📚 Read this to start building wealth like billionaires do

𝖨𝗍’𝗌 𝖺𝖻𝗈𝗎𝗍 𝗅𝗂𝗏𝗂𝗇𝗀 𝗒𝗈𝗎𝗋 𝗅𝖾𝗀𝖺𝖼𝗒 𝗐𝗁𝗂𝗅𝖾 𝖻𝖾𝗍𝗍𝖾𝗋𝗂𝗇𝗀 𝗒𝗈𝗎𝗋 𝖿𝖺𝗆𝗂𝗅𝗒’𝗌 𝖿𝗂𝗇𝖺𝗇𝖼𝗂𝖺𝗅 𝖿𝗎𝗍𝗎𝗋𝖾 𝖺𝗇𝖽 𝗋𝖾𝖼𝗅𝖺𝗂𝗆𝗂𝗇𝗀 𝖼𝖺𝗌𝗁 𝖿𝗋𝗈𝗆 𝖿𝗂𝗇𝖺𝗇𝖼𝗂𝖺𝗅 𝗂𝗇𝗌𝗍𝗂𝗍𝗎𝗍𝗂𝗈𝗇𝗌 𝖺𝗇𝖽 𝗍𝗁𝖾 𝖨𝖱𝖲.   [Invest Knowledge Media]( So-called financial experts tell you to budget, cut back and sacrifice so you can max out your retirement accounts and not touch your money for 30 years. Well what if this was all wrong. For 20 years, New York Times best-selling author Garrett Gunderson has interviewed the best financial minds, studied wealthy families like the Rockefellers, and shadowed the ultra-rich to see how they build wealth. And Garrett can tell you the wealthy just do not think this way. It’s not about how much money you accumulate, it’s about having a system and process for your current and future cash flow. It’s about living your legacy while bettering your family’s financial future and reclaiming cash from financial institutions and the IRS. King was born in Portland, Maine, on September 21, 1947. His father, Donald Edwin King, a traveling vacuum salesman after returning from World War II,[10] was born in Indiana with the surname Pollock, changing it to King as an adult.[11][12][13] King's mother was Nellie Ruth King (née Pillsbury).[13] His parents were married in Scarborough, Maine on July 23, 1939.[14] Shortly afterwards, they lived with Donald's family in Chicago before moving to Croton-on-Hudson, New York.[15] King's parents returned to Maine towards the end of World War II, living in a modest house in Scarborough. King is of Scots-Irish descent.[16] When King was two, his father left the family. His mother raised him and his older brother David by herself, sometimes under great financial strain. They moved from Scarborough and depended on relatives in Chicago; Croton-on-Hudson; West De Pere, Wisconsin; Fort Wayne, Indiana; Malden, Massachusetts; and Stratford, Connecticut.[17][18] When King was 11, his family moved to Durham, Maine, where his mother cared for her parents until their deaths. She then became a caregiver in a local residential facility for the mentally challenged.[1] King was raised Methodist,[19][20] but lost his belief in organized religion while in high school. While no longer religious, he says he chooses to believe in the existence of God.[21] As a child, King apparently witnessed one of his friends being struck and killed by a train, though he has no memory of the event. His family told him that after leaving home to play with the boy, King returned speechless and seemingly in shock. Only later did the family learn of the friend's death. Some commentators have suggested that this event may have psychologically inspired some of King's darker works,[22] but King makes no mention of it in his memoir On Writing (2000). He related in detail his primary inspiration for writing horror fiction in his non-fiction Danse Macabre (1981), in a chapter titled "An Annoying Autobiographical Pause". He compared his uncle's dowsing for water using the bough of an apple branch with the sudden realization of what he wanted to do for a living. That inspiration occurred while browsing through an attic with his elder brother, when King uncovered a paperback version of an H. P. Lovecraft collection of short stories he remembers as The Lurker in the Shadows, that had belonged to his father. King told Barnes & Noble Studios in a 2009 interview, "I knew that I'd found home when I read that book."[23] King remembers asking a bookmobile driver, "Do you have any stories about how kids really are?" She gave him William Golding's Lord of the Flies. It proved formative, as he recalls in his introduction to the centenary edition of the novel: "It was, so far as I can remember, the first book with hands—strong ones that reached out of the pages and seized me by the throat. It said to me, 'This is not just entertainment; it's life or death.'... To me, Lord of the Flies has always represented what novels are for."[24] King named his town of Castle Rock after the mountain fort in Lord of the Flies, and a copy of Golding's novel features in King's Hearts in Atlantis.[25] King attended Durham Elementary School and graduated from Lisbon High School (Maine) in Lisbon Falls, Maine, in 1966.[26] He displayed an early interest in horror as an avid reader of EC horror comics, including Tales from the Crypt, and he later paid tribute to the comics in his screenplay for Creepshow. He began writing for fun while in school, contributing articles to Dave's Rag, the newspaper his brother published with a mimeograph machine, and later began selling stories to his friends based on movies he had seen. (He was forced to return the profits when it was discovered by his teachers.) The first of his stories to be independently published was "I Was a Teenage Grave Robber", which was serialized over four issues (three published and one unpublished) of a fanzine, Comics Review, in 1965. It was republished the following year in revised form, as "In a Half-World of Terror", in another fanzine, Stories of Suspense, edited by Marv Wolfman.[27] As a teen, King also won a Scholastic Art and Writing Award.