Comics and Animation News: Silver Age Keys; Deluxe Price Guides

Comics and Animation News [Read this newsletter online]( [Heritage Auctions]( [Comics and Animation News]( In This Issue: • [Sunday Internet Auction](#spotlight) • [The Overstreet Comic Book Price Guide: Deluxe Leather-Bound Editions (Eighth Article in a Series)](#collector-b) • [Around Heritage Auctions](#around-1) • [Cel of the Week: Casual Gargamel!](#week) • [Current Auctions](#current) July 3, 2019 []Sunday Internet Auction [Sunday Internet Comics Auction]( Auction Ends: July 7, 2019 Live Session at 6:00 PM CT Highlights of this week's auction include: [Amazing-Man Comics #23 (Centaur, 1941) CGC FN- 5.5 Off-white pages]( Amazing-Man Comics #23 (Centaur, 1941) CGC FN- 5.5 Off-white pages Rated "uncommon" by Gerber. Origin and first appearance of Tommy the Amazing Kid. The only appearance of the Marksman. Cover by Paul Gustavson. Overstreet 2018 FN 6.0 value = $387. CGC census 6/19: 3 in 5.5, 3 higher. [View]( [Showcase #22 Green Lantern (DC, 1959) CGC VG- 3.5 Cream to off-white pages]( Showcase #22 Green Lantern (DC, 1959) CGC VG- 3.5 Cream to off-white pages Origin and first appearance of the Silver Age Green Lantern. First appearances of Abin Sur and Carol Ferris. Gil Kane cover and art. Currently ranked #11 on Overstreet's list of Top 50 Silver Age Comics. Overstreet 2018 VG 4.0 value = $2,200. CGC census 6/19: 87 in 3.5, 393 higher. [View]( [Amazing Fantasy #15 (Marvel, 1962) CGC VG- 3.5 Cream to off-white pages]( Amazing Fantasy #15 (Marvel, 1962) CGC VG- 3.5 Cream to off-white pages The origin and first appearance of Spider-Man, and the first appearances of Uncle Ben and Aunt May. Jack Kirby and Steve Ditko cover and art. Currently ranks #1 on Overstreet's list of Top 50 Silver Age Comics. Overstreet 2018 VG 4.0 value = $16,000. CGC census 6/19: 193 in 3.5, 833 higher. [View]( [Gil Kane and Murphy Anderson Showcase #36 Atom Story Page 4 Original Art (DC, 1962)]( Gil Kane and Murphy Anderson Showcase #36 Atom Story Page 4 Original Art (DC, 1962) A cool twice-up page from the third appearance of the Atom. It boasts a cool panel of Ray Palmer transforming into the diminutive hero. Ink over graphite on Bristol board with an image area of 13" x 18". In Excellent condition, signed by Kane and Anderson in the bottom corners. [View]( [Batman #181 (DC, 1966) Condition: FN+]( Batman #181 (DC, 1966) Condition: FN+ First appearance of Poison Ivy. Features Batman and Robin. Carmine Infantino and Murphy Anderson cover and centerfold pin-up. Sheldon Moldoff, Joe Giella, and Sid Greene art. Overstreet 2018 FN 6.0 value = $192; VF 8.0 value = $512. [View]( [Steve Ditko and Wally Wood Dynamo #4 Story Page 3 Original Art (Tower, 1967)]( Steve Ditko and Wally Wood Dynamo #4 Story Page 3 Original Art (Tower, 1967) From the story "Once Upon a Time", Weed Wylie tells his niece and nephew the story of a recent encounter in which the Iron Maiden used a secret gas to make him her love slave, and turn him against T.H.U.N.D.E.R.. Created in ink over graphite on Bristol board with an image area of 12" x 17". There is some light toning along the edges, production marks in whiteout, faint unobtrusive soling, and soft corner creases. The art is in Excellent condition. [View]( [Robin Hood Production Drawing (Walt Disney, 1973)]( Robin Hood Production Drawing (Walt Disney, 1973) The idea to adapt Robin Hood into an animated feature film goes back to Walt Disney's interest in the tale of Reynard the Fox during the 1937 production of Snow White and the Seven Dwarfs. Twenty feature films later, in 1973, Disney would debut Robin Hood, the story of two outlaws living in Sherwood Forest, where they would rob from the rich and give to the poor. From Robin Hood we have superb drawing of the title character. The drawing was rendered in graphite on 16 field 3-peghole animation paper. The image of Robin Hood measures 7" tall. This is actual working production art and thus will have minor handling, a crease in the middle, and normal edge wear; otherwise the artwork