Newsletter Subject

High Notes: October at the Met

From

metopera.org

Email Address

NoReply@metopera.org

Sent On

Thu, Oct 6, 2022 11:00 PM

Email Preheader Text

The New York Times named David McVicar’s searing new production a Critic’s Pick, while The

The New York Times named David McVicar’s searing new production a Critic’s Pick, while The Wall Street Journal declared that “Sondra Radvanovsky has the vocal goods and the stage presence for the role of the revenge-crazed sorceress.” [The Metropolitan Opera]( [High Notes - October]( Cherubini’s Medea ON STAGE THROUGH OCTOBER 28 The 2022–23 season got off to spectacular start on September 27 with the Opening Night Met premiere of Medea. The New York Times named David McVicar’s “searing” new production a Critic’s Pick, while The Wall Street Journal declared that “Sondra Radvanovsky has the vocal goods and the stage presence for the role of the revenge-crazed sorceress.” Don’t miss your chance to experience Cherubini’s charged mythic drama, which also stars tenor Matthew Polenzani as Medea’s unfaithful lover, Giasone, and soprano Janai Brugger as her rival for his affection, Glauce. Maestro Carlo Rizzi conducts. [BUY TICKETS]( [WATCH TRAILER]( --------------------------------------------------------------- On Stage This Month In addition to Medea, this month features a thrilling slate of revivals, all featuring some of opera’s greatest stars. Tenor Michael Spyres gives a tour-de-force performance in the title role of Mozart’s early masterpiece Idomeneo (pictured), while soprano Svetlana Sozdatelva delivers a hair-raising portrayal of the murderous heroine of Shostakovich’s Lady Macbeth of Mtsensk and soprano Aleksandra Kurzak and tenor Michael Fabiano join forces in Puccini’s Tosca. Later on, tenor Allan Clayton—who made a sensational Met debut in Brett Dean’s Hamlet last spring—headlines the first Met revival of Britten’s Peter Grimes in nearly 15 years, and radiant soprano Nadine Sierra makes her company role debut as Violetta in Verdi’s timeless tragedy La Traviata. [VIEW CALENDAR]( --------------------------------------------------------------- The Met: Live in HD The Met’s award-winning series of live, high-definition cinema transmissions is back on screens around the globe this month. The star-studded new season begins on Saturday, October 22, with Cherubini’s Medea, featuring soprano Sondra Radvanovsky in the formidable title role (pictured). It is the first of ten thrilling operas to be presented in movie theaters, an extraordinary lineup that includes all seven of this season’s new productions, as well as three popular revivals. And, if you do not live near a participating cinema, you will be able to stream Medea live at home through the Met’s new streaming platform, The Met: Live at Home. Tickets will go on sale October 17. [LIVE IN HD SEASON]( --------------------------------------------------------------- The Met Orchestra Chamber Ensemble at Carnegie Hall Comprised of extraordinary individual members of the Met Orchestra, the Met Orchestra Chamber Ensemble returns to Carnegie Hall’s Weill Recital Hall for six performances this season. The series begins on Sunday, October 23, at 2PM with a program of music by Britten, Coleridge-Taylor, and Shostakovich—with guest soloist tenor Paul Appleby. [LEARN MORE]( --------------------------------------------------------------- More from the Met SUPPORT EXTRADORDINARY OPERA Provide vital support for the Met and enhance your opera experience with exclusive member benefits. Join or increase your membership support today. [MAKE A GIFT]( METROPOLITAN OPERA RADIO Metropolitan Opera Radio offers live performances from the Met stage as well as newly restored historic broadcasts, commercial-free, on SiriusXM channel 355. [LEARN MORE]( MET OPERA ON DEMAND Unlock an unrivaled collection of past Met performances—including Live in HD transmissions, classic telecasts, and radio broadcasts dating back nearly 90 years—on our subscription streaming service. Start your seven-day free trial today and explore the full catalog of more than 800 complete performances. [LEARN MORE]( MET OPERA SHOP Explore the Met Opera Shop and discover the 2022–23 season collection including a selection of DVDs, CDs, and Blu-rays, and the newly released Season Book. [SHOP NOW]( --------------------------------------------------------------- From Our Partners The Chamber Music Society of Lincoln Center Presents “American Visitors” at Alice Tully Hall on Tuesday, October 18, at 7:30PM. In a program celebrating America’s diversity, enjoy the sublime music of Dvořák, Ysaÿe, and Coleridge-Taylor. [Learn more](. The British a capella supergroup VOCES8 returns to Kaufman Music Center’s Merkin Hall on October 13 and 14 and February 14 for three performances of music ranging from the Renaissance to Mendelssohn, Rachmaninoff, Van Morrison, and Nat King Cole. [Learn more](. Center for Contemporary Opera brings the premiere of We the Innumerable, a one-act opera in concert form co-presented with National Sawdust. Created by Iranian composer Niloufar Nourbakhsh, the opera explores one woman’s courage to demand freedom in the face of state violence. Opens October 21. [Learn more](. Join the New York Philharmonic on November 14 at 7:30PM for an evening with bass-baritone Eric Owens—part of their new series showcasing some of today’s most acclaimed and innovative musical artists. Save 25% on your purchase with promo code MET. [Learn more](. FOLLOW US [YouTube](  [Instagram](   [Twitter](   [Facebook](  --------------------------------------------------------------- CUSTOMER SUPPORT [Contact Us]( [Unsubscribe]( or [Manage Email PreferencesÂ]( [View this email in a browser]( --------------------------------------------------------------- © 2022 METROPOLITAN OPERA 30 Lincoln Center New York, NY 10023 212.362.6000 [metopera.org]( Peter Gelb, Maria Manetti Shrem General Manager Yannick Nézet-Séguin, Jeanette Lerman-Neubauer Music Director --------------------------------------------------------------- Please note all audience members must wear a properly fitting mask over the nose and mouth, except when eating or drinking in designated areas. Learn more at metopera.org/commitment. Photos: Marty Sohl / Met Opera (Medea); Karen Almond / Met Opera (Idomeneo, Don Carlo, Falstaff); Evan Zimmerman / Met Opera (Met Orchestra Chamber Ensemble); Jonathan Tichler / Met Opera (Opera House); Ken Howard / Met Opera (Fire Shut Up in My Bones) This message was sent to {EMAIL} because you’ve signed up to receive Metropolitan Opera emails or agreed to our [Terms & Conditions](. Review our [Privacy Policy](.

