10% discount today only on all music

Click [here]( to view in a browser [Juno Download]( [Top Picks for 2018]( Wednesday 18 July 2018 [Top Pick for Single 2018]( [Top Picks for 2018 Singles]( [View all]( [Listen]( [Wishlist]( [Buy]( [Eli Escobar](Escobar/?utm_source=feat_email&utm_medium=feat_email_18-07-16&utm_term=feat_email_all_none&utm_content=feat_email_top+picks+for+2018+single&utm_campaign=feat_email_all_jd) [City Song EP]( [Classic]( [While Eli Escobar's recent album, Shout, was undeniably superb, there's little doubt in our eyes that "City Song" and "City Song Part 2: Love & Happiness" were amongst the standouts. Here, both tracks are given the remix treatment. Munich twosome COEO handles "City Song", transforming the dubbed-out, disco-influenced deep house original version into a sparkling, piano-heavy chunk of classic, late '90s New York house complete with fluttering vocal samples and oceans-deep chords. The more organic and disco-fired "City Song Part 2" is re-imagined in contrasting ways by Escobar and Ron Basejam. While the latter's Crazy P-plus-acid lines version is fine (the funk-fuelled synths are particularly ear-catching), we're slightly preferring the sweaty, restless disco thump of Escobar's own rework.]( [Listen]( [Wishlist]( [Buy]( [DJ Koze](Koze/?utm_source=feat_email&utm_medium=feat_email_18-07-16&utm_term=feat_email_all_none&utm_content=feat_email_top+picks+for+2018+single&utm_campaign=feat_email_all_jd) [Pick Up]( [Pampa Germany](Germany/?utm_source=feat_email&utm_medium=feat_email_18-07-16&utm_term=feat_email_all_none&utm_content=feat_email_top+picks+for+2018+single&utm_campaign=feat_email_all_jd) [When it comes to crafting lengthy, disco fired dancefloor treats, DJ Koze has previous form. His "Extended Disco Version" of Lapsley's "Operator" quickly became a White Isle anthem in the summer of 2016, and we fully expect "Pick Up" to be one of the disco-house hits of 2018. Based around spine-tingling samples from a heart-felt, orchestrated 1970s disco treat - think Tom Trago's "Use Me Again", and you're close - the veteran producer slowly builds the pressure before really letting loose in the closing stages. Then "The Love Truck" is an altogether deeper, dubbier and dreamier affair, seemingly designed for leisurely warm-up sets and gentle, early morning shuffling.]( [Listen]( [Wishlist]( [Buy]( [Mind Against](Against/?utm_source=feat_email&utm_medium=feat_email_18-07-16&utm_term=feat_email_all_none&utm_content=feat_email_top+picks+for+2018+single&utm_campaign=feat_email_all_jd) [Days Gone]( [Afterlife]( [Italian power duo Mind Against are back, serving up some surefire dancefloor drama for comrades Tale Of Us on their esteemed Afterlife imprint. Featuring the dreamy and mesmerising "Days Gone" which could have been equally at home of Lee Burridge's All Day I Dream imprint; with its lush orchestral arrangements, hypnotic bell textures and sublime use of melodies just begging to played at open air rooftop parties in the Summer. Rest assured all the epic and wonky synth leads are featured throughout, in glorious fashion: it's their trademark after all right? On a more moody and serious tip is next offering "Cloud Nine", an immersive and tunnelling excursion through the progressive house sound, full of shimmering arpeggios and complex rhythm arrangements that reverberate through endless layers of delay and reverb. The remix up next by Berlin stalwart Alex.Do (Dystopian) is respectful and doesn't deviate dramatically from the original, instead emphasising certain layers for added dancefloor dynamics.]( [Listen]( [Wishlist]( [Buy]( [Sophie Lloyd](Lloyd/?utm_source=feat_email&utm_medium=feat_email_18-07-16&utm_term=feat_email_all_none&utm_content=feat_email_top+picks+for+2018+single&utm_campaign=feat_email_all_jd) feat [Dames Brown](Brown/?utm_source=feat_email&utm_medium=feat_email_18-07-16&utm_term=feat_email_all_none&utm_content=feat_email_top+picks+for+2018+single&utm_campaign=feat_email_all_jd) [Calling Out (Remixes)]( [Classic]( [There's no doubt that Sophie Lloyd and Dames Brown's "Calling Out" - a gospel-disco stomper built around bold piano riffs, killer grooves and a strong, sing-along chorus - is fast becoming one of the