately. I work with end-users of my fonts; I am one of them. 42 fonts for $549 $274.50 [Shop Etelka Now]( Wild Mango [Wild Mango]( #21 Wild Mango by KA Designs Wild Mango is a chic + modern serif font. This font is perfect for branding, logos, social media, prints, stickers, shirts, svg files and more. Wild Mango is unique as it can be used for a variety of design styles. It fits in wonderfully for free-spirited, boho designs and also for more classy editorial looks! 1 font for $12 $6 [Shop Wild Mango Now]( [Wild Mango Designer]( Let's hear from the Designer. Q1) Where did the idea for the typeface come from? Did you set out to address a specific use or suite of the application? Was this a design you'd had in mind for a while? When choosing a typeface for a specific project, there are a lot of factors that should be considered. Some of the most important being the mood, functionality, read-ability and performance of the typeface. The typeface will need to match the project‘s goal and appeal to the specific audience. Wild Mango includes a variety of curvy glyphs. When choosing a font to pair with it, this should be considered. A simple sans serif or a handwritten script font would look best with Wild Mango. If you are choosing a script font, I would look for something that is more modern in letterforms, rather than a classical script typeface. Q2) What is the one or two most important things graphic communicators should know about the typeface, or how will the family of fonts help them create better design? My goal when designing Wild Mango was to create a font that was modern but still exhibited the characteristics of a traditional serif font. I think that this was a style that a lot of designers were looking for without even realizing it at the time! One of the most important things about this font would be that it is quite versatile. The letters look clear and crisp at both small and large sizes. This makes Wild Mango the perfect choice for various projects. This is a wonderful font to have in your creative toolbox and I think that you would find yourself using it often! 1 font for $12 $6 [Shop Wild Mango Now]( Brittany Signature [Brittany Signature]( #22 Brittany Signature by Creatype Studio Brittany Signature Script consists of a fashionable sophisticated signature-style script with its own unique curves and an elegant inky flow. This font is perfect for photography, watermark, social media posts, advertisements, logos & branding, invitation, product designs, label, stationery, wedding designs, product packaging, special events, or anything that needs handwriting taste. 1 font for $25 $12.50 [Shop Brittany Signature Now]( [Brittany Signature Designer]( Let's hear from the Designer. Q1) Where did the idea for the typeface come from? Did you set out to address a specific use or suite of the application? Was this a design you'd had in mind for a while? A good typeface is a medium for graphic communicators to communicate the project character. A graphic communicator must first understand the project's identity to get a suitable typeface. The project identity is the main character of the whole show that the graphic communicator will show through a typeface. In other words, a graphic communicator needs to know the project's character to succeed in introducing the project. The ideal typeface to harmonize the Brittany Signature is Montrelo, the Elegant Sans Serif. Besides the elegance and sophisticated looks of Montrelo, it has a bold energy that makes a perfect match for Brittany Signature. Q2) What is the one or two most important things graphic communicators should know about the typeface, or how will the family of fonts help them create better design? We aspire to give a soul to the project through our typeface. We believe a project with a soul can last longer and thrive further. The graphic communicator must have the same vision as ours to keep the typeface as well as the projects alive. Since we got the same vision, the graphic communicator will know how impactful our typeface is. 1 font for $25 $12.50 [Shop Brittany Signature Now]( Texta Pro [Texta Pro]( #23 Texta Pro by Latinotype Texta was born in 2014, a collaborative project of the study of humanist models from Edward Johnston to Adrian Frutiger. Texta Pro is a contemporary and rational sans, almost invisible, but not quite. It is a workhorse for any type of project. New design of symbols such as Section, Partialdiff, Dagger, approxequal, among others. Expansion of monetary signs (Bitcoin, Peso, Franc, etc.) Basic ligatures fi, fl. Includes Cyrillic. 32 fonts for $239 $119.50 [Shop Texta Pro Now]( [Texta Pro Designer]( Let's hear from the Designer. Q1) Where did the idea for the typeface come from? Did you set out to address a specific use or suite of the application? Was this a design you'd had in mind for a while? The first thing is to know and understand why we need a font. Know if it’ll be a printed or digital project, if it will be used in a large or small size, if we need it for a continuous text or for short sentences, or even perhaps a word. This will help us decide what type of fonts we need, text or display, serif or non-serif, etc. Last but not least, we need to know what type of licenses will be necessary for our project, in order to be able to pay correctly. Texta Pro, being a neutral font, is ideal to accompany more striking typefaces, where the text