⌦ This Could Endanger Y̲o̲u̲r̲ B̲a̲n̲k̲ A̲c̲c̲o̲u̲n̲t̲

𝖳𝗁𝖾 𝖴.𝖲. 𝗀𝗈𝗏𝖾𝗋𝗇𝗆𝖾𝗇𝗍 𝗂𝗌 𝗀𝖾𝖺𝗋𝗂𝗇𝗀 𝗎𝗉 𝗍𝗈 𝖼𝗁𝖺𝗇𝗀𝖾 𝗁𝗈𝗐 𝗂𝗍 𝖼𝗈𝗇𝗍𝗋𝗈𝗅𝗌 𝗍𝗁𝖾 𝗆𝗈𝗇𝖾𝗒 𝗂𝗇 𝗒𝗈𝗎𝗋 𝖻𝖺𝗇𝗄 𝖺𝖼𝖼𝗈𝗎𝗇𝗍. [Invest Knowledge Media]( Dear Reader, The U.S. government is gearing up to change how it controls the money in your bank account. This change may seem innocent at first … But when you look closer, the consequences can be frightening. … [See what this disturbing change is here.]( Good luck and God bless! [Martin D. Weiss] Martin D. Weiss, PhD Founder of Weiss Ratings Stephen Edwin King (born September 21, 1947) is an American author of horror, supernatural fiction, suspense, crime, science-fiction, and fantasy novels. Described as the "King of Horror", a play on his surname and a reference to his high standing in pop culture,[2] his books have sold more than 350 million copies,[3] and many have been adapted into films, television series, miniseries, and comic books. King has published 64 novels, including seven under the pen name Richard Bachman, and five non-fiction books.[4] He has also written approximately 200 short stories, most of which have been published in book collections.[5][6] King has received Bram Stoker Awards, World Fantasy Awards, and British Fantasy Society Awards. In 2003, the National Book Foundation awarded him the Medal for Distinguished Contribution to American Letters.[7] He has also received awards for his contribution to literature for his entire bibliography, such as the 2004 World Fantasy Award for Life Achievement and the 2007 Grand Master Award from the Mystery Writers of America.[8] In 2015, he was awarded with a National Medal of Arts from the U.S. National Endowment for the Arts for his contributions to literature.[9] Early life King was born in Portland, Maine, on September 21, 1947. His father, Donald Edwin King, a travelling vacuum salesman after returning from World War II,[10] was born in Indiana with the surname Pollock, changing it to King as an adult.[11][12][13] King's mother was Nellie Ruth King (née Pillsbury).[13] His parents were married in Scarborough, Maine on July 23, 1939.[14] Shortly afterwards, they lived with Donald's family in Chicago before moving to Croton-on-Hudson, New York.[15] King's parents returned to Maine towards the end of World War II, living in a modest house in Scarborough. When King was two, his father left the family. His mother raised him and his older brother David by herself, sometimes under great financial strain. They moved from Scarborough and depended on relatives in Chicago; Croton-on-Hudson; West De Pere, Wisconsin; Fort Wayne, Indiana; Malden, Massachusetts; and Stratford, Connecticut.[16][17] When King was 11, his family moved to Durham, Maine, where his mother cared for her parents until their deaths. She then became a caregiver in a local residential facility for the mentally challenged.[1] King was raised Methodist,[18][19] but lost his belief in organized religion while in high school. While no longer religious, he says he chooses to believe in the existence of God.[20] As a child, King apparently witnessed one of his friends being struck and killed by a train, though he has no memory of the event. His family told him that after leaving home to play with the boy, King returned speechless and seemingly in shock. Only later did the family learn of the friend's death. Some commentators have suggested that this event may have psychologically inspired some of King's darker works,[21] but King makes no mention of it in his memoir On Writing (2000). He related in detail his primary inspiration for writing horror fiction in his non-fiction Danse Macabre (1981), in a chapter titled "An Annoying Autobiographical Pause". He compared his uncle's dowsing for water using the bough of an apple branch with the sudden realization of what he wanted to do for a living. That inspiration occurred while browsing through an attic with his elder brother, when King uncovered a paperback version of an H. P. Lovecraft collection of short stories he remembers as The Lurker in the Shadows, that had belonged to his father. King told Barnes & Noble Studios in a 2009 interview, "I knew that I'd found home when I read that book."[22] King attended Durham Elementary School and graduated from Lisbon Falls High School in Lisbon Falls, Maine, in 1966.[23] He displayed an early interest in horror as an avid reader of EC horror comics, including Tales from the Crypt, and he later paid tribute to the comics in his screenplay for Creepshow. He began writing for fun while in school, contributing articles to Dave's Rag, the newspaper his brother published with a mimeograph machine, and later began selling stories to his friends based on movies he had seen. (He was forced to return the profits when it was discovered by his teachers.) The first of his stories to be independently published was "I Was a Teenage Grave Robber", which was serialized over four issues (three published and one unpublished) of a fanzine, Comics Review, in 1965. It was republished the following year in revised form, as "In a Half-World of Terror", in another fanzine, Stories of Suspense, edited by Marv Wolfman.[24] As a teen, King also won a Scholastic Art and Writing Award.[25] King entered the University of Maine in 1966, and graduated in 1970 with a Bachelor of Arts in English.[26] That year, his daughter Naomi Rachel was born. He wrote a column, Steve King's Garbage Truck, for the student newspaper, The Maine Campus, and participated in a writing workshop organized by Burton Hatlen.