Fonts in Action SALE - Bringing Publication & Stationery Today!

SAVE up to 65% OFF! Explore OVER 160 Font DEALS Pretext [View in Browser]( [Hot New Fonts]( [Best Sellers]( [What's New]( [Special Offers]( [Bundles]( [WhatTheFont]( [Fonts in Action! SAVE UP TO 65% OFF]( Fonts used: [Resolve Sans]( and [Bunny Daydream]( Our Fonts in Action Sale keeps bringing you deals! Save up to 65% OFF on OVER 160 fonts. Putting these fonts into action and showing off their potential use cases, brings inspiration for any design needs. Great when used for stationery, publication design, fashion, and so much more! Today we’re highlighting Publication & Stationery. We are also highlighting which type trend each font belongs to. Stay inspired and keep designing, hurry, these deals end soon. Fonts in Action Sale of up to 65% off won’t last long, sale ends May 25th at 11:59 p.m. EDT! Grab these deals today! Tomorrow, we will be highlighting Fashion & Apparel and Interface with The idea, big & The force | R-wars, be sure to check it out! [Shop ALL Fonts in Action Now]( [Publication]( Publication Publication design, be it for books, periodicals or web pages, has two basic requirements. It needs to be inviting and easy to read. First, choose the best typefaces to usher readers into the accompanying text copy without distracting from it. These typefaces can either complement or contrast with the text copy. A dramatic change in typeface will create the most emphasis, while the simplest – and most reliable – complementary choice is to use a bold weight of the typeface used in the text copy. There are also typefaces, like [Compatil® Text](, [FF Info® Text](, [Janson® Text](, [Macklin™ Text]( and [FF Real™ Text](, specifically designed for text copy. A search for “text” on MyFonts will produce a boat-load of designs that are, pretty much, guaranteed to produce easy to read text copy. Just don’t use the “Textura” fonts that look like [Old English™](. If you’re working in a digital environment, you might want to consider one of Monotype’s “eText” fonts. This is a suite of the most important typefaces for textual content, drawn and technologically optimized for on-screen reading. Where typeface choice determines legibility, readability is primarily about typography: column width, margins, line and word spacing. More on this a little later. [Shop ALL Fonts in Action Now]( [Macklin™]( Macklin™ by Monotype Designed by Malou Verlomme of the Monotype Studio, Macklin is a superfamily, which brings together several attention-grabbing styles. Macklin is an elegant, high contrast typeface that demands its own attention and has been designed purposely to enable brands to appeal more emotionally to modern consumers. Macklin comprises four sub-families —Sans, Slab, Text and Display— as well as a variable. The full superfamily includes 54 fonts with 9 weights ranging from hairline to black. The concept for Macklin began with research on historical material from Britain and Europe in the beginning of the 19th century, specifically the work of Vincent Figgins. This was a period of intense social change--the beginning of the industrial revolution. A time when manufacturers and advertisers were suddenly replacing traditional handwriting or calligraphy models and demanding bold, attention-grabbing typography. Typographers experimented with innovative new styles, like fat faces and Italians, and developed many styles that brands and designers continue to use today, such as slabs, serifs, and sans serifs. Verlomme pays respect to Figgins’s work with Macklin, but pushes the family to a more contemporary place. Each sub family has been designed from the same skeleton, giving designers a broad palette for visual representation and the ability to create with contrast without worrying about awkward pairings. With Macklin, Verlomme shows us it’s possible to create a superfamily that allows for complete visual expression without compromising fluidity. Macklin also works well for branding, packaging, and interface designs. 58 fonts for $199 $69.65 [Shop Here]( [Ancyra]( Ancyra [Shop Here]( by Hurufatfont 48 fonts for $219 $87.60 [Lufga]( Lufga [Shop Here]( by Adam Ladd 18 fonts for $109 $38.15 [Legatum]( Legatum [Shop Here]( by Fontop 7 fonts for $17 $10.20 [Filmotype Western]( Filmotype Western [Shop Here]( by Filmotype 1 font for $29 $13.05 [Walbaum]( Walbaum [Shop Here]( by Monotype 68 fonts for $199 $69.65 [Accent Graphic]( Accent Graphic [Shop Here]( by G-Type 3 fonts for $120 $42 [BR Sonoma]( BR Sonoma [Shop Here]( by Brink 16 fonts for $150 $60 [FS Lola®]( FS Lola® [Shop Here]( by Fontsmith 10 fonts for $299 $104.65 [Grand Cru]( Grand Cru [Shop Here]( by Fenotype 36 fonts for $199 $69.65 [TT Phobos]( TT Phobos [Shop Here]( by TypeType 14 fonts for $169 $67.60 [Pyke]( Pyke [Shop Here]( by The Northern Block 12 fonts for $264.95 $132.48 [TT Ricordi]( TT Ricordi [Shop Here]( by TypeType 3 fonts for $90 $36 [Neue Plak™]( Neue Plak™ [Shop Here]( by Monotype 62 fonts for $399 $199.50 [Grotesco]( Grotesco [Shop Here]( by Latinotype 20 fonts for $123 $43.05 [Migueto]( Migueto [Shop Here]( by Alcode 1 font for $20 $10 [Decima Mono]( Decima Mono [Shop Here]( by TipografiaRamis 12 fonts for $340 $170 [Allogist]( Allogist [Shop Here]( by Dora Typefoundry 3 fonts for $23 $10.35 [PGF Strange]( PGF Strange [Shop Here]( by PeGGO Fonts 8 fonts for $96 $38.40 [Heading Now]( Heading