📣 W̲A̲R̲N̲I̲N̲G̲: This Tesla Footage Could Shock You

𝖳𝗈 𝖽𝗂𝗌𝖼𝗈𝗏𝖾𝗋 𝗍𝗁𝖾 𝗍𝗋𝗎𝗍𝗁 𝖺𝖻𝗈𝗎𝗍 𝖤𝗅𝗈𝗇 𝖬𝗎𝗌𝗄’𝗌 𝗇𝖾𝗐 𝖠𝖨 𝗉𝗋𝗈𝗃𝖾𝖼𝗍… [Invest Knowledge Media]( [Teeka Tiwari Video Preview]( I recently took a ride in a self-driving Tesla… To discover the truth about Elon Musk’s new AI project… And I was not prepared for what happened next… [Click here to learn what I found out]( Stephen Edwin King (born September 21, 1947) is an American author of horror, supernatural fiction, suspense, crime, science-fiction, and fantasy novels. Described as the "King of Horror", a play on his surname and a reference to his high standing in pop culture,[2] his books have sold more than 350 million copies,[3] and many have been adapted into films, television series, miniseries, and comic books. King has published 64 novels, including seven under the pen name Richard Bachman, and five non-fiction books.[4] He has also written approximately 200 short stories, most of which have been published in book collections.[5][6] King has received Bram Stoker Awards, World Fantasy Awards, and British Fantasy Society Awards. In 2003, the National Book Foundation awarded him the Medal for Distinguished Contribution to American Letters.[7] He has also received awards for his contribution to literature for his entire bibliography, such as the 2004 World Fantasy Award for Life Achievement and the 2007 Grand Master Award from the Mystery Writers of America.[8] In 2015, he was awarded with a National Medal of Arts from the U.S. National Endowment for the Arts for his contributions to literature.[9] Early life King was born in Portland, Maine, on September 21, 1947. His father, Donald Edwin King, a travelling vacuum salesman after returning from World War II,[10] was born in Indiana with the surname Pollock, changing it to King as an adult.[11][12][13] King's mother was Nellie Ruth King (née Pillsbury).[13] His parents were married in Scarborough, Maine on July 23, 1939.[14] Shortly afterwards, they lived with Donald's family in Chicago before moving to Croton-on-Hudson, New York.[15] King's parents returned to Maine towards the end of World War II, living in a modest house in Scarborough. When King was two, his father left the family. His mother raised him and his older brother David by herself, sometimes under great financial strain. They moved from Scarborough and depended on relatives in Chicago; Croton-on-Hudson; West De Pere, Wisconsin; Fort Wayne, Indiana; Malden, Massachusetts; and Stratford, Connecticut.[16][17] When King was 11, his family moved to Durham, Maine, where his mother cared for her parents until their deaths. She then became a caregiver in a local residential facility for the mentally challenged.[1] King was raised Methodist,[18][19] but lost his belief in organized religion while in high school. While no longer religious, he says he chooses to believe in the existence of God.[20] As a child, King apparently witnessed one of his friends being struck and killed by a train, though he has no memory of the event. His family told him that after leaving home to play with the boy, King returned speechless and seemingly in shock. Only later did the family learn of the friend's death. Some commentators have suggested that this event may have psychologically inspired some of King's darker works,[21] but King makes no mention of it in his memoir On Writing (2000). He related in detail his primary inspiration for writing horror fiction in his non-fiction Danse Macabre (1981), in a chapter titled "An Annoying Autobiographical Pause". He compared his uncle's dowsing for water using the bough of an apple branch with the sudden realization of what he wanted to do for a living. That inspiration occurred while browsing through an attic with his elder brother, when King uncovered a paperback version of an H. P. Lovecraft collection of short stories he remembers as The Lurker in the Shadows, that had belonged to his father. King told Barnes & Noble Studios in a 2009 interview, "I knew that I'd found home when I read that book."[22] King attended Durham Elementary School and graduated from Lisbon Falls High School in Lisbon Falls, Maine, in 1966.[23] He displayed an early interest in horror as an avid reader of EC horror comics, including Tales from the Crypt, and he later paid tribute to the comics in his screenplay for Creepshow. He began writing for fun while in school, contributing articles to Dave's Rag, the newspaper his brother published with a mimeograph machine, and later began selling stories to his friends based on movies he had seen. (He was forced to return the profits when it was discovered by his teachers.) The first of his stories to be independently published was "I Was a Teenage Grave Robber", which was serialized over four issues (three published and one unpublished) of a fanzine, Comics Review, in 1965. It was republished the following year in revised form, as "In a Half-World of Terror", in another fanzine, Stories of Suspense, edited by Marv Wolfman.[24] As a teen, King also won a Scholastic Art and Writing Award.[25] King entered the University of Maine in 1966, and graduated in 1970 with a Bachelor of Arts in English.[26] That year, his daughter Naomi Rachel was born. He wrote a column, Steve King's Garbage Truck, for the student newspaper, The Maine Campus, and participated in a writing workshop organized by Burton Hatlen.[27] King held a variety of jobs to pay for his studies, including as a janitor, a gas-station attendant, and an industrial laundry worker. He met his wife, fellow student Tabitha Spruce, at the university's Raymond H. Fogler Library after one of Professor Hatlen's workshops; they wed in 1971.[27] Career Beginnings In 1971, King worked as a teacher at Hampden Academy King sold his first professional short story, "The Glass Floor", to Startling Mystery Stories in 1967.[1] After graduating from the University of Maine, King earned a certificate to teach high school but, unable to find a teaching post immediately, he supplemented his laboring wage by selling short stories to men's magazines such as Cavalier. Many of these early stories were republished in the collection Night Shift. The short story "The Raft" was published in Adam, a men's magazine. After being arrested for stealing traffic cones (he was annoyed after one of the cones knocked his muffler loose), he was fined $250 for petty larceny but had no money to pay. However, a check then arrived for "The Raft" (then titled "The Float"), and King cashed it to pay the fine.[28] In 1971, King was hired as a teacher at Hampden Academy in Hampden, Maine. He continued to contribute short stories to magazines and worked on ideas for novels.