anthems of 2018. This package doesn't boast the spine-tingling original, but rather some alternate takes from Floorplan (AKA Detroit techno legend Rob Hood and daughter Lyric Hood) and scalpel maestro Danny Krivit. The two Floorplan revisions naturally drag the track further towards storming gospel-house territory, with the fantastic Revival Mix - all crunchy Chi-Town drums, wild organs, jaunty pianos and relentless chorus - hitting home especially hard. Krivit, meanwhile, does a terrific job of teasing out the track before brilliantly alternating between Brown's jangling pianos solos and the killer chorus. Basically, Krivit's ten-minute take is arguably the definitive version.]( [Listen]( [Wishlist]( [Buy]( [Adesse Versions](Versions/?utm_source=feat_email&utm_medium=feat_email_18-07-16&utm_term=feat_email_all_none&utm_content=feat_email_top+picks+for+2018+single&utm_campaign=feat_email_all_jd) [Pulp Fusion]( [Delusions Of Grandeur](Of+Grandeur/?utm_source=feat_email&utm_medium=feat_email_18-07-16&utm_term=feat_email_all_none&utm_content=feat_email_top+picks+for+2018+single&utm_campaign=feat_email_all_jd) [Although still best known for delivering high grade reworks and re-edits, Adesse Versions has previously released some killer original productions, too. Predictably, the three sample-heavy house jams included on this debut Delusions of Grandeur experience are pretty darn hot. Check, in particular, the Clavinet-heavy Blaxploitation bounce of "Pulp Fusion", where sampled '70s instrumentation rides a bouncy, filter-flaunting house groove. Or, for that matter, the lolloping, undulating, glassy-eyed sweetness of the sun-kissed, extra percussive "Fade Out", which makes use of elements from a particularly Balearic disco record. Flip to the B-side for "Raw (Live Edit), a bustling, big room friendly jack-track that sounds like a long lost David Morales Red Zone Dub.]( [Listen]( [Wishlist]( [Buy]( [Joker]( [Marching Orders]( [Kapsize]( [Bristol's Joker is without a doubt one of the most respected 140 based producers in UK dance music, constantly bringing fresh flavours to the forefront of the scene with his unique ability to sniff out a quirky melody. Here we see him team up with Newham Generals' own: Footsie for a dubstep driven tearout with beefy lead synths and super crunchy drums topped with trapstyle lyricism. We are also treated to 'Polka Dot', a shuffling gem of melodic genius, made up of experimental chord progressions and skylined synthesis.]( [Listen]( [Wishlist]( [Buy]( [DC LaRue](Larue/?utm_source=feat_email&utm_medium=feat_email_18-07-16&utm_term=feat_email_all_none&utm_content=feat_email_top+picks+for+2018+single&utm_campaign=feat_email_all_jd) [Resurrection - The Remixes Part One]( [Z Records](Records/?utm_source=feat_email&utm_medium=feat_email_18-07-16&utm_term=feat_email_all_none&utm_content=feat_email_top+picks+for+2018+single&utm_campaign=feat_email_all_jd) [Back in the day, D.C LaRue was one of the undoubted stars of the underground disco scene, so it makes perfect sense that Z Records boss Dave Lee has bagged a swathe of new remixes. Lee dons the familiar Joey Negro alias to kick things off with a brilliant extended interpretation of all-time LaRue fave "Cathedrals", before Ron Basejam wraps spacey synth solos and fluttering flutes around a killer slow disco groove on his fantastic rub of "Do You Want The Real Thing". Elsewhere, Glitterbox regular Dr Packer provides a rolling, delay-laden take on "Indiscreet" rich in killer disco interpretation that could well be the EP's highlight, while the Idjut Boys serve up a typically trippy, dub disco powered "Beats" version of "Let Them Dance".]( [Listen]( [Wishlist]( [Buy]( [ANNA]( [Speicher 101]( [Kompakt Extra Germany](Extra+Germany+/?utm_source=feat_email&utm_medium=feat_email_18-07-16&utm_term=feat_email_all_none&utm_content=feat_email_top+picks+for+2018+single&utm_campaign=feat_email_all_jd) [It was always going to be a hard act to follow the heavyweight line-up of label founders and main artists that featured on Speicher 100, but Anna has not been outdone. The Brazilian-Spanish producer's sound is at the harder end of what the storied Kompakt sub-label usually releases, but it's still of the highest quality. "Hidden Beauties" is a big room, acid-heavy workout powered by a grungy bass and massive break downs and builds. On "The Dansant", the mood is even bleaker; Anna drops an evil, belching sub that provides the back drop for rolling snares and a visceral, filtered riff.]