◎ B̲R̲E̲A̲K̲I̲N̲G̲: Putin Drops “Financial Nuclear Bomb” on America | Jan 16, 2024

𝖨𝗇 𝗋𝖾𝗍𝖺𝗅𝗂𝖺𝗍𝗂𝗈𝗇 𝖿𝗈𝗋 𝗈𝗎𝗋 𝗌𝗎𝗉𝗉𝗈𝗋𝗍 𝖿𝗈𝗋 𝖴𝗄𝗋𝖺𝗂𝗇𝖾… [Invest Knowledge Media]( [China-Rus agreement]( In retaliation for our support for Ukraine… Russia and China just detonated a “financial nuclear bomb” that could wipe out millions of unprepared Americans. Steven Allan Spielberg (/ˈspiːlbɜːrɡ/; born December 18, 1946) is an American film director, producer and screenwriter. A major figure of the New Hollywood era and pioneer of the modern blockbuster, he is the most commercially successful director in history.[1] He is the recipient of many accolades, including three Academy Awards, two BAFTA Awards, and four Directors Guild of America Awards, as well as the AFI Life Achievement Award in 1995, the Kennedy Center Honor in 2006, the Cecil B. DeMille Award in 2009 and the Presidential Medal of Freedom in 2015. Seven of his films have been inducted into the National Film Registry by the Library of Congress as "culturally, historically or aesthetically significant".[2][3] Spielberg was born in Cincinnati, Ohio, and grew up in Phoenix, Arizona.[4] He moved to California and studied film in college. After directing several episodes for television, including Night Gallery and Columbo, he directed the television film Duel (1971), which later received an international theatrical release. He made his theatrical film debut with The Sugarland Express (1974) and became a household name with the 1975 summer blockbuster Jaws. He directed more box office successes with Close Encounters of the Third Kind (1977), E.T. the Extra-Terrestrial (1982), and the original Indiana Jones trilogy (1981–89). He subsequently explored drama in The Color Purple (1985) and Empire of the Sun (1987). In 1993, Spielberg directed back-to-back blockbuster hits with the science fiction thriller Jurassic Park, the highest-grossing film ever at the time, and the Holocaust drama Schindler's List, which has often been listed as one of the greatest films ever made. He won the Academy Award for Best Director for the latter and the 1998 World War II epic Saving Private Ryan. Spielberg has since directed the science fiction films A.I. Artificial Intelligence (2001), Minority Report (2002), and War of the Worlds (2005); the adventure films The Adventures of Tintin (2011) and Ready Player One (2018); the historical dramas Amistad (1997), Munich (2005), War Horse (2011), Lincoln (2012), Bridge of Spies (2015) and The Post (2017); the musical West Side Story (2021); and the semi-autobiographical drama The Fabelmans (2022). Spielberg co-founded Amblin Entertainment and DreamWorks, and he has served as a producer for many successful films and television series, among them Poltergeist (1982), Gremlins (1984), Back to the Future (1985), Who Framed Roger Rabbit (1988) and Band of Brothers (1999). He has had a long collaboration with the composer John Williams, with whom he has worked for all but five of his feature films.[5][6] Several of Spielberg's works are considered among the greatest films in history, and some are among the highest-grossing films ever.[7] In 2013, Time listed him as one of the 100 most influential people,[8] and in 2023, Spielberg was the recipient of the first ever TIME100 Impact Award in the U.S.[9] Reviewing Close Encounters, Pauline Kael called the young Spielberg "a magician in the age of movies."[10] Early life and background Spielberg was born on December 18, 1946, in Cincinnati, Ohio.[11][12] His mother, Leah (née Posner, later Adler; 1920–2017),[13] was a restaurateur and concert pianist, and his father, Arnold Spielberg (1917–2020),[14] was an electrical engineer involved in the development of computers. His immediate family were situationally[15] Reform Jewish/Orthodox Jewish.[16][17] Spielberg's paternal grandparents were Jews from Ukraine;[18][19] his grandmother Rebecca, maiden name Chechik, was from Sudylkiv, and his grandfather Shmuel Spielberg was from Kamianets-Podilskyi.[20][21] Schmuel escaped to Cincinnati in 1906 to avoid being drafted into the Russian army, and he brought his fiancée Rebecca there in 1908.[22] Spielberg has three younger sisters: Anne, Sue, and Nancy.[23] In 1952, his family moved to Haddon Township, New Jersey after his father was hired by RCA.[24] Spielberg attended Hebrew school from 1953 to 1957, in classes taught by Rabbi Albert L. Lewis.[25] In early 1957, the family moved to Phoenix, Arizona.[26][27] Spielberg had a bar mitzvah ceremony when he was thirteen.[28] His family was involved in the synagogue and had many Jewish friends.[29] Of the Holocaust, he said that his parents "talked about it all the time, and so it was always on my mind."[29] His father had lost between sixteen and twenty relatives in the Holocaust.[21] Spielberg found it difficult accepting his heritage; he said: "It isn't something I enjoy admitting ... but when I was seven, eight, nine years old, God forgive me, I was embarrassed because we were Orthodox Jews. I was embarrassed by the outward perception of my parents' Jewish practices. I was never really ashamed to be Jewish, but I was uneasy at times."[30][31] Spielberg also suffered from anti-Semitism: "In high school, I got smacked and kicked around. Two bloody noses. It was horrible."[32][33][21] He grew away from Judaism during adolescence, after his family had moved to various neighborhoods and found themselves to be the only Jews.[34][35] Spielberg's interest in film started at a young age. At age 12, he made his first home movie: a train wreck involving his toy Lionel trains.[36] In 1958, he became a Boy Scout and fulfilled a requirement for the photography merit badge by making a nine-minute 8 mm film, The Last Gunfight.[37][38] He eventually attained the rank of Eagle Scout.[39] Spielberg used his father's movie camera to make amateur features, and began taking the camera along on every Scout trip.[40] At age 13, Spielberg made a 40-minute war film, Escape to Nowhere, with a cast of classmates. The film won first prize in a statewide competition.[41][42] Throughout his early teens, and after entering high school, Spielberg made about fifteen to twenty 8 mm adventure films.[43][44] In Phoenix, Spielberg watched films at the local theater every Saturday.[45] Some of the films he cited as early influences include Ishirō Honda and Eiji Tsuburaya's Godzilla, King of the Monsters! (1956),[46][47] Akira Kurosawa's films,[48][49] Captains Courageous (1937), Pinocchio (1940), and David Lean's Lawrence of Arabia (1962), which he called "the film that set me on my journey".[50] He attended Arcadia High School in 1961 for three years.[51] He wrote and directed his first independent film in 1963, a 140-minute science fiction adventure, Firelight, which later inspired Close Encounters of The Third Kind. The film, funded mainly by his father, had a budget of under $600, and was shown in a local theater for one evening.[52][53] In the summer of 1964, he worked as an unpaid assistant at Universal Studios' editorial department.