[27] King held a variety of jobs to pay for his studies, including as a janitor, a gas-station attendant, and an industrial laundry worker. He met his wife, fellow student Tabitha Spruce, at the university's Raymond H. Fogler Library after one of Professor Hatlen's workshops; they wed in 1971.[27] Career Beginnings In 1971, King worked as a teacher at Hampden Academy King sold his first professional short story, "The Glass Floor", to Startling Mystery Stories in 1967.[1] After graduating from the University of Maine, King earned a certificate to teach high school but, unable to find a teaching post immediately, he supplemented his laboring wage by selling short stories to men's magazines such as Cavalier. Many of these early stories were republished in the collection Night Shift. The short story "The Raft" was published in Adam, a men's magazine. After being arrested for stealing traffic cones (he was annoyed after one of the cones knocked his muffler loose), he was fined $250 for petty larceny but had no money to pay. However, a check then arrived for "The Raft" (then titled "The Float"), and King cashed it to pay the fine.[28] In 1971, King was hired as a teacher at Hampden Academy in Hampden, Maine. He continued to contribute short stories to magazines and worked on ideas for novels.[1] During 1966–1970, he wrote a draft about his dystopian novel called The Long Walk[29] and the anti-war novel Sword in the Darkness,[30][31] but neither of the works was published at the time; only The Long Walk was later released in 1979. Carrie and aftermath In 1973, King's novel, Carrie, was accepted by publishing house, Doubleday. It was King's fourth novel,[32] but the first to be published. He wrote it on his wife Tabitha's portable typewriter. It began as a short story intended for Cavalier magazine, but King tossed the first three pages in the garbage can.[33] Tabitha recovered the pages and encouraged him to finish the story, saying she would help him with the female perspective; he followed her advice and expanded it into a novel.[34] He said: "I persisted because I was dry and had no better ideas… My considered opinion was that I had written the world's all-time loser."[35] According to The Guardian, Carrie "is the story of Carrie White, a high-school student with latent—and then, as the novel progresses, developing—telekinetic powers. It's brutal in places, affecting in others (Carrie's relationship with her almost hysterically religious mother being a particularly damaged one), and gory in even more."[36] When Carrie was chosen for publication, King's phone was out of service. Doubleday editor William Thompson—who became King's close friend—sent a telegram to King's house in late March or early April 1973[37] which read: "Carrie Officially A Doubleday Book. $2,500 Advance Against Royalties. Congrats, Kid – The Future Lies Ahead, Bill."[38] King said he bought a new Ford Pinto with the advance.[37] On May 13, 1973, New American Library bought the paperback rights for $400,000, which—in accordance with King's contract with Doubleday—was split between them.[39][40] Carrie set King's career in motion and became a significant novel in the horror genre. In 1976, it was made into a successful horror film.[41] King's 'Salem's Lot was published in 1975. In a 1987 issue of The Highway Patrolman magazine, he said, "The story seems sort of down home to me. I have a special cold spot in my heart for it!"[42] After his mother's death, King and his family moved to Boulder, Colorado, where he wrote The Shining (published 1977). The family returned to Auburn, Maine in 1975, where he completed The Stand (published 1978). In 1977, the family, with the addition of Owen Philip, his third and youngest child, traveled briefly to England. They returned to Maine that fall, where King began teaching creative writing at the University of Maine.[43] In 1982, King published Different Seasons, a collection of four novellas with a more serious dramatic bent than the horror fiction for which he is famous.[44] It is notable for having three of its four novellas turned into Hollywood films: Stand by Me (1986) was adapted from The Body;[45] The Shawshank Redemption (1994) was adapted from Rita Hayworth and Shawshank Redemption;[46] and Apt Pupil (1998) was adapted from the novella of the same name.[47][48] In 1985, King wrote his first work for the comic book medium,[49] writing a few pages of the benefit X-Men comic book Heroes for Hope Starring the X-Men. The book, whose profits were donated to famine relief in Africa, was written by a number of different authors in the comic book field, such as Chris Claremont, Stan Lee, and Alan Moore, as well as authors not primarily associated with comics, such as Harlan Ellison.[50] The following year, King published It (1986), which was the best-selling hardcover novel in the United States that year,[51] and wrote the introduction to Batman No. 400, an anniversary issue where he expressed his preference for the character over Superman.[52][53] The Dark Tower books Main article: The Dark Tower (series) In the late 1970s, King began what became a series of interconnected stories about a lone gunslinger, Roland, who pursues the "Man in Black" in an alternate-reality universe that is a cross between J. R. R. Tolkien's Middle-earth and the American Wild West as depicted by Clint Eastwood and Sergio Leone in their spaghetti Westerns. The first of these stories, The Dark Tower: The Gunslinger, was initially published in five installments by The Magazine of Fantasy & Science Fiction under the editorship of Edward L. Ferman, from 1977 to 1981. The Gunslinger was continued as an eight-book epic series called The Dark Tower, whose books King wrote and published infrequently over four decades (1978-2012).