[28] King entered the University of Maine in 1966, and graduated in 1970 with a Bachelor of Arts in English.[29] That year, his daughter Naomi Rachel was born. He wrote a column, Steve King's Garbage Truck, for the student newspaper, The Maine Campus, and participated in a writing workshop organized by Burton Hatlen.[30] King held a variety of jobs to pay for his studies, including as a janitor, a gas-station attendant, and an industrial laundry worker. He met his wife, fellow student Tabitha Spruce, at the university's Raymond H. Fogler Library after one of Professor Hatlen's workshops; they wed in 1971.[30] Career Beginnings In 1971, King worked as a teacher at Hampden Academy. King sold his first professional short story, "The Glass Floor", to Startling Mystery Stories in 1967.[1] After graduating from the University of Maine, King earned a certificate to teach high school but, unable to find a teaching post immediately, he supplemented his laboring wage by selling short stories to men's magazines such as Cavalier. Many of these early stories were republished in the collection Night Shift. The short story "The Raft" was published in Adam, a men's magazine. After being arrested for stealing traffic cones (he was annoyed after one of the cones knocked his muffler loose), he was fined $250 for petty larceny but had no money to pay. However, a check then arrived for "The Raft" (then titled "The Float"), and King cashed it to pay the fine.[31] In 1971, King was hired as a teacher at Hampden Academy in Hampden, Maine. He continued to contribute short stories to magazines and worked on ideas for novels.[1] During 1966–1970, he wrote a draft about his dystopian novel The Long Walk[32] and the anti-war novel Sword in the Darkness,[33][34] but neither of the works was published at the time; only The Long Walk was later released in 1979. 1970s: Carrie to The Dead Zone In 1973, King's novel Carrie was accepted by publishing house Doubleday. It was King's fourth novel,[35] but the first to be published. He wrote it on his wife Tabitha's portable typewriter. It began as a short story intended for Cavalier magazine, but King tossed the first three pages in the trash.[36] Tabitha recovered the pages and encouraged him to finish the story, saying she would help him with the female perspective; he followed her advice and expanded it into a novel.[37] He said: "I persisted because I was dry and had no better ideas… My considered opinion was that I had written the world's all-time loser."[38] Per The Guardian, Carrie "is the story of Carrie White, a high-school student with latent—and then, as the novel progresses, developing—telekinetic powers. It's brutal in places, affecting in others (Carrie's relationship with her almost hysterically religious mother being a particularly damaged one), and gory in even more."[39] [It’s about utilizing all the tax advantages available to you.]( It’s about creating an opportunity fund for you, and your kids, and their kids to pay for college, start a business, or fulfill your life purpose. It’s about funding a lifestyle you love today AND in the future. And it’s not about taking on more risk. In fact, with this multi-generational wealth plan you don’t have to participate in market downturns. Garrett wrote the book, What Would Billionaires Do? to show you how the Rockefellers are still wealthy 6 generations after their fortune was created. And how you can build a financial legacy that lasts for generations, too, regardless of your current wealth, status, or situation. The book is a quick read and full of financial breakthroughs. And it even comes with an audiobook version if you prefer. Get your copy today and you may be on your way to building wealth and passing on a financial legacy that lasts for generations, just like billionaires do. [Tap here to get your copy.](   A book is a medium for recording information in the form of writing or images, typically composed of many pages (made of papyrus, parchment, vellum, or paper) bound together and protected by a cover.[1] The technical term for this physical arrangement is codex (plural, codices). In the history of hand-held physical supports for extended written compositions or records, the codex replaces its predecessor, the scroll. A single sheet in a codex is a leaf and each side of a leaf is a page. As an intellectual object, a book is prototypically a composition of such great length that it takes a considerable investment of time to compose and still considered as an investment of time to read. In a restricted sense, a book is a self-sufficient section or part of a longer composition, a usage reflecting that, in antiquity, long works had to be written on several scrolls and each scroll had to be identified by the book it contained. Each part of Aristotle's Physics is called a book. In an unrestricted sense, a book is the compositional whole of which such sections, whether called books or chapters or parts, are parts. The intellectual content in a physical book need not be a composition, nor even be called a book. Books can consist only of drawings, engravings or photographs, crossword puzzles or cut-out dolls. In