[54][55] His family later moved to Saratoga, California, where he attended Saratoga High School, graduating in 1965.[56] A year later, his parents divorced. Spielberg moved to Los Angeles to stay with his father,[57] while his three sisters and mother remained in Saratoga. He was not interested in academics, aspiring only to be a filmmaker.[58] He applied to the University of Southern California's film school but was turned down because of his mediocre grades.[59] He then applied and enrolled at California State University, Long Beach, where he became a brother of Theta Chi Fraternity.[60][61] After taking a tour bus to Universal Studios, a chance conversation with an executive led to Spielberg getting a three-day pass to the premises, allowing him to come back the next day. On the fourth day he walked up to the studio gates without a pass, and the security guard waved him in: "I basically spent the next two months at Universal Studios. And that was how I became an unofficial apprentice that summer."[62] In 1968, Universal gave Spielberg the opportunity to write and direct a short film for theatrical release, the 26-minute 35 mm Amblin'. Studio vice president Sidney Sheinberg was impressed by the film, and offered Spielberg a seven-year directing contract.[63] A year later, he dropped out of college to begin directing television productions for Universal.[64] It made him the youngest director to be signed to a long-term plan with a major Hollywood studio.[65] Spielberg returned to Long Beach in 2002 to complete his Bachelor of Arts in Film and Electronic Media.[66] Career 1969–1974: Early film and television work Spielberg's professional debut was directing segments for the 1969 pilot episode of Night Gallery, scripted by Rod Serling and featuring Joan Crawford.[67] Initially, there was skepticism from Crawford and studio executives regarding Spielberg's inexperience. Despite Spielberg's efforts to implement advanced camerawork techniques, studio executives demanded a more straightforward approach. His initial contributions received mixed responses, leading Spielberg to briefly step back from studio work.[68] Joan Crawford, reflecting on her collaboration with Spielberg, recognized his potential, noting his unique intuitive inspiration compared to more seasoned directors. She expressed her appreciation for Spielberg's talent in a note to him and also communicated her approval to Rod Serling, emphasizing Spielberg's promising future in the industry. Crawford's endorsement highlighted Spielberg's early recognition in Hollywood despite initial hesitations regarding his experience.[69] In the early 1970s, Spielberg unsuccessfully tried to raise financing for his own low-budget films. He turned to writing screenplays with other writers, and then directing television episodes. These included the series Marcus Welby, M.D., The Name of the Game ("L.A. 2017"), Columbo, Owen Marshall, Counselor at Law and The Psychiatrist.[70] Although unsatisfied with this work,[71] Spielberg used the opportunity to experiment with his techniques and learn about filmmaking. He earned good reviews and impressed producers; he was earning a steady income and relocated to Laurel Canyon, Los Angeles.[70] Based on the strength of his work, Universal signed Spielberg to do four television films.[72] The first was Duel (1971), adapted from Richard Matheson's short story of the same name, about a salesman (Dennis Weaver) being chased down a highway by a psychotic tanker truck driver. Impressed with the film, executives decided to promote it on television. Reviews were positive, and Universal asked Spielberg to shoot more scenes so that Duel could be released to international markets.[73] "Deservedly so" writes David Thomson, "for it stands up as one of the medium's most compelling spirals of suspense."[74] More TV films followed: Something Evil (1972) and Savage (1973). In 1974, Spielberg made his theatrical debut, The Sugarland Express, based on a true story about a married couple on the run, desperate to regain custody of their baby from foster parents.[75] The film starred Goldie Hawn and William Atherton and marked the first of many collaborations with the composer John Williams.[76] Although the film was awarded Best Screenplay at the 1974 Cannes Film Festival, it was not a commercial success, [76][77] which Spielberg blamed on Universal's inconsistent marketing.[78] The film opened in four hundred theaters in the U.S. to positive reviews; Pauline Kael wrote "Spielberg uses his gifts in a very free-and-easy, American way—for humor, and for a physical response to action. He could be that rarity among directors, a born entertainer—perhaps a new generation's Howard Hawks."[79] The Hollywood Reporter wrote that "a major new director is on the horizon."[80] 1975-1980: Breakthrough Producers Richard D. Zanuck and David Brown took a chance with Spielberg, and gave him the opportunity to direct Jaws (1975), a horror-thriller based on the Peter Benchley novel of the same name. In it, a great white shark attacks beachgoers at a summer resort town, prompting police chief Martin Brody (Roy Scheider) to hunt it down with the help of a marine biologist (Richard Dreyfuss) and a veteran shark hunter (Robert Shaw). Jaws was the first movie shot on open ocean,[81] so shooting proved difficult, and the mechanical shark malfunctioned. The filming schedule overran by a hundred days, and Universal threatened to cancel production.[82] Against expectations, Jaws was a success; it set the domestic box office record, making Spielberg a household name.[83] It won Academy Awards for Best Film Editing, Best Original Dramatic Score, and Best Sound. Spielberg said the malfunctioning of the mechanical shark resulted in a better movie, as he had to find ways to suggest the shark without showing it. After seeing the unconventional camera techniques of Jaws, Alfred Hitchcock praised "young Spielberg" for thinking outside the visual dynamics of the theater: "He's the first one of us who doesn't see the proscenium arch".[84] After the success of Jaws, Spielberg declined an offer to make Jaws 2.[85] He and Richard Dreyfuss re-convened to work on a film about UFOs, Close Encounters of the Third Kind (1977). During filming, Spielberg used 65 mm film for the best picture quality, and a new live-action recording system so that the recordings could be duplicated later.[86][87] He cast one of his favorite directors, François Truffaut, as the scientist Claude Lacombe. One of the rare films both written and directed by Spielberg, Close Encounters was very popular with film-goers,[88] and he received his first Best Director nomination from the Academy Awards. It earned six more nominations, winning Best Cinematography and Best Sound Effects Editing.[89] Stanley Kauffmann wrote: "I saw Close Encounters at its first public showing in New York, and most of the audience stayed on and on to watch the credits crawl lengthily at the end. For one thing, under the credits the giant spaceship was returning to the stars. For another, they just didn’t want to leave this picture. For still another, they seemed to understand the importance of those many names to what they had just seen." Kauffmann placed it first on his list of the best American films from 1968–1977.