( [Listen]( [Wishlist]( [Buy]( [Red Axes](Axes/?utm_source=feat_email&utm_medium=feat_email_18-07-16&utm_term=feat_email_all_none&utm_content=feat_email_top+picks+for+2018+single&utm_campaign=feat_email_all_jd) / [Jamie Paton](Paton/?utm_source=feat_email&utm_medium=feat_email_18-07-16&utm_term=feat_email_all_none&utm_content=feat_email_top+picks+for+2018+single&utm_campaign=feat_email_all_jd) / [Prins Thomas](Thomas/?utm_source=feat_email&utm_medium=feat_email_18-07-16&utm_term=feat_email_all_none&utm_content=feat_email_top+picks+for+2018+single&utm_campaign=feat_email_all_jd) / [Khidja]( [C-Cat Trance - Screaming Remixes Vol 2]( [Malka Tuti](Tuti/?utm_source=feat_email&utm_medium=feat_email_18-07-16&utm_term=feat_email_all_none&utm_content=feat_email_top+picks+for+2018+single&utm_campaign=feat_email_all_jd) [This is the second volume of remixes of C Cat Trance material. The 80s band's music was previously reworked by JD Twitch and Die Orangen, and this EP is just as impressive. Israeli duo Red Axes deliver a rumbling, tribal take on "Shake the Mind", while on his version of "Take Me To The Beach", UK DJ Jamie Paton lays down a sprawling, messy workout. Prins Thomas soon picks up the groove again though, and the Norwegian's version of "Sudaniyya" is a subtle disco affair, led by clipped drums and gamelan percussion. Finally, on their taken on "Simple Helen", Romanian pair Khidja drop a terse, dub-fuelled piece of mood music.]( [Listen]( [Wishlist]( [Buy]( [Peggy Gou](Gou/?utm_source=feat_email&utm_medium=feat_email_18-07-16&utm_term=feat_email_all_none&utm_content=feat_email_top+picks+for+2018+single&utm_campaign=feat_email_all_jd) [Once]( [Ninja Tune](Tune/?utm_source=feat_email&utm_medium=feat_email_18-07-16&utm_term=feat_email_all_none&utm_content=feat_email_top+picks+for+2018+single&utm_campaign=feat_email_all_jd) [Berlin-based Korean Peggy Gou has been surprisingly quiet since first bursting onto the scene back in 2016. Here, she returns to action having graduated from Technicolour to parent label Ninja Tune. Many may already have heard EP standout "It Makes You Forget (Itgehane)", a percussively ambidextrous beast based around a bouncy, off-skilter, snare-heavy rhythm track. It has been much discussed online after Gou included it her recent Resident Advisor podcast. Then you'll find tracks representative of her developing style, which draws together elements of European deep house, electro, early '90s U.S house, the rubbery disco eccentricity of Maurice Fulton and the instinctive polyrhythms more often found in traditional African music.]( [Listen]( [Wishlist]( [Buy]( [Ron Basejam](Basejam/?utm_source=feat_email&utm_medium=feat_email_18-07-16&utm_term=feat_email_all_none&utm_content=feat_email_top+picks+for+2018+single&utm_campaign=feat_email_all_jd) [After The Rain EP]( [Futureboogie Recordings](Recordings/?utm_source=feat_email&utm_medium=feat_email_18-07-16&utm_term=feat_email_all_none&utm_content=feat_email_top+picks+for+2018+single&utm_campaign=feat_email_all_jd) [Crazy P main man James Baron returns under his Ron Basejam alias, with more liquid nu-disco jams. Started as a casual side project 12 years ago, Baron wanted to 'capture the more diverse and quirky sides of his musical tastes', creating underground music that he incorporates with character, personality and humour. The After The Rain EP sees him return to Bristol institution Futureboogie, for the first time since 2016's "The Carrington Spirituals". Featuring the very soulful and near spiritual title track, the lo-slung funk attack of "The French Exit " and the late night acid express of "Raise" (featuring some vocals reminiscent of the legendary Daryl Pandy) among others - each one is a a sure shot and will light up the dancefloor.]