Newsletter Subject

NEW NEW NEW!

From

myfonts.com

Email Address

newsletters-no-reply@myfonts.com

Sent On

Fri, Apr 9, 2021 12:17 PM

Email Preheader Text

Introducing Wonder, Heading Now, and many others! UP TO 60% OFF - See what's NEW! Pretext New & Note

Introducing Wonder, Heading Now, and many others! UP TO 60% OFF - See what's NEW! Pretext [View in Browser]( [Hot New Fonts]( [Best Sellers]( [What's New]( [Special Offers]( [Bundles]( [WhatTheFont]( New & Noteworthy [Wonder - 60% OFF]( [Shop Wonder]( now, 12 fonts for $100 $40 Introducing Wonder by Fenotype Do you sometimes have an appetite for a bit more wholesome typography? Do you find the ubiquitous sans serifs too industrial and bland in taste? Opt for something more organic: Wonder – a rootsy yet contemporary type family. With a deliciously juicy approach to serifs and a chunky texture, Wonder is a real treat among typefaces. Despite its rustic flair, Wonder is perfectly adaptable for contemporary contexts from branding to packaging, mobile apps and beyond. Savvy features such as multiple numeral styles (old style figures, tabular figures, subscript and superscript numerals), small capitals and swashes are included in all Wonder fonts. Enjoy! "Let’s aim for that thick, 70’s ITC feel." – Emil Bertell "This is one of my favourite genres! Let’s add some Open Type flair for a contemporary approach" – Erik Bertell "For the sake of contrast to the roman, how do you feel about making the italics a bit more angular?" – Teo Tuominen 12 fonts for $100 $40 [Shop Wonder Now]( [About the Designers.]( Designers: Emil Bertell, Teo Tuominen, and Erik Bertell About the Designer. Fenotype was founded by Emil Bertell back in 2003. Started as his personal output for idiosyncratic display fonts, Fenotype has since evolved into a full range type design service. We now release mainly extensive, high quality font families with an emphasis on creative concepts and user friendliness. Fenotype has also designed many custom fonts and font families for clients such as Moomin Characters and Fazer. Emil Bertell is one of the few Finns that make a living out of type design. Educated as a graphic designer, his career kicked off as an illustrator. The type bug caught Emil eventually and he moved on to become a full time type designer around 2011. He’s mostly known for his idiosyncratic script fonts, many of which have become blockbusters. However, Emil also masters a more restrained design as well, particularly evident in many display serif fonts he’s put out. Erik Bertell is Emil’s brother and has likewise been drawing type since the early 00s. He’s a graphic designer by trade with 15 years of experience under his belt and this background has provided him with plenty of insight in regards to type design and requirements for type. Teo Tuominen is a graphic designer and a type design guru to whom no feature is too complex to achieve or a type family too extensive to handle. He also shares his knowledge and expertise by teaching type design and typography. 12 fonts for $100 $40 [Shop Wonder Now]( [Heading Now - 60% OFF!]( [Shop Heading Now]( now, 162 fonts for $300 $120 Introducing Heading Now by Zetafonts Heading Now is the new incarnation of Heading Pro, developing the original typeface family designed by Francesco Canovaro for Zetafonts into a superfamily with 160 variant combinations. Built around 10 different widths, ranging from ultra-compressed to ultra-wide, and eight weights from thin to heavy, Heading Now provides a full spectrum of sans serif type solutions to your design problems. Born as a space-optimizing typeface for headers and titles, Heading Now can be used in its compressed widths to manage space on the printed page and on the screen. In these widths Heading Now excels in titles and subheadings, timetables, infographics and in situations of exuberant and excessive copywriting. On the other side of the width spectrum, you can find extended width variants, ready to be used for titling where style and energy matter more than pixel or paper economy. Heading family is not only made of extreme widths: you can use the medium width range to design body text. Matching italics provide versatility in text use, as well as a dynamic display alternate to the bolder weights. "Heading Now was born as a space-optimizing typeface for headers and titles, but can be used in its compressed widths to manage space on the printed page and on the screen. Perfect for contemporary branding, web design, packaging and countless other projects." — Zetafonts 162 fonts for $300 $120 [Shop Heading Now Here]( [Designers.]( Designers: Francesco Canovaro, Cosimo Lorenzo Pancini, Andrea Tartarelli, and Mario De Libero About the Designers. Cosimo Lorenzo Pancini - Partner & Project director. Cosimo bought his first typeface, an Arnold Boecklin letraset transfer, when he was nine years old. He has since then kept playing with letters both written and drawn, working as a type designer, visual arts teacher and art director for print, digital and video. He has designed over fifty typeface families for Zetafonts foundry that he co-founded with Debora Manetti and Francesco Canovaro. He lives in Florence with his wife, a cat named Bodoni and too many books. Francesco Canovaro - Partner & creative director. Francesco has found in visual design and typography the natural evolution of his studies in painting and computer programming. With Debora Manetti and Cosimo Lorenzo Pancini he founded the transmedia branding agency Kmzero and the digital type foundry Zetafonts, a label under which he has designed over forty typeface families and countless custom fonts. As much feared as loved by his students in creative direction and typography courses, he is often seen at type conferences listening to talks while creating new typefaces on his laptop. He lives in Florence with his wife Debora and two kids whose names end with consonants. Andrea Tartarelli - Type director. Andrea studied at the Academy of Fine Arts of Carrara and worked as a marble sculptor until he discovered graphics and typography. Since then, he has dedicated himself to the creation of typefaces, hoping that it would be not as tough as marble carving. It turned out he was terribly wrong. Afterwards, he went deeper into his typography studies at the Plantin Institute at Antwerp, and teaches Type Design at IED Florence. He works and lives in Tuscany, Italy. Mario De Libero - Font developer. Mario was born in Livorno, on the coast of Tuscany. During his studies in visual communication at IED in Florence he fell in love with typography and soon joined Zetafonts as lead designer on the Italian Type label. Mario sees every letter as a music instrument that can do its best when playing well with the others in harmony: a typeface designer is like an orchestra director that must make sure all the voices are balanced. Always on the look for typography as a mean to rise empathy in others, he’s been focusing lately on historical re-designs. 162 fonts for $300 $120 [Shop Heading Now Here]( [Spilled Ink]( Spilled Ink 1 font for $20 A handwritten typeface designed to complement illustrations. Inspired by the idea of spilled ink that spreads... [Shop Here]( [Hogback]( Hogback 1 font for $16 A brush Japanese Style Font that will bring an natural imression Asian Style for your needs. [Shop Here]( [Huova]( Huova 4 fonts for $30 Classic, sophisticated typeface to enchant your next project. Very versatile fonts that works great in large and small sizes. [Shop Here]( [Grand Wilson]( Grand Wilson 1 font for $19 A pair of fonts that bring the modern and casual feel. Bold sans combined with the natural hand writing script. [Shop Here]( Want to check out more New Fonts? Shop [ALL]( Now! Browse by category: Not seeing the perfect font that fits your project needs? Browse through our most popular font categories and find your perfect match today! Monotype Imaging Inc. 600 Unicorn Park Drive Woburn, MA 01801 USA New York, US | Chicago, US | San Francisco, US | Los Angeles, US | Cordoba, AR | London, UK | Berlin, DE | Noida, IN | Seoul, KR | Tokyo, JP | Shanghai, CN | Hong Kong, CN The promotions featured in this email newsletter are only valid for purchases made online at MyFonts.com. MyFonts and MyFonts.com are trademarks of MyFonts Inc. registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. Other technologies, font names, and brand names are used for information only and remain trademarks or registered trademarks of their respective companies. Prices are shown in our standard currency (USD), may differ in other currencies, and may also be subject to change due to exchange rate fluctuations. ©2020 Monotype. All rights reserved. The text in this email is set in Rooney Sans. [Unsubscribe]( | [Preferences]( | [Privacy Policy]( | [View in Browser](