is in Very Good condition. [View]( [Giant-Size X-Men #1 (Marvel, 1975) CGC NM+ 9.6 White pages]( Giant-Size X-Men #1 (Marvel, 1975) CGC NM+ 9.6 White pages The first appearance of the new X-Men (Nightcrawler, Storm, Colossus, and Thunderbird), and the second full appearance of Wolverine. Gil Kane and Dave Cockrum cover. Cockrum art. Currently tied for #8 on Overstreet's list of Top 10 Bronze Age Comics. Overstreet 2018 NM- 9.2 value = $1,700. CGC census 6/19: 327 in 9.6, 163 higher. [View]( [X-Men Short Box Group (Marvel, 1979-84) Condition: Average VF/NM]( X-Men Short Box Group (Marvel, 1979-84) Condition: Average VF/NM A short box containing approximately 165 comics. Includes issues #122 (5 copies), 123, 126 (2), 127, 128 (2), 130, 131(6), 132 (3), 133 (4), 135 (5), 136 (6), 137 (6), 138 (3), 139 (5), 140 (3), 141, 143 (4), 144 (2), 146 (4), 150 (11), 151 (4), 152 (4), 160 (2), 162 (10), 165 (12), 166 (7), 167 (9), 171 (6), 174, 176 (8), 177 (6), 178 (7), 179 (10), and 180 (3). Highlights include first appearances of Dazzler and Rachel Summers, Death of Phoenix, Days of Future Past, and Rogue joins X-Men. Artists include John Byrne, Paul Smith, and Walt Simonson. Approximate Overstreet value for group = $4,100. [View]( [Star Wars: Droids Production Cel and Key Master Background (Nelvana, c. 1980s)]( Star Wars: Droids Production Cel and Key Master Background (Nelvana, c. 1980s) We have a rare Key Master setup from the Star Wars: Droids. The 1985 animated series was a spin-off of the original Star Wars trilogy. Droids focused on the exploits of R2-D2 and C-3PO before the events depicted in the original Star Wars film. The opening theme song "Trouble Again" was performed by Stewart Copeland of the Police. From Star Wars: Droids we have a sensational hand-inked and hand-painted production cel. The cel is paired with a hand-painted background. Key Masters are arguably very rare and sought-after by serious animation collectors. This is actual working production art and thus will show normal usage, minor handling, and edge wear; overall condition is Very Good. [View]( [Sandman #1 (DC, 1989) CGC NM/MT 9.8 White pages]( Sandman #1 (DC, 1989) CGC NM/MT 9.8 White pages The recent announcement that this title is being adapted as a Netflix TV series is sure to increase demand for this debut issue. It features the first appearance of Morpheus and a cameo appearance by Wesley Dodds, the original Golden Age-era Sandman. Neil Gaiman story. Dave McKean cover. Sam Kieth art. Overstreet 2018 NM- 9.2 value = $95. CGC census 7/19: 603 in 9.8, none higher. [View]( [Sonic the Hedgehog 2 (Sega, Genesis, 1992) Wata 9.4 A+ (Seal Rating)]( Sonic the Hedgehog 2 (Sega, Genesis, 1992) Wata 9.4 A+ (Seal Rating) Black label indicates this is from an earlier print run of this game, and thus are more highly sought after by collectors. First appearance of Sonic's sidekick "Tails" and the second best-selling Genesis game at over 15 million copies sold. Featured music composed by Masato Nakamura. [View]( Our MyHeritage: [MyBids]( feature makes tracking your favorite items easier than ever. Just a reminder...our Sunday Internet Comics, Animation, and Art Auctions end with a Live Session at 6:00 PM CT. [Browse the entire auction here](. [Back to Top](#top) []The Overstreet Comic Book Price Guide: Deluxe Leather-Bound Editions (Eighth Article in a Series) By [David Stone](mailto:DStone@HA.com), Heritage Auctions Two early presentation copies of the Overstreet Comic Book Price Guide (OPG) are known, but little information has been available about them, until now. In a 1977 interview with George Olshevsky, Bob Overstreet revealed that his distributor presented him with a single leather-bound copy of the Overstreet Comic Book Price Guide in 1976: "Last year Crown Publishing sent me a presentation copy of the Price Guide with gold sprinkled on top and a strip of cloth bound in, so that it looked like a real Bible. That was for Christmas last year." This unique presentation copy was mentioned in the literature a few times over the