[1] During 1966–1970, he wrote a draft about his dystopian novel called The Long Walk[29] and the anti-war novel Sword in the Darkness,[30][31] but neither of the works was published at the time; only The Long Walk was later released in 1979. Carrie and aftermath In 1973, King's novel, Carrie, was accepted by publishing house, Doubleday. It was King's fourth novel,[32] but the first to be published. He wrote it on his wife Tabitha's portable typewriter. It began as a short story intended for Cavalier magazine, but King tossed the first three pages in the garbage can.[33] Tabitha recovered the pages and encouraged him to finish the story, saying she would help him with the female perspective; he followed her advice and expanded it into a novel.[34] He said: "I persisted because I was dry and had no better ideas… My considered opinion was that I had written the world's all-time loser."[35] According to The Guardian, Carrie "is the story of Carrie White, a high-school student with latent—and then, as the novel progresses, developing—telekinetic powers. It's brutal in places, affecting in others (Carrie's relationship with her almost hysterically religious mother being a particularly damaged one), and gory in even more."[36] When Carrie was chosen for publication, King's phone was out of service. Doubleday editor William Thompson—who became King's close friend—sent a telegram to King's house in late March or early April 1973[37] which read: "Carrie Officially A Doubleday Book. $2,500 Advance Against Royalties. Congrats, Kid – The Future Lies Ahead, Bill."[38] King said he bought a new Ford Pinto with the advance.[37] On May 13, 1973, New American Library bought the paperback rights for $400,000, which—in accordance with King's contract with Doubleday—was split between them.[39][40] Carrie set King's career in motion and became a significant novel in the horror genre. In 1976, it was made into a successful horror film.[41] King's 'Salem's Lot was published in 1975. In a 1987 issue of The Highway Patrolman magazine, he said, "The story seems sort of down home to me. I have a special cold spot in my heart for it!"[42] After his mother's death, King and his family moved to Boulder, Colorado, where he wrote The Shining (published 1977). The family returned to Auburn, Maine in 1975, where he completed The Stand (published 1978). In 1977, the family, with the addition of Owen Philip, his third and youngest child, traveled briefly to England. They returned to Maine that fall, where King began teaching creative writing at the University of Maine.[43] In 1982, King published Different Seasons, a collection of four novellas with a more serious dramatic bent than the horror fiction for which he is famous.[44] It is notable for having three of its four novellas turned into Hollywood films: Stand by Me (1986) was adapted from The Body;[45] The Shawshank Redemption (1994) was adapted from Rita Hayworth and Shawshank Redemption;[46] and Apt Pupil (1998) was adapted from the novella of the same name.[47][48] In 1985, King wrote his first work for the comic book medium,[49] writing a few pages of the benefit X-Men comic book Heroes for Hope Starring the X-Men. The book, whose profits were donated to famine relief in Africa, was written by a number of different authors in the comic book field, such as Chris Claremont, Stan Lee, and Alan Moore, as well as authors not primarily associated with comics, such as Harlan Ellison.[50] The following year, King published It (1986), which was the best-selling hardcover novel in the United States that year,[51] and wrote the introduction to Batman No. 400, an anniversary issue where he expressed his preference for the character over Superman.[52][53] The Dark Tower books Main article: The Dark Tower (series) In the late 1970s, King began what became a series of interconnected stories about a lone gunslinger, Roland, who pursues the "Man in Black" in an alternate-reality universe that is a cross between J. R. R. Tolkien's Middle-earth and the American Wild West as depicted by Clint Eastwood and Sergio Leone in their spaghetti Westerns. The first of these stories, The Dark Tower: The Gunslinger, was initially published in five installments by The Magazine of Fantasy & Science Fiction under the editorship of Edward L. Ferman, from 1977 to 1981. The Gunslinger was continued as an eight-book epic series called The Dark Tower, whose books King wrote and published infrequently over four decades (1978-2012).[54] Pseudonyms In the late 1970s and early 1980s, King published a handful of short novels—Rage (1977), The Long Walk (1979), Roadwork (1981), The Running Man (1982) and Thinner (1984)—under the pseudonym Richard Bachman. The idea behind this was to test whether he could replicate his success again and to allay his fears that his popularity was an accident. An alternate explanation was that publishing standards at the time allowed only a single book a year.[55] He picked up the name from the Canadian hard rock band Bachman–Turner Overdrive, of which he is a fan.[56] Richard Bachman was exposed as King's pseudonym by a persistent Washington, D.C. bookstore clerk, Steve Brown, who noticed similarities between the works and later located publisher's records at the Library of Congress that named King as the author of one of Bachman's novels.[57] This led to a press release heralding Bachman's "death"—supposedly from "cancer of the pseudonym".[58] King dedicated his 1989 book The Dark Half, about a pseudonym turning on a writer, to "the deceased Richard Bachman", and in 1996, when the Stephen King novel Desperation was released, the companion novel The Regulators carried the "Bachman" byline. In 2006, during a press conference in London, King declared that he had discovered another Bachman novel, titled Blaze. It was published on June 12, 2007. In fact, the original manuscript had been held at King's Alma mater, the University of Maine in Orono, for many years and had been covered by numerous King experts. King rewrote the original 1973 manuscript for its publication.[59] King has used other pseudonyms. The short story "The Fifth Quarter" was published under the pseudonym John Swithen (the name of a character in the novel Carrie), by Cavalier in April 1972.