[54] Pseudonyms In the late 1970s and early 1980s, King published a handful of short novels—Rage (1977), The Long Walk (1979), Roadwork (1981), The Running Man (1982) and Thinner (1984)—under the pseudonym Richard Bachman. The idea behind this was to test whether he could replicate his success again and to allay his fears that his popularity was an accident. An alternate explanation was that publishing standards at the time allowed only a single book a year.[55] He picked up the name from the Canadian hard rock band Bachman–Turner Overdrive, of which he is a fan.[56] Richard Bachman was exposed as King's pseudonym by a persistent Washington, D.C. bookstore clerk, Steve Brown, who noticed similarities between the works and later located publisher's records at the Library of Congress that named King as the author of one of Bachman's novels.[57] This led to a press release heralding Bachman's "death"—supposedly from "cancer of the pseudonym".[58] King dedicated his 1989 book The Dark Half, about a pseudonym turning on a writer, to "the deceased Richard Bachman", and in 1996, when the Stephen King novel Desperation was released, the companion novel The Regulators carried the "Bachman" byline. In 2006, during a press conference in London, King declared that he had discovered another Bachman novel, titled Blaze. It was published on June 12, 2007. In fact, the original manuscript had been held at King's Alma mater, the University of Maine in Orono, for many years and had been covered by numerous King experts. King rewrote the original 1973 manuscript for its publication.[59] King has used other pseudonyms. The short story "The Fifth Quarter" was published under the pseudonym John Swithen (the name of a character in the novel Carrie), by Cavalier in April 1972.[60] The story was reprinted in King's collection Nightmares & Dreamscapes in 1993 under his own name. In the introduction to the Bachman novel Blaze, King claims, with tongue-in-cheek, that "Bachman" was the person using the Swithen pseudonym. The "children's book" Charlie the Choo-Choo: From the World of The Dark Tower was published in 2016 under the pseudonym Beryl Evans, who was portrayed by actress Allison Davies during a book signing at San Diego Comic-Con,[61] and illustrated by Ned Dameron. It is adapted from a fictional book central to the plot of King's previous novel The Dark Tower III: The Waste Lands.[62] Digital era Stephen King at the Harvard Book Store, June 6, 2005 In 2000, King published online a serialized horror novel, The Plant.[63] At first the public assumed that King had abandoned the project because sales were unsuccessful, but King later stated that he had simply run out of stories.[64] The unfinished epistolary novel is still available from King's official site, now free. Also in 2000, he wrote a digital novella, Riding the Bullet, and saying he foresaw e-books becoming 50% of the market "probably by 2013 and maybe by 2012". However, he also stated: "Here's the thing—people tire of the new toys quickly."[65] King wrote the first draft of the 2001 novel Dreamcatcher with a notebook and a Waterman fountain pen, which he called "the world's finest word processor".[66] In August 2003, King began writing a column on pop culture appearing in Entertainment Weekly, usually every third week. The column was called The Pop of King (a play on the nickname "The King of Pop" commonly attributed to Michael Jackson).[67] In 2006, King published an apocalyptic novel, Cell. The book features a sudden force in which every cell phone user turns into a mindless killer. King noted in the book's introduction that he does not use cell phones.[68][69] In 2008, King published both a novel, Duma Key, and a collection, Just After Sunset. The latter featured 13 short stories, including a previously unpublished novella, N. Starting July 28, 2008, N. was released as a serialized animated series to lead up to the release of Just After Sunset.[70] In 2009, King published Ur, a novella written exclusively for the launch of the second-generation Amazon Kindle and available only on Amazon.com, and Throttle, a novella co-written with his son Joe Hill and released later as an audiobook titled Road Rage, which included Richard Matheson's short story "Duel". King's novel Under the Dome was published on November 10 of that year; it is a reworking of an unfinished novel he tried writing twice in the late 1970s and early 1980s, and at 1,074 pages, it is the largest novel he has written since It (1986). Under the Dome debuted at No. 1 in The New York Times Bestseller List.[71] On February 16, 2010, King announced on his Web site that his next book would be a collection of four previously unpublished novellas called Full Dark, No Stars. In April of that year, King published Blockade Billy, an original novella issued first by independent small press Cemetery Dance Publications and later released in mass-market paperback by Simon & Schuster. The following month, DC Comics premiered American Vampire, a monthly comic book series written by King with short-story writer Scott Snyder, and illustrated by Rafael Albuquerque, which represents King's first original comics work.[72][73][74] King wrote the background history of the very first American vampire, Skinner Sweet, in the first five-issues story arc. Scott Snyder wrote the story of Pearl.[75] King's next novel, 11/22/63, was published November 8, 2011,[76][77] and was nominated for the 2012 World Fantasy Award Best Novel.[78] The eighth Dark Tower volume, The Wind Through the Keyhole, was published in 2012.