An energizing summer show explores facades and faces. Plus: an exhibition on marginal states and Valkyries at the Bowl, in our weekly arts newsletter.
â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â [Los Angeles Times]
[Essential Arts] PRESENTED BY PAGEANT OF THE MASTERS*
[Click to view images]Joey Terrill, "Here I Am / Estoy AquÃ," 2022, in the the group exhibition "Rostro" at Charlie James. (Yubo Dong, ofstudio / Charlie James Gallery) Iâm thinking about eating a hot dog from a hot dog because Iâm into programmatic architecture and [Tail oâ the Pup has made a comeback in WeHo]( (complete with a new menu that includes vegan dogs). Iâm Carolina A. Miranda, arts and urban design columnist at the Los Angeles Times, and Iâm always here for cylindrical foodstuffs â churros! taquitos! burritos! â as well as all the essential arts news: Face it Whatâs in a face? Iâm talking about the word, which has many meanings that can be deployed in as many ways. Itâs a noun: the front part of the head and its expressions, as well as a facade â such as the âfaceâ of a building. Itâs also a verb, referring to outward appearances one puts on to confront the world. We face facts, we lose face, we put a good face on a crummy situation. The concept of face is at the heart of a captivating group show at Charlie James Gallery titled âRostroâ â the Spanish version of the word. Organized by Ever Velasquez, the show brings together an ambitious 40 artists from the U.S., Mexico and Puerto Rico who are exploring the myriad meanings of the concept in their work: literal faces, but also facades, and the figurative masks that we don in public that have nothing to do with COVID-19. [A multimedia collage portrait shows a man in cowboy hat in a pose and clothing similar to 17th century Dutch painting.]
Luis A. Sahagun, âSoul Retrieval #2 (descarga machista),â 2022. (Carolina A. Miranda / Los Angeles Times) The show is a highly enjoyable rabbit hole â in terms of the meanings it explores but also the artists it presents (many of whom I had never laid eyes on before). I was knocked out by a pair of paintings by Luis A. Sahagun, a Chicago artist who creates multimedia works that are greater than the sum of their parts: family portraits rendered in charcoal are collaged onto oriented strand board, a common construction material (and one embedded in many gallery walls), onto which he layers materials such as beads, shells and plastic gemstones to mimic the elaborate ruffed collars once worn by the sitters in [17th century Dutch paintings](. The ways in which he employs materials and their meanings is wonderfully dexterous. Greeting visitors to the main gallery space is a nearly 7-foot-wide collage by Joey Terrill that features an image of the artistâs face as a baby emerging from a pattern that, from a distance, bears a vague resemblance to the helical patterns of DNA but, up close, reveals the image of the infant encircled by skulls. It is a painting that within an ebullience of pattern carries darkness. Terrill has lived with HIV for four decades. In this work, he faces life and death. A pair of portraits by Shizu Saldamando capture the intimacy she feels with her subjects â frequently friends and fellow artists â rendering moments in which faces give away what might be going on within. Conversely, a painting by Danie Cansino shows a group of young women cruising, their faces defiant as they assertively stare down the viewer. It is the face as armor â a way of presenting ourselves to the world. [An installation in a gallery shows three paintings on a wall, one showing women cruising, and ceramic on a plinth.]