a physical book, the pages can be left blank or can feature an abstract set of lines to support entries, such as in an account book, appointment book, autograph book, notebook, diary or sketchbook. Some physical books are made with pages thick and sturdy enough to support other physical objects, like a scrapbook or photograph album. Books may be distributed in electronic form as ebooks and other formats. Although in ordinary academic parlance a monograph is understood to be a specialist academic work, rather than a reference work on a scholarly subject, in library and information science monograph denotes more broadly any non-serial publication complete in one volume (book) or a finite number of volumes (even a novel like Proust's seven-volume In Search of Lost Time), in contrast to serial publications like a magazine, journal or newspaper. An avid reader or collector of books is a bibliophile or, colloquially, "bookworm". Books are traded at both regular stores and specialized bookstores, and people can read borrowed books, often for free, at libraries. Google has estimated that by 2010, approximately 130,000,000 titles had been published.[2] In some wealthier nations, the sale of printed books has decreased because of the increased usage of ebooks.[3] Although in most countries printed books continue to outsell their digital counterparts due to many people still preferring to read in a traditional way.[4][5][6][7] The 21st century has also seen a rapid rise in the popularity of audiobooks, which are recordings of books being read aloud.[8] Etymology The word book comes from Old English bōc, which in turn comes from the Germanic root *bōk-, cognate to 'beech'.[9] In Slavic languages like Russian, Bulgarian, Macedonian буква bukva—'letter' is cognate with 'beech'. In Russian, Serbian and Macedonian, the word букварь (bukvar') or буквар (bukvar) refers to a primary school textbook that helps young children master the techniques of reading and writing. It is thus conjectured that the earliest Indo-European writings may have been carved on beech wood.[10] The Latin word codex, meaning a book in the modern sense (bound and with separate leaves), originally meant 'block of wood'.[11] History Main article: History of books Antiquity Fragments of the Instructions of Shuruppak: "Shurrupak gave instructions to his son: Do not buy an ass which brays too much. Do not commit rape upon a man's daughter, do not announce it to the courtyard. Do not answer back against your father, do not raise a 'heavy eye.'". From Adab, c. 2600–2500 BCE[12] When writing systems were created in ancient civilizations, a variety of objects, such as stone, clay, tree bark, metal sheets, and bones, were used for writing; these are studied in epigraphy. Tablet Main articles: Clay tablet and Wax tablet See also: Stylus A tablet is a physically robust writing medium, suitable for casual transport and writing. Clay tablets were flattened and mostly dry pieces of clay that could be easily carried, and impressed with a stylus. They were used as a writing medium, especially for writing in cuneiform, throughout the Bronze Age and well into the Iron Age. Wax tablets were pieces of wood covered in a coating of wax thick enough to record the impressions of a stylus. They were the normal writing material in schools, in accounting, and for taking notes. They had the advantage of being reusable: the wax could be melted, and reformed into a blank. The custom of binding several wax tablets together (Roman pugillares) is a possible precursor of modern bound (codex) books.[13] The etymology of the word codex (block of wood) also suggests that it may have developed from wooden wax tablets.[14] Scroll Main article: Scroll Book of the Dead of Hunefer; c. 1275 BC; ink and pigments on papyrus; 45 × 90.5 cm; British Museum (London) Scrolls can be made from papyrus, a thick paper-like material made by weaving the stems of the papyrus plant, then pounding the woven sheet with a hammer-like tool until it is flattened. Papyrus was used for writing in Ancient Egypt, perhaps as early as the First Dynasty, although the first evidence is from the account books of King Neferirkare Kakai of the Fifth Dynasty (about 2400 BC).[15] Papyrus sheets were glued together to form a scroll. Tree bark such as lime and other materials were also used.[16] According to Herodotus (History 5:58), the Phoenicians brought writing and papyrus to Greece around the 10th or 9th century BC. The Greek word for papyrus as writing material (biblion) and book (biblos) come from the Phoenician port town Byblos, through which papyrus was exported to Greece.