[90] Spielberg's first film as an executive producer was the directorial debut of Robert Zemeckis, I Wanna Hold Your Hand (1978). His next directorial work was 1941 (1979), an action-comedy written by Zemeckis and Bob Gale about Californians preparing for a Japanese invasion after the attack on Pearl Harbor. Spielberg was self-conscious about doing comedy as he had no prior experience in the genre.[91] Universal and Columbia agreed to co-finance the film. 1941 grossed over $92.4 million worldwide upon release,[92] but most critics, and the studio heads, disliked it.[91] Charles Champlin described 1941 as "the most conspicuous waste since the last major oil spill, which it somewhat resembles."[93] Stanley Kubrick supposedly said that the film was "great, but not funny."[94] 1981–1990: Stardom Spielberg produced Used Cars (Zemeckis, 1980), which was a critical but not a commercial success. He directed Raiders of the Lost Ark (1981), with a screenplay by Lawrence Kasdan based on a story by George Lucas and Philip Kaufman. They considered it an homage to the serials of the 1930s and 1940s.[95] It starred Karen Allen as Marion Ravenwood and Harrison Ford as Indiana Jones. Filmed in La Rochelle, Hawaii, Tunisia and Elstree Studios, England, the shoot was difficult but Spielberg said it helped him hone his business acumen.[96] The film was a box office success[97] and won Academy Awards for Best Art Direction (Norman Reynolds, Leslie Dilley, and Michael D. Ford); Best Film Editing (Michael Kahn); Best Sound (Bill Varney, Steve Maslow, Gregg Landaker, and Roy Charman); Best Sound Editing (Ben Burtt and Richard L. Anderson); and Best Visual Effects (Richard Edlund, Kit West, Bruce Nicholson, and Joe Johnston).[98] Roger Ebert wrote that "Raiders of the Lost Ark is an out-of-body experience, a movie of glorious imagination and breakneck speed that grabs you in the first shot, hurtles you through a series of incredible adventures, and deposits you back in reality two hours later -- breathless, dizzy, wrung-out, and with a silly grin on your face... For locations, it ticks off the jungles of South America, the hinterlands of Tibet, the deserts of Egypt, a hidden submarine base, an isolated island, a forgotten tomb -- no, make that two forgotten tombs -- and an American archaeology classroom. For villains, it has sadistic Nazis, slimy gravediggers, drunken Sherpas, and scheming Frenchmen. For threats, it climaxes with the wrath of God, and leads up to that spectacular development by easy stages, with tarantulas, runaway boulders, hidden spears, falling rock slabs, burning airplanes, runaway trucks, sealed tombs, and snakes. Lots of snakes."[99] Raiders was the first film in the Indiana Jones franchise. In 1982, Spielberg returned to science fiction with E.T. the Extra-Terrestrial. It tells the story of Elliot (Henry Thomas), a young boy who befriends an alien who was accidentally left behind by his companions and is attempting to return home. Spielberg eschewed storyboards so that his direction would be more spontaneous, and shot roughly in sequence so that the actors' performances would be authentic as they bonded with and said goodbye to E.T. E.T. premiered at the 1982 Cannes Film Festival to an ecstatic reaction; producer Kathleen Kennedy recalled, "You couldn't hear the end of the movie because people were on their feet stomping and yelling [...] It was one of the most amazing experiences."[100] A special screening was organized for Ronald and Nancy Reagan, who were emotional by the end.[100] E.T. grossed $700 million worldwide.[100] It won four Academy Awards: Best Original Score (John Williams), Best Sound (Robert Knudson, Robert Glass, Don Digirolamo, and Gene Cantamessa), Best Sound Editing (Charles L. Campbell and Ben Burtt), and Best Visual Effects (Carlo Rambaldi, Dennis Muren, and Kenneth F. Smith).[101] It was nominated for Best Picture but lost to Gandhi; its director, Richard Attenborough, said, "I was certain that not only would E.T. win, but that it should win. It was inventive, powerful, wonderful. I make more mundane movies."[102] Pauline Kael wrote of E.T.: "His voice is ancient and otherworldly but friendly, humorous. And this scaly, wrinkled little man with huge, wide-apart, soulful eyes and a jack-in-the-box neck has been so fully created that he's a friend to us, too; when he speaks of his longing to go home the audience becomes as mournful as Elliot. Spielberg has earned the tears that some people in the audience—and not just children—shed. The tears are tokens of gratitude for the spell the picture has put on the audience. Genuinely entrancing movies are almost as rare as extraterrestrial visitors."[103] Spielberg co-wrote and produced Poltergeist (1982)[97] and directed the "Kick The Can" segment in Twilight Zone: The Movie.[104] Spielberg and Chandran Rutnam in Sri Lanka during the filming of Indiana Jones and the Temple of Doom His next directorial work was the Raiders of the Lost Ark prequel Indiana Jones and the Temple of Doom (1984). Working again with Lucas and Ford, the film was shot in the United States, Sri Lanka and China.[105] The film was darker than its predecessor, and led to the creation of the PG-13 rating because some content was deemed unsuitable for children under 13.[106] Spielberg later said that he was unhappy with Temple of Doom because it lacked his "personal touches and love".[107] Nonetheless, the film was a blockbuster hit,[108] won the Academy Award for Best Special Effects and received mostly good reviews.[107] Kael preferred it to the original, writing: "Spielberg is like a magician whose tricks are so daring they make you laugh. He creates an atmosphere of happy disbelief: the more breathtaking and exhilarating the stunts are the funnier they are. Nobody has ever fused thrills and laughter in quite the way that he does here. He starts off at full charge in the opening sequence and just keeps going." She conceded that it was less "sincere" than Raiders, adding "that's what is so good about it."[109] It was on this project that Spielberg met his future wife, Kate Capshaw, who played Willie Scott.[110] Spielberg recalled, "The second film I could have done a lot better if there had been a different story. It was a good learning exercise for me to really throw myself into a black hole. I came out of the darkness of Temple Of Doom and I entered the light of the woman I was eventually going to marry and raise a family with."[111] David Thomson writes that "At first sight, the Spielberg of the eighties may seem more an impresario—or a studio, even—then a director."[112] In 1984, Spielberg, Kennedy and Frank Marshall founded production company Amblin Entertainment.