All the curatorial changes afoot at LACMA, an experimental sound piece at the Wallis, and Lackawanna Blues back on stage — where it belongs.
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Arts & Culture
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Spring has arrived, and so have a slew of cultural happenings. Iâm Carolina A. Miranda, staff writer at the Los Angeles Times, with your weekly roundup of all things culture â and Norwegian death metal:
THE FUTURE OF LACMA
Times art critic Christopher Knight reports and comments on changes at the Los Angeles County Museum of Art that will see the European and American art departments combined into one, a move unheard-of for a museum its size. âThe idea is to show LACMAâs diverse art collections as changing, cross-cultural theme exhibitions, rather than as relatively permanent displays organized by department,â he writes. âOriginally skeptical of the plan, [Iâm less confident than ever.](
Baroque from Europe and Latin America hang together in "To Rome and Back" at LACMA. (Christopher Knight / Los Angeles Times)
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MUSICAL POETRY
Poet Roger Bonair-Agard, steelpan player Andy Akiho, drummer Sean Dixon and cellist Jeffrey Zeigler have gotten together to form a rather indefinable poetry-and-music act called â(M)iyamoto Is Black Enough.â Times classical music critic Mark Swed says a recent performance at the Wallis was âriveting,â and [âincandescent in its synergy between music and poetry.â](
"(M)iyamoto Is Black Enough" on stage at the Wallis in Beverly Hills. (Lawrence K. Ho / The Wallis)
During his recent jaunt through Europe, Swed also caught performances of a pair of operas in Germany that [channel the Babylonian]( Verdiâs âNabucco,â staged by director Kirill Serebrennikov in Hamburg, and a production of Jörg Widmannâs âBabylonâ in Berlin.
PLAYING NOW IN L.A. & NYC
Times theater critic Charles McNulty has been doing the theater thing on two coasts. First up: Ruben Santiago-Hudsonâs theatrical memoir âLackawanna Bluesâ at the Mark Taper Forum here in Los Angeles. The play has been transformed into a movie, but seeing it on stage is the âmost potent wayâ to experience the story, writes McNulty, one that [âlovingly captures the customs of the community.â](
Ruben Santiago-Hudson with guitarist Chris Thomas King in "Lackawanna Blues." (Robert Gauthier / Los Angeles Times)
At New Yorkâs Lyceum Theatre, he took in a production of the new teen angst musical âBe More Chillâ â and itâs totally techno. âOnce a sanctuary from mindless technological hubbub,â writes McNulty, âthe theater now seems compelled to compete with [the flash and frenzy of our screen lives.](
And, of the Roundabout Theatre Companyâs new production of âKiss Me Kate,â McNulty writes: âNo one is likely to go home feeling outraged or under-entertained. Yet some [essential human chemistry is missing](
ON STAGE
Anna Zieglerâs âPhotograph 51â at South Coast Repertory is inspired by the life of Rosalind Franklin, the chemist whose work ultimately led to the discovery of DNAâs double helix structure. Contributor Margaret Gray describes it as a [âstylish and informative productionâ]( that examines the story of an overlooked woman in science.
Take the â80s flick âThe Gooniesâ and blend it with a Hans Christian Andersen fairy tale and you get âThe Old Man and the Moon,â currently playing at the Wallis, writes F. Kathleen Foley. The show, she reports, is â[a charming original fable](
Plus, The Timesâ Daryl H. Miller profiles Inda Craig-Galván, the L.A. playwright who penned âBlack Super Magic Mama,â which was inspired by the killing of 12-year-old Tamir Rice by a police officer in Cleveland. âMy son was about that age at the time,â she tells him. [âItâs terrifying.â](
Playwright Inda Craig-Galván of "Black Super Hero Magic Mama." (Dania Maxwell / Los Angeles Times)
REVISITING MOCA
Arata Isozaki, the Japanese architect who designed the Museum of Contemporary Art on Grand Avenue, won the Pritzker Prize last week. The timing couldnât have been better: MOCA director Klaus Biesenbach is currently on a mission to restore the buildingâs skylights, which were covered up years ago. This gave me a good opportunity to reconsider the museumâs unusual architecture: âA little bit of wry Postmodernism in a buttoned-up late Modern complex that feels like someone slipped an asymmetrical, geometric-print shirt from the â80s underneath [a beige, double-breasted suit](
MOCA director Klaus Biesenbach before one of the museum's pyramidal skylights. (Katie Falkenberg / Los Angeles Times)
MEGA-CITY ONE
New Yorkâs Hudson Yards, the largest mixed-use private real estate venture in the country, opened its doors to journalists and critics. And the reviews are fire!