[79] King's next book was Joyland, a novel about "an amusement-park serial killer", according to an article in The Sunday Times, published on April 8, 2012.[80] During his Chancellor's Speaker Series talk at University of Massachusetts Lowell on December 7, 2012, King indicated that he was writing a crime novel about a retired policeman being taunted by a murderer. With a working title Mr. Mercedes and inspired by a true event about a woman driving her car into a McDonald's restaurant, it was originally meant to be a short story just a few pages long.[81] In an interview with Parade, published on May 26, 2013, King confirmed that the novel was "more or less" completed[82] he published it in June 2014. Later, on June 20, 2013, while doing a video chat with fans as part of promoting the upcoming Under the Dome TV series, King mentioned he was halfway through writing his next novel, Revival,[83] which was released November 11, 2014.[84] King announced in June 2014 that Mr. Mercedes is part of a trilogy; the second book, Finders Keepers, was released on June 2, 2015. On April 22, 2015, it was revealed that King was working on the third book of the trilogy, End of Watch, which was ultimately released on June 7, 2016.[85][86] During a tour to promote End of Watch, King revealed that he had collaborated on a novel, set in a women's prison in West Virginia, with his son, Owen King, titled Sleeping Beauties.[87] In 2018, he released the novel The Outsider, which featured the character of Holly Gibney, and the novella Elevation. In 2019, he released the novel The Institute. In 2020, King released If It Bleeds, a collection of four previously unpublished novellas. In 2022, King released his latest novel, Fairy Tale. Collaborations Writings King has written two novels with horror novelist Peter Straub: The Talisman (1984) and a sequel, Black House (2001). King has indicated that he and Straub would likely write the third and concluding book in this series, the tale of Jack Sawyer,[citation needed] but after Straub passed away in 2022 the future of the series is in doubt. King produced an artist's book with designer Barbara Kruger, My Pretty Pony (1989), published in a limited edition of 250 by the Library Fellows of the Whitney Museum of American Art. Alfred A. Knopf released it in a general trade edition.[88] The Diary of Ellen Rimbauer: My Life at Rose Red (2001) was a paperback tie-in for the King-penned miniseries Rose Red (2002). Published under anonymous authorship, the book was written by Ridley Pearson. The novel is written in the form of a diary by Ellen Rimbauer, and annotated by the fictional professor of paranormal activity, Joyce Reardon. The novel also presents a fictional afterword by Ellen Rimbauer's grandson, Steven. Intended to be a promotional item rather than a stand-alone work, its popularity spawned a 2003 prequel television miniseries to Rose Red, titled The Diary of Ellen Rimbauer. This spin-off is a rare occasion of another author being granted permission to write commercial work using characters and story elements invented by King. The novel tie-in idea was repeated on Stephen King's next project, the miniseries Kingdom Hospital. Richard Dooling, King's collaborator on Kingdom Hospital and writer of several episodes in the miniseries, published a fictional diary, The Journals of Eleanor Druse, in 2004. Eleanor Druse is a key character in Kingdom Hospital, much as Dr. Joyce Readon and Ellen Rimbauer are key characters in Rose Red.[citation needed] Throttle (2009), a novella written in collaboration with his son Joe Hill, appears in the anthology He Is Legend: Celebrating Richard Matheson.[89] Their second novella collaboration, In the Tall Grass (2012), was published in two parts in Esquire.[90][91] It was later released in e-book and audiobook formats, the latter read by Stephen Lang.[92] King and his son Owen King wrote the novel Sleeping Beauties, released in 2017, that is set in a women's prison.[93] King and Richard Chizmar collaborated to write Gwendy's Button Box (2017), a horror novella taking place in King's fictional town of Castle Rock.[94] A sequel titled Gwendy's Magic Feather (2019) was written solely by Chizmar.[95] In November 2020, Chizmar announced that he and King were writing a third installment in the series titled Gwendy's Final Task, this time as a full-length novel, to be released in February 2022.[96][97][98] Music In 1988, the band Blue Öyster Cult recorded an updated version of its 1974 song "Astronomy". The single released for radio play featured a narrative intro spoken by King.[99][100] The Blue Öyster Cult song "(Don't Fear) The Reaper" was also used in the King TV series The Stand.[101] King collaborated with Michael Jackson to create Ghosts (1996), a 40-minute musical video.[102] King states he was motivated to collaborate as he is "always interested in trying something new, and for (him), writing a minimusical would be new".[103] In 2005, King featured with a small spoken word part during the cover version of Everlong (by Foo Fighters) in Bronson Arroyo's album Covering the Bases, at the time, Arroyo was a pitcher for Major League Baseball team Boston Red Sox of whom King is a longtime fan.[104] In 2012, King collaborated with musician Shooter Jennings and his band Hierophant, providing the narration for their album, Black Ribbons.[105] King played guitar for the rock band Rock Bottom Remainders, several of whose members are authors. Other members include Dave Barry, Ridley Pearson, Scott Turow, Amy Tan, James McBride, Mitch Albom, Roy Blount, Jr., Matt Groening, Kathi Kamen Goldmark, Sam Barry, and Greg Iles. King and the other band members collaborated to release an e-book called Hard Listening: The Greatest Rock Band Ever (of Authors) Tells All (June 2013).