[113] Between 1984 and 1990, Spielberg served as either producer or executive producer on nineteen feature films,[114] among them Gremlins (Joe Dante, 1984), Back to the Future (Zemeckis, 1985), The Goonies (Richard Donner, 1985), Who Framed Roger Rabbit (Zemeckis, 1988), Joe Versus the Volcano (John Patrick Shanley, 1990), Arachnophobia (Marshall, 1990) and Cape Fear (Martin Scorsese, 1991).[115][116][117] For some films, such as Harry and the Hendersons and Young Sherlock Holmes, the title "Steven Spielberg Presents" was in the opening credits.[118] Much of Spielberg's producing work was aimed at children and teens, including cartoons such as Tiny Toon Adventures, Animaniacs, Pinky and the Brain, Freakazoid!, and Family Dog.[119] Spielberg also produced Don Bluth's animated features An American Tail and The Land Before Time.[116] In 1985, NBC offered Spielberg a two-year contract on a television series, Amazing Stories; the show was marketed as a blend of The Twilight Zone and Alfred Hitchcock Presents. NBC gave Spielberg creative control and a budget of $1 million for each episode.[120] After two seasons and disappointing ratings, the show was not renewed.[121] Although Spielberg's involvement as a producer would vary widely from project to project, Zemeckis said that Spielberg would always "respect the filmmaker's vision".[122] Over the next decade, Spielberg's record as a producer brought mixed critical and commercial results.[122] In 1992, Spielberg began to scale back producing, saying "Producing has been the least fulfilling aspect of what I've done in the last decade."[123] In the early 1980s, Spielberg befriended Warner Communications CEO Steve Ross, which eventually resulted in him making films for Warner Bros.[124] This started with The Color Purple (1985), an adaptation of Alice Walker's Pulitzer Prize-winning novel of the same name, about a generation of empowered African-American women during depression-era America. It was Spielberg's first film on a dramatic subject matter, and he expressed reservations about tackling the project: "It's the risk of being judged-and accused of not having the sensibility to do character studies."[125] Starring Whoopi Goldberg and Oprah Winfrey, the film was a box office hit and critics started to take note of Spielberg's foray into drama.[125] Ebert named it the best film of the year.[126] The film also received eleven Academy Award nominations, and Spielberg won Best Director from the Directors Guild of America.[125] The film was produced and scored by Quincy Jones. As China underwent economic reform and opened up to the American film industry, Spielberg made Empire of the Sun (1987), the first American film shot in Shanghai since the 1930s.[127] It is an adaptation of J. G. Ballard's autobiographical novel of the same name about Jamie Graham (Christian Bale), a young boy who goes from being the son of a wealthy British family in Shanghai to a prisoner of war in a Japanese internment camp during World War II. Critical reaction was mixed at the time of release; criticism ranged from the "overwrought" plot to Spielberg's downplaying of "disease and starvation".[128][129] However, Andrew Sarris named it the best film of the year and later included it among the best of the decade.[130] The film was nominated for six Academy Awards,[131] but was a disappointment at the box office; Ian Alterman of The New York Times thought it was overlooked by audiences.[132] Spielberg recalled that Empire of the Sun was one of his most enjoyable films to make.[133] After directing The Color Purple and Empire of the Sun, Spielberg intended to direct Rain Man, but instead directed Indiana Jones and the Last Crusade (1989) to meet his contractual obligations.[134] Producer Lucas and star Ford returned for the film. A longtime James Bond fan, Spielberg cast Sean Connery as Jones's father, Henry Jones, Sr.[133] Due to complaints about violence in Temple of Doom, Spielberg toned down the darkness for the third installment.[135] Last Crusade received mostly positive reviews and was a box office success, earning $474 million; it was his biggest hit since E.T.[136] Biographer Joseph McBride wrote that it was a comeback for Spielberg, and Spielberg acknowledged the amount he has learned from making the Indiana Jones series.[136] Ebert wrote that "If there is just a shade of disappointment after seeing this movie, it has to be because we will never again have the shock of this material seeming new. Raiders of the Lost Ark, now more than ever, seems a turning point in the cinema of escapist entertainment, and there was really no way Spielberg could make it new all over again. What he has done is to take many of the same elements, and apply all of his craft and sense of fun to make them work yet once again. And they do."[137] Spielberg, March 1990 Also in 1989, he reunited with Richard Dreyfuss for the romantic drama Always, about an aerial firefighter. It is a modern remake of one of Spielberg's favorite childhood films, A Guy Named Joe (1943). The story was personal; he said "As a child I was very frustrated, and maybe I saw my own parents [in A Guy Named Joe]. I was also short of girlfriends. And it stuck with me."[138] Spielberg had discussed the film with Dreyfuss back in 1975, with up to twelve drafts being written before filming commenced.[135] Always was commercially unsuccessful and received mixed reviews.[139][135] Janet Maslin of The New York Times wrote, "Always is filled with big, sentimental moments, it lacks the intimacy to make any of this very moving."[140] 1991–1998: Established career After a brief setback in which Spielberg felt "artistically stalled",[141] he returned in 1991 with Hook, about a middle-aged Peter Pan (Robin Williams), who returns to Neverland and encounters Tinker Bell (Julia Roberts) and the eponymous Captain Hook (Dustin Hoffman). During filming, the stars clashed on set; Spielberg told 60 Minutes that he would never work with Roberts again.[142] Nominated for five Academy Awards, the studio enjoyed the film but most critics did not; Thomson called it "maudlin."[112] Writing for The Washington Post, Desson Howe described the film as "too industrially organized", and thought it mundane.[143] At the box office, it earned over $300 million worldwide from a $70 million budget.[144] In 1993, Spielberg served as an executive producer for the NBC science fiction series seaQuest DSV;[145] the show was not a hit.[114] In 1994, he found success producing the medical drama ER.[145] In 1993, Spielberg returned to the adventure genre with Jurassic Park, based on the 1990 novel of the same name by Michael Crichton (creator of ER), with a screenplay by Crichton and David Koepp. Jurassic Park is set on a fictional island near Costa Rica, where a businessman (Richard Attenborough) has hired a team of geneticists to create a wildlife park of de-extinct dinosaurs. In a departure from his usual order of planning, Spielberg and the designers storyboarded certain sequences from the novel early on.[146] The film also used computer-generated imagery provided by Industrial Light & Magic; Jurassic Park was completed on time and became the highest-grossing film at the time, and won three Academy Awards.