( [Listen]( [Wishlist]( [Buy]( [Deekline]( [I Don't Smoke (The Remixes 2018)]( [Hot Cakes Bass](Cakes+Bass/?utm_source=feat_email&utm_medium=feat_email_18-07-16&utm_term=feat_email_all_none&utm_content=feat_email_top+picks+for+2018+single&utm_campaign=feat_email_all_jd) [For a banger that apparently doesn't smoke, Deekline's seminal "I Don't Smoke" has certainly been smouldering. At any point in the last 19 years, you can drop any version of this UK bass classic and expect it to cause riots in the dance. And now there's a whole new slew of refixes to cause chaos with: Vital Techniques' switchy, twitchy breakbeat flex, Deadbeats jaw-dropping bassline whip-up, DJ Spookz warped slug sesh, Lucent's fluttering beat tipped-out bashment roller, Fish's wonked-out technoid bassline twist and Majora's stripped back UK funky deep house hybrid. All exemplary updates on classic that's still sparking things up to this day. Do you smoke Paul? Yes, I most certainly do!]( [Listen]( [Wishlist]( [Buy]( [Keinemusik]( aka [Rampa]( / [Adam Port](Port/?utm_source=feat_email&utm_medium=feat_email_18-07-16&utm_term=feat_email_all_none&utm_content=feat_email_top+picks+for+2018+single&utm_campaign=feat_email_all_jd) / [&Me](2526me/?utm_source=feat_email&utm_medium=feat_email_18-07-16&utm_term=feat_email_all_none&utm_content=feat_email_top+picks+for+2018+single&utm_campaign=feat_email_all_jd) [You Are Safe Remixes]( [Keinemusik]( [Late last year, the producers behind the Keinemusik label came together to pen an album under the same name. Now the German label and the Keinemusik protagonists - Rampa, Adam Port and &Me - have commissioned remixes of tracks from the long player. First up is Life & Death boss DJ Tennis, who is tasked with reworking "You Are Safe". Using eerie synths, clattering drums and electro bass pulses, he turns the track into a hypnotic house track. For the second remix, Frankey & Sandrino take to the controls. The pair's version of "Guilt Trip" is slower and more understated, but the atmospheric textures and subtle pulses are as memorable as the DJ Tennis remake.]( [Listen]( [Wishlist]( [Buy]( [Krystal Klear](Klear/?utm_source=feat_email&utm_medium=feat_email_18-07-16&utm_term=feat_email_all_none&utm_content=feat_email_top+picks+for+2018+single&utm_campaign=feat_email_all_jd) [The Division]( [Running Back Germany](Back+Germany/?utm_source=feat_email&utm_medium=feat_email_18-07-16&utm_term=feat_email_all_none&utm_content=feat_email_top+picks+for+2018+single&utm_campaign=feat_email_all_jd) [In recent times, Krystal Klear's EPs have wholeheartedly paid tribute to a variety of (mostly New York-based) historic clubs, artists and dance music sub-genres. While he's officially broken the spell with The Division EP - his first outing on Running Back - for the most part it's still a heart-warming, retro-futurist treat. He kicks things off with the cheery, Italo-disco revivalism of "Neutron Dance", where throbbing synthesizer arpeggio lines and mid-80s melodies are underpinned by a bustling mid-tempo house groove, before slowing things down via the Balearic synth-pop shuffle of "Division Ave". Then you'll find more muscular, freestyle-meets-acid house fun (wild and mind-altering peak-time highlight "Shockzoid") as well as the baggy, glassy-eyed Balearic house rush of closer "Moonshake Mike".]( [Listen]( [Wishlist]( [Buy]( [Jamie 326](326/?utm_source=feat_email&utm_medium=feat_email_18-07-16&utm_term=feat_email_all_none&utm_content=feat_email_top+picks+for+2018+single&utm_campaign=feat_email_all_jd) / [Masalo]( / [Art Of Tones](Of+Tones/?utm_source=feat_email&utm_medium=feat_email_18-07-16&utm_term=feat_email_all_none&utm_content=feat_email_top+picks+for+2018+single&utm_campaign=feat_email_all_jd) [Terrence Parker (Remixes)]( [Local Talk](Talk/?utm_source=feat_email&utm_medium=feat_email_18-07-16&utm_term=feat_email_all_none&utm_content=feat_email_top+picks+for+2018+single&utm_campaign=feat_email_all_jd) [This two-tracker from Local Talk - originally released in limited numbers on vinyl - appears to be the result of some smart thinking on behalf of the Swedish label. It sees ordained minister and all-round Detroit house and techno legend Terrence Parker put his slant on two of the most gospel-influenced cuts in the imprint's sizeable back catalogue. Parker first works his magic on Jamie 326 and Masalo's "Testify", serving up a bouncy, all-action peak-time house rub full of crunchy Clavinet lines, bold piano riffs, heavy organ stabs and inspiring gospel vocal snippets. Arguably even better is the Detroiter's interpretation of Art of Tones' "I Just", which looks to classic piano house for inspiration with predictably fine results.]