Works, from left, by Jeffrey Sincich, Patrick Martinez, Vince Palacios (ceramic in the foreground) and Danie Cansino in the group show âRostro.â (Yubo Dong, ofstudio / Charlie James Gallery) Other, more abstracted connotations of face also materialize â particularly within an architectural and urban context. Collaged works by Jeffrey Sincich repurpose the graphics and textures of urban spaces â signage, window bars â as a way of revealing how facades communicate to the passerby. In addition, a trio of charming paintings by Roberto Gutierrez capture scenes around the Eastside, its signs and symbols capturing the signifiers of L.A.âs Mexican faces. Iâm more of a June gloom kind of gal, but I dig summer shows because they generally tend to ignore the market in favor of the bizarre and the obscure. However, they are also very hit or miss. But âRostroâ explores new ground while remaining thoughtfully composed â with moments of poignance, ebullience, magic and grief. A good reason to hang in L.A. when itâs hot. âRostroâ is on view at [Charlie James Gallery]( Chinatown through Sept. 3. ADVERTISEMENT BY PAGEANT OF THE MASTERS
[PAGEANT OF THE MASTERS]( Each night under the stars in the Pageant of the Mastersâ outdoor amphitheater, works of art are re-created with real people posing in elaborate sets. Watch art come to life with all of the theatrical magic that makes the Pageant a must-see summer tradition. You wonât believe your eyes! In the 2022 production of "Wonderful World," a kaleidoscope of international art becomes your passport to distant lands, cultural celebrations and fascinating history. Add a trip to Laguna Beach and the Pageant of the Masters to your summer bucket list! Performances nightly thru September 2, 2022. [Tickets start at $30.]( End of advertisement Visual arts âThe Condition of Being Addressable,â currently on view at the ICA L.A. in downtown, brings together work by 25 artists [examining marginal states](. Organized by Marcelle Joseph and Legacy Russell, it couldnât be more timely, writes Times art critic Christopher Knight, especially given the ripple effects of Roe vs. Wade on the bodies of everyone who gives birth. The show had some curious SoCal omissions, he notes. But he nevertheless encountered a range of striking work â such as an interactive piece by Sondra Perry that demands of the viewer answers for âwhat social conditions enabled you to even be in an art gallery, of all places, in the middle of the day.â [A closeup of a person in elaborate drag makeup and a massive white wig.]
A still from Sin Wai Kinâs âAct 1, Part 1 of a View From Elsewhere,â 2018, which destabilizes notions about the ways in which gender is performed. (Sin Wai Kin) Since weâre on the subject of marginalized states: Photographer Samanta Helou Hernandez chronicled [a street performance]( for KCET by artist Muxxxe, who with masked face and beaded gown honored the trans performers who frequently go unacknowledged by the entertainment industry. Studio K.O.S., an art collective established by the late artist Tim Rollins in the â80s with Bronx schoolchildren, has landed at gallery O-Town House â [the collectiveâs first L.A. show](. The exhibition, titled âInvisible Man,â takes its name from Ralph Ellisonâs novel, which also serves as literal source material for the show: Each work is crafted from pages in the book. âAre the books destroyed or reborn?â asks contributor Christina Catherine Martinez. âOne definition of destroying a book would be to make it unreadable, yet the paintings are visceral evidence of a physical and energetic engagement with the text.â Enjoying this newsletter? Consider subscribing to the Los Angeles Times Your support helps us deliver the news that matters most. [Become a subscriber](. Are you looking for a little art inspiration around Los Angeles? Christopher Knight just created an essential guide to [the 17 works of art you need to see in L.A. County](. Hint: It contains my favorite painting of a dog ever. Classical notes At the Hollywood Bowl, Yuval Sharon and the L.A. Phil staged a performance of Wagnerâs âThe Valkyriesâ that existed on two planes, one of which was occurring on the screen and the other on stage. [Both planes held together]( reports Times classical music critic Mark Swed. âFor all the unreal landscape with eye-popping turquoise and purple mountains, red sky and unusual way the opera characters popped up â at one point a tiny Brünnhilde looked like Tinkerbell standing in Wotanâs gloved palm â this was absolutely traditional Wagner.â [Opera singers in silver space suits are projected against a digital background using a green screen.]
Americaâs hottest opera ticket this summer was Yuval Sharonâs graphic production of âThe Valkyriesâ with Gustavo Dudamel and L.A. Phil at the Hollywood Bowl. (Timothy Norris) The Paris Opera Ballet this week made its [first appearance in Southern California since 2001](. And it was a show that âoverawedâ the Hollywood Bowl, reports Swed. âNo step by the mostly French dancers lacked elegance,â he writes. âNo phrase of the exquisite 18th and 19th century, mostly French music was anything but elegant in the performances by the Los Angeles Philharmonic.â Composer Basil Poledouris, who wrote scores for more than 50 feature films, including âThe Blue Lagoon,â âConan the Barbarianâ and âRoboCop,â died young â at the age of 61 â in 2006. He is gone but not forgotten. On Friday, the Los Angeles Film Orchestra and Chorale played a tribute concert to this low-key composer who produced [memorable music for cinema](. âHe honored the grandeur of Hollywoodâs golden age, updated for the blockbuster era,â writes contributor Tim Greiving, âand his muscular themes and gentle folk melodies became permanently attached to several iconic characters.â Greiving also reports on the Rise Diversity Project, an initiative organized by Musicians at Play that is aiming to [diversify the ranks of orchestras]( working on Hollywood scores. âOne of the problems is the pool of people who get called has not been diverse, and so itâs one of those chicken/egg things,â says French horn player Danielle Ondarza. âIf you donât have any experience, youâre really not appropriate for the job. But you canât get experience unless you get called for the job.â [A teenager is seen in a close-up portrait playing the sousaphone.]