[106][107] King wrote a musical entitled Ghost Brothers of Darkland County (2012) with musician John Mellencamp.[citation needed] Analysis Writing style and approach Stephen King in 2011 King's formula for learning to write well is: "Read and write four to six hours a day. If you cannot find the time for that, you can't expect to become a good writer." He sets out each day with a quota of 2000 words and will not stop writing until it is met. He also has a simple definition for talent in writing: "If you wrote something for which someone sent you a check, if you cashed the check and it didn't bounce, and if you then paid the light bill with the money, I consider you talented."[108] When asked why he writes, King responds: "The answer to that is fairly simple—there was nothing else I was made to do. I was made to write stories and I love to write stories. That's why I do it. I really can't imagine doing anything else and I can't imagine not doing what I do."[109] He is also often asked why he writes such terrifying stories and he answers with another question: "Why do you assume I have a choice?"[110] King usually begins the story creation process by imagining a "what if" scenario, such as what would happen if a writer is kidnapped by a sadistic nurse in Colorado.[111] King often uses authors as characters, or includes mention of fictional books in his stories, novellas and novels, such as Paul Sheldon, who is the main character in Misery, adult Bill Denbrough in It, Ben Mears in 'Salem's Lot, and Jack Torrance in The Shining. He has extended this to breaking the fourth wall by including himself as a character in The Dark Tower series from The Dark Tower V: Wolves of the Calla onwards. In September 2009 it was announced he would serve as a writer for Fangoria.[112] Influences King has called Richard Matheson "the author who influenced me most as a writer".[113] In a current edition of Matheson's The Shrinking Man, King is quoted as saying, "A horror story if there ever was one...a great adventure story—it is certainly one of that select handful that I have given to people, envying them the experience of the first reading."[citation needed] Other acknowledged influences include H. P. Lovecraft,[114][115] Arthur Machen,[116] Ray Bradbury,[117] Joseph Payne Brennan,[118] Elmore Leonard,[119] John D. MacDonald, and Don Robertson.[120] King's The Shining is immersed in gothic influences, including "The Masque of the Red Death" by Edgar Allan Poe (which was directly influenced by the first gothic novel, Horace Walpole's The Castle of Otranto).[121] The Overlook Hotel acts as a replacement for the traditional gothic castle, and Jack Torrance is a tragic villain seeking redemption.[121] King's favorite books are (in order): The Golden Argosy; Adventures of Huckleberry Finn; The Satanic Verses; McTeague; Lord of the Flies; Bleak House; Nineteen Eighty-Four; The Raj Quartet; Light in August; and Blood Meridian.[122] Critical response Science fiction editors John Clute and Peter Nicholls[123] offer a largely favorable appraisal of King, noting his "pungent prose, sharp ear for dialogue, disarmingly laid-back, frank style, along with his passionately fierce denunciation of human stupidity and cruelty (especially to children) [all of which rank] him among the more distinguished 'popular' writers." In his book The Philosophy of Horror (1990), Noël Carroll discusses King's work as an exemplar of modern horror fiction. Analyzing both the narrative structure of King's fiction and King's non-fiction ruminations on the art and craft of writing, Carroll writes that for King, "the horror story is always a contest between the normal and the abnormal such that the normal is reinstated and, therefore, affirmed."[124] In his analysis of post–World War II horror fiction, The Modern Weird Tale (2001), critic S. T. Joshi devotes a chapter to King's work. Joshi argues that King's best-known works are his worst, describing them as mostly bloated, illogical, maudlin and prone to deus ex machina endings. Despite these criticisms, Joshi argues that since Gerald's Game (1993), King has been tempering the worst of his writing faults, producing books that are leaner, more believable and generally better written.[125] In 1996, King won an O. Henry Award for his short story "The Man in the Black Suit".[126] In his short story collection A Century of Great Suspense Stories, editor Jeffery Deaver noted that King "singlehandedly made popular fiction grow up. While there were many good best-selling writers before him, King, more than anybody since John D. MacDonald, brought reality to genre novels. He has often remarked that 'Salem's Lot was "Peyton Place meets Dracula. And so it was. The rich characterization, the careful and caring social eye, the interplay of story line and character development announced that writers could take worn themes such as vampirism and make them fresh again. Before King, many popular writers found their efforts to make their books serious blue-penciled by their editors. 'Stuff like that gets in the way of the story,' they were told. Well, it's stuff like that that has made King so popular, and helped free the popular name from the shackles of simple genre writing. He is a master of masters."