[60] The story was reprinted in King's collection Nightmares & Dreamscapes in 1993 under his own name. In the introduction to the Bachman novel Blaze, King claims, with tongue-in-cheek, that "Bachman" was the person using the Swithen pseudonym. The "children's book" Charlie the Choo-Choo: From the World of The Dark Tower was published in 2016 under the pseudonym Beryl Evans, who was portrayed by actress Allison Davies during a book signing at San Diego Comic-Con,[61] and illustrated by Ned Dameron. It is adapted from a fictional book central to the plot of King's previous novel The Dark Tower III: The Waste Lands.[62] Digital era Stephen King at the Harvard Book Store, June 6, 2005 In 2000, King published online a serialized horror novel, The Plant.[63] At first the public assumed that King had abandoned the project because sales were unsuccessful, but King later stated that he had simply run out of stories.[64] The unfinished epistolary novel is still available from King's official site, now free. Also in 2000, he wrote a digital novella, Riding the Bullet, and saying he foresaw e-books becoming 50% of the market "probably by 2013 and maybe by 2012". However, he also stated: "Here's the thing—people tire of the new toys quickly."[65] King wrote the first draft of the 2001 novel Dreamcatcher with a notebook and a Waterman fountain pen, which he called "the world's finest word processor".[66] In August 2003, King began writing a column on pop culture appearing in Entertainment Weekly, usually every third week. The column was called The Pop of King (a play on the nickname "The King of Pop" commonly attributed to Michael Jackson).[67] In 2006, King published an apocalyptic novel, Cell. The book features a sudden force in which every cell phone user turns into a mindless killer. King noted in the book's introduction that he does not use cell phones.[68][69] In 2008, King published both a novel, Duma Key, and a collection, Just After Sunset. The latter featured 13 short stories, including a previously unpublished novella, N. Starting July 28, 2008, N. was released as a serialized animated series to lead up to the release of Just After Sunset.[70] In 2009, King published Ur, a novella written exclusively for the launch of the second-generation Amazon Kindle and available only on Amazon.com, and Throttle, a novella co-written with his son Joe Hill and released later as an audiobook titled Road Rage, which included Richard Matheson's short story "Duel". King's novel Under the Dome was published on November 10 of that year; it is a reworking of an unfinished novel he tried writing twice in the late 1970s and early 1980s, and at 1,074 pages, it is the largest novel he has written since It (1986). Under the Dome debuted at No. 1 in The New York Times Bestseller List.[71] On February 16, 2010, King announced on his Web site that his next book would be a collection of four previously unpublished novellas called Full Dark, No Stars. In April of that year, King published Blockade Billy, an original novella issued first by independent small press Cemetery Dance Publications and later released in mass-market paperback by Simon & Schuster. The following month, DC Comics premiered American Vampire, a monthly comic book series written by King with short-story writer Scott Snyder, and illustrated by Rafael Albuquerque, which represents King's first original comics work.[72][73][74] King wrote the background history of the very first American vampire, Skinner Sweet, in the first five-issues story arc. Scott Snyder wrote the story of Pearl.[75] King's next novel, 11/22/63, was published November 8, 2011,[76][77] and was nominated for the 2012 World Fantasy Award Best Novel.[78] The eighth Dark Tower volume, The Wind Through the Keyhole, was published in 2012.[79] King's next book was Joyland, a novel about "an amusement-park serial killer", according to an article in The Sunday Times, published on April 8, 2012.[80] During his Chancellor's Speaker Series talk at University of Massachusetts Lowell on December 7, 2012, King indicated that he was writing a crime novel about a retired policeman being taunted by a murderer. With a working title Mr. Mercedes and inspired by a true event about a woman driving her car into a McDonald's restaurant, it was originally meant to be a short story just a few pages long.[81] In an interview with Parade, published on May 26, 2013, King confirmed that the novel was "more or less" completed[82] he published it in June 2014. Later, on June 20, 2013, while doing a video chat with fans as part of promoting the upcoming Under the Dome TV series, King mentioned he was halfway through writing his next novel, Revival,[83] which was released November 11, 2014.[84] King announced in June 2014 that Mr. Mercedes is part of a trilogy; the second book, Finders Keepers, was released on June 2, 2015. On April 22, 2015, it was revealed that King was working on the third book of the trilogy, End of Watch, which was ultimately released on June 7, 2016.[85][86] During a tour to promote End of Watch, King revealed that he had collaborated on a novel, set in a women's prison in West Virginia, with his son, Owen King, titled Sleeping Beauties.[87] In 2018, he released the novel The Outsider, which featured the character of Holly Gibney, and the novella Elevation. In 2019, he released the novel The Institute. In 2020, King released If It Bleeds, a collection of four previously unpublished novellas. In 2022, King released his latest novel, Fairy Tale. Collaborations Writings King has written two novels with horror novelist Peter Straub: The Talisman (1984) and a sequel, Black House (2001). King has indicated that he and Straub would likely write the third and concluding book in this series, the tale of Jack Sawyer,[citation needed] but after Straub passed away in 2022 the future of the series is in doubt. King produced an artist's book with designer Barbara Kruger, My Pretty Pony (1989), published in a limited edition of 250 by the Library Fellows of the Whitney Museum of American Art. Alfred A. Knopf released it in a general trade edition.[88] The Diary of Ellen Rimbauer: My Life at Rose Red (2001) was a paperback tie-in for the King-penned miniseries Rose Red (2002). Published under anonymous authorship, the book was written by Ridley Pearson. The novel is written in the form of a diary by Ellen Rimbauer, and annotated by the fictional professor of paranormal activity, Joyce Reardon. The novel also presents a fictional afterword by Ellen Rimbauer's grandson, Steven. Intended to be a promotional item rather than a stand-alone work, its popularity spawned a 2003 prequel television miniseries to Rose Red, titled The Diary of Ellen Rimbauer. This spin-off is a rare occasion of another author being granted permission to write commercial work using characters and story elements invented by King. The novel tie-in idea was repeated on Stephen King's next project, the miniseries Kingdom Hospital. Richard Dooling, King's collaborator on Kingdom Hospital and writer of several episodes in the miniseries, published a fictional diary, The Journals of Eleanor Druse, in 2004. Eleanor Druse is a key character in Kingdom Hospital, much as Dr. Joyce Readon and Ellen Rimbauer are key characters in Rose Red.