Marketing emails from metopera.org

View More
Sent On

21/02/2024

Sent On

21/02/2024

Sent On

18/02/2024

Sent On

14/02/2024

Sent On

11/02/2024

Sent On

08/02/2024

Email Content Statistics

Subscribe Now

Subject Line Length

Data shows that subject lines with 6 to 10 words generated 21 percent higher open rate.

Subscribe Now

Average in this category

Subscribe Now

Number of Words

The more words in the content, the more time the user will need to spend reading. Get straight to the point with catchy short phrases and interesting photos and graphics.

Subscribe Now

Average in this category

Subscribe Now

Number of Images

More images or large images might cause the email to load slower. Aim for a balance of words and images.

Subscribe Now

Average in this category

Subscribe Now

Time to Read

Longer reading time requires more attention and patience from users. Aim for short phrases and catchy keywords.

Subscribe Now

Average in this category

Subscribe Now

Predicted open rate

Subscribe Now

Spam Score

Spam score is determined by a large number of checks performed on the content of the email. For the best delivery results, it is advised to lower your spam score as much as possible.

Subscribe Now

Flesch reading score

Flesch reading score measures how complex a text is. The lower the score, the more difficult the text is to read. The Flesch readability score uses the average length of your sentences (measured by the number of words) and the average number of syllables per word in an equation to calculate the reading ease. Text with a very high Flesch reading ease score (about 100) is straightforward and easy to read, with short sentences and no words of more than two syllables. Usually, a reading ease score of 60-70 is considered acceptable/normal for web copy.

Subscribe Now

Technologies

What powers this email? Every email we receive is parsed to determine the sending ESP and any additional email technologies used.

Subscribe Now

Email Size (not include images)

Font Used

No. Font Name
Subscribe Now

Copyright © 2019–2025 SimilarMail.