Now by Zetafonts Heading Now is the new incarnation of Heading Pro, developing the original typeface family designed by Francesco Canovaro for Zetafonts into a superfamily with 160 variant combinations. Built around 10 different widths, ranging from ultra-compressed to ultra-wide, and eight weights from thin to heavy, Heading Now provides a full spectrum of sans serif type solutions to your design problems. Born as a space-optimizing typeface for headers and titles, Heading Now can be used in its compressed widths to manage space on the printed page and on the screen. In these widths Heading Now excels in titles and subheadings, timetables, infographics and in situations of exuberant and excessive copywriting. On the other side of the width spectrum, you can find extended width variants, ready to be used for titling where style and energy matter more than pixel or paper economy. Heading family is not only made of extreme widths: you can use the medium width range to design body text. Matching italics provide versatility in text use, as well as a dynamic display alternate to the bolder weights. Heading Now keeps the original design of Heading, but extends the width and weight range while keeping its (post) modernist attention to readability and details. Each Heading Now font includes over 1100 characters with coverage for 200+ languages using Latin, Cyrillic and Greek alphabets. A full array of open-type features is included in each weight featuring also stylistic alternates, small caps, old-style and tabular numerals and positional figures. Heading Now also works well for print and interface designs. 162 fonts for $300 $120 [Shop Here]( [Stationery]( Stationery Before there was social media, there was social printing. This included things like stationery, business cards, invitations, greeting cards, postcards and even more commercial examples like store bags and menus. In some instances, it could be classified as personal branding. While many of these applications have evolved into digital statements and hardcopy versions are flirting with endangered species lists, people still enjoy receiving and holding the print varieties. Be it, hardcopy or digital, there are two parts to most social communication: the brand and the informational copy. The brand can be the person, company or product’s name. The informational copy is what you want to tell the reader about the brand. The brand can be set in scripts, fanciful display faces or fonts that evoke a time or place. The informational copy should be set in typefaces that are legible and easy to read. [Shop ALL Fonts in Action Now]( [Domotika Pro]( Domotika Pro by Zetafonts Domotika was first designed for Zetafonts by Cosimo Lorenzo Pancini in 2018, trying to translate the modernist and humanist ideals into typographic form, looking for a conversation between the classical and the contemporary, the hand-made and the technological. Following the motto of Mies Van Der Roe and Gustave Flaubert ("God is in the details"), Domotika takes inspiration from architectural practice, with a pragmatic attention to functionality that doesn't forget aesthetics. Its design juxtaposes the open humanist letterforms to slight calligraphic curve endings that marries perfect readability to expressive design. The name itself of the typeface is an homage to the science of living comfortably, with its reference to "domotics", robotic technology for use in the home. In 2021 Andrea Tartarelli, who originally designed Domotika italics, completely reworked the original type family adding over five hundred glyphs to the original set and extending the language coverage to include over two hundred languages using latin, Cyrillic and greek alphabets. Open type features have been also expanded, including positional numbers, small caps, ligatures, contextual alternates and stylistic sets, as well as tabular, lining and old-style numerals. Domotika Pro also works well for print and publication designs. 18 fonts for $155 $62 [Shop Here]( [Glory Signature]( Glory Signature [Shop Here]( by Din Studio 1 font for $25 $12.50 [Finding Beauty]( Finding Beauty [Shop Here]( by Din Studio 1 font for $25 $12.50 [Moffle Chee]( Moffle Chee [Shop Here]( by Maulana Creative 1 font for $17 $9.35 [Blantick Script]( Blantick Script [Shop Here]( by Ardian Nuvianto 1 font for $26 $9.10 [Remora Corp]( Remora Corp [Shop Here]( by G-Type 70 fonts for $750 $262.50 [My Beautiful Story]( My Beautiful Story [Shop Here]( by Putracetol 1 font for $28 $14 [Dayana]( Dayana [Shop Here]( by Stefani Letter 2 fonts for $16 $11.20 [Fox Grotesque Pro]( Fox Grotesque Pro [Shop Here]( by TipografiaRamis 10 fonts for $300 $150 [Maheswari]( Maheswari [Shop Here]( by Creativework Studio 1 font for $12 $9 [Relate]( Relate [Shop Here]( by Panritype Studio 1 font for $20 $7 [Michella Songs]( Michella Songs [Shop Here]( by HIRO.std 1 font for $16 $5.60 [Kudryashev Display]( Kudryashev Display [Shop Here]( by ParaType 4 fonts for $100 $35 [Bussi]( Bussi [Shop Here]( by Schriftlabor 2 fonts for $55 $22 [Medika]( Medika [Shop Here]( by MC Creative 1 font for $15 $9 [Joules et Jacques]( Joules et Jacques [Shop Here]( by Nicky Laatz 4 fonts for $22 $11 [The Little Bonjour]( The Little Bonjour [Shop Here]( by IbraCreative 1 font for $23 $9.20 [Bellarosse]( Bellarosse [Shop Here]( by Nissa Nana 1 font for $26 $15.60 [Balter Serif]( Balter Serif [Shop Here]( by