[citation needed] Throttle (2009), a novella written in collaboration with his son Joe Hill, appears in the anthology He Is Legend: Celebrating Richard Matheson.[89] Their second novella collaboration, In the Tall Grass (2012), was published in two parts in Esquire.[90][91] It was later released in e-book and audiobook formats, the latter read by Stephen Lang.[92] King and his son Owen King wrote the novel Sleeping Beauties, released in 2017, that is set in a women's prison.[93] King and Richard Chizmar collaborated to write Gwendy's Button Box (2017), a horror novella taking place in King's fictional town of Castle Rock.[94] A sequel titled Gwendy's Magic Feather (2019) was written solely by Chizmar.[95] In November 2020, Chizmar announced that he and King were writing a third installment in the series titled Gwendy's Final Task, this time as a full-length novel, to be released in February 2022.[96][97][98] Music In 1988, the band Blue Öyster Cult recorded an updated version of its 1974 song "Astronomy". The single released for radio play featured a narrative intro spoken by King.[99][100] The Blue Öyster Cult song "(Don't Fear) The Reaper" was also used in the King TV series The Stand.[101] King collaborated with Michael Jackson to create Ghosts (1996), a 40-minute musical video.[102] King states he was motivated to collaborate as he is "always interested in trying something new, and for (him), writing a minimusical would be new".[103] In 2005, King featured with a small spoken word part during the cover version of Everlong (by Foo Fighters) in Bronson Arroyo's album Covering the Bases, at the time, Arroyo was a pitcher for Major League Baseball team Boston Red Sox of whom King is a longtime fan.[104] In 2012, King collaborated with musician Shooter Jennings and his band Hierophant, providing the narration for their album, Black Ribbons.[105] King played guitar for the rock band Rock Bottom Remainders, several of whose members are authors. Other members include Dave Barry, Ridley Pearson, Scott Turow, Amy Tan, James McBride, Mitch Albom, Roy Blount, Jr., Matt Groening, Kathi Kamen Goldmark, Sam Barry, and Greg Iles. King and the other band members collaborated to release an e-book called Hard Listening: The Greatest Rock Band Ever (of Authors) Tells All (June 2013).[106][107] King wrote a musical entitled Ghost Brothers of Darkland County (2012) with musician John Mellencamp.[citation needed] Analysis Writing style and approach Stephen King in 2011 King's formula for learning to write well is: "Read and write four to six hours a day. If you cannot find the time for that, you can't expect to become a good writer." He sets out each day with a quota of 2000 words and will not stop writing until it is met. He also has a simple definition for talent in writing: "If you wrote something for which someone sent you a check, if you cashed the check and it didn't bounce, and if you then paid the light bill with the money, I consider you talented."[108] When asked why he writes, King responds: "The answer to that is fairly simple—there was nothing else I was made to do. I was made to write stories and I love to write stories. That's why I do it. I really can't imagine doing anything else and I can't imagine not doing what I do."[109] He is also often asked why he writes such terrifying stories and he answers with another question: "Why do you assume I have a choice?"[110] King usually begins the story creation process by imagining a "what if" scenario, such as what would happen if a writer is kidnapped by a sadistic nurse in Colorado.[111] King often uses authors as characters, or includes mention of fictional books in his stories, novellas and novels, such as Paul Sheldon, who is the main character in Misery, adult Bill Denbrough in It, Ben Mears in 'Salem's Lot, and Jack Torrance in The Shining. He has extended this to breaking the fourth wall by including himself as a character in The Dark Tower series from The Dark Tower V: Wolves of the Calla onwards. In September 2009 it was announced he would serve as a writer for Fangoria.[112] Influences King has called Richard Matheson "the author who influenced me most as a writer".[113] In a current edition of Matheson's The Shrinking Man, King is quoted as saying, "A horror story if there ever was one...a great adventure story—it is certainly one of that select handful that I have given to people, envying them the experience of the first reading."[citation needed] Other acknowledged influences include H. P. Lovecraft,[114][115] Arthur Machen,[116] Ray Bradbury,[117] Joseph Payne Brennan,[118] Elmore Leonard,[119] John D. MacDonald, and Don Robertson.[120] King's The Shining is immersed in gothic influences, including "The Masque of the Red Death" by Edgar Allan Poe (which was directly influenced by the first gothic novel, Horace Walpole's The Castle of Otranto).[121] The Overlook Hotel acts as a replacement for the traditional gothic castle, and Jack Torrance is a tragic villain seeking redemption.[121] King's favorite books are (in order): The Golden Argosy; Adventures of Huckleberry Finn; The Satanic Verses; McTeague; Lord of the Flies; Bleak House; Nineteen Eighty-Four; The Raj Quartet; Light in August; and Blood Meridian.[122] Critical response Science fiction editors John Clute and Peter Nicholls[123] offer a largely favorable appraisal of King, noting his "pungent prose, sharp ear for dialogue, disarmingly laid-back, frank style, along with his passionately fierce denunciation of human stupidity and cruelty (especially to children) [all of which rank] him among the more distinguished 'popular' writers." In his book The Philosophy of Horror (1990), Noël Carroll discusses King's work as an exemplar of modern horror fiction. Analyzing both the narrative structure of King's fiction and King's non-fiction ruminations on the art and craft of writing, Carroll writes that for King, "the horror story is always a contest between the normal and the abnormal such that the normal is reinstated and, therefore, affirmed."