[147] The film's dominance during its theatrical run, as well as Spielberg's $250 million salary, made him self-conscious of his own success.[148] Spielberg receiving the Golden Lion by Italian filmmaker Gillo Pontecorvo at the 50th Venice International Film Festival, 1993 Also in 1993, Spielberg directed Schindler's List, about Oskar Schindler, a businessman who helped save 1,100 Jews from the Holocaust.[149] Based on Schindler's Ark by Australian novelist Thomas Keneally, Spielberg waited ten years to make the film as he did not feel "mature" enough.[150] He wanted to embrace his heritage,[151][152] and after the birth of his son, Max, he said that "it greatly affected me [...] A spirit began to ignite in me, and I became a Jewish dad".[153] Filming commenced on March 1, 1993, in Poland, while Spielberg was still editing Jurassic Park in the evenings.[154] To make filming "bearable", Spielberg brought his wife and children with him.[155] While Schindler's List was praised by most critics, some reviewers, including filmmaker Claude Lanzmann, criticized the film for its weak representation of the Holocaust.[156] Imre Kertész, a Hungarian author and concentration camp survivor, also disliked the film, saying, "I regard as kitsch any representation of the Holocaust that is incapable of understanding or unwilling to understand the organic connection between our own deformed mode of life and the very possibility of the Holocaust."[157] Against expectations, the film was a commercial success, and Spielberg used his percentage of profits to start the Shoah Foundation, a non-profit organization that archives testimonies of Holocaust survivors.[158] Schindler's List won seven Academy Awards, including Best Picture, and Spielberg's first as Best Director.[159] It also won seven BAFTAs, and three Golden Globes.[160][161] According to the American Film Institute, Schindler's List is one of the 100 best American films ever made.[162] In 1994, Spielberg took a break from directing to spend more time with his family, and set up his new film studio, DreamWorks, with Jeffrey Katzenberg and David Geffen.[163][158] Spielberg cited more creative control and distribution improvements as the main reasons for founding his own studio;[164] he and his partners compared themselves to the founders of United Artists back in 1919.[165] DreamWorks' investors included Microsoft founders Paul Allen and Bill Gates.[166] After founding DreamWorks, Spielberg continued to operate Amblin Entertainment and direct films for other studios.[167] Besides film, Spielberg helped design a Jurassic Park-themed attraction at Universal Orlando in Florida.[168] The workload of filmmaking and operating a studio raised questions about his commitments, but Spielberg maintained that "this is all fitting nicely into my life and I'm still home by six and I'm still home on the weekends."[169] After his hiatus, he returned to directing with a sequel to Jurassic Park, The Lost World: Jurassic Park (1997). A loose adaptation of Michael Crichton's novel The Lost World, the plot follows mathematician Ian Malcolm (Jeff Goldblum) and his researchers who study dinosaurs at a Jurassic Park island, and are confronted by another team with a different agenda. This time, Spielberg wanted the onscreen creatures to be more realistic than in the first film; he used 3D storyboards, computer imagery and robotic puppets.[170] Budgeted at $73 million,[171] The Lost World: Jurassic Park opened in May 1997 and was one of the highest grossing films of the year.[172] The Village Voice critic opined that The Lost World was "better crafted but less fun" that the first film, while The Guardian wrote "It looks like a director on autopilot [...] The special effects brook no argument."[172] His 1997 feature Amistad his first released under DreamWorks, was based on the true story of the events in 1839 aboard the slave ship La Amistad. Producer Debbie Allen, who had read the book Amistad I in 1978, thought Spielberg would be perfect to direct.[173] Spielberg was hesitant taking on the project, afraid that it would be compared to Schindler's List, but he said, "I've never planned my career [...] In the end I do what I think I gotta do."[173] Starring Morgan Freeman, Anthony Hopkins, Djimon Hounsou and Matthew McConaughey, Spielberg used Allen's ten years worth of research to reenact the difficult historical scenes.[171][174] The film struggled to find an audience, and underperformed at the box office;[175] Spielberg admitted that "[Amistad] became too much of a history lesson."[176] Spielberg speaking at the Pentagon on August 11, 1999, after receiving the Department of Defense Medal for Distinguished Public Service Spielberg's 1998 release was World War II epic Saving Private Ryan, about a group of U.S. soldiers led by Captain Miller (Tom Hanks) sent to bring home a paratrooper whose three older brothers were killed in the same twenty-four hours of the Normandy landing. Filming took place in England, and U.S. Marine Dale Dye was hired to train the actors and keep them in character during the combat scenes. Halfway through filming, Spielberg reminded the cast that they were making a tribute to thank "your grandparents and my dad, who fought in [the war]".[177] Upon release, critics praised the direction and its realistic portrayal of war.[178] The film grossed a successful $481 million worldwide,[179] and Spielberg won a second Academy Award for Best Director.[180] In August 1999, Spielberg and Hanks were awarded the Distinguished Public Service Medal from Secretary of Defense William S. Cohen.[177][181] Roger Ebert wrote "Spielberg knows how to make audiences weep better than any director since Chaplin in City Lights. But weeping is an incomplete response, letting the audience off the hook. This film embodies ideas. After the immediate experience begins to fade, the implications remain and grow."[182] 1999–2012: Career expansion In 2001, Spielberg and Tom Hanks produced Band of Brothers, a ten-part HBO miniseries based on Stephen Ambrose's book of the same name.[180] It follows Easy Company of the 101st Airborne Division's 506th Parachute Infantry Regiment. The series won a Golden Globe for Best Miniseries.[183] That same year, Spielberg returned to science fiction with A.I. Artificial Intelligence, a loose adaptation of Brian Aldiss's 1969 short story "Supertoys Last All Summer Long". Stanley Kubrick had first asked Spielberg to direct the feature in 1979. Spielberg tried to make it in the style that Kubrick would have,[184] though with mixed results according to some critics.[185] The plot revolves around an android, David (Haley Joel Osment) who, like Pinocchio, dreams of being a "real boy". Critics thought Spielberg directed with "sentimentality",[186] and Roger Ebert wrote, "Here is one of the most ambitious films of recent years [...] but it miscalculates in asking us to invest our emotions in a character, a machine."[187] The film won five Saturn Awards,[186] and grossed $236 million worldwide.