The lost art of the show card, life after being president, and taco trucks

Plus: a very hygienic monarch To ensure delivery of your JSTOR Daily email digest, please add daily@jstor.org to your address book. [] WEEKLY DIGEST [WEB VERSION](4385/ct0_0/1?sid=TV2%3Aipz7tM7CA) [] [JSTOR Daily](4385/ct1_0/1?sid=TV2%3Aipz7tM7CA) [] [THE CANDID APPEAL OF THE ADVERTISING SHOW CARD](4385/ct1_1/1?sid=TV2%3Aipz7tM7CA) BY MEREDITH KASABIAN Hand-painted signage appeals to a sense of nostalgia and honesty. The kitschy, primary-colored window ads known as show cards are part of a long tradition of “straightforward” marketing defined by craft and artisanship. But with the closure of Honest Ed’s discount store, their simple charm may be fading. [] [Read more](4385/ct2_0/1?sid=TV2%3Aipz7tM7CA) --------------------------------------------------------------- [] 4385/ct3_0/1?sid=TV2%3Aipz7tM7CA [WHAT DO EX-PRESIDENTS DO? ASK JOHN QUINCY ADAMS](4385/ct3_1/1?sid=TV2%3Aipz7tM7CA) BY PETER FEUERHERD Adams served in Congress for eighteen years after his time as president. --------------------------------------------------------------- [] 4385/ct4_0/1?sid=TV2%3Aipz7tM7CA [RISE OF THE TACO TRUCK](4385/ct4_1/1?sid=TV2%3Aipz7tM7CA) BY LYNN BROWN Raul Martinez is credited with opening the first taco truck in 1974. By the early 2000s, food trucks had become a national sensation. --------------------------------------------------------------- [] 4385/ct5_0/1?sid=TV2%3Aipz7tM7CA [BATHing LIKE AN EIGHTEENTH-CENTURY QUEEN](4385/ct5_1/1?sid=TV2%3Aipz7tM7CA) BY ERIN BLAKEMORE The Queen’s enthusiasm for bathing, writes one scholar, “must be regarded as a little unusual,” especially given the less-than-pristine grooming habits of her day. --------------------------------------------------------------- [] 4385/ct6_0/1?sid=TV2%3Aipz7tM7CA [WHO CAN YOU TRUST ONLINE?](4385/ct6_1/1?sid=TV2%3Aipz7tM7CA) BY ALEXANDRA SAMUEL Trust isn’t as visceral or spectacular as circus acrobatics, but it’s just as powerful, and just as necessary to life online. --------------------------------------------------------------- [] 4385/ct7_0/1?sid=TV2%3Aipz7tM7CA [FRANKENSTEIN, THE BARONESS, AND CLIMATE REFUGEES OF 1816](4385/ct7_1/1?sid=TV2%3Aipz7tM7CA) BY GILLEN D’ARCY WOOD From [The Public Domain Review](4385/ct7_2/1?sid=TV2%3Aipz7tM7CA): Mary Shelley started writing Frankenstein in the midst of a volcanic eruption. How did this event shape the famous novel? --------------------------------------------------------------- [] 4385/ct8_0/1?sid=TV2%3Aipz7tM7CA [WHAT WE'RE READING AROUND THE WEB](4385/ct8_1/1?sid=TV2%3Aipz7tM7CA)4385/ct8_2/1?sid=TV2%3Aipz7tM7CA the editors JSTOR Daily editors select stories that bridge the gap between news and scholarship. This week's picks cover turkey funerals, meaning at the end of life, and the case for local politics. --------------------------------------------------------------- [] ADVERTISEMENT [JSTOR Daily Women's History Month](4385/ct9_0/1?sid=TV2%3Aipz7tM7CA) --------------------------------------------------------------- [] Contact Us 2 Rector Street, New York, NY 10006, USA [daily.jstor.org](4385/ct10_0/1?sid=TV2%3Aipz7tM7CA) | daily@jstor.org | [@JSTOR_Daily](4385/ct11_0/1?sid=TV2%3Aipz7tM7CA) | [Facebook](4385/ct12_0/1?sid=TV2%3Aipz7tM7CA) | ©2000-2017 ITHAKA. All Rights Reserved. JSTOR®, the JSTOR logo, and ITHAKA® are registered trademarks of ITHAKA. If you prefer not to receive email messages from JSTOR Daily in the future, you may [unsubscribe here](4385/ct13_0/1?sid=TV2%3Aipz7tM7CA).