‘You don’t need to have a dysfunctional work environment to be funny’

The Independent’s arts and culture newsletter ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     [The Independent](~/AAAHagA~/RgRoT8IjP0SfaHR0cHM6Ly93d3cuaW5kZXBlbmRlbnQuY28udWsvP2xpZD04bDM2aGsycTNocDUmdXRtX21lZGl1bT1lbWFpbCZ1dG1fc291cmNlPWJyYXplJnV0bV9jYW1wYWlnbj1JbmR5QXJ0cyBOZXdzbGV0dGVyIDE1LTA2LTI0JnV0bV90ZXJtPUlORF9DdWx0dXJlX05ld3NsZXR0ZXJfQ0RQVwVzcGNldUIKZlEjPW1mXZNMsFIbdHJpc3RyYW1iYWxkd2luOTBAZ21haWwuY29tWAQAAAMj) Saturday, June 15, 2024   ~/AAAHagA~/RgRoT8IjP0SxaHR0cHM6Ly93d3cuaW5kZXBlbmRlbnQuY28udWsvYXJ0cy1lbnRlcnRhaW5tZW50P2xpZD1ybHM2NXpkNXJjNDcmdXRtX21lZGl1bT1lbWFpbCZ1dG1fc291cmNlPWJyYXplJnV0bV9jYW1wYWlnbj1JbmR5QXJ0cyBOZXdzbGV0dGVyIDE1LTA2LTI0JnV0bV90ZXJtPUlORF9DdWx0dXJlX05ld3NsZXR0ZXJfQ0RQVwVzcGNldUIKZlEjPW1mXZNMsFIbdHJpc3RyYW1iYWxkd2luOTBAZ21haWwuY29tWAQAAAMj ~/AAAHagA~/RgRoT8IjP0SxaHR0cHM6Ly93d3cuaW5kZXBlbmRlbnQuY28udWsvYXJ0cy1lbnRlcnRhaW5tZW50P2xpZD1yeXMxZ3IwaHFjeDYmdXRtX21lZGl1bT1lbWFpbCZ1dG1fc291cmNlPWJyYXplJnV0bV9jYW1wYWlnbj1JbmR5QXJ0cyBOZXdzbGV0dGVyIDE1LTA2LTI0JnV0bV90ZXJtPUlORF9DdWx0dXJlX05ld3NsZXR0ZXJfQ0RQVwVzcGNldUIKZlEjPW1mXZNMsFIbdHJpc3RyYW1iYWxkd2luOTBAZ21haWwuY29tWAQAAAMj Good morning, and a happy weekend to one and all! My addiction to general election content has thankfully begun to subside after Thursday evening’s [seven-way debate on ITV](~/AAAHagA~/RgRoT8IjP0TjaHR0cHM6Ly93d3cuaW5kZXBlbmRlbnQuY28udWsvdm9pY2VzL2l0di1kZWJhdGUtd2hvLXdvbi1hbmdlbGEtcmF5bmVyLXBlbm55LW1vcmRhdW50LWIyNTYyNDIxLmh0bWw_bGlkPXE3aXd2bW5vc25xaSZ1dG1fbWVkaXVtPWVtYWlsJnV0bV9zb3VyY2U9YnJhemUmdXRtX2NhbXBhaWduPUluZHlBcnRzIE5ld3NsZXR0ZXIgMTUtMDYtMjQmdXRtX3Rlcm09SU5EX0N1bHR1cmVfTmV3c2xldHRlcl9DRFBXBXNwY2V1QgpmUSM9bWZdk0ywUht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAyM~). An hour of politicians alternating between delivering scripted lines in their best “I am a human” voice, or shouting at each other like a fight had just broken out at the local village bake sale? It all got a bit much. I started to shut down (literally – I fell asleep). So thank goodness that something else is arriving on TV this weekend to make me feel overexcited, in the form of Euros 2024. England don’t play until tomorrow evening, but will it come home? Either way, Louis Chilton thinks a few of our telly pundits shouldn’t have made the plane. In [this week’s State of the Arts