A look at the arts and culture that emerged from the 1970 Chicano Moratorium, with the death of journalist Ruben Salazar as a touchstone. Plus, Frank Gehry's plans for Grand Avenue as a vital arts polis.
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[Los Angeles Times]
Essential Arts
August 29, 2020
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A pivotal day of protest that 50 years later feels just as urgent. Frank Gehryâs Grand plans. Plus, an East L.A. telenovela and a little Hjørdis needlepoint. Iâm Times arts and entertainment editor Laurie Ochoa, and with Carolina Miranda on vacation, Iâll be your guide to this weekâs essential arts and culture news.
Essential image
Just as I was finishing this newsletter on Friday evening came the news that Chadwick Boseman [died too young]( at 43 from colon cancer. My colleagues are in the process of appreciations for his brilliant career, but I immediately thought of this image he made with Times photographer Jay L. Clendenin. Not every star is as game to make such a vital portrait.
[Chadwick Boseman photographed during the promotion of "Black Panther" at the Montage hotel in Beverly Hills in January 2018.]
Chadwick Boseman photographed during the promotion of âBlack Pantherâ at the Montage hotel in Beverly Hills on Jan. 31, 2018. (Jay L. Clendenin / Los Angeles Times)
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The Chicano Moratorium effect
On a Saturday morning 50 years ago today, at least 20,000 people came out to march on the streets of East L.A. for the National Chicano Moratorium Against the Vietnam War. But as Times reporter Louis Sahagun describes in[his riveting narrative]( of the dayâs events for a [multi-part L.A. Times project]( what started in peaceful protest ended in tragedy when Times columnist and KMEX TV news director Ruben Salazar was killed by a tear gas canister fired by an L.A. sheriffâs deputy. Two others, Angel Diaz and Lynn Ward, just 15, would die of injuries they received that day, and some 200 were arrested. The effects of the Moratorium reached beyond the violence.
Times writer Daniel Hernandez [talks with members of]( the Moratorium generation, including artist Harry Gamboa Jr. and politicians Gloria Molina and Carmen Ramirez, who were changed by the events of the day. Dorany Pineda gives us [an insightful look]( at how Salazar the man became Salazar the icon, memorialized in murals, school and park names, songs, postage stamps, paintings and theater productions. There are recollections from Dodgers announcer Jaime JarrÃn, who [talks with]( Kevin Baxter about what he saw that day, plus Brittny Mejia [finds out how]( the Moratorium looked to a 21-year-old Mexican American soldier named Tomás Sandoval, who found out about the protest when he was in Vietnam.
And Carolina Miranda examines how the Moratorium [influenced artists]( such as Rupert Garcia, Judy Baca, Judithe Hernandez, the art collective Asco and even how East L.A.'s Self Help Graphics affected the way we celebrate the Day of the Dead.
[Rubén Salazar]
Rubén Salazar (Rupert GarcÃa)
Vanessa MartÃnez and Julia Barajas tell a fascinating [story about the women]( broke away from the Brown Berets to form their own Chicana group, Las Adelitas de Aztlán; Gustavo Arellano writes about his experience [reading the writing]( of Ruben Salazar; and Ben Welsh [collected Salazarâs columns]( from 1970, the year he died. Daniel Hernandez [interviews filmmaker]( Phillip Rodriguez about his documentaries âRuben Salazar: Man in the Middleâ and âThe Rise and Fall of the Brown Buffalo,â about the lawyer Oscar âZetaâ Acosta, who was the inspiration of Hunter S. Thompsonâs character Dr. Gonzo.
But the story that you could say was years in the making is the first-person report by former Times investigative journalist Robert J. Lopez, who in 1994 was the first person at the paper to file a Freedom of Information Act request to the FBI on the mysterious circumstances of Salazarâs killing. It set him off on a [quest for answers]( that he tells like a suspense thriller that doesnât spare this paperâs culpability.
[Photo illustration by Martina Ibanez-Baldor/ Los Angeles Times ]
Scenes and clippings from Ruben Salazarâs life and death. (Photo illustration by Martina Ibanez-Baldor/ Los Angeles Times. Photographs from Ruben Salazar Archive / The University of Arizona; Mel Melcon / L.A. Times; Raul Ruiz; Jose Galvez / L.A. Times; PBS; L.A. Times; Barbara Davidson / L.A. Times; United States Postal Service; family of Ruben Salazar / PBS)
So how is Los Angeles commemorating such a crucial day for the city? With two different socially distant marches, a car caravan, a theater performance, a virtual screening and discussion of âRuben Salazar: Man in the Middleâ featuring opening remarks by Mayor Eric Garcetti. Get all [the details here](.
Gehryâs Grand motivator
We all could use a reason to feel optimistic these days. When Times classical music critic Mark Swed caught up with Frank Gehry by Zoom just after the 91-year-old architect finished his daily mile-long swim, the two of them [had a conversation]( that left me hopeful about downtown Los Angeles in a post-COVID world.
They talked about construction underway on the Grand, a Gehry-designed complex with housing, a hotel, movie theaters, restaurants and shops on the land that was once the âTinker Toyâ parking garage across the street from Disney Hall. But what was most interesting is Gehryâs proposal for a plaza that could be what Swed describes as âa kind of arts polis, a democratic gathering place for arts and ideas.... Imagine people spilling out of the Grand to concert halls, theaters, clubs, museums and the plaza, with an illuminated Disney as spectacular, cubist movie screen lighting up the sky with the concerts inside. No place in the world has such an indoor-outdoor arts epicenter. Nothing could be more in the L.A. character.â
[Architect Frank Gehry, photographed with a model of the Grand Avenue Project, at his Los Angeles offices.]