Nelhuayotl Vargas, 15, who plays the sousaphone, learns how to perform for a film score thanks to Musicians at Play. (Gabriella Angotti-Jones / For The Times)
ADVERTISEMENT
On and off the stage The Timesâ Daryl H. Miller chatted with Steven Levenson, who helped write the Broadway hit âDear Evan Hansenâ (now on view at the Ahmanson) and the screen adaptation of the musical âTick, Tick ... Boom!â (which can be found on Netflix). His 2017 off-Broadway debut, âIf I Forget,â is back on stage at the Fountain Theatre in Hollywood (directed by Jason Alexander). For Levenson, [the play emerges from a personal space]( tied to his upbringing and questions he had about Judaism, his familyâs faith. âWhen Iâm not quite sure how I feel about something,â he tells Miller, âI know that that means itâs ripe for exploration.â Imagine [an improvisational hip-hop show]( that every night features different guests and different improvised riffs drawn from audience prompts. Thatâs âFreestyle Love Supreme,â now playing at the Pasadena Playhouse. (It is also the subject of the Hulu doc âWe Are Freestyle Love Supreme.â) Theater critic Charles McNulty was at opening night, where Wayne Brady appeared as a guest. The show featured âas much deadwood as virtuosity,â he writes. But the crew made for âaffable company.â [Four people, three sitting on stools and one speaking into a microphone, on a set made to resemble a stack of speakers.]
Jay C. Ellis, left, Morgan Reilly, Chris Sullivan and Anthony Veneziale in âFreestyle Love Supreme.â (Joan Marcus)
Essential happenings Matt Cooper has the rundown for this weekâs [7 best bets for L.A. culture]( including a performance of âThe Tempestâ at Loyola Marymount, as part of the universityâs Shakespeare on the Bluff festival, and a performance of groundbreaking composer Julius Eastmanâs âFemenineâ by the Wild Up orchestra at the Broad on Saturday evening. The Eastman show will be one not to miss! Last week, I wandered into a small but intriguing show of ceramic works by Jazzy Romero at LaPau Gallery, which occupies a pair of closet-sized spaces in a rumpled building on the eastern edge of Koreatown. In one space, a film by the artist tells her motherâs story of migration from Michoacán; in the other, she presents a series of intriguing ceramic pieces that riff on Latin American visual tropes and the scrambled nature of migrant landscapes. âServicios Express,â as the show is titled, is [on view through July 30](. [Three ceramic tiles show a logo for Servicios Express, a collage of bird images and the word "Crei."]
An installation view of ceramic works by Jazzy Romero in âServicios Express,â at LaPau Gallery. (Penelope Luna / LaPau Gallery and Coaxial) If you go, be sure to poke your head around the corner to Commonwealth and Council, where artist Beatriz Cortez is showing [new steel sculptures]( that draw inspiration from the cosmic and portals between worlds. (In some ways, this too is a show about the ways in which matter is continuously moving through space.) âOne eye yes, one eye no,â as the show is titled, is on view through Aug. 6. Moves Jawole Willa Jo Zollar, a choreographer who helped found the ensemble Urban Bush Women in 1984, has won [the 29th annual Dorothy and Lillian Gish Prize](. The National Trust for Historic Preservation has [awarded $3 million in grants to 33 sites]( to help preserve Black history. Among the chosen sites: architect Paul R. Williamsâ Second Baptist Church of Los Angeles. The Huntington Library has [acquired the archives]( of architects John and Donald Parkinson. L.A.âs Academy Museum will [voluntarily recognize]( its new labor union, Academy Museum Workers United. The Museum of Contemporary Art Santa Barbara [will shut down]( on Aug. 18 after 47 years. The museum had been running deficits, and the pandemic was âthe final nail in the coffin.â Passages Claes Oldenburg, the Swedish artist who took everyday objects, such as lipstick tubes, cherries and hamburgers, and made of them large-than-life representations â some stitched together out of soft textiles â has died at the age of 93. As former Times reporter Suzanne Muchnic writes in his obituary in [The Times]( âIn his early days, he spoke of creating monuments that would have âan unbridled intense satanic vulgarity unsurpassable, and yet be art.ââ In [an appreciation]( Christopher Knight writes of Oldenburgâs legacy: âPopular culture is regularly misunderstood as the subject of Pop art, but Oldenburg knew that art culture is its actual focus. A core of his stellar achievement was his capacity to reveal artâs operations circulating within the spectral media-maze of contemporary society.â [A car drives under what appears to be huge binoculars off a city street.]