column](~/AAAHagA~/RgRoT8IjP0TxaHR0cHM6Ly93d3cuaW5kZXBlbmRlbnQuY28udWsvYXJ0cy1lbnRlcnRhaW5tZW50L3R2L2ZlYXR1cmVzL2V1cm8tMjAyNC1iYmMtaXR2LXB1bmRpdHMtdHYtZm9vdGJhbGwtYjI1NjI3NjkuaHRtbD9saWQ9bWRsNG51czFxamUzJnV0bV9tZWRpdW09ZW1haWwmdXRtX3NvdXJjZT1icmF6ZSZ1dG1fY2FtcGFpZ249SW5keUFydHMgTmV3c2xldHRlciAxNS0wNi0yNCZ1dG1fdGVybT1JTkRfQ3VsdHVyZV9OZXdzbGV0dGVyX0NEUFcFc3BjZXVCCmZRIz1tZl2TTLBSG3RyaXN0cmFtYmFsZHdpbjkwQGdtYWlsLmNvbVgEAAADIw~~), he’s written about how the way we watch football has been radically changed by the internet – and many traditional broadcasters simply can’t keep up. Louis also took a fascinating look at the [rise, fall, and rise again of Will Smith](~/AAAHagA~/RgRoT8IjP0T8aHR0cHM6Ly93d3cuaW5kZXBlbmRlbnQuY28udWsvYXJ0cy1lbnRlcnRhaW5tZW50L2ZpbG1zL2ZlYXR1cmVzL3dpbGwtc21pdGgtYmFkLWJveXMtNC1yaWRlLW9yLWRpZS1zbGFwLW1vdmllcy1iMjU2MDY4OC5odG1sP2xpZD1tOWNlZXJkMTlrdGEmdXRtX21lZGl1bT1lbWFpbCZ1dG1fc291cmNlPWJyYXplJnV0bV9jYW1wYWlnbj1JbmR5QXJ0cyBOZXdzbGV0dGVyIDE1LTA2LTI0JnV0bV90ZXJtPUlORF9DdWx0dXJlX05ld3NsZXR0ZXJfQ0RQVwVzcGNldUIKZlEjPW1mXZNMsFIbdHJpc3RyYW1iYWxkd2luOTBAZ21haWwuY29tWAQAAAMj), who seems to have weathered the Oscars slapgate storm to return to box office glory with another Bad Boys film. And speaking of second chances – the British public have never looked particularly favourably on James Corden, but might that change when he returns to the London stage this month? It’s the place where he looks most at home and has always done his best work. Katie Rosseinsky considered whether this [could be a turning point](~/AAAHagA~/RgRoT8IjP0T-aHR0cHM6Ly93d3cuaW5kZXBlbmRlbnQuY28udWsvYXJ0cy1lbnRlcnRhaW5tZW50L3R2L2ZlYXR1cmVzL2phbWVzLWNvcmRlbi1zZWNvbmQtY2hhbmNlLXJlcHV0YXRpb24tZ2F2aW4tc3RhY2V5LWIyNTU4NzA0Lmh0bWw_bGlkPWNrbmZuYXRpM3FpZSZ1dG1fbWVkaXVtPWVtYWlsJnV0bV9zb3VyY2U9YnJhemUmdXRtX2NhbXBhaWduPUluZHlBcnRzIE5ld3NsZXR0ZXIgMTUtMDYtMjQmdXRtX3Rlcm09SU5EX0N1bHR1cmVfTmV3c2xldHRlcl9DRFBXBXNwY2V1QgpmUSM9bWZdk0ywUht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAyM~) for the Gavin & Stacey star. ~/AAAHagA~/RgRoT8IjP0TxaHR0cHM6Ly93d3cuaW5kZXBlbmRlbnQuY28udWsvYXJ0cy1lbnRlcnRhaW5tZW50L3R2L2ZlYXR1cmVzL2V1cm8tMjAyNC1iYmMtaXR2LXB1bmRpdHMtdHYtZm9vdGJhbGwtYjI1NjI3NjkuaHRtbD9saWQ9a2pzbXNqbTZsbXpuJnV0bV9tZWRpdW09ZW1haWwmdXRtX3NvdXJjZT1icmF6ZSZ1dG1fY2FtcGFpZ249SW5keUFydHMgTmV3c2xldHRlciAxNS0wNi0yNCZ1dG1fdGVybT1JTkRfQ3VsdHVyZV9OZXdzbGV0dGVyX0NEUFcFc3BjZXVCCmZRIz1tZl2TTLBSG3RyaXN0cmFtYmFsZHdpbjkwQGdtYWlsLmNvbVgEAAADIw~~ Micah Richards, Gary Lineker, Gabby Logan, Wayne Rooney are among the presenting team at Euro 2024 (BBC / Holly McCandless Desmond) Also this week: Moby told Chris Harvey [he hasn’t been on a date