[17] From Greek we also derive the word tome (Greek: τόμος), which originally meant a slice or piece and from there began to denote "a roll of papyrus". Tomus was used by the Latins with exactly the same meaning as volumen (see also below the explanation by Isidore of Seville). Whether made from papyrus, parchment, or paper, scrolls were the dominant form of book in the Hellenistic, Roman, Chinese, Hebrew, and Macedonian cultures. The Romans and Etruscans also made 'books' out of folded linen called in Latin Libri lintei, the only extant example of which is the Etruscan Liber Linteus. The more modern codex book format form took over the Roman world by late antiquity, but the scroll format persisted much longer in Asia. Codex Main article: Codex A Chinese bamboo book meets the modern definition of Codex. Isidore of Seville (died 636) explained the then-current relation between a codex, book, and scroll in his Etymologiae (VI.13): "A codex is composed of many books; a book is of one scroll. It is called codex by way of metaphor from the trunks (codex) of trees or vines, as if it were a wooden stock, because it contains in itself a multitude of books, as it were of branches". Modern usage differs. A codex (in modern usage) is the first information repository that modern people would recognize as a "book": leaves of uniform size bound in some manner along one edge, and typically held between two covers made of some more robust material. The first written mention of the codex as a form of book is from Martial, in his Apophoreta CLXXXIV at the end of the first century, where he praises its compactness. However, the codex never gained much popularity in the pagan Hellenistic world, and only within the Christian community did it gain widespread use.[18] This change happened gradually during the 3rd and 4th centuries, and the reasons for adopting the codex form of the book are several: the format is more economical, as both sides of the writing material can be used; and it is portable, searchable, and easy to conceal. A book is much easier to read, to find a page that you want, and to flip through. A scroll is more awkward to use. The Christian authors may also have wanted to distinguish their writings from the pagan and Judaic texts written on scrolls. In addition, some metal books were made, that required smaller pages of metal, instead of an impossibly long, unbending scroll of metal. A book can also be easily stored in more compact places, or side by side in a tight library or shelf space. Manuscripts Main article: Manuscript Folio 14 recto of the 5th century Vergilius Romanus contains an author portrait of Virgil. Note the bookcase (capsa), reading stand and the text written without word spacing in rustic capitals. The fall of the Roman Empire in the 5th century AD saw the decline of the culture of ancient Rome. Papyrus became difficult to obtain due to lack of contact with Egypt, and parchment, which had been used for centuries, became the main writing material. Parchment is a material made from processed animal skin and used—mainly in the past—for writing on. Parchment is most commonly made of calfskin, sheepskin, or goatskin. It was historically used for writing documents, notes, or the pages of a book. Parchment is limed, scraped and dried under tension. It is not tanned, and is thus different from leather. This makes it more suitable for writing on, but leaves it very reactive to changes in relative humidity and makes it revert to rawhide if overly wet. Monasteries carried on the Latin writing tradition in the Western Roman Empire. Cassiodorus, in the monastery of Vivarium (established around 540), stressed the importance of copying texts.[19] St. Benedict of Nursia, in his Rule of Saint Benedict (completed around the middle of the 6th century) later also promoted reading.[20] The Rule of Saint Benedict (Ch. XLVIII), which set aside certain times for reading, greatly influenced the monastic culture of the Middle Ages and is one of the reasons why the clergy were the predominant readers of books. The tradition and style of the Roman Empire still dominated, but slowly the peculiar medieval book culture emerged. The Codex Amiatinus anachronistically depicts the Biblical Ezra with the kind of books used in the 8th century AD. Before the invention and adoption of the printing press, almost all books were copied by hand, which made books expensive and comparatively rare. Smaller monasteries usually had only a few dozen books, medium-sized perhaps a few hundred. By the 9th century, larger collections held around 500 volumes and even at the end of the Middle Ages, the papal library in Avignon and Paris library of the Sorbonne held only around 2,000 volumes.[21] The scriptorium of the monastery was usually located over the chapter house. Artificial light was forbidden for fear it may damage the manuscripts. There were five types of scribes: Calligraphers, who dealt in fine book production Copyists, who dealt with basic production and correspondence Correctors, who collated and compared a finished book with the manuscript from which it had been produced Illuminators, who painted illustrations Rubricators, who painted in the red letters Burgundian author and scribe Jean Miélot, from his Miracles de Notre Dame, 15th century The bookmaking process was long and laborious. The parchment had to be prepared, then the unbound pages were planned and ruled with a blunt tool or lead, after which the text was written by the scribe, who usually left blank areas for illustration and rubrication. Finally, the book was bound by the bookbinder.