( [Top Picks for 2018 Albums]( [View all]( [Listen]( [Wishlist]( [Buy]( Various/[The Allergies](Allergies/?utm_source=feat_email&utm_medium=feat_email_18-07-16&utm_term=feat_email_all_none&utm_content=feat_email_top+picks+for+2018+albums&utm_campaign=feat_email_all_jd) [Funk N' Beats Vol 5 (Mixed By The Allergies)]( [Bomb Strikes](Strikes/?utm_source=feat_email&utm_medium=feat_email_18-07-16&utm_term=feat_email_all_none&utm_content=feat_email_top+picks+for+2018+albums&utm_campaign=feat_email_all_jd) [As ever, the Bomb Strikes imprint delivers an awesome package to us with this brand new 25 track compilation entitled 'Funk N' Beats Vol. 5', To be honest, it's exactly what it says on the tin as The Allergies head up waves and waves of funkadelic rhythms and crunchy riffs. For us the highlights have to be the futuristic drum processing and subtle percussive movements of 'Loose Gardner' from Flevans, along with the classic breakbeat fusion of 'Fire' remixed by Smoove but originally produced by the Renegades Of Jazz. With the sheer depth of the project it's easy to get lost within the tracklisting, which is always a good sign on a large scale compilation.]( [Listen]( [Wishlist]( [Buy]( [The Maghreban](Maghreban/?utm_source=feat_email&utm_medium=feat_email_18-07-16&utm_term=feat_email_all_none&utm_content=feat_email_top+picks+for+2018+albums&utm_campaign=feat_email_all_jd) [01DEAS]( [R&S](2526S/?utm_source=feat_email&utm_medium=feat_email_18-07-16&utm_term=feat_email_all_none&utm_content=feat_email_top+picks+for+2018+albums&utm_campaign=feat_email_all_jd) [It was only a matter of time before The Maghreban stepped up on a legendary dance imprint like R&S Records. The London-based house and techno craftsman has received nothing but praise off the back of his 12"s for his own Zoot label, with everyone from Actress to Nina Kraviz having played his tunes out in the rave. 01 Ideas is his first full-lengther, and it's clear that this producer has a lot more to say than a few quirky dance tracks. This release is full of life and meaning, pacing itself with each new cut instead of banging out the rave anthems hither and dither. There are elements of house and techno, of course, but these are infused with a sensibility for something altogether more abstract, like noise, power electronics and even something industrial. What is truly impressive is how The Maghreban brings it all back to the Levant, a distant yet perceptible influence at the core of all these tunes.]( [Listen]( [Wishlist]( [Buy]( [DJ Koze](Koze/?utm_source=feat_email&utm_medium=feat_email_18-07-16&utm_term=feat_email_all_none&utm_content=feat_email_top+picks+for+2018+albums&utm_campaign=feat_email_all_jd) [Knock Knock]( [Pampa Germany](Germany/?utm_source=feat_email&utm_medium=feat_email_18-07-16&utm_term=feat_email_all_none&utm_content=feat_email_top+picks+for+2018+albums&utm_campaign=feat_email_all_jd) [Following up 2013's well received Amygdala LP, DJ Koze returns with his fifth studio album for his esteemed Pampa imprint. The Flensburg native (by way of Hamburg and Berlin) teams up with a varied cast to support him on this eclectic yet captivating collection of tracks. From lead single "Illumination" featuring Irish chanteuse Roisin Murphy of Moloko, the typically woozy and esoteric take on deep house as heard on the Bon Iver sampling "Bonfire" or the evocative ambient pop of "Muddy Funster" (featuring Kurt Wagner of alt-country outfit Lambchop) and even a bit of urban flavour as heard on "Colors Of Autumn" featuring Speech of American R&B group Arrested Development. The German producer turns in a strong effort that blurs the boundaries between pop and underground music styles - with a distinct flair and sense of ease.]