Art Grootfontein 5 fonts for $32.99 $19.79 [Wishes Script]( Wishes Script by Typesenses Plenty of swashes, ligatures, beginning and ending shapes, Wishes is a wit option for invitations, cards, stationery, fashion and apparel, among a wide range of uses. The curves of the cursive style are neither too solemn or pompous, its grace and playfulness are more 1950s than 1750s. This family offers the designer an additional decorative toolkit full of frames, ribbons, hearts, flowers and ornaments, plus a collection of caps and small caps. Wishes Script Pro includes the complete set of Script characters plus Ornaments and Caps. The family offers optically optimized Display and Text styles for each of the weights: Light, Regular and Bold. Use professional software that widely support Open Type features. Otherwise, you may not have access to some glyphs. For further information about features and alternates, see the User Guide Use Wishes to express your greetings! Wishes Script also works well for branding and packaging designs. 18 fonts for $125 $62.50 [Shop Here]( Fonts in Action SALE ends May 25th, at 11:59 p.m. EDT. - [Shop ALL deals]( now! Block heads. This is a different take on some of the same nostalgic, empathetic impulses spurring the soft-serve trend; but instead of looking back to classic advertising typefaces like Cooper Black, this trend dips into the timeless eight-bit minimalism of the 80s. (And in the process, makes a lot of older millennials suddenly feel old.) The neat trick of this trend is that it evokes both futurism and nostalgia. The 80s were defined by major advances in home computing and video game technology, the early blooms of our current tech-centric culture. But that pixelated world seems quaint now. Typefaces influenced by that era transport us back to when technology was a novelty, before it overwhelmed our lives with screens and notifications and noise. A time when, dare we say it, perhaps we weren’t so jaded. Hand was here In the mid-2000s, there was a surge in brands looking to ground themselves in a sense of the handmade, the material feeling of quality craftsmanship, the process of making something from scratch. The trend has come and gone since then, but now, in a world gone fully digital, it’s no surprise that people would be searching for something warm, familiar, and human again. This trend is all about hand-drawn lettering and woodblocked textures—type that evokes the nostalgia of your lunchtime walk to the food market, the hand-painted street-food signs and mom-and-pop storefronts, reminders of the human experience we so covet from our homes. The humanity of these typefaces gives them soul, and in turn, they nod to a sense of wellness, care, and the timeless endeavor of creating something truly unique. From a purely typographic perspective, this trend leans on innovations and advancements in the creation and use of type. Script fonts no longer need to feel mechanical, as OpenType technology allows us to imbue type with all the idiosyncrasies, inconsistencies, and imperfections of handwriting. There’s a theme of sustainability here as well, of local sourcing and DIY and looking inward toward your community. Monotype Imaging Inc. 600 Unicorn Park Drive Woburn, MA 01801 USA New York, US | Chicago, US | San Francisco, US | Los Angeles, US | Cordoba, AR | London, UK | Berlin, DE | Noida, IN | Seoul, KR | Tokyo, JP | Shanghai, CN | Hong Kong, CN The promotions featured in this email newsletter are only valid for purchases made online at MyFonts.com. MyFonts and MyFonts.com are trademarks of MyFonts Inc. registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. Other technologies, font names, and brand names are used for information only and remain trademarks or registered trademarks of their respective companies. Windsor is a trademark of The Monotype Corporation and may be registered in certain jurisdictions. Verona Serial is a trademark of SoftMaker. Neo Sans is a trademark of Monotype Imaging Inc. registered in the U.S. Patent & Trademark Office and may be registered in certain other jurisdictions. FS Lucas is a registered trademark of Fontsmith. Applied Sans is a trademark of Monotype Imaging Inc. and may be registered in certain jurisdictions. Gloucester is a trademark of The Monotype Corporation and may be registered in certain jurisdictions. Cabrito Sans is a trademark of insigne. Stretto is a trademark of Canada Type. Robur is a trademark of Canada Type. Carina is a trademark of Monotype GmbH and may be registered in certain jurisdictions. FF is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. Marselis, Mark are a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. FF is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. FS Lola is a registered trademark of Fontsmith. Macklin is a trademark of Monotype Imaging Inc. and may be registered in certain jurisdictions. Daito is a trademark of insigne. Stevie Sans is a trademark of Typefolio. Merel is a trademark of The Northern Block. Biennale is a trademark of Latinotype. Cabrito Contrast is a trademark of insigne. Prices are shown in our standard currency (USD), may differ in other currencies, and may also be subject to change due to exchange rate fluctuations. ©2021 Monotype. All rights reserved. The text in this email is set in Rooney Sans. [Unsubscribe]( | [Preferences]( | [Privacy Policy]( | [View in Browser](