years and listed in the table of published issues Gary Carter and Jack Mallette provided in their articles in the Comic Book Marketplace in the 1990s, but it had been all but forgotten in recent years. Gary Carter mentioned a similar copy Crown presented to Overstreet in 1978. In a recent email to Mike Wilbur, Director of Operations at Gemstone Publishing, Bob Overstreet revealed these early presentation copies were the inspiration for the series of deluxe leather-bound editions of the OPG he began producing in 1984: "The genesis of the leather bounds started in 1976 when Harmony Books (a subsidiary of Crown Publishing), who just picked up the price guide for bookstore distribution, sent me as a Christmas present a leather bound copy of #6 which included the cover from the soft back. Then they sent me a Christmas present of a leather bound copy of #8, which did not include the soft back cover. These would have to be the first leather backs of the price guide. These books were very impressive, which gave me the idea of doing limited edition leather bounds, which started with #14." These unique presentation copies are certainly among the most valuable examples of the famous price guide but, as far as we can tell, they have never been offered for sale. They remain safely in Bob Overstreet's collection to the present day (see the never-before-published images below). [The Overstreet Comic Book Price Guide: Deluxe Leather-Bound Editions 1] 1976 Leather-Bound Copy [The Overstreet Comic Book Price Guide: Deluxe Leather-Bound Editions 2] 1978 Leather-Bound Copy Inspired by these early presentation copies, Overstreet began issuing a series of deluxe leather-bound editions of the OPG in 1984. This series continued through 1991 and was resumed in 1995 through 1997, surviving changes in distributor, publisher, and ownership of the OPG. The ad for the 21st edition says: "Special Deluxe Leather Bound Collector's Edition The Overstreet Guides have become true collector's items over the years. For this reason, since 1984 we have offered a Special Collector's Edition for you. Bound in Genuine Leather, with exquisite marbled end papers, this edition will be signed and numbered and limited to 75 copies or less. Don't miss adding this beautiful book to your library." The price was a fairly steep $49.95, as Overstreet planned to establish the prestigious leather-bound editions as elite items (see below). [The Overstreet Comic Book Price Guide: Deluxe Leather-Bound Editions 3] Like the 1976 presentation copy, the leather-bound editions had a softcover of the current guide bound inside the leather cover. Customers who ordered before April 1 could have their names stamped in gilt letters on the outside cover (see image below). [The Overstreet Comic Book Price Guide: Deluxe Leather-Bound Editions 4] To prepare for the deluxe 1984 edition, several prototypes were produced in 1983. One of these prototypes was a copy of OPG #13, bound in leather, in the same style as the later editions, but with plain edges, and no inside soft cover. The second prototype was a softcover copy of OPG #13, with gilt edges. Prominent collector Jack Mallette acquired these two prototypes from Bob Overstreet in the mid-1980s (see images below, with Jack's note). [The Overstreet Comic Book Price Guide: Deluxe Leather-Bound Editions 5] [The Overstreet Comic Book Price Guide: Deluxe Leather-Bound Editions 6] [The Overstreet Comic Book Price Guide: Deluxe Leather-Bound Editions 7] Finally, a third prototype was produced, with the leather binding and Robert M. Overstreet's name stamped in gold letters on the cover. Like the 1976 and 1978 presentation copies, this final prototype remains in Bob's collection (see image below). [The Overstreet Comic Book Price Guide: Deluxe Leather-Bound Editions 8] Jack Mallette sold the non-personalized leather-bound prototype on eBay in 2017 for $3,000. Leather-bound printer's proofs (or ashcans), without the inside softcover, are known for editions 14, 15, and 19, and others may exist. Crown Publishing acted as