( [Listen]( [Wishlist]( [Buy]( [Logistics]( [Hologram]( [Hospital]( [The mighty Matt Gresham returns with his seventh solo album and it's every bit as good as you'd expect it to be. Landing a year after his and brother Nu:Tone's second Nu:Logic album, it's another precision balance of shades, styles and moods that celebrates the widest sphere of D&B. From the delicate opener "Lotus Flower", Matt then weaves and guides us through his vibrant psyche - the hazy disco feels of "Heatwave", the crushed velvet sci-fi feels of "Microdot", the astrophonical stepper jam "Chant", the salubrious space funk of the title track "Hologram" and the dreamy twists and turns of "Signs" with Slovakian rising star Changing Faces are just some of the wonderful waymarks on his journey... Dig deep and find more destinations yourself.]( [Listen]( [Wishlist]( [Buy]( [George FitzGerald](Fitzgerald/?utm_source=feat_email&utm_medium=feat_email_18-07-16&utm_term=feat_email_all_none&utm_content=feat_email_top+picks+for+2018+albums&utm_campaign=feat_email_all_jd) [All That Must Be]( [Double Six](Six/?utm_source=feat_email&utm_medium=feat_email_18-07-16&utm_term=feat_email_all_none&utm_content=feat_email_top+picks+for+2018+albums&utm_campaign=feat_email_all_jd) [There's no sign of "difficult second album syndrome" to be found on All That Must Be, George Fitzgerald's follow-up to 2015 debut full-length Fading Love. In fact, you could say it's something of a triumph. It was written over an 18-month period and tracks the highs and lows of his private life, largely by eschewing his club-rocking roots in favour of songs and instrumentals that bristle with melancholy, gentle melodiousness and ear-catching electronic instrumentation. Of course, it's still rooted in contemporary club sounds, its just more James Blake or Jamie XX than, say, old pal Will Saul or Special Request. Notably, it's the more poignant songs, including fine collaborations with Lil Silva and Tracey Thorn, which linger longest in the memory.]( [Listen]( [Wishlist]( [Buy]( [Will DiMaggio](Dimaggio/?utm_source=feat_email&utm_medium=feat_email_18-07-16&utm_term=feat_email_all_none&utm_content=feat_email_top+picks+for+2018+albums&utm_campaign=feat_email_all_jd) [At Ease]( [Future Times US](Times+US/?utm_source=feat_email&utm_medium=feat_email_18-07-16&utm_term=feat_email_all_none&utm_content=feat_email_top+picks+for+2018+albums&utm_campaign=feat_email_all_jd) [Two years have passed since Jaw Jam man Will Dimaggio made his first appearance on Future Times with "Fusion (Broadcast Mix)", a single-track EP on vinyl, rich in kaleidoscopic jazz-funk synths, rubbery electric bass and the kind of sweaty, off-kilter drum machine programming that's always been a trademark of the Washington, D.C-based label. On this fine debut album, Dimaggio continues in a similar vein, mixing polyrhythmic, intergalactic jazz-funk workouts with deeper and even more loved-up house cuts, almost all of electronics which also come blessed with the producer's trademark synthesizer solos, colourful and playful, glassy-eyed chords. While there are few genuine surprises, there's no denying the vivid attractiveness of Dimaggio's aural world, making At Ease an album you'll want to revisit time and time again.]( [Listen]( [Wishlist]( [Buy]( [Chevel]( [Always Yours]( [Different Circles](Circles/?utm_source=feat_email&utm_medium=feat_email_18-07-16&utm_term=feat_email_all_none&utm_content=feat_email_top+picks+for+2018+albums&utm_campaign=feat_email_all_jd) [The first artist album to be released on Mumdance and Logos' Different Circles imprint is from Chevel. The Italian producer (Dario Tronchin) presents his most focused and realised vision on the Always Yours LP, serving up some textural, abrasive, industrial edged and UK influenced perspectives. A lot has changed since his early releases on labels like Stroboscopic Artefacts where he created his brand of ethereal techno. From the contorted techno of dynamic opener "The Call", to the bass heavy sludge of "Bullet" or "Arp 2600" to moments of jagged/angular IDM like "Data Recovery", Tronchin's sonic realisations prove they've certainly reached another level in his career.]( [Listen]( [Wishlist]( [Buy]( [Theo Kottis](Kottis/?utm_source=feat_email&utm_medium=feat_email_18-07-16&utm_term=feat_email_all_none&utm_content=feat_email_top+picks+for+2018+albums&utm_campaign=feat_email_all_jd) [Beautiful Strangers](