[188] Jonathan Rosenbaum highly praised the film: "If the best movies are often those that change the rules, Steven Spielberg’s sincere, cockeyed, serious, and sometimes masterful realization of Stanley Kubrick’s ambitious late project deserves to be a contender... If A.I. Artificial Intelligence — a film whose split personality is apparent even in its two-part title — is as much a Kubrick movie as a Spielberg one, this is in large part because it defamiliarizes Spielberg, makes him strange. Yet it also defamiliarizes Kubrick, with equally ambiguous results — making his unfamiliarity familiar. Both filmmakers should be credited for the results — Kubrick for proposing that Spielberg direct the project and Spielberg for doing his utmost to respect Kubrick’s intentions while making it a profoundly personal work."[189] A. O. Scott called it "the best fairy tale -- the most disturbing, complex and intellectually challenging boy's adventure story -- Mr. Spielberg has made" and chose it as the best film of the year.[190] Spielberg followed A.I. with the sci-fi neo-noir Minority Report (2002), based on Philip K. Dick's the short story of the same name about a group of investigators who try to prevent crimes before they are committed. The film received critical acclaim. Ebert named Minority Report the best film of 2002, praising its craftsmanship: "here is Spielberg using every trick in the book and matching them without seams, so that no matter how he's achieving his effects, the focus is always on the story and the characters...Some directors place their trust in technology. Spielberg, who is a master of technology, trusts only story and character, and then uses everything else as a workman uses his tools."[191] However, critic Todd McCarthy thought there was not enough action.[192] The film earned over $358 million worldwide.[193] That same year, he released Catch Me If You Can, based on the book of the same name by con-artist Frank Abagnale. Leonardo DiCaprio played Abangale; Christopher Walken and Tom Hanks also starred. Spielberg said, "I have always loved movies about sensational rogues—they break the law, but you just have to love them for the moxie."[194] The film was a critical and commercial success.[195] Spielberg worked with Hanks, Catherine Zeta-Jones and Stanley Tucci in 2004's The Terminal, a lighthearted comedy about an Eastern European man stranded in an airport. The film was praised for its production design and was a commercial success, although reviews were mixed.[196] In 2005, Spielberg directed War of the Worlds, a co-production of Paramount and DreamWorks, based on H. G. Wells's novel of the same name; Spielberg had been a fan of the book and of George Pal's 1953 film.[197] Starring Tom Cruise and Dakota Fanning, the film follows an American dock worker who is forced to look after his children, from whom he lives separately, as he tries to protect and reunite them with their mother when extraterrestrials invade Earth. Spielberg used storyboards to help the actors react to computer imagery that they could not see and used natural lighting and camerawork to avoid an "over stylized" science fiction picture.[198] Upon release, the film was a box office hit, grossing over $600 million worldwide.[199] Spielberg's Munich (2005), is about the Israeli government's secret retaliation after eleven Israeli Olympic athletes were kidnapped and murdered in the 1972 Munich massacre. The film is based on Vengeance, a book by Canadian journalist George Jonas.[200] It was previously adapted for the screen in the 1986 television film Sword of Gideon. Spielberg, who personally remembers the incident, sought advice from former president Bill Clinton, among others, before making the film because he did not want to cause further problems in the Middle East.[200] Although the film garnered mostly positive reviews, some critics perceived it as anti-Semitic;[201] it is one of Spielberg's most controversial films to date.[202] Munich received five Academy Awards nominations: Best Picture, Best Film Editing, Best Score, Best Adapted Screenplay, and Best Director for Spielberg. It was his sixth Best Director nomination, and fifth Best Picture nomination.[203][204] In the mid-2000s, Spielberg scaled down his directing career and became more selective about film projects to undertake.[205] In December 2005, Spielberg and his partners sold DreamWorks to media conglomerate Viacom (now known as Paramount Global). The sale was finalized in February 2006.[204] In June 2006, Spielberg planned to make Interstellar, but abandoned the project, which was eventually directed by Christopher Nolan.[206] During this period, Spielberg remained active as a producer; producing 2005's Memoirs of a Geisha, an adaptation of Arthur Golden's novel of the same name.[207] Spielberg and Robert Zemeckis executive-produced the animated film Monster House (2006), marking their eighth collaboration. He also worked with Clint Eastwood for the first time, co-producing 2006's Flags of Our Fathers and Letters from Iwo Jima with Robert Lorenz. Spielberg served as executive producer for 2007's Disturbia, and the Transformers film series.[207] In that same year, Spielberg and Mark Burnett co-produced On the Lot, a reality and competition show about filmmaking.[204] Spielberg returned to the Indiana Jones series in 2008 with the fourth installment, Indiana Jones and the Kingdom of the Crystal Skull. Released nineteen years after Last Crusade, the film is set in 1957, pitting Indiana Jones (Harrison Ford) against Soviet agents led by Irina Spalko (Cate Blanchett), searching for a telepathic crystal skull. Principal photography was complete in October 2007, and the film was released on May 22, 2008.[208][209] This was his first film not released by DreamWorks since 1997.[210] The film received generally favorable reviews from critics, but some fans were disappointed by the introduction of science fiction elements which were uncharacteristic of the previous films.[211][205] Writing for The Age, Tom Ryan praised Spielberg and George Lucas for their realistic 1950s setting—"The energy on display is impressive".[212] It was a box office success, grossing $790 million worldwide.[213] Spielberg with Bill Clinton, 2009 In early 2009, Spielberg shot the first film in a planned trilogy of motion capture films based on Hergé's The Adventures of Tintin.[214] The Adventures of Tintin: The Secret of the Unicorn was co-produced by Peter Jackson and premiered in Brussels, Belgium.[215] The film was released in North American theaters on December 21, in Digital 3D and IMAX.[216] It received generally positive reviews from critics[217] and grossed over $373 million worldwide.[218] The Adventures of Tintin won Best Animated Feature at the 69th Golden Globe Awards.[219] It was the first non-Pixar film to win the award since the category was introduced.[220] Spielberg followed Tintin with War Horse, shot in England in the summer of 2010.