distributor for the OPG through the 16th edition. During their tenure, the deluxe leather-bound editions exhibited the same text and font on the spine as the inside softcovers for the year (see below). [The Overstreet Comic Book Price Guide: Deluxe Leather-Bound Editions 9] [The Overstreet Comic Book Price Guide: Deluxe Leather-Bound Editions 10] The 16th edition had silvered edges, instead of gilt, to celebrate the 25th anniversary of Marvel Comics. The deluxe leather-bound editions of this era also included a bookplate signed by Bob Overstreet that gave information on the print run for the issue and which number the book was in the printing series, e.g. "number 37 of a Limited Edition of 75 copies." [The Overstreet Comic Book Price Guide: Deluxe Leather-Bound Editions 11] Customers could reqest specific numbered copies in the print run when they ordered. The 14th edition was originally supposed to have a print run of 100 copies, but the production total was increased to 101 copies at the last minute to enable Steve Geppi to order the highest number in the run. There were lower numbers still available at the time, but an earlier customer had requested the key number 100 book, so another copy was printed with number 101. Like the inside softcovers, editions 17-21 of the leather-bound series featured the same text and font on the covers. Most of the covers were black, but number 19 was blue and number 21 was a dark burgundy (see images below). [The Overstreet Comic Book Price Guide: Deluxe Leather-Bound Editions 12] For numbers 17, 19, 20, and 21, the deluxe leather-bound editions used the mass market version for the inside softcover (see earlier articles in this series for information on mass market vs. direct market editions). For some reason, number 18 used the direct market soft cover. The deluxe leather-bound editions were never aggressively marketed. Most of the orders came from prominent collectors and dealers, comic book insiders who valued the exclusive nature and quality of the books. Many Overstreet Advisors ordered the limited editions, but few average collectors were even aware of them. Those who knew about them were seldom willing to shell out nearly $50 for a price guide. Jack Mallette recalls, "Bob had what I call a 'Field of Dreams' philosophy about the leather-bound editions - 'If you build it, they will come.' Of course, that did not translate into high volume sales in this case, and many issues went unsold." Apparently, Overstreet decided the leather-bound editions were impractical after the 21st edition and no more were produced during his ownership of the Price Guide. Print runs for numbers 14-21 are listed in the table below. Print Runs for the Early Leather-Bound Editions Number 14 - 101 copies Number 15 - 75 copies Number 16 - 75 copies Number 17 - 74 copies Number 18 - 75 copies Number 19 - 75 copies Number 20 - 75 copies Number 21 - 75 copies As seen in the table, print runs were always small for these books. Even fewer copies were actually distributed. A box containing the remaining unsold copies of the early leather-bound editions went missing during a warehouse relocation, making the issues before number 21 unavailable from the publisher in recent years. There is still some hope those books will surface but, for now, the early leather-bound editions are only available through infrequent public offerings by auction houses and internet sellers. One collector reports building up a set of eight copies through purchases at California comic book conventions in the 1990s. On September 2, 1994, Gemstone Publishing, a sister company of Diamond Comic Distributors, Inc., purchased Overstreet Publications. Bob Overstreet and a number of key personnel relocated to Maryland and remained intimately involved in the publication of the OPG. To celebrate the 25th anniversary of the Guide in 1995, Gemstone decided to resume publishing the deluxe leather-bound editions. Unlike the earlier editions, the Gemstone-era leather-bounds had printing on the front covers, as well as the spine (see