for ten years](~/AAAHagA~/RgRoT8IjP0TuaHR0cHM6Ly93d3cuaW5kZXBlbmRlbnQuY28udWsvYXJ0cy1lbnRlcnRhaW5tZW50L211c2ljL2ZlYXR1cmVzL21vYnktaW50ZXJ2aWV3LXBsYXktYW5uaXZlcnNhcnktYjI1NTk4NjMuaHRtbD9saWQ9NHM2cWtzdDR0Y3huJnV0bV9tZWRpdW09ZW1haWwmdXRtX3NvdXJjZT1icmF6ZSZ1dG1fY2FtcGFpZ249SW5keUFydHMgTmV3c2xldHRlciAxNS0wNi0yNCZ1dG1fdGVybT1JTkRfQ3VsdHVyZV9OZXdzbGV0dGVyX0NEUFcFc3BjZXVCCmZRIz1tZl2TTLBSG3RyaXN0cmFtYmFsZHdpbjkwQGdtYWlsLmNvbVgEAAADIw~~). The living legend that is [Chaka Khan](~/AAAHagA~/RgRoT8IjP0T3aHR0cHM6Ly93d3cuaW5kZXBlbmRlbnQuY28udWsvYXJ0cy1lbnRlcnRhaW5tZW50L211c2ljL2ZlYXR1cmVzL2NoYWthLWtoYW4taW50ZXJ2aWV3LXN0ZXZpZS13b25kZXItZHJ1Z3MtYjI1NjA0MzguaHRtbD9saWQ9MzJ2NDZha2IzOG1nJnV0bV9tZWRpdW09ZW1haWwmdXRtX3NvdXJjZT1icmF6ZSZ1dG1fY2FtcGFpZ249SW5keUFydHMgTmV3c2xldHRlciAxNS0wNi0yNCZ1dG1fdGVybT1JTkRfQ3VsdHVyZV9OZXdzbGV0dGVyX0NEUFcFc3BjZXVCCmZRIz1tZl2TTLBSG3RyaXN0cmFtYmFsZHdpbjkwQGdtYWlsLmNvbVgEAAADIw~~) opened up to Stevie Chick. Katie found Bridgerton part two [sadly wanting](~/AAAHagA~/RgRoT8IjP0T5aHR0cHM6Ly93d3cuaW5kZXBlbmRlbnQuY28udWsvYXJ0cy1lbnRlcnRhaW5tZW50L3R2L3Jldmlld3MvYnJpZGdlcnRvbi1zZWFzb24tMy1wYXJ0LTItcmV2aWV3LWVuZGluZy1wb2xpbi1iMjU2MjUxMS5odG1sP2xpZD1mMWJ1cmZwbWVuM2cmdXRtX21lZGl1bT1lbWFpbCZ1dG1fc291cmNlPWJyYXplJnV0bV9jYW1wYWlnbj1JbmR5QXJ0cyBOZXdzbGV0dGVyIDE1LTA2LTI0JnV0bV90ZXJtPUlORF9DdWx0dXJlX05ld3NsZXR0ZXJfQ0RQVwVzcGNldUIKZlEjPW1mXZNMsFIbdHJpc3RyYW1iYWxkd2luOTBAZ21haWwuY29tWAQAAAMj). Ballet’s [Carlos Acosta spoke to Charlotte Cripps](~/AAAHagA~/RgRoT8IjP4QWAWh0dHBzOi8vd3d3LmluZGVwZW5kZW50LmNvLnVrL2FydHMtZW50ZXJ0YWlubWVudC90aGVhdHJlLWRhbmNlL2ZlYXR1cmVzL2Nhcmxvcy1hY29zdGEtY2FybWVuLXNhZGxlcnMtd2VsbHMtY3ViYS1iaXJtaW5naGFtLXJveWFsLWJhbGxldC1iMjU0Nzk4MS5odG1sP2xpZD1ybGpqYjJwN254M3ImdXRtX21lZGl1bT1lbWFpbCZ1dG1fc291cmNlPWJyYXplJnV0bV9jYW1wYWlnbj1JbmR5QXJ0cyBOZXdzbGV0dGVyIDE1LTA2LTI0JnV0bV90ZXJtPUlORF9DdWx0dXJlX05ld3NsZXR0ZXJfQ0RQVwVzcGNldUIKZlEjPW1mXZNMsFIbdHJpc3RyYW1iYWxkd2luOTBAZ21haWwuY29tWAQAAAMj), and Amy Fleming [visited the Maeght Foundation](~/AAAHagA~/RgRoT8IjP0TuaHR0cHM6Ly93d3cuaW5kZXBlbmRlbnQuY28udWsvYXJ0cy1lbnRlcnRhaW5tZW50L2FydC9mZWF0dXJlcy9tYWVnaHQtZm91bmRhdGlvbi1tYXRpc3NlLWdhbGxlcnktYjI1NjIxNTQuaHRtbD9saWQ9N3E5MTAzNmo2ZXUwJnV0bV9tZWRpdW09ZW1haWwmdXRtX3NvdXJjZT1icmF6ZSZ1dG1fY2FtcGFpZ249SW5keUFydHMgTmV3c2xldHRlciAxNS0wNi0yNCZ1dG1fdGVybT1JTkRfQ3VsdHVyZV9OZXdzbGV0dGVyX0NEUFcFc3BjZXVCCmZRIz1tZl2TTLBSG3RyaXN0cmFtYmFsZHdpbjkwQGdtYWlsLmNvbVgEAAADIw~~)in France, the gallery that Miro, Giacometti and Braque thought of as a second home. Tomorrow, look out for