New York Times architecture critic Michael Kimmelman writes that the glassy complex âglorifies a kind of surface spectacle â as if the peak ambitions of city life were consuming luxury goods and enjoying [a smooth, seductive, mindless materialism](
Alexandra Lange, writing for Curbed, says: âThis is what you get when you let a private developer make a neighborhood â [thereâs no room for weirdness](. Even if you hire different architects, their work comes out the same.â
Matt Shaw at the Architectâs Newspaper calls it [âLittle Dubai.â](
A worker cleans a spot on the floor during the grand opening of New York City's Hudson Yards. (Drew Angerer / Getty Images)
IN THE GALLERIES
Sculptor Kenzi Shiokava has an exhibition of his sculptures and assemblages on view at the Ben Maltz Gallery. Contributor Leah Ollman writes that his reclaimed wood sculptures show âhow the act of salvage connotes not just material but [spiritual renewal.â](
She also reviews the work of William Downs at E.C. Liná gallery â a series of ink drawings that cover the walls and create a scene that [âsurges with sensuality](
"A Soft Place to Lay" by William Downs, 2019. (Leah Ollman)
Ollman also reviews David Hockney’s show at L.A. Louver, which features recent paintings and large-scale photo composites. “[I may never have enjoyed Hockney's paintings more]( she writes. “I know I've never appreciated his photographs less.”
Sharon Mizota, meanwhile, checks out the [“fascinating” work]( of experimental filmmaker Sara Kathryn Arledge at the Armory Center for the Arts in Pasadena and Tsuyoshi Ozawa’s “Jizoing” at Blum & Poe in Culver City. The latter features photographs of the Buddhist deity Jizo, the guardian of travelers, which can only be seen by [climbing a pile of futons](.
Mizota also reviews the [“serene and nightmarish” sculptures]( at Zevitas Marcus gallery from Rona Pondick, an artist who makes resin casts of her own head, then places them on tiny bodies.
"Magenta Swimming in Yellow" by Rona Pondick, 2015-17. (Zevitas Marcus)
IN GOLDEN HEALTH
“Sun Seekers: The Cure of California,” a new book by Kyra Kilston, looks at how the early health aficionados who came to California helped shape the culture of the region — evident in architecture by the likes of Richard Neutra and R.M. Schindler. In her review, Mizota describes Kilston’s book as a work in which “content and desire conspire to create [a fascinating picture.”](
The Lovell "Health House," designed by Richard Neutra. (J. Paul Getty Trust)
PASSAGES
Okwui Enwezor, the influential curator who became the first African-born curator of the Venice Biennale and helped make art more global, [has died]( at 55.
And John Richardson, the art historian behind a renowned multivolume biography of Pablo Picasso, has [died at 95](.
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READY FOR THE WEEKEND
Iâve got the latest art listings in [my weekly Datebook]( including potent objects inspired by craft at Various Small Fires in Hollywood.
F. Kathleen Foley rounds up whatâs happening on [L.A.âs small stages]( including a âfiercely slice-of-lifeâ look at the lives of girls.
And Matt Cooper has the week ahead in [art]( [music]( [dance]( and [theater]( as well as his [weekend picks]( which includes a dance performance by the Batsheva Dance Company.
Batsheva Dance Company will perform Ohad Naharin’s “Venezuela" at Royce Hall. (Ascaf)
IN OTHER NEWS...
â Otis College of Art and Design President Bruce W. Ferguson [is leaving]( for undisclosed reasons.
â [An online petition]( is calling on New Yorkâs Museum of Modern Art and trustee Larry Fink to divest from private prisons.
â CalArts students protest [a hike in tuition](.
â A Desert X installation by Eric N. Mack has [disappeared](.
â The [secret work]( of land art in the California desert.
â The Getty Center will exhibit a painting by Willem De Kooning that was cut out of its frame during [a heist]( in 1985.
â Artists Ron Athey, Carmen Argote and Diedrick Brackens are winners of [Artadiaâs 2019 Los Angeles awards](.
â After many years and lawsuits, the half-built Target husk on Sunset Boulevard and Western Avenue [will proceed](.
â L.A. officials have [broken ground]( on a people mover to LAX.
â A new doc on dancer Rudolf Nureyev is [about to hit screens](.
â An oratorio by a Berkeley composer pays tribute to [âDreamers.â](
AND LAST BUT NOT LEAST …
That sublime point where death metal, black metal and a comedian trolling a Norwegian record label [intersect](.
[Email](mailto:?subject=Arts: LACMA is making changes, and our critic is not a fan&body= [Twitter]( [Facebook](
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