[124] In his analysis of post–World War II horror fiction, The Modern Weird Tale (2001), critic S. T. Joshi devotes a chapter to King's work. Joshi argues that King's best-known works are his worst, describing them as mostly bloated, illogical, maudlin and prone to deus ex machina endings. Despite these criticisms, Joshi argues that since Gerald's Game (1993), King has been tempering the worst of his writing faults, producing books that are leaner, more believable and generally better written.[125] In 1996, King won an O. Henry Award for his short story "The Man in the Black Suit".[126] In his short story collection A Century of Great Suspense Stories, editor Jeffery Deaver noted that King "singlehandedly made popular fiction grow up. While there were many good best-selling writers before him, King, more than anybody since John D. MacDonald, brought reality to genre novels. He has often remarked that 'Salem's Lot was "Peyton Place meets Dracula. And so it was. The rich characterization, the careful and caring social eye, the interplay of story line and character development announced that writers could take worn themes such as vampirism and make them fresh again. Before King, many popular writers found their efforts to make their books serious blue-penciled by their editors. 'Stuff like that gets in the way of the story,' they were told. Well, it's stuff like that that has made King so popular, and helped free the popular name from the shackles of simple genre writing. He is a master of masters."[127] In 2003, King was honored by the National Book Awards with a lifetime achievement award, the Medal of Distinguished Contribution to American Letters. Some in the literary community expressed disapproval of the award: Richard E. Snyder, the former CEO of Simon & Schuster, described King's work as "non-literature" and critic Harold Bloom denounced the choice: The decision to give the National Book Foundation's annual award for "distinguished contribution" to Stephen King is extraordinary, another low in the shocking process of dumbing down our cultural life. I've described King in the past as a writer of penny dreadfuls, but perhaps even that is too kind. He shares nothing with Edgar Allan Poe. What he is is an immensely inadequate writer on a sentence-by-sentence, paragraph-by-paragraph, book-by-book basis.[128] Orson Scott Card responded: Let me assure you that King's work most definitely is literature, because it was written to be published and is read with admiration. What Snyder really means is that it is not the literature preferred by the academic-literary elite.[129] In 2008, King's book On Writing was ranked 21st on Entertainment Weekly's list of "The New Classics: The 100 Best Reads from 1983 to 2008".[130]   [Invest Knowledge Media]( InvestKnowledgeMedia.com brought to you by Inception Media, LLC. This editorial email with educational news was sent to {EMAIL}. [Unsubscribe]( to stop receiving marketing communication from us. Please add our email address to your contact book (or mark as important) to guarantee that our emails continue to reach your inbox. The Internet (or internet)[a] is the global system of interconnected computer networks that uses the Internet protocol suite (TCP/IP)[b] to communicate between networks and devices. It is a network of networks that consists of private, public, academic, business, and government networks of local to global scope, linked by a broad array of electronic, wireless, and optical networking technologies. The Internet carries a vast range of information resources and services, such as the interlinked hypertext documents and applications of the World Wide Web (WWW), electronic mail, telephony, and file sharing. The origins of the Internet date back to research to enable time-sharing of computer resources and the development of packet switching in the 1960s.[2] The set of rules (communication protocols) to enable internetworking on the Internet arose from research and development commissioned in the 1970s by the Defense Advanced Research Projects Agency (DARPA) of the United States Department of Defense in collaboration with universities and researchers across the United States and in the United Kingdom and France.[3][4][5] The ARPANET initially served as a backbone for the interconnection of regional academic and military networks in the United States to enable resource sharing. The funding of the National Science Foundation Network as a new backbone in the 1980s, as well as private funding for other commercial extensions, encouraged worldwide participation in the development of new networking technologies and the merger of many networks using DARPA's Internet protocol suite.[6] The linking of commercial networks and enterprises by the early 1990s, as well as the advent of the World Wide Web,[7] marked the beginning of the transition to the modern Internet,[8] and generated a sustained exponential growth as generations of institutional, personal, and mobile computers were connected to the network. Although the Internet was widely used by academia in the 1980s, subsequent commercialization is what incorporated its services and technologies into virtually every aspect of modern life. Most traditional communication media, including telephone, radio, television, paper mail, and newspapers, are reshaped, redefined, or even bypassed by the Internet, giving birth to new services such as email, Internet telephone, Internet television, online music, digital newspapers, and video streaming websites. Newspaper, book, and other print publishing have adapted to website technology or have been reshaped into blogging, web feeds, and online news aggregators. The Internet has enabled and accelerated new forms of personal interaction through instant messaging, Internet forums, and social networking services. Online shopping has grown exponentially for major retailers, small businesses, and entrepreneurs, as it enables firms to extend their "brick and mortar" presence to serve a larger market or even sell goods and services entirely online. Business-to-business and financial services on the Internet affect supply chains across entire industries. The Internet has no single centralized governance in either technological implementation or policies for access and usage; each constituent network sets its own policies.[9] The overarching definitions of the two principal name spaces on the Internet, the Internet Protocol address (IP address) space and the Domain Name System (DNS), are directed by a maintainer organization, the Internet Corporation for Assigned Names and Numbers (ICANN). The technical underpinning and standardization of the core protocols is an activity of the Internet Engineering Task Force (IETF), a non-profit organization of loosely affiliated international participants that anyone may associate with by contributing technical expertise.