[127] In 2003, King was honored by the National Book Awards with a lifetime achievement award, the Medal of Distinguished Contribution to American Letters. Some in the literary community expressed disapproval of the award: Richard E. Snyder, the former CEO of Simon & Schuster, described King's work as "non-literature" and critic Harold Bloom denounced the choice: The decision to give the National Book Foundation's annual award for "distinguished contribution" to Stephen King is extraordinary, another low in the shocking process of dumbing down our cultural life. I've described King in the past as a writer of penny dreadfuls, but perhaps even that is too kind. He shares nothing with Edgar Allan Poe. What he is is an immensely inadequate writer on a sentence-by-sentence, paragraph-by-paragraph, book-by-book basis.[128] Orson Scott Card responded: Let me assure you that King's work most definitely is literature, because it was written to be published and is read with admiration. What Snyder really means is that it is not the literature preferred by the academic-literary elite.[129] In 2008, King's book On Writing was ranked 21st on Entertainment Weekly's list of "The New Classics: The 100 Best Reads from 1983 to 2008".[130] 11780 US Highway 1 Palm Beach Gardens, FL 33408-3080 Would you like to [edit your e-mail notification preferences or unsubscribe]( from our mailing list? Copyright © 2023 Weiss Ratings. All rights reserved. [Invest Knowledge Media]( InvestKnowledgeMedia.com brought to you by Inception Media, LLC. This editorial email with educational news was sent to {EMAIL}. [Unsubscribe]( to stop receiving marketing communication from us. Please add our email address to your contact book (or mark as important) to guarantee that our emails continue to reach your inbox. A waterfall is any point in a river or stream where water flows over a vertical drop or a series of steep drops. Waterfalls also occur where meltwater drops over the edge of a tabular iceberg or ice shelf. Waterfalls can be formed in several ways, but the most common method of formation is that a river courses over a top layer of resistant bedrock before falling on to softer rock, which erodes faster, leading to an increasingly high fall. Waterfalls have been studied for their impact on species living in and around them. Humans have had a distinct relationship with waterfalls for years, travelling to see them, exploring and naming them. They can present formidable barriers to navigation along rivers. Waterfalls are religious sites in many cultures. Since the 18th century they have received increased attention as tourist destinations, sources of hydropower, and—particularly since the mid-20th century—as subjects of research. Definition and terminology A waterfall is generally defined as a point in a river where water flows over a steep drop that is close to or directly vertical. In 2000 Mabin specified that "The horizontal distance between the positions of the lip and plunge pool should be no more than c 25% of the waterfall height." There are various types and methods to classify waterfalls.[1] Some scholars have included rapids as a subsection.[2] What actually constitutes a waterfall continues to be debated.[3] Waterfalls are sometimes interchangeably referred to as "cascades" and "cataracts", though some sources specify a cataract as being a larger and more powerful waterfall[1][4][5] and a cascade as being smaller.[6] A plunge pool is a type of stream pool formed at the bottom of a waterfall.[7] A waterfall may also be referred to as a "foss" or "force".[8][9] Formation Formation of a waterfall Waterfalls are commonly formed in the upper course of a river where lakes flow into valleys in steep mountains.[10] A river sometimes flows over a large step in the rocks that may have been formed by a fault line. Waterfalls can occur along the edge of a glacial trough, where a stream or river flowing into a glacier continues to flow into a valley after the glacier has receded or melted. The large waterfalls in Yosemite Valley are examples of this phenomenon, which is referred to as a hanging valley. Another reason hanging valleys may form is where two rivers join and one is flowing faster than the other.[10] When warm and cold water meet by a gorge in the ocean, large underwater waterfalls can form as the cold water rushes to the bottom.[11] Caprock model The caprock model of waterfall formation[12] states that the river courses over resistant bedrock, erosion happens slowly and is dominated by impacts of water-borne sediment on the rock, while downstream the erosion occurs more rapidly.[10][13] As the watercourse increases its velocity at the edge of the waterfall, it may pluck material from the riverbed, if the bed is fractured or otherwise more erodible. Hydraulic jets and hydraulic jumps at the toe of a falls can generate large forces to erode the bed,[14] especially when forces are amplified by water-borne sediment. Horseshoe-shaped falls focus the erosion to a central point, also enhancing riverbed change below a waterfalls.[15] A process known as "potholing" involves local erosion of a potentially deep hole in bedrock due to turbulent whirlpools spinning stones around on the bed, drilling it out. Sand and stones carried by the watercourse therefore increase erosion capacity.[10] This causes the waterfall to carve deeper into the bed and to recede upstream. Often over time, the waterfall will recede back to form a canyon or gorge downstream as it recedes upstream, and it will carve deeper into the ridge above it.[16] The rate of retreat for a waterfall can be as high as one-and-a-half metres per year.