Ellie Harrison’s brilliant, expansive conversation with leading political playwright James Graham, and Robert McCrum’s review of a superlative new biography of author Christopher Isherwood. Oh, and to bring it back round to my general election fixation – I’ve created the ultimate reading list before you cast your vote on 4 July. Enjoy our[Saturday Interview with Amy Poehler too](~/AAAHagA~/RgRoT8IjP0TxaHR0cHM6Ly93d3cuaW5kZXBlbmRlbnQuY28udWsvYXJ0cy1lbnRlcnRhaW5tZW50L2ZpbG1zL2ZlYXR1cmVzL2FteS1wb2VobGVyLWludGVydmlldy1pbnNpZGUtb3V0LTItYjI1NTg3NDMuaHRtbD9saWQ9NnNhaHp6aTNzM25zJnV0bV9tZWRpdW09ZW1haWwmdXRtX3NvdXJjZT1icmF6ZSZ1dG1fY2FtcGFpZ249SW5keUFydHMgTmV3c2xldHRlciAxNS0wNi0yNCZ1dG1fdGVybT1JTkRfQ3VsdHVyZV9OZXdzbGV0dGVyX0NEUFcFc3BjZXVCCmZRIz1tZl2TTLBSG3RyaXN0cmFtYmFsZHdpbjkwQGdtYWlsLmNvbVgEAAADIw~~) – Adam’s piece is so lovely that it made me finally crack and start re-watching Parks and Recreation. Have a great weekend, Jessie [@jessiecath](~/AAAHagA~/RgRoT8IjP0SiaHR0cDovL3d3dy50d2l0dGVyLmNvbS9qZXNzaWVjYXRoP2xpZD15aTZwdHJtMWZkNDImdXRtX21lZGl1bT1lbWFpbCZ1dG1fc291cmNlPWJyYXplJnV0bV9jYW1wYWlnbj1JbmR5QXJ0cyBOZXdzbGV0dGVyIDE1LTA2LTI0JnV0bV90ZXJtPUlORF9DdWx0dXJlX05ld3NsZXR0ZXJfQ0RQVwVzcGNldUIKZlEjPW1mXZNMsFIbdHJpc3RyYW1iYWxkd2luOTBAZ21haWwuY29tWAQAAAMj) What to do this weekend TV | [Inside No 9](~/AAAHagA~/RgRoT8IjP0S0aHR0cHM6Ly93d3cuaW5kZXBlbmRlbnQuY28udWsvYXJ0cy1lbnRlcnRhaW5tZW50L3R2P2xpZD1xZjgzMHoya241dDMmdXRtX21lZGl1bT1lbWFpbCZ1dG1fc291cmNlPWJyYXplJnV0bV9jYW1wYWlnbj1JbmR5QXJ0cyBOZXdzbGV0dGVyIDE1LTA2LTI0JnV0bV90ZXJtPUlORF9DdWx0dXJlX05ld3NsZXR0ZXJfQ0RQVwVzcGNldUIKZlEjPW1mXZNMsFIbdHJpc3RyYW1iYWxkd2luOTBAZ21haWwuY29tWAQAAAMj) Not many TV shows could get away with making their second ever episode completely silent. Let alone instalments told in iambic pentameter or via cryptic crossword clues. What about one set entirely inside a wardrobe? However, [Inside No 9 isn’t your average TV show](~/AAAHagA~/RgRoT8IjP0TpaHR0cHM6Ly93d3cuaW5kZXBlbmRlbnQuY28udWsvYXJ0cy1lbnRlcnRhaW5tZW50L3R2L2ZlYXR1cmVzL2luc2lkZS1uby05LWJiYy1maW5hbC1lcGlzb2RlLWIyNTYwNTA1Lmh0bWw_bGlkPTVhbWV1YXZtNWZxNiZ1dG1fbWVkaXVtPWVtYWlsJnV0bV9zb3VyY2U9YnJhemUmdXRtX2NhbXBhaWduPUluZHlBcnRzIE5ld3NsZXR0ZXIgMTUtMDYtMjQmdXRtX3Rlcm09SU5EX0N1bHR1cmVfTmV3c2xldHRlcl9DRFBXBXNwY2V1QgpmUSM9bWZdk0ywUht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAyM~). In fact, it’s been the most inventive, ingenious programme on our screens. And this week, it came to a conclusion. I, for one, am bereft. Michael Hogan | TV critic   