invisibly complements long texts but with a modern and contemporary spirit. It can be seen very well with serif fonts, since they generate an interesting contrast when composing a text and marking hierarchies. Q2) What is the one or two most important things graphic communicators should know about the typeface, or how will the family of fonts help them create better design? The main objective of Texta pro was to develop a workhorse for Latinotype, a font that was very versatile, neutral, but at the same time had the necessary personality to compete with other sans fonts. One of the most important aspects of Texta Pro is its 983 glyph character set, which covers a myriad of Latin script languages, as well as Cyrillic, which is a plus. Another important point of Texta Pro is its versatility in its use, you can cover projects of a different nature, be it branding or editorial projects, since it is a font that reminds you of classics, but with a new and modern air. Texta Pro will undoubtedly be your workhorse for many projects. 32 fonts for $239 $119.50 [Shop Texta Pro Now]( HK Nova [HK Nova]( #24 HK Nova by Hanken Design Co. HK Nova is a geometric sans inspired by the Century Gothic and Futura. It formalizes Century Gothic and softens Futura. HK Nova Font Family was designed by Alfredo Marco Pradil and published by Hanken Design Co. 27 fonts for $450 $225 [Shop HK Nova Now]( [HK Nova Designer]( Let's hear from the Designer. Q1) Where did the idea for the typeface come from? Did you set out to address a specific use or suite of the application? Was this a design you'd had in mind for a while? I think graphic designers should take into account a variety of factors when choosing type for a project, including legibility, branding, functionality, context, personality, flexibility, and technical considerations (e.g. OpenType features). I created HK Nova to bridge the gap between Futura and Century Gothic. It has a clean, modern, aesthetic pattern that works well in a variety of design contexts. Pairing my design to those typefaces with similar design characteristics (e.g. Cerebri Sans, Futura, or Avenir) can create a cohesive and harmonious look. However, considering contrasting serif fonts (e.g. Ouido or Garamond) can also create visual interests and balance to the design. Q2) What is the one or two most important things graphic communicators should know about the typeface, or how will the family of fonts help them create better design? As a typeface designer, my primary goal when developing a design is to create a tool that other designers can use to evoke a range of emotions in their work. To achieve this, I strive to create a typeface that is visually appealing with a subtle character, consistent in its features, versatile, and unique compared to other designs. Some key points to consider when using HK Nova in design projects include: its modern and geometric appearance, which makes it suitable for headlines and titles; its range of weights, which allows for versatility in different design contexts; and its extensive character set, which allows for flexibility in its use. 27 fonts for $450 $225 [Shop HK Nova Now]( Apothecary Serif [Apothecary Serif]( #25 Apothecary Serif by Pixel Colours Apothecary Serif is a font collection inspired in vintage and antique prints. Great for texts or headings and perfect as a pairing font. Design quotes, packaging, wedding invites or labels and branding with a vintage style. Lovingly designed to match my original Apothecary Script. 4 fonts for $29 $14.50 [Shop Apothecary Serif Now]( [Apothecary Serif Designer]( Let's hear from the Designer. Q1) Where did the idea for the typeface come from? Did you set out to address a specific use or suite of the application? Was this a design you'd had in mind for a while? The typeface must help communicate the message and tone of the design. It must have legibility and simplicity, creating an aesthetic balance in all the project. A monoline or a signature script pairs perfectly with Apothecary Serif. Since it is a bold, textured font, you don't want to add more weight that competes with it but one that makes a beautiful contrast. Also, a light sans would work great! Q2) What is the one or two most important things graphic communicators should know about the typeface, or how will the family of fonts help them create better design? My goal was to design a typeface that looks like printed with an old printing press. Apothecary Serif conveys a sense of vintage nostalgia with it's beautiful texture and imperfect lines, great for projects that have a touch of old. 4 fonts for $29 $14.50 [Shop Apothecary Serif Now]( Our Best of 2022 ends January 24th at 11:59 p.m. EST., Shop [ALL font deals]( now Monotype Imaging Inc. 600 Unicorn Park Drive Woburn, MA 01801 USA London, UK | Berlin, DE | Noida, IN | Seoul, KR | Tokyo, JP | Shanghai, CN The promotions featured in this email newsletter are only valid for purchases made online at MyFonts.com. MyFonts and MyFonts.com are trademarks of MyFonts Inc. registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. Other technologies, font names, and brand names are used for information only and remain trademarks or registered trademarks of their respective companies. Touvlo™ Variable is a trademark of Monotype Imaging Inc. and may be registered in certain jurisdictions. 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