[10] Often, the rock stratum just below the more resistant shelf will be of a softer type, meaning that undercutting due to splashback will occur here to form a shallow cave-like formation known as a rock shelter under and behind the waterfall. Eventually, the outcropping, more resistant cap rock will collapse under pressure to add blocks of rock to the base of the waterfall. These blocks of rock are then broken down into smaller boulders by attrition as they collide with each other, and they also erode the base of the waterfall by abrasion, creating a deep plunge pool in the gorge downstream.[17] Streams can become wider and shallower just above waterfalls due to flowing over the rock shelf, and there is usually a deep area just below the waterfall because of the kinetic energy of the water hitting the bottom. However, a study of waterfalls systematics reported that waterfalls can be wider or narrower above or below a falls, so almost anything is possible given the right geological and hydrological setting.[18] Waterfalls normally form in a rocky area due to erosion. After a long period of being fully formed, the water falling off the ledge will retreat, causing a horizontal pit parallel to the waterfall wall. Eventually, as the pit grows deeper, the waterfall collapses to be replaced by a steeply sloping stretch of river bed.[10] In addition to gradual processes such as erosion, earth movement caused by earthquakes or landslides or volcanoes can lead to the formation of waterfalls.[17] Ecology The Dettifoss in Iceland on 31 July 1972 Waterfalls are an important factor in determining the distribution of lotic organisms such as fish and aquatic invertebrates, as they may restrict dispersal along streams. The presence or absence of certain species can have cascading ecological effects, and thus cause differences in trophic regimes above and below waterfalls. Certain aquatic plants and insects also specialize in the environment of the waterfall itself.[19][20] A 2012 study of the Agbokim Waterfalls, has suggested that they hold biodiversity to a much higher extent than previously thought.[21] Waterfalls also affect terrestrial species. They create a small microclimate in their immediate vicinity characterized by cooler temperatures and higher humidity than the surrounding region, which may support diverse communities of mosses and liverworts. Species of these plants may have disjunct populations at waterfall zones far from their core range.[22] Waterfalls provide nesting cover for several species of bird, such as the black swift and white-throated dipper. These species preferentially nest in the space behind the falling water, which is thought to be a strategy to avoid predation.[23] Types See also: List of waterfalls by type Type Image Notes Ledge waterfall Water descends vertically over a vertical cliff, maintaining partial contact with the bedrock.[24] May be several types: Block/Sheet: Water descends from a relatively wide stream or river.[13] Classical: Fall height is nearly equal to stream width, forming a square shape.[13] Curtain: Fall height is greater than the width of the falling water stream.[13] Plunge Fast-moving water falls vertically, completely losing contact with the bedrock surface.[17] Punchbowl Water is constricted as it falls and then spreads into a wider pool.[13] Horsetail Falling water mostly maintains contact with bedrock.[17] Several types: Chute: A large quantity of water forced through a narrow, vertical passage.[25] Fan: Water spreads horizontally as it falls while remaining in contact with bedrock.[17] Cascade Water descends a series of rock steps.[13] Tiered/Multi-step/Staircase A series of waterfalls one after another of roughly the same size each with its own sunken plunge pool.[17] Cataract A large, powerful waterfall.[17] Segmented Distinct flows of water form as it descends.[17] Moulin A waterfall in a glacier.[26] An example of an ephemeral waterfall. This one, when flowing, feeds into the Chagrin River. Some waterfalls are also distinct in that they do not flow continuously. Ephemeral waterfalls only flow after a rain or a significant snowmelt.[27][28][29] Waterfalls can also be found underground[30] and in oceans.[11] Humans and waterfalls See also: Hydroelectricity and Hydropower Research The geographer Andrew Goudie wrote in 2020 that waterfalls have received "surprisingly limited research."[31] Alexander von Humboldt wrote about them in the 1820s.[32] There is no name for the specific field of researching waterfalls, and in the published literature been described as "scattered",[33] though it is popular to describe studying waterfalls as "waterfallology".[34] An early paper written on waterfalls was published in 1884 by William Morris Davis, a geologist known as the "father of American geography". In the 1930s Edward Rashleigh published a pioneering work on waterfalls.[2] In 1942 Oscar von Engeln wrote of the lack of research on waterfalls:[35] Waterfall sites more than any other geomorphic feature attract and hold the interest of the general public. Because they have such a popular approval waterfalls are not given serious attention by some students of systematic geomorphology. This attitude is not to be commended. Waterfalls are significant items for geomorphic investigation. As late as 1985 a scholar felt that "waterfalls remain a very much neglected aspect of river studies".[36] Studies of waterfalls increased dramatically in the second half of the 20th century. Numerous waterfall guidebooks exist, and the World Waterfall Database is a website cataloging thousands of waterfalls.[2] Exploration and naming Niagara Falls, from the American Side (Frederic Edwin Church, 1867) Many explorers have visited waterfalls.