[221] It was released four days after Tintin, on December 25, 2011. The film is based on Michael Morpurgo's 1982 novel of the same name and follows the long friendship between a British boy and his horse Joey before and during World War I.[222] Distributed by Walt Disney Studios, with whom DreamWorks made a distribution deal in 2009, War Horse was the first of four consecutive Spielberg films released by Disney. War Horse had an acclaimed response from critics,[222] and was nominated for six Academy Awards, including Best Picture.[223] In his review for Salon magazine, Andrew O'Hehir wrote, "at this point in his career Spielberg is pursuing personal goals, and everything that's terrific and overly flat and tooth-rottingly sweet about War Horse reflects that."[224] Spielberg returned to the World War II theme, co-producing the 2010 miniseries The Pacific with Tom Hanks and Gary Goetzman. The miniseries is centered on the battles in the Pacific Theater.[225] The following year, Spielberg co-created Falling Skies, a science fiction series on TNT, with Robert Rodat.[226] Spielberg also produced the 2011 Fox series Terra Nova. Terra Nova begins in the year 2149 when all life on the planet Earth is threatened with extinction resulting in scientists opening a door that allows people to travel back 85 million years to prehistoric times.[227][228] In that same year, he produced J. J. Abrams's Super 8.[229] Spielberg at his masterclass at the Cinémathèque Française in January 2012 Spielberg directed the historical drama Lincoln (2012), starring Daniel Day-Lewis as President Abraham Lincoln and Sally Field as Mary Todd Lincoln.[230] Based on Doris Kearns Goodwin's book Team of Rivals: The Political Genius of Abraham Lincoln and written by Tony Kushner, the film depicts the final four months of Lincoln's life. The film was shot in Richmond, Virginia in late 2011.[231] and was released in the U.S. in November 2012.[232] Lincoln was acclaimed and earned more than $250 million worldwide.[233] It was nominated for twelve Academy Awards, including Best Picture and Best Director,[234] winning Best Production Design and Best Actor for Day-Lewis's performance.[222] Donald Clarke from The Irish Times praised the direction: "Against the odds, Spielberg makes something genuinely exciting of the backstage wheedling."[235] 2013–present: Recent work Spielberg at Cannes Film Festival in 2013 It was announced on May 2, 2013, that Spielberg would direct American Sniper,[236] but he left the project before production began.[237] Instead, he directed 2015's Bridge of Spies, a Cold War thriller based on the 1960 U-2 incident, and focusing on James B. Donovan's negotiations with the Soviets for the release of pilot Gary Powers after his aircraft was shot down over Soviet territory. The screenplay was by the Coen brothers, and the film starred Tom Hanks as Donovan, as well as Mark Rylance, Amy Ryan, and Alan Alda.[238] It was filmed in the fall of 2014 in New York City, Berlin and Wroclaw, and was released on October 16.[239][240] Bridge of Spies was popular with critics,[241] and was nominated for six Academy Awards, including Best Picture; Rylance won Best Supporting Actor, becoming the second actor to win for a performance directed by Spielberg.[242] In 2016, Spielberg made The BFG, an adaptation of Roald Dahl's children's book, starring newcomer Ruby Barnhill, and Mark Rylance as the titular Big Friendly Giant. DreamWorks bought the rights in 2010, and John Madden had intended to direct.[243] The film was the last to be written by E.T. screenwriter Melissa Mathison before her death.[244] It was co-produced and released by Walt Disney Pictures, marking the first Disney-branded film to be directed by Spielberg. The BFG premiered as an out-of-competition entry at the 2016 Cannes Film Festival,[245][246] and received a wide release in the U.S. on July 1, 2016.[238] The BFG welcomed fair reviews; Michael Phillips of Chicago Tribune compared certain scenes to the works of Alfred Hitchcock and Stanley Kubrick,[247] while Toronto Sun's Liz Braun thought that there were "moments of wonder and delight" but it was too long.[248] A year later, Spielberg directed The Post, an account of The Washington Post's printing of the Pentagon Papers.[249] Starring Tom Hanks and Meryl Streep, production began in New York on May 30, 2017.[250] Spielberg stated his attraction to the project: "When I read the first draft of the script, this wasn't something that could wait three years or two years—this was a story I felt we needed to tell today."[251] The film received a wide release on January 12, 2018.[252] The Post gained positive reception; the critic from the Associated Press thought "Spielberg infuses every scene with tension and life and the grandeur of the ordinary that he's always been so good at conveying."[253] In 2017, Spielberg and other filmmakers were featured in the Netflix documentary series Five Came Back, which discussed the contributions of directors Frank Capra, John Ford, John Huston, George Stevens and William Wyler, about their war-related works. Spielberg also served as an executive producer.[254] Spielberg promoting Ready Player One (2018) in Japan Spielberg directed the science fiction Ready Player One (2018), adapted from the novel of the same name by Ernest Cline. It stars Tye Sheridan, Olivia Cooke, Ben Mendelsohn, Lena Waithe, T.J. Miller, Simon Pegg, and Mark Rylance. The plot takes place in 2045 when much of humanity uses virtual reality to escape the real world. Ready Player One began production in July 2016,[255] and was intended to be released on December 15, 2017,[256][257] but was moved to March 2018 to avoid competition with Star Wars: The Last Jedi.[258] It premiered at the 2018 South by Southwest film festival.[259] Spielberg's direction was praised along with the action scenes and visual effects, but many critics thought the film was too long and overused 1980s nostalgia.[260][261] In 2019, Spielberg filmed West Side Story, an adaptation of the musical of the same name.[262] It stars Ansel Elgort and Rachel Zegler in her film debut with Ariana DeBose, David Alvarez, Mike Faist and Rita Moreno in supporting roles. Written by Tony Kushner, the film stays true to the 1950s setting.[263] West Side Story was released in December 2021 to positive reviews and received seven Academy Award nominations including Best Picture, and Best Director.[264] Spielberg also received nominations from the Golden Globe Awards, Directors Guild of America, and Critics' Choice Movie Awards.[265] The Economist praised the choreography, stating that it "stunningly melds beauty and violence".[266] In March 2022, Spielberg revealed that West Side Story would be the last musical he will direct.[267] Spielberg's 2022 film The Fabelmans is a fictionalized account of his own adolescence, which he wrote with Tony Kushner.[268] Gabriel LaBelle plays Sammy Fabelman, a character inspired by Spielberg, while Michelle Williams plays Sammy's mother Mitzi Fabelman, Paul Dano plays Burt Fabelman, his father, Seth Rogen plays Bennie Loewy, Burt's best friend and co-worker who becomes Sammy's surrogate uncle, and Judd Hirsch as Mitzi's Uncle Boris.