Architect Frank Gehry, photographed with a model of the Grand Avenue Project, at his offices in Los Angeles. (Jay L. Clendenin / Los Angeles Times)
Swed also gave us another[wonderful installment]( of his How to Listen series, this time with an in-depth analysis of Schubertâs last sonata, No. 21 in B-flat. He brings new understanding to a piece of music I know and love: âThere are no trills like those in the first movement of the sublime piano sonata Schubert finished and performed two months before his death at 31.... How is it that so little to go on as a broken accompaniment of a simple melody, a quick little flick of a finger in the right hand on the last beat of most measures, inspires contemplation of the vast beyond?â
[Illustration of Franz Schubert]
Illustration of Franz Schubert (Micah Fluellen / Los Angeles Times)
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Coronavirus and the arts
Museums are [starting to reopen]( in New York â at 25% capacity. On Thursday, the Museum of Modern Art reopened with the show â[Félix Fénéon]( The Anarchist and the Avant-Garde â From]( Beyond]( and new [face mask rules.]( The Metropolitan Museum of Art opens to the public today with Héctor Zamoraâs COVID-delayed [âLattice Detourâ]( wall sculpture now viewable on the roof garden. The Whitney reopens to the public on Sept. 3 and the Museum of the City of New York and American Folk Art Museum are already open.
What about Southern California? Orange Countyâs Bowers Museum and L.A.'s Petersen Automotive Museum briefly reopened before shutdowns [were reinstated]( in July after a rise in COVID-19 cases. But as The Timesâ [Deborah Vankin reports,]( the Natural History Museum of Los Angeles County is reopening its Butterfly Pavilion and some of its outdoor nature gardens this weekend for members, with just 10 people allowed in the pavilion at a time.
This comes after the Huntington Botanical Gardens [opened with limited advance reservations]( earlier this summer. But if you havenât been able to get a ticket, the Huntington has a live[webcam]( an eye on the infamous â and foul-smelling! â corpse flower, which is [expected to bloom]( any day. A fitting activity for the times, because as Times writer Lisa Boone â and the Huntington and so many others â put it, â2020 stinks.â
And despite a shortened season halted on March 12 by COVID-19, the Tony Awards will [take place digitally](. No date or streaming platform has been announced yet. A statement from the Broadway League and the American Theatre Wing, producers of the Tonys, said, âThough unprecedented events cut the Broadway season short, it was a year full of extraordinary work that deserves to be recognized.â
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Black Lives Matter mural for Hollywood
A portion of Hollywood Boulevard was closed this week so that a Los Angeles Bureau of Street Services-commissioned crew from Creative Paving Solutions could make a permanent mural of the message left by volunteers before a June 14 anti-racism march: All Black Lives Matter.
âThis is the very first public space installation devoted to the Black queer community and transgender people of color,â City Councilman Mitch OâFarrell [told Times reporter]( Anh Do. âItâs the right time, itâs about time, and when Hollywood speaks, the audience notices.â
[Crews paint the colors on the permanent "All Black Lives Matter" street mural on Hollywood Boulevard.]
On Friday, a crew from Creative Paving Solutions uses heavy-duty polymer paint formulated for endurance for the permanent âAll Black Lives Matterâ street mural in the middle of Hollywood Boulevard between Highland and Orange commemorating the June 14 All Black Lives Matter march. (Al Seib / Los Angeles Times)
In other news
â The Los Angeles Museum of the Holocaust is changing its name to Holocaust Museum Los Angeles. âThis puts the Holocaust name first,â museum Chief Executive Beth Kean [told Times reporter]( Deborah Vankin. Thatâs important, Kean added, not only âbecause of whatâs happening right now in the Black Lives Matter movement and the rise in anti-Semitism,â but also âbecause a post [Holocaust] [survivor world]( is right in front of us.... We need to amplify our impact and do better at educating.â
â Former Pasadena Playhouse artistic director Sheldon Epps is taking on a new role as senior artistic advisor for Fordâs Theatre in Washington, D.C., where President Abraham Lincoln was assassinated. The Times' Jessica Gelt [reports]( that the highly respected Epps will begin the job for the theater, operated in partnership with the National Park Service, from his Southern California home in Pasadena.
â Operaâs Plácido Domingo agreed to [an interview with]( the Associated Press, which last year published an investigation into â âinappropriate conductâ with multiple women over a period of decades.â âI never promised a part to a singer, or never take a part from a singer,â the 79-year-old singer said. âI have spent my whole life helping, and you know, encouraging and driving people.â Domingo also talked about contracting COVID-19, which led to him being hospitalized for 10 days. Heâs recovered enough to resume performing in Europe. He doesnât anticipate being able to sing in the U.S. anytime in the future.
â Matt Cooper has [17 picks]( for weekend culture events, from a live reading of âThe Ballad of Emmett Tillâ to the Laguna Playhouse Annual Gala with Tony Shalhoub, Joe Mantegna and Alfred Molina.
And last but not least ...
In honor of my current COVID-time binge of the fifth and final season of the Danish TV series âRita,â released this month on Netflix, Iâll leave you with an awkward needlepoint image of open-hearted, cosplaying, pattern-mixing Hjørdis (Lise Baastrup), fiercely loyal friend to Mille Dinesenâs subversive teacher Rita. Showtime is in the process of making an American version of the show with "Game of Thrones' " Lena Headey â hereâs hoping the new âRitaâ has a Hjørdis.
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