Theatre | [Kathy & Stella Solve a Murder!](~/AAAHagA~/RgRoT8IjP0S_aHR0cHM6Ly93d3cuaW5kZXBlbmRlbnQuY28udWsvYXJ0cy1lbnRlcnRhaW5tZW50L3RoZWF0cmUtZGFuY2U_bGlkPWVpbmQ1NDVrYjRqbiZ1dG1fbWVkaXVtPWVtYWlsJnV0bV9zb3VyY2U9YnJhemUmdXRtX2NhbXBhaWduPUluZHlBcnRzIE5ld3NsZXR0ZXIgMTUtMDYtMjQmdXRtX3Rlcm09SU5EX0N1bHR1cmVfTmV3c2xldHRlcl9DRFBXBXNwY2V1QgpmUSM9bWZdk0ywUht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAyM~) Original musical Kathy & Stella Solve a Murder!, now on in London’s West End, follows two misfit true crime podcasters who get embroiled in a grisly serial-killer mystery. The anxious Kathy (Bronté Barbé, livewire and brilliant) and the steely Stella (Rebekah Hinds, belting out the tunes like a woman possessed) make for a delightful odd couple. The writing, meanwhile, by Jon Brittain and Matthew Floyd Jones, is timely, funny, and as light as a soufflé – despite the decapitations. Louis Chilton | Culture writer   Art | [Roger Mayne: Youth](~/AAAHagA~/RgRoT8IjP0S_aHR0cHM6Ly93d3cuaW5kZXBlbmRlbnQuY28udWsvYXJ0cy1lbnRlcnRhaW5tZW50L3RoZWF0cmUtZGFuY2U_bGlkPWI4MHdsYndtYnpiayZ1dG1fbWVkaXVtPWVtYWlsJnV0bV9zb3VyY2U9YnJhemUmdXRtX2NhbXBhaWduPUluZHlBcnRzIE5ld3NsZXR0ZXIgMTUtMDYtMjQmdXRtX3Rlcm09SU5EX0N1bHR1cmVfTmV3c2xldHRlcl9DRFBXBXNwY2V1QgpmUSM9bWZdk0ywUht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAyM~)~/AAAHagA~/RgRoT8IjP0S1aHR0cHM6Ly93d3cuaW5kZXBlbmRlbnQuY28udWsvYXJ0cy1lbnRlcnRhaW5tZW50L2FydD9saWQ9dGpsOHRweWJndmMyJnV0bV9tZWRpdW09ZW1haWwmdXRtX3NvdXJjZT1icmF6ZSZ1dG1fY2FtcGFpZ249SW5keUFydHMgTmV3c2xldHRlciAxNS0wNi0yNCZ1dG1fdGVybT1JTkRfQ3VsdHVyZV9OZXdzbGV0dGVyX0NEUFcFc3BjZXVCCmZRIz1tZl2TTLBSG3RyaXN0cmFtYmFsZHdpbjkwQGdtYWlsLmNvbVgEAAADIw~~ The 1950s: a pivotal moment in British culture, or a dingy interlude before things really got going in the Swinging Sixties? For most of us, the era of smog and food rationing will feel unimaginably remote in time. The mere sight, though, of one of [Roger Mayne’s pungent images](~/AAAHagA~/RgRoT8IjP0T2aHR0cHM6Ly93d3cuaW5kZXBlbmRlbnQuY28udWsvYXJ0cy1lbnRlcnRhaW5tZW50L2FydC9yZXZpZXdzL3JvZ2VyLW1heW5lLXlvdXRoLXJldmlldy1jb3VydGF1bGQtZ2FsbGVyeS1iMjU2MTgzMi5odG1sP2xpZD1haWt0cjJ3bjR1ejQmdXRtX21lZGl1bT1lbWFpbCZ1dG1fc291cmNlPWJyYXplJnV0bV9jYW1wYWlnbj1JbmR5QXJ0cyBOZXdzbGV0dGVyIDE1LTA2LTI0JnV0bV90ZXJtPUlORF9DdWx0dXJlX05ld3NsZXR0ZXJfQ0RQVwVzcGNldUIKZlEjPW1mXZNMsFIbdHJpc3RyYW1iYWxkd2luOTBAZ21haWwuY29tWAQAAAMj) of children playing along the crumbling terraces of post-war Notting Hill will transport you to a world where everything was grim, gritty