[10] In November 2006, the Internet was included on USA Today's list of the New Seven Wonders.[11] Terminology Further information: Capitalization of Internet and internetworking The word internetted was used as early as 1849, meaning interconnected or interwoven.[12] The word Internet was used in 1945 by the United States War Department in a radio operator's manual,[13] and in 1974 as the shorthand form of Internetwork.[14] Today, the term Internet most commonly refers to the global system of interconnected computer networks, though it may also refer to any group of smaller networks.[15] When it came into common use, most publications treated the word Internet as a capitalized proper noun; this has become less common.[15] This reflects the tendency in English to capitalize new terms and move them to lowercase as they become familiar.[15][16] The word is sometimes still capitalized to distinguish the global internet from smaller networks, though many publications, including the AP Stylebook since 2016, recommend the lowercase form in every case.[15][16] In 2016, the Oxford English Dictionary found that, based on a study of around 2.5 billion printed and online sources, "Internet" was capitalized in 54% of cases.[17] The terms Internet and World Wide Web are often used interchangeably; it is common to speak of "going on the Internet" when using a web browser to view web pages. However, the World Wide Web, or the Web, is only one of a large number of Internet services,[18] a collection of documents (web pages) and other web resources linked by hyperlinks and URLs.[19] History Main articles: History of the Internet and History of the World Wide Web In the 1960s, computer scientists began developing systems for time-sharing of computer resources.[20][21] J. C. R. Licklider proposed the idea of a universal network while working at Bolt Beranek & Newman and, later, leading the Information Processing Techniques Office (IPTO) at the Advanced Research Projects Agency (ARPA) of the United States Department of Defense (DoD). Research into packet switching, one of the fundamental Internet technologies, started in the work of Paul Baran in the early 1960s and, independently, Donald Davies in 1965.[2][22] After the Symposium on Operating Systems Principles in 1967, packet switching from the proposed NPL network was incorporated into the design of the ARPANET, an experimental resource sharing network proposed by ARPA.[23][24][25] ARPANET development began with two network nodes which were interconnected between the University of California, Los Angeles (UCLA) and SRI International (SRI) on 29 October 1969.[26] The third site was at the University of California, Santa Barbara, followed by the University of Utah. In a sign of future growth, 15 sites were connected to the young ARPANET by the end of 1971.[27][28] These early years were documented in the 1972 film Computer Networks: The Heralds of Resource Sharing.[29] Thereafter, the ARPANET gradually developed into a decentralized communications network, connecting remote centers and military bases in the United States.[30] Other user networks and research networks, such as the Merit Network and CYCLADES, were developed in the late 1960s and early 1970s.[31] Early international collaborations for the ARPANET were rare. Connections were made in 1973 to the Norwegian Seismic Array (NORSAR),[32] and to Peter Kirstein's research group at University College London, which provided a gateway to British academic networks, forming the first internetwork for resource sharing.[33] ARPA projects, international working groups and commercial initiatives led to the development of various protocols and standards by which multiple separate networks could become a single network or "a network of networks".[34] In 1974, Bob Kahn at DARPA and Vint Cerf at Stanford University published their ideas for "A Protocol for Packet Network Intercommunication".[35] They used the term internet as a shorthand for internetwork in RFC 675,[14] and later RFCs repeated this use. Kahn and Cerf credit Louis Pouzin with important influences on the resulting TCP/IP design.[36] National PTTs and commercial providers developed the X.25 standard and deployed it on public data networks.[37] Access to the ARPANET was expanded in 1981 when the National Science Foundation (NSF) funded the Computer Science Network (CSNET). In 1982, the Internet Protocol Suite (TCP/IP) was standardized, which permitted worldwide proliferation of interconnected networks. TCP/IP network access expanded again in 1986 when the National Science Foundation Network (NSFNet) provided access to supercomputer sites in the United States for researchers, first at speeds of 56 kbit/s and later at 1.5 Mbit/s and 45 Mbit/s.[38] The NSFNet expanded into academic and research organizations in Europe, Australia, New Zealand and Japan in 1988–89.[39][40][41][42] Although other network protocols such as UUCP and PTT public data networks had global reach well before this time, this marked the beginning of the Internet as an intercontinental network. Commercial Internet service providers (ISPs) emerged in 1989 in the United States and Australia.[43] The ARPANET was decommissioned in 1990.[44] T3 NSFNET Backbone, c. 1992 Steady advances in semiconductor technology and optical networking created new economic opportunities for commercial involvement in the expansion of the network in its core and for delivering services to the public. In mid-1989, MCI Mail and Compuserve established connections to the Internet, delivering email and public access products to the half million users of the Internet.[45] Just months later, on 1 January 1990, PSInet launched an alternate Internet backbone for commercial use; one of the networks that added to the core of the commercial Internet of later years. In March 1990, the first high-speed T1 (1.5 Mbit/s) link between the NSFNET and Europe was installed between Cornell University and CERN, allowing much more robust communications than were capable with satellites.