The exterior of Frank Gehryâs Chiat/Day building in Venice Beach features a massive architectonic binocular sculpture by Claes Oldenburg. (Allen J. Schaben / Los Angeles Times) Lourdes Grobet, a multimedia artist and photographer who rose to fame in the â80s with her images of Mexican luchadores engaged in the daily acts of quotidian life, [has died 81](. I got to interview Grobet as part of an oral history I did with [a group of Mexican feminist artists]( in advance of the Hammer Museumâs PST: LA/LA exhibition âRadical Womenâ in 2017. In that convo, she talked about turning to her native Mexico for inspiration: âThis issue of the influence of European culture, Iâve always been wary of that. Mexican women are different, and especially Mexican rural women. So itâs another context. Thatâs why Iâve been dedicated to things like lucha libre instead of keeping my eye on whatâs happening in Paris. All of my colleagues were always in Paris.â In other news â Get ready for Frida Kahlo, [the musical](.
â How L.A. artist Lisa Anne Auerbach reveals the ways in which our rights have been [fraying before our eyes](.
â Moorish-Tudor Fever Dream is [my new band name](.
â L.A. County-USC Medical Center has [unveiled an artwork]( by Phung Huynh to honor the women who were forcibly sterilized at the hospital.
â The San Francisco Art Institute will shut down after USF announced [it would back out of a deal]( to acquire the school.
â Preservationists [have challenged]( a makeover plan for the Library of Congressâ main reading room.
â A little bit more than week into its existence, the 6th Street bridge was the site of a crash that plunged cars into bike lanes protected by nothing more than rubber slabs screwed into the pavement. This, writes Curbedâs Alissa Walker, raises a whole lot of questions about the ways in which the bike lanes [were designed to begin with](.
â It turns out that L.A. is building curb-protected bike lanes ... on 7th Street, Joe Linton [reports](.
â In Boston, Mayor Michelle Wu is championing free public transit for bus lines [serving low-income communities](.
â The heat wave is taking a toll on the Texas power grid, and as a result, itâs also [battering crypto mining](. And last but not least ... Missouri Sen. Josh Hawley running away from the Capitol rioters, set to [a spectacular array of different soundtracks](. ADVERTISEMENT
Thank you for reading the Los Angeles Times Essential Arts newsletter.
Invite your friends, relatives, coworkers to sign up [here](.
Not a subscriber? Get unlimited digital access to latimes.com. [Subscribe here](.
[Los Angeles Times]
Copyright © 2022, Los Angeles Times
2300 E. Imperial Highway, El Segundo, California, 90245
1-800-LA-TIMES | [latimes.com]( *Advertisers have no control over editorial decisions or content. If you're interested in placing an ad or classified, get in touch [here](. We'd love your feedback on this newsletter. Please send your thoughts and suggestions [here](mailto:newsletters@latimes.com).
The Essential Arts logo was created by Alfredo Ponce. You received this email because you signed up for newsletters from The Los Angeles Times.
[Manage marketing email preferences]( · [Manage newsletter subscriptions or unsubscribe]( · [Terms of service]( · [Privacy policy]( · [Do Not Sell My Personal Information]( · [CA Notice of Collection]( FOLLOW US [Divider](#) [Facebook]( [2-tw.png]( [Instagram]( [YouTube](