[269][270] Filming began in Los Angeles in July 2021, and the film premiered at the 2022 Toronto International Film Festival on September 10, Spielberg's first appearance at that festival.[271] It received widespread critical acclaim and won the festival's People's Choice Award.[272] It received a limited theatrical release on November 11, 2022, by Universal Pictures, before expanding wide on November 23.[273] Despite the favorable critical reception, West Side Story and The Fabelmans were box office failures, which Variety suggested could be attributed to a decline in the popularity of Spielberg in a film-going environment altered by the COVID-19 pandemic, and the public's loss of interest in prestige films.[274] The Fabelmans received seven Academy Award nominations, including Best Picture, Best Director, and Best Original Screenplay.[275][276] It was, however, a major box office success in France and became the highest-rated film of the 21st century in the country, with a 4.9 average from critics on AlloCiné from 43 reviews, with all but 6 giving the film 5 stars. Cahiers du Cinéma wrote that Spielberg, at age 76, had "come to represent like no other, the idea of cinema as wonder, at a time when the relationship to the spectacular and the cinema seems more tormented than ever" and declared that the film will "undoubtedly remain the most important and singular film of his career."[277][278] Spielberg had planned to direct Indiana Jones and the Dial of Destiny, but he stepped down and was replaced by James Mangold. Spielberg said that he would remain "hands on" as a producer,[279][280] along with Kathleen Kennedy and Frank Marshall. In 2016, it was announced that it would be written by David Koepp,[281] with a release by Disney on July 19, 2019.[282] After a change of filming and release dates,[283][284] it was postponed again when Jonathan Kasdan was announced as the film's new writer.[285] Soon after, a new release date of July 9, 2021, was announced.[286] In May 2019, Dan Fogelman was hired to write a new script, and Kasdan's story, focused on the Nazi gold train, would not be used; the script was ultimately credited to Mangold, Koepp, Jez Butterworth, and John-Henry Butterworth.[287] In April 2020, it was announced that the release of the film was delayed to July 29, 2022, due to the COVID-19 pandemic,[288] and in October 2021, the release date was again delayed to June 30, 2023.[289] The film began production in the UK in June 2021[290] and finished in February 2022.[291] Upcoming projects On January 18, 2023, Spielberg told press at a red carpet event for The Fabelmans that he was executive producing a documentary about John Williams, directed by Laurent Bouzereau with production companies Amblin Television, Imagine Documentaries, and Nedland Media.[292][293][294][295] Other executive producers for the film include Brian Grazer, Ron Howard, Darryl Frank, Justin Falvey, Justin Wilkes, Sara Bernstein, and Meredith Kaulfers.[292] The announcement came days after Williams told Spielberg he was not retiring.[296][297] In February 2022, Deadline Hollywood reported that Spielberg was developing an original film centered around the character Frank Bullitt, a fictional San Francisco police officer originally portrayed by Steve McQueen in the 1968 film Bullitt. The screenplay is set to be written by Josh Singer, who previously co-wrote The Post for Spielberg. McQueen's son Chad and granddaughter Molly will serve as executive producers.[298] Bradley Cooper was cast as Bullitt in November 2022 and will also serve as producer alongside Spielberg and Kristie Macosko Krieger.[299] In January 2013, HBO confirmed that it was developing a third World War II miniseries based on the book Masters of the Air by Donald L. Miller with Spielberg and Tom Hanks.[300] NME reported in March 2017 that production was under the working title The Mighty Eighth.[301] By 2019, it was confirmed development of the series, Masters of the Air, had moved to Apple TV+.[302] On June 21, 2021, it was announced that Amblin Entertainment signed a deal with Netflix to release multiple new feature films for the streaming service. Under the deal, Amblin is expected to produce at least two films a year for Netflix for an unspecified number of years. It is possible that Spielberg may even direct some projects.[303] Prospective projects In May 2009, Spielberg bought the rights to the life story of Martin Luther King Jr., with the intention of being involved as both the producer and director.[304] However, the purchase was made from the King estate, led by son Dexter, while the two other surviving children, the Reverend Bernice and Martin III, immediately threatened to sue, not having given their approvals to the project.[305] In 2015, it was announced that Spielberg was attached to direct an adaptation of American photojournalist Lynsey Addario's memoir It's What I Do, with Jennifer Lawrence in the lead role.[306] In April 2018, it was announced that Spielberg would direct a film adaptation of the Blackhawk comic book series. Warner Bros. will distribute the film, with David Koepp writing the script.[307] In March 2013, Spielberg announced that he was developing a miniseries based on the life of Napoleon.[308] In May 2016, it was announced that Cary Fukunaga is in talks to direct the miniseries for HBO, from a script by David Leland based on extensive research materials accumulated by Stanley Kubrick over the years.[309] Spielberg was set to film an adaptation of David Kertzer's The Kidnapping of Edgardo Mortara in early 2017, for release at the end of that year,[310] but production has been postponed. It was first announced in 2014, with Tony Kushner adapting the book for the screen.[311] Mark Rylance, in his fourth collaboration with Spielberg, was announced to star in the role of Pope Pius IX. Spielberg saw more than 2,000 children to play the role of Edgardo Mortara.[312] During a virtual conversation with Indian filmmaker S. S. Rajamouli in February 2023, Spielberg said that he will not rule out the possibility of a sequel to The Fabelmans, but confirmed that there are currently no immediate plans.[313] In 2023, following the October 7th attacks against Israel, the Shoah Foundation, founded by Spielberg, said that it had gathered over 100 video testimonies of those who experienced the attacks on that day to add them to the collection of "Holocaust survivor and witness testimony."[314] Spielberg stated about the attacks, "I never imagined I would see such unspeakable barbarity against Jews in my lifetime" and that the Shoah Foundation project will ensure "that their stories would be recorded and shared in the effort to preserve history and to work toward a world without antisemitism or hate of any kind."[315] [Click here to see the details and learn how to prepare.]( [Invest Knowledge Media]( InvestKnowledgeMedia.com brought to you by Inception Media, LLC. 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