[22] Desk with chained books in the Malatestiana Library of Cesena, Italy Different types of ink were known in antiquity, usually prepared from soot and gum, and later also from gall nuts and iron vitriol. This gave writing a brownish black color, but black or brown were not the only colors used. There are texts written in red or even gold, and different colors were used for illumination. For very luxurious manuscripts the whole parchment was colored purple, and the text was written on it with gold or silver (for example, Codex Argenteus).[23] Irish monks introduced spacing between words in the 7th century. This facilitated reading, as these monks tended to be less familiar with Latin. However, the use of spaces between words did not become commonplace before the 12th century. It has been argued that the use of spacing between words shows the transition from semi-vocalized reading into silent reading.[24] The first books used parchment or vellum (calfskin) for the pages. The book covers were made of wood and covered with leather. Because dried parchment tends to assume the form it had before processing, the books were fitted with clasps or straps. During the later Middle Ages, when public libraries appeared, up to the 18th century, books were often chained to a bookshelf or a desk to prevent theft. These chained books are called libri catenati. At first, books were copied mostly in monasteries, one at a time. With the rise of universities in the 13th century, the Manuscript culture of the time led to an increase in the demand for books, and a new system for copying books appeared. The books were divided into unbound leaves (pecia), which were lent out to different copyists, so the speed of book production was considerably increased. The system was maintained by secular stationers guilds, which produced both religious and non-religious material.[25] Judaism has kept the art of the scribe alive up to the present. According to Jewish tradition, the Torah scroll placed in a synagogue must be written by hand on parchment and a printed book would not do, though the congregation may use printed prayer books and printed copies of the Scriptures are used for study outside the synagogue. A sofer "scribe" is a highly respected member of any observant Jewish community. Middle East Text document with red question mark.svg This section possibly contains inappropriate or misinterpreted citations that do not verify the text. Please help improve this article by checking for citation inaccuracies. (September 2010) (Learn how and when to remove this template message) People of various religious (Jews, Christians, Zoroastrians, Muslims) and ethnic backgrounds (Syriac, Coptic, Persian, Arab etc.) in the Middle East also produced and bound books in the Islamic Golden Age (mid 8th century to 1258), developing advanced techniques in Islamic calligraphy, miniatures and bookbinding. A number of cities in the medieval Islamic world had book production centers and book markets. Yaqubi (died 897) says that in his time Baghdad had over a hundred booksellers.[26] Book shops were often situated around the town's principal mosque[27] as in Marrakesh, Morocco, that has a street named Kutubiyyin or book sellers in English and the famous Koutoubia Mosque is named so because of its location in this street. The medieval Muslim world also used a method of reproducing reliable copies of a book in large quantities known as check reading, in contrast to the traditional method of a single scribe producing only a single copy of a single manuscript. In the check reading method, only "authors could authorize copies, and this was done in public sessions in which the copyist read the copy aloud in the presence of the author, who then certified it as accurate."[28] With this check-reading system, "an author might produce a dozen or more copies from a single reading," and with two or more readings, "more than one hundred copies of a single book could easily be produced."[29] By using as writing material the relatively cheap paper instead of parchment or papyrus the Muslims, in the words of Pedersen "accomplished a feat of crucial significance not only to the history of the Islamic book, but also to the whole world of books".[30] Wood block printing Bagh print, a traditional woodblock printing technique that originated in Bagh, Madhya Pradesh, India In woodblock printing, a relief image of an entire page was carved into blocks of wood, inked, and used to print copies of that page. This method originated in China, in the Han dynasty (before 220 AD), as a method of printing on textiles and later paper, and was widely used throughout East Asia. The oldest dated book printed by this method is The Diamond Sutra (868 AD). The method (called woodcut when used in art) arrived in Europe in the early 14th century. Books (known as block-books), as well as playing-cards and religious pictures, began to be produced by this method. Creating an entire book was a painstaking process, requiring a hand-carved block for each page; and the wood blocks tended to crack, if stored for long. The monks or people who wrote them were paid highly. Movable type and incunabula Main articles: Movable type and Incunable