and entirely monochrome. And it’s all so vividly captured you can practically taste the acrid fug of massed coal fires – even if you never experienced such things in reality. Yet in spite of – perhaps even because of – this powerful period feel, Mayne’s images make peculiarly apt viewing at the present time. Mark Hudson | Art critic   Film | [Inside Out 2](~/AAAHagA~/RgRoT8IjP0S3aHR0cHM6Ly93d3cuaW5kZXBlbmRlbnQuY28udWsvYXJ0cy1lbnRlcnRhaW5tZW50L211c2ljP2xpZD1jNDhyZ2hyZWZrYjImdXRtX21lZGl1bT1lbWFpbCZ1dG1fc291cmNlPWJyYXplJnV0bV9jYW1wYWlnbj1JbmR5QXJ0cyBOZXdzbGV0dGVyIDE1LTA2LTI0JnV0bV90ZXJtPUlORF9DdWx0dXJlX05ld3NsZXR0ZXJfQ0RQVwVzcGNldUIKZlEjPW1mXZNMsFIbdHJpc3RyYW1iYWxkd2luOTBAZ21haWwuY29tWAQAAAMj) Out of all of Pixar’s films, [Inside Out is admittedly the most primed for a revisit](~/AAAHagA~/RgRoT8IjP4QGAWh0dHBzOi8vd3d3LmluZGVwZW5kZW50LmNvLnVrL2FydHMtZW50ZXJ0YWlubWVudC9maWxtcy9yZXZpZXdzL2luc2lkZS1vdXQtMi1yZXZpZXctcGl4YXItYW15LXBvZWhsZXItcmVsZWFzZS1kYXRlLW1vdmllLWIyNTYxNzI1Lmh0bWw_bGlkPTZocDF1enhkdWhmbyZ1dG1fbWVkaXVtPWVtYWlsJnV0bV9zb3VyY2U9YnJhemUmdXRtX2NhbXBhaWduPUluZHlBcnRzIE5ld3NsZXR0ZXIgMTUtMDYtMjQmdXRtX3Rlcm09SU5EX0N1bHR1cmVfTmV3c2xldHRlcl9DRFBXBXNwY2V1QgpmUSM9bWZdk0ywUht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAyM~). Set within the mind of an 11-year-old girl named Riley, it follows a gang of anthropomorphised emotions that control her life. As kids get older, puberty sets in and emotions complicate, so it’s a natural place for screenwriters Meg LeFauve and Dave Holstein to introduce an new set of characters: Anxiety (Maya Hawke), Envy (Ayo Edebiri), Ennui (Adèle Exarchopoulos), and Embarrassment (Paul Walter Hauser). Clarisse Loughrey | Film critic [The Saturday Interview – Amy Poehler](~/AAAHagA~/RgRoT8IjP0TxaHR0cHM6Ly93d3cuaW5kZXBlbmRlbnQuY28udWsvYXJ0cy1lbnRlcnRhaW5tZW50L2ZpbG1zL2ZlYXR1cmVzL2FteS1wb2VobGVyLWludGVydmlldy1pbnNpZGUtb3V0LTItYjI1NTg3NDMuaHRtbD9saWQ9dGplZGg2dmhpZmQ1JnV0bV9tZWRpdW09ZW1haWwmdXRtX3NvdXJjZT1icmF6ZSZ1dG1fY2FtcGFpZ249SW5keUFydHMgTmV3c2xldHRlciAxNS0wNi0yNCZ1dG1fdGVybT1JTkRfQ3VsdHVyZV9OZXdzbGV0dGVyX0NEUFcFc3BjZXVCCmZRIz1tZl2TTLBSG3RyaXN0cmFtYmFsZHdpbjkwQGdtYWlsLmNvbVgEAAADIw~~) ~/AAAHagA~/RgRoT8IjP4QBAWh0dHBzOi8vd3d3LmluZGVwZW5kZW50LmNvLnVrL2FydHMtZW50ZXJ0YWlubWVudC9maWxtcy9mZWF0dXJlcy9yaWNoYXJkLWxpbmtsYXRlci1pbnRlcnZpZXctaGl0LW1hbi1kYXplZC1jb25mdXNlZC1iMjU1ODAwNi5odG1sP2xpZD15YXJ5ZnpnbDUwMGcmdXRtX21lZGl1bT1lbWFpbCZ1dG1fc291cmNlPWJyYXplJnV0bV9jYW1wYWlnbj1JbmR5QXJ0cyBOZXdzbGV0dGVyIDE1LTA2LTI0JnV0bV90ZXJtPUlORF9DdWx0dXJlX05ld3NsZXR0ZXJfQ0RQVwVzcGNldUIKZlEjPW1mXZNMsFIbdHJpc3RyYW1iYWxkd2luOTBAZ21haWwuY29tWAQAAAMj