Marketing emails from myfonts.com

View More
Sent On

30/05/2024

Sent On

29/05/2024

Sent On

28/05/2024

Sent On

28/05/2024

Sent On

27/05/2024

Sent On

25/05/2024

Email Content Statistics

Subscribe Now

Subject Line Length

Data shows that subject lines with 6 to 10 words generated 21 percent higher open rate.

Subscribe Now

Average in this category

Subscribe Now

Number of Words

The more words in the content, the more time the user will need to spend reading. Get straight to the point with catchy short phrases and interesting photos and graphics.

Subscribe Now

Average in this category

Subscribe Now

Number of Images

More images or large images might cause the email to load slower. Aim for a balance of words and images.

Subscribe Now

Average in this category

Subscribe Now

Time to Read

Longer reading time requires more attention and patience from users. Aim for short phrases and catchy keywords.

Subscribe Now

Average in this category

Subscribe Now

Predicted open rate

Subscribe Now

Spam Score

Spam score is determined by a large number of checks performed on the content of the email. For the best delivery results, it is advised to lower your spam score as much as possible.

Subscribe Now

Flesch reading score

Flesch reading score measures how complex a text is. The lower the score, the more difficult the text is to read. The Flesch readability score uses the average length of your sentences (measured by the number of words) and the average number of syllables per word in an equation to calculate the reading ease. Text with a very high Flesch reading ease score (about 100) is straightforward and easy to read, with short sentences and no words of more than two syllables. Usually, a reading ease score of 60-70 is considered acceptable/normal for web copy.

Subscribe Now

Technologies

What powers this email? Every email we receive is parsed to determine the sending ESP and any additional email technologies used.

Subscribe Now

Email Size (not include images)

Font Used

No. Font Name
Subscribe Now

Copyright © 2019–2024 SimilarMail.