Selected Teachings of Buddhist Sages and Son Masters, the earliest known book printed with movable metal type, printed in Korea, in 1377, Bibliothèque nationale de France The Chinese inventor Bi Sheng made movable type of earthenware c. 1045, but there are no known surviving examples of his printing. Around 1450, in what is commonly regarded as an independent invention, Johannes Gutenberg invented movable type in Europe, along with innovations in casting the type based on a matrix and hand mould. This invention gradually made books less expensive to produce and more widely available. A 15th-century Incunable. Notice the blind-tooled cover, corner bosses and clasps. Early printed books, single sheets and images which were created before 1501 in Europe are known as incunables or incunabula. "A man born in 1453, the year of the fall of Constantinople, could look back from his fiftieth year on a lifetime in which about eight million books had been printed, more perhaps than all the scribes of Europe had produced since Constantine founded his city in AD 330."[31] 19th century to 21st centuries Steam-powered printing presses became popular in the early 19th century. These machines could print 1,100 sheets per hour,[32] but workers could only set 2,000 letters per hour.[citation needed] Monotype and linotype typesetting machines were introduced in the late 19th century. They could set more than 6,000 letters per hour and an entire line of type at once. There have been numerous improvements in the printing press. As well, the conditions for freedom of the press have been improved through the gradual relaxation of restrictive censorship laws. See also intellectual property, public domain, copyright. In mid-20th century, European book production had risen to over 200,000 titles per year. Throughout the 20th century, libraries have faced an ever-increasing rate of publishing, sometimes called an information explosion. The advent of electronic publishing and the internet means that much new information is not printed in paper books, but is made available online through a digital library, on CD-ROM, in the form of ebooks or other online media. An on-line book is an ebook that is available online through the internet. Though many books are produced digitally, most digital versions are not available to the public, and there is no decline in the rate of paper publishing.[33] There is an effort, however, to convert books that are in the public domain into a digital medium for unlimited redistribution and infinite availability. This effort is spearheaded by Project Gutenberg combined with Distributed Proofreaders. There have also been new developments in the process of publishing books. Technologies such as POD or "print on demand", which make it possible to print as few as one book at a time, have made self-publishing (and vanity publishing) much easier and more affordable. On-demand publishing has allowed publishers, by avoiding the high costs of warehousing, to keep low-selling books in print rather than declaring them out of print. Indian manuscripts See also: Palm-leaf manuscript Goddess Saraswati image dated 132 AD excavated from Kankali tila depicts her holding a manuscript in her left hand represented as a bound and tied palm leaf or birch bark manuscript. In India a bounded manuscript made of birch bark or palm leaf existed side by side since antiquity.[34] The text in palm leaf manuscripts was inscribed with a knife pen on rectangular cut and cured palm leaf sheets; colouring was then applied to the surface and wiped off, leaving the ink in the incised grooves. Each sheet typically had a hole through which a string could pass, and with these the sheets were tied together with a string to bind like a book. Mesoamerican codices The codices of pre-Columbian Mesoamerica (Mexico and Central America) had the same form as the European codex, but were instead made with long folded strips of either fig bark (amatl) or plant fibers, often with a layer of whitewash applied before writing. New World codices were written as late as the 16th century (see Maya codices and Aztec codices). Those written before the Spanish conquests seem all to have been single long sheets folded concertina-style, sometimes written on both sides of the local amatl paper. [Invest Knowledge Media]( InvestKnowledgeMedia.com brought to you by Inception Media, LLC. This editorial email with educational news was sent to {EMAIL}. [Unsubscribe]( to stop receiving marketing communication from us. Please add our email address to your contact book (or mark as important) to guarantee that our emails continue to reach your inbox. Inception Media, LLC appreciates your comments and inquiries. Please keep in mind, that Inception Media, LLC are not permitted to provide individualized financial advise. This email is not financial advice and any investment decision you make is solely your responsibility. Feel free to contact us toll free Domestic/International: +17072979173 Mon–Fri, 9am–5pm ET, or email us support@investknowledgemedia.com 600 N Broad St Ste 5 PMB 1, Middletown, DE 19709 Inception Media, LLC. All rights reserved[.](