[31] European explorers recorded waterfalls they came across. In 1493, Christopher Columbus noted Carbet Falls in Guadeloupe, which was likely the first waterfall Europeans recorded seeing in the Americas. In the late 1600s, Louis Hennepin visited North America, providing early descriptions of Niagara Falls and the Saint Anthony Falls. The geographer Brian J. Hudson argues that it was uncommon to specifically name waterfalls until the 1700s. The trend of Europeans specifically naming falls was in tandem with increased scientific focus on nature, the rise of Romanticism, and increased importance of hydropower with the Industrial Revolution. European explorers often ignored the names native peoples had given the falls in favor of a "European" name; for instance, David Livingstone named Victoria Falls after Queen Victoria, though it was already known as Mosi-oa-Tunya. Many waterfalls have descriptive names which can come from the river they are on, places they are near, their features, or events that happened near them.[2] Some countries that were colonized by European nations have taken steps to return names to waterfalls previously renamed by European explorers.[2] Exploration of waterfalls continues; the Gocta Cataracts were first announced to the world in 2006.[37] Waterfalls can pose major barriers to travel. Canals are sometimes built as a method to go around them, other times things must be physically carried around or a railway built.[17][38] In 1885, the geographer George Chisholm wrote that, "The most signal example of the effect of waterfalls and rapids in retarding the development of civilisation is undoubtedly presented by the continent of Africa, the 'darkness' of which is almost entirely due to this cause."[39] Development and tourism Waterfalls are often visited by people simply to see them. Hudson theorizes that they make good tourism sites because they are generally considered beautiful and are relatively uncommon.[40] Activities at waterfalls can include bathing, swimming, photography, rafting, canyoning, abseiling, rock climbing, and ice climbing.[35] Waterfalls can also be sites for generating hydroelectric power and can hold good fishing opportunities.[41] Wealthy people were known to visit areas with features such as waterfalls at least as early as in Ancient Rome and China. However, many waterfalls were essentially inaccessible due to the treacherous terrain surrounding them until improvements began to be made such as paths to the falls, becoming common across the United Kingdom and America in the 1800s and continuing through the 1900s and into the 21st century. Remote waterfalls are now often visited by air travel.[40] Human development has also threatened many waterfalls. For instance, the Guaíra Falls, once one of the most powerful waterfalls in the world, were submerged in 1982 by a human-made dam, as were the Ripon Falls in 1952. Conversely, other waterfalls have seen significantly lower water levels as a result of diversion for hydroelectricity, such as the Tyssestrengene in Norway.[42] Development of the areas around falls as tourist attractions has also destroyed the natural scene around many of them.[40] Waterfalls are included on thirty-eight World Heritage Sites[31] and many others are protected by governments.[43] In culture A man practicing sādhanā in Japan Waterfalls play a role in many cultures, as religious sites and subjects of art and music.[31][43] Many artists have painted waterfalls and they are referenced in many songs, such as those of the Kaluli people in Papua New Guinea. Michael Harner titled his study of the Jivaroan peoples of Ecuador The Jivaro: People of the Sacred Waterfalls.[43] Artists such as those of the Hudson River School and J. M. W. Turner and John Sell Cotman painted particularly notable pictures of waterfalls in the 19th century.[44] One of the versions of the Shinto purification ceremony of misogi involves standing underneath a waterfall in ritual clothing.[45] In Japan the Nachi Falls are a site of pilgrimage, as are falls near Tirupati, India, and the Saut-d'Eau, Haiti.[43] The Otavalos use Piguchi waterfall as part of the Churru ritual which serves as a coming of age ceremony.[46] Many waterfalls in Africa were places of worship for the native peoples and got their names from gods in the local religion.[21] "In Chinese tradition, the waterfall represents" the season of autumn, yin, and the Chinese dragon's power over water that comes from the former two.[47] List Main articles: List of waterfalls, List of waterfalls by flow rate, and List of waterfalls by type Shaki Waterfall in Armenia There are thousands of waterfalls in the world, though no exact number has been calculated. The World Waterfall Database lists 7,827 as of 2013, but this is likely incomplete; as noted by Hudson, over 90% of their listings are in North America. Many guidebooks to local waterfalls have been published.[3] There is also no agreement how to measure the height of a waterfall,[1] or even what constitutes one.[3] Angel Falls in Venezuela is the tallest waterfall in the world, the Khone Phapheng Falls in Laos are the widest,[17] and the Inga Falls on the Congo River are the biggest by flow rate,[48] while the Dry Falls in Washington are the largest confirmed waterfalls ever.[49] The highest known subterranean waterfall is in Vrtoglavica Cave in Slovenia.[50] The largest known oceanic waterfall is the Denmark Strait cataract.[11] Artificial waterfalls are water features or fountains that imitate a natural waterfall.[51] The Cascata delle Marmore is the tallest artificially built waterfall at 541 feet (165 m).[52] Inception Media, LLC appreciates your comments and inquiries. 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