Amy Poehler is back for 'Inside Out 2' (Getty) The Parks and Recreation star has returned to voice Joy in Pixar’s Inside Out 2, and [speaks to Adam White](~/AAAHagA~/RgRoT8IjP0TxaHR0cHM6Ly93d3cuaW5kZXBlbmRlbnQuY28udWsvYXJ0cy1lbnRlcnRhaW5tZW50L2ZpbG1zL2ZlYXR1cmVzL2FteS1wb2VobGVyLWludGVydmlldy1pbnNpZGUtb3V0LTItYjI1NTg3NDMuaHRtbD9saWQ9M3J4b282d3B5aDJxJnV0bV9tZWRpdW09ZW1haWwmdXRtX3NvdXJjZT1icmF6ZSZ1dG1fY2FtcGFpZ249SW5keUFydHMgTmV3c2xldHRlciAxNS0wNi0yNCZ1dG1fdGVybT1JTkRfQ3VsdHVyZV9OZXdzbGV0dGVyX0NEUFcFc3BjZXVCCmZRIz1tZl2TTLBSG3RyaXN0cmFtYmFsZHdpbjkwQGdtYWlsLmNvbVgEAAADIw~~)about sexism, self-loathing and why the horrors of modern life haven’t hurt the political positivity of her most famous work. ~/AAAHagA~/RgRoT8IjP0TxaHR0cHM6Ly93d3cuaW5kZXBlbmRlbnQuY28udWsvYXJ0cy1lbnRlcnRhaW5tZW50L2ZpbG1zL2ZlYXR1cmVzL2FteS1wb2VobGVyLWludGVydmlldy1pbnNpZGUtb3V0LTItYjI1NTg3NDMuaHRtbD9saWQ9YWg4eHVydW9sdXNsJnV0bV9tZWRpdW09ZW1haWwmdXRtX3NvdXJjZT1icmF6ZSZ1dG1fY2FtcGFpZ249SW5keUFydHMgTmV3c2xldHRlciAxNS0wNi0yNCZ1dG1fdGVybT1JTkRfQ3VsdHVyZV9OZXdzbGV0dGVyX0NEUFcFc3BjZXVCCmZRIz1tZl2TTLBSG3RyaXN0cmFtYmFsZHdpbjkwQGdtYWlsLmNvbVgEAAADIw~~ Partners in crime: Poehler alongside Tina Fey in a 2002 edition of ‘Saturday Night Live’ (Shutterstock) Read an extract from our Saturday Interview below… Poehler speaks excitedly of the generations of funny people that have come up behind her – much of her producing work has also platformed new, young voices. But I’m also curious if she finds this approach unusual. If anything has defined modern discourse of late, particularly in the comedy world, it’s a tendency to punch down: kids are dumb, new ideas are stupid, the youth have gone woke. She finds it baffling. “As a middle-aged person, I’m shocked by the certainty people my age walk around with,” she says. “As if their experience and wisdom has solved all the problems. Look at the system that we’re in right now. Everybody rolls their eyes! But at what? I am the age of these people – I know that we don’t know what we’re talking about. Who are you fooling? You, with all your unresolved trauma and patriarchal bulls***.” Her voice ascends into a comic racket. “‘I’m one of you!’ Nice try!” [Read the full interview here](~/AAAHagA~/RgRoT8IjP0TxaHR0cHM6Ly93d3cuaW5kZXBlbmRlbnQuY28udWsvYXJ0cy1lbnRlcnRhaW5tZW50L2ZpbG1zL2ZlYXR1cmVzL2FteS1wb2VobGVyLWludGVydmlldy1pbnNpZGUtb3V0LTItYjI1NTg3NDMuaHRtbD9saWQ9ZmN2Z2dhejFudzJ3JnV0bV9tZWRpdW09ZW1haWwmdXRtX3NvdXJjZT1icmF6ZSZ1dG1fY2FtcGFpZ249SW5keUFydHMgTmV3c2xldHRlciAxNS0wNi0yNCZ1dG1fdGVybT1JTkRfQ3VsdHVyZV9OZXdzbGV0dGVyX0NEUFcFc3BjZXVCCmZRIz1tZl2TTLBSG3RyaXN0cmFtYmFsZHdpbjkwQGdtYWlsLmNvbVgEAAADIw~~) ~/AAAHagA~/RgRoT8IjP0SsaHR0cHM6Ly93d3cuaW5kZXBlbmRlbnQuY28udWsvc3Vic2NyaWJlL2FwcD9saWQ9enZ2enRnZ3owc3lvJnV0bV9tZWRpdW09ZW1haWwmdXRtX3NvdXJjZT1icmF6ZSZ1dG1fY2FtcGFpZ249SW5keUFydHMgTmV3c2xldHRlciAxNS0wNi0yNCZ1dG1fdGVybT1JTkRfQ3VsdHVyZV9OZXdzbGV0dGVyX0NEUFcFc3BjZXVCCmZRIz1tZl2TTLBSG3RyaXN0cmFtYmFsZHdpbjkwQGdtYWlsLmNvbVgEAAADIw~~ ~/AAAHagA~/RgRoT8IjP0StaHR0cHM6Ly9pbmRlcGVuZGVudC5vbmVsaW5rLm1lL25vNXgvZDI1ZTc0Y2M_bGlkPWZqZDljcGNmMWluZyZ1dG1fbWVkaXVtPWVtYWlsJnV0bV9zb3VyY2U9YnJhemUmdXRtX2NhbXBhaWduPUluZHlBcnRzIE5ld3NsZXR0ZXIgMTUtMDYtMjQmdXRtX3Rlcm09SU5EX0N1bHR1cmVfTmV3c2xldHRlcl9DRFBXBXNwY2V1QgpmUSM9bWZdk0ywUht0cmlzdHJhbWJhbGR3aW45MEBnbWFpbC5jb21YBAAAAyM~ [INDYBEST](~/AAAHagA~/RgRoT8IjP0SuaHR0cHM6Ly93d3cuaW5kZXBlbmRlbnQuY28udWsvZXh0cmFzL2luZHliZXN0P2xpZD15c2RsYjliOHY1OHgmdXRtX21lZGl1bT1lbWFpbCZ1dG1fc291cmNlPWJyYXplJnV0bV9jYW1wYWlnbj1JbmR5QXJ0cyBOZXdzbGV0dGVyIDE1LTA2LTI0JnV0bV90ZXJtPUlORF9DdWx0dXJlX05ld3NsZXR0ZXJfQ0RQVwVzcGNldUIKZlEjPW1mXZNMsFIbdHJpc3RyYW1iYWxkd2luOTBAZ21haWwuY29tWAQAAAMj) / [BEST BUYS](~/AAAHagA~/RgRoT8IjP0SuaHR0cHM6Ly93d3cuaW5kZXBlbmRlbnQuY28udWsvZXh0cmFzL2luZHliZXN0P2xpZD1oYWo1cnl0cWx1bGEmdXRtX21lZGl1bT1lbWFpbCZ1dG1fc291cmNlPWJyYXplJnV0bV9jYW1wYWlnbj1JbmR5QXJ0cyBOZXdzbGV0dGVyIDE1LTA2LTI0JnV0bV90ZXJtPUlORF9DdWx0dXJlX05ld3NsZXR0ZXJfQ0RQVwVzcGNldUIKZlEjPW1mXZNMsFIbdHJpc3RyYW1iYWxkd2luOTBAZ21haWwuY29tWAQAAAMj) [Hijack](~/AAAHagA~/RgRoT8IjP0SFaHR0cHM6Ly93d3cuaW5kZXBlbmRlbnQuY28udWsvZXh0cmFzL2luZHliZXN0L2dhZGdldHMtdGVjaC90ZWxldmlzaW9uL2hpamFjay1pZHJpcy1lbGJhLXBsYW5lLWFwcGxlLXR2LWIyNTYxODU4Lmh0bWw_bGlkPWljZGoyYXRkb3Y4bVcFc3BjZXVCCmZRIz1tZl2TTLBSG3RyaXN0cmFtYmFsZHdpbjkwQGdtYWlsLmNvbVgEAAADIw~~) Hijack season 2 has started filming, [here’s what we know so far about Idris Elba’s plane thriller.](~/AAAHagA~/RgRoT8IjP0SFaHR0cHM6Ly93d3cuaW5kZXBlbmRlbnQuY28udWsvZXh0cmFzL2luZHliZXN0L2dhZGdldHMtdGVjaC90ZWxldmlzaW9uL2hpamFjay1pZHJpcy1lbGJhLXBsYW5lLWFwcGxlLXR2LWIyNTYxODU4Lmh0bWw_bGlkPW1kMncxamdreTF6OVcFc3BjZXVCCmZRIz1tZl2TTLBSG3RyaXN0cmFtYmFsZHdpbjkwQGdtYWlsLmNvbVgEAAADIw~~)   Take a look at our subscriber-exclusive newsletters As a subscriber, you'll also enjoy unlimited access to Premium analysis and opinion along with ad-free reading, the daily edition newspaper, and more exclusive newsletters. 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