[46] Six months later Tim Berners-Lee would begin writing WorldWideWeb, the first web browser, after two years of lobbying CERN management. By Christmas 1990, Berners-Lee had built all the tools necessary for a working Web: the HyperText Transfer Protocol (HTTP) 0.9,[47] the HyperText Markup Language (HTML), the first Web browser (which was also an HTML editor and could access Usenet newsgroups and FTP files), the first HTTP server software (later known as CERN httpd), the first web server,[48] and the first Web pages that described the project itself. In 1991 the Commercial Internet eXchange was founded, allowing PSInet to communicate with the other commercial networks CERFnet and Alternet. Stanford Federal Credit Union was the first financial institution to offer online Internet banking services to all of its members in October 1994.[49] In 1996, OP Financial Group, also a cooperative bank, became the second online bank in the world and the first in Europe.[50] By 1995, the Internet was fully commercialized in the U.S. when the NSFNet was decommissioned, removing the last restrictions on use of the Internet to carry commercial traffic.[51] Worldwide Internet users[52] Users 2005 2010 2017 2019 2021 World population[53] 6.5 billion 6.9 billion 7.4 billion 7.75 billion 7.9 billion Worldwide 16% 30% 48% 53.6% 63% In developing world 8% 21% 41.3% 47% 57% In developed world 51% 67% 81% 86.6% 90% As technology advanced and commercial opportunities fueled reciprocal growth, the volume of Internet traffic started experiencing similar characteristics as that of the scaling of MOS transistors, exemplified by Moore's law, doubling every 18 months. This growth, formalized as Edholm's law, was catalyzed by advances in MOS technology, laser light wave systems, and noise performance.[54] Since 1995, the Internet has tremendously impacted culture and commerce, including the rise of near-instant communication by email, instant messaging, telephony (Voice over Internet Protocol or VoIP), two-way interactive video calls, and the World Wide Web[55] with its discussion forums, blogs, social networking services, and online shopping sites. Increasing amounts of data are transmitted at higher and higher speeds over fiber optic networks operating at 1 Gbit/s, 10 Gbit/s, or more. The Internet continues to grow, driven by ever-greater amounts of online information and knowledge, commerce, entertainment and social networking services.[56] During the late 1990s, it was estimated that traffic on the public Internet grew by 100 percent per year, while the mean annual growth in the number of Internet users was thought to be between 20% and 50%.[57] This growth is often attributed to the lack of central administration, which allows organic growth of the network, as well as the non-proprietary nature of the Internet protocols, which encourages vendor interoperability and prevents any one company from exerting too much control over the network.[58] As of 31 March 2011, the estimated total number of Internet users was 2.095 billion (30.2% of world population).[59] It is estimated that in 1993 the Internet carried only 1% of the information flowing through two-way telecommunication. By 2000 this figure had grown to 51%, and by 2007 more than 97% of all telecommunicated information was carried over the Internet.[60] Governance Main article: Internet governance ICANN headquarters in the Playa Vista neighborhood of Los Angeles, California, United States The Internet is a global network that comprises many voluntarily interconnected autonomous networks. It operates without a central governing body. The technical underpinning and standardization of the core protocols (IPv4 and IPv6) is an activity of the Internet Engineering Task Force (IETF), a non-profit organization of loosely affiliated international participants that anyone may associate with by contributing technical expertise. To maintain interoperability, the principal name spaces of the Internet are administered by the Internet Corporation for Assigned Names and Numbers (ICANN). ICANN is governed by an international board of directors drawn from across the Internet technical, business, academic, and other non-commercial communities. ICANN coordinates the assignment of unique identifiers for use on the Internet, including domain names, IP addresses, application port numbers in the transport protocols, and many other parameters. Globally unified name spaces are essential for maintaining the global reach of the Internet. This role of ICANN distinguishes it as perhaps the only central coordinating body for the global Internet.[61] Regional Internet registries (RIRs) were established for five regions of the world. The African Network Information Center (AfriNIC) for Africa, the American Registry for Internet Numbers (ARIN) for North America, the Asia-Pacific Network Information Centre (APNIC) for Asia and the Pacific region, the Latin American and Caribbean Internet Addresses Registry (LACNIC) for Latin America and the Caribbean region, and the Réseaux IP Européens – Network Coordination Centre (RIPE NCC) for Europe, the Middle East, and Central Asia were delegated to assign IP address blocks and other Internet parameters to local registries, such as Internet service providers, from a designated pool of addresses set aside for each region. The National Telecommunications and Information Administration, an agency of the United States Department of Commerce, had final approval over changes to the DNS root zone until the IANA stewardship transition on 1 October 2016.[62][63][64][65] The Internet Society (ISOC) was founded in 1992 with a mission to "assure the open development, evolution and use of the Internet for the benefit of all people throughout the world".[66] Its members include individuals (anyone may join) as well as corporations, organizations, governments, and universities. Among other activities ISOC provides an administrative home for a number of less formally organized groups that are involved in developing and managing the Internet, including: the IETF, Internet Architecture Board (IAB), Internet Engineering Steering Group (IESG), Internet Research Task Force (IRTF), and Internet Research Steering Group (IRSG). On 16 November 2005, the United Nations-sponsored World Summit on the Information Society in Tunis established the Internet Governance Forum (IGF) to discuss Internet-related issues. Infrastructure See also: List of countries by number of Internet users and List of countries by Internet connection speeds 2007 map showing submarine fiberoptic telecommunication cables around the world The communications infrastructure of the Internet consists of its hardware components and a system of software layers that control various aspects of the architecture. As with any computer network, the Internet physically consists of routers, media (such as cabling and radio links), repeaters, modems etc. However, as an example of internetworking, many of the network nodes are not necessarily Internet equipment per se, the internet packets are carried by other full-fledged networking protocols with the Internet acting as a homogeneous networking standard, running across heterogeneous hardware, with the packets guided to their destinations by IP routers. Service tiers Packet routing across the Internet involves several tiers of Internet service providers. Internet service providers (ISPs) establish the worldwide connectivity between individual networks at various levels of scope. End-users who only access the Internet when needed to perform a function or obtain information, represent the bottom of the routing hierarchy. At the top of the routing hierarchy are the tier 1 networks, large telecommunication companies that exchange traffic directly with each other via very high speed fiber-optic cables and governed by peering agreements. Tier 2 and lower-level networks buy Internet transit from other providers to reach at least some parties on the global Internet, though they may also engage in peering. An ISP may use a single upstream provider for connectivity, or implement multihoming to achieve redundancy and load balancing. Internet exchange points are major traffic exchanges with physical connections to multiple ISPs. Large organizations, such as academic institutions, large enterprises, and governments, may perform the same function as ISPs, engaging in peering and purchasing transit on behalf of their internal networks. Research networks tend to interconnect with large subnetworks such as GEANT, GLORIAD, Internet2, and the UK's national research and education network, JANET. Access Common methods of Internet access by users include dial-up with a computer modem via telephone circuits, broadband over coaxial cable, fiber optics or copper wires, Wi-Fi, satellite, and cellular telephone technology (e.g. 3G, 4G). The Internet may often be accessed from computers in libraries and Internet cafés. Internet access points exist in many public places such as airport halls and coffee shops. Various terms are used, such as public Internet kiosk, public access terminal, and Web payphone. Many hotels also have public terminals that are usually fee-based. These terminals are widely accessed for various usages, such as ticket booking, bank deposit, or online payment. Wi-Fi provides wireless access to the Internet via local computer networks. Hotspots providing such access include Wi-Fi cafés, where users need to bring their own wireless devices, such as a laptop or PDA. These services may be free to all, free to customers only, or fee-based. Grassroots efforts have led to wireless community networks. Commercial Wi-Fi services that cover large areas are available in many cities, such as New York, London, Vienna, Toronto, San Francisco, Philadelphia, Chicago and Pittsburgh, where the Internet can then be accessed from places such as a park bench.[67] Experiments have also been conducted with proprietary mobile wireless networks like Ricochet, various high-speed data services over cellular networks, and fixed wireless services. Modern smartphones can also access the Internet through the cellular carrier network. For Web browsing, these devices provide applications such as Google Chrome, Safari, and Firefox and a wide variety of other Internet software may be installed from app stores. Internet usage by mobile and tablet devices exceeded desktop worldwide for the first time in October 2016.[68] Mobile communication Number of mobile cellular subscriptions 2012–2016 The International Telecommunication Union (ITU) estimated that, by the end of 2017, 48% of individual users regularly connect to the Internet, up from 34% in 2012.[69] Mobile Internet connectivity has played an important role in expanding access in recent years, especially in Asia and the Pacific and in Africa.[70] The number of unique mobile cellular subscriptions increased from 3.89 billion in 2012 to 4.83 billion in 2016, two-thirds of the world's population, with more than half of subscriptions located in Asia and the Pacific. The number of subscriptions is predicted to rise to 5.69 billion users in 2020.[71] As of 2016, almost 60% of the world's population had access to a 4G broadband cellular network, up from almost 50% in 2015 and 11% in 2012.[disputed – discuss][71] The limits that users face on accessing information via mobile applications coincide with a broader process of fragmentation of the Internet. Fragmentation restricts access to media content and tends to affect the poorest users the most.[70] Zero-rating, the practice of Internet service providers allowing users free connectivity to access specific content or applications without cost, has offered opportunities to surmount economic hurdles but has also been accused by its critics as creating a two-tiered Internet. To address the issues with zero-rating, an alternative model has emerged in the concept of 'equal rating' and is being tested in experiments by Mozilla and Orange in Africa. Equal rating prevents prioritization of one type of content and zero-rates all content up to a specified data cap. In a study published by Chatham House, 15 out of 19 countries researched in Latin America had some kind of hybrid or zero-rated product offered. Some countries in the region had a handful of plans to choose from (across all mobile network operators) while others, such as Colombia, offered as many as 30 pre-paid and 34 post-paid plans.[72] A study of eight countries in the Global South found that zero-rated data plans exist in every country, although there is a great range in the frequency with which they are offered and actually used in each.[73] The study looked at the top three to five carriers by market share in Bangladesh, Colombia, Ghana, India, Kenya, Nigeria, Peru and Philippines. Across the 181 plans examined, 13 percent were offering zero-rated services. Another study, covering Ghana, Kenya, Nigeria and South Africa, found Facebook's Free Basics and Wikipedia Zero to be the most commonly zero-rated content.[74] Inception Media, LLC appreciates your comments and inquiries. Please keep in mind, that Inception Media, LLC are not permitted to provide individualized financial advise. This email is not financial advice and any investment decision you make is solely your responsibility. Feel free to contact us toll free Domestic/International: +17072979173 Mon–Fri, 9am–5pm ET, or email us support@investknowledgemedia.com 600 N Broad St Ste 5 PMB 1, Middletown, DE 19709 Inception Media, LLC. All rights reserved[.](