image of number 25 below). [The Overstreet Comic Book Price Guide: Deluxe Leather-Bound Editions 13] The printing on the cover probably made personalizing copies with the customer's name impractical. We have never seen a personalized copy from this era and doubt the service was even offered. The number 25 leather-bound edition had silvered edges, for the 25th anniversary, but all other Gemstone-era editions had gilt edges. All Gemstone-era editions used the direct market version for the internal soft cover. No bookplates were included, but the books were serially numbered and signed by Bob Overstreet on the blank inside page opposite the inside cover. Gemstone produced four leather-bound editions, one each for the 25th and 26th editions, and two for the 27th. Because of the new policy of printing two cover designs for the direct market edition, which began with issue 27, both Flash and Green Lantern cover versions were printed. The font and text on the spine was the same for editions 26-27, but each edition had a different color cover (see below). [The Overstreet Comic Book Price Guide: Deluxe Leather-Bound Editions 14] The print runs for the Gemstone-era leather-bound editions were also quite limited (see table below). Print Runs for Gemstone-Era Leather-Bound Editions Number 25 - 100 copies Number 26 - 50 copies Number 27, Green Lantern cover - 25 copies Number 27, Flash cover - 25 copies Mike Wilbur reports, "During the Gemstone era, order fulfillment for the leather-bound editions was always personally handled by Carol Overstreet. The books were kept in her office, and only dispensed to the shipping department when they were purchased." Of course, Bob and Carol Overstreet are semi-retired now and Mike Wilbur oversees the inventory of back issues today. Surprisingly, a limited number of copies of the 25th and 26th editions are still available for purchase on the Gemstone Publishing website. Declining sales, rising costs, and the extra expense of producing two cover versions every year made the deluxe leather-bound editions unprofitable and none were printed after the 27th edition. Special Thanks - To Mike Wilbur for coordinating communications with Bob Overstreet and providing all-important information and images for this article. Special, Special Thanks - To Bob Overstreet, for the information only he could provide and the images of the unique items from his collection. Sources 1. Carter, Gary and Mallette, Jack, "A Price Guide for Price Guides 1995", Comic Book Marketplace, Vol. 1, #25 (July 1995), pp. 64-67. 2. Gemstone Publishing website. 3. Mallette, Jack, conversations in July of 2017. 4. Olshevsky, George, "Conversation with Bob Overstreet", The Collector's Dream vol. 1, #4 (1978), pp 12-22, 26. 5. Overstreet, Robert, advertisement for deluxe leather-bound OPG #21, Comic Book Marketplace, Vol. 1, #2 (1991), page 11. 6. Wilbur, Mike, Director of Operations at Gemstone Publications, emails on various topics over the last two years. To be continued in a future newsletter. To read the previous article in the series (and find links to earlier ones) [just click here](. [Back to Top](#top) []Around Heritage Auctions [Monthly Fine and Decorative Art Auctions]( Online Fine & Decorative Arts Auction - July 11 Our [July 11 Online auction of Fine & Decorative Arts]( includes additional 19th-century drawings from the [estate of Neal Glass and Kerry Betensky](. These sheets originate from an immense corpus of over 12,000 drawings assembled into a series of albums in the later 19th century by Giovanni Piancastelli (1845-1926), a painter as well as then-Director of the Galleria Borghese in Rome. During Piancastelli's period of activity, collecting drawings on this scale was not uncommon, particularly for a figure with close ties to an artistic community such as he had. Many of the artists represented were figures Piancastelli knew personally, and who held teaching positions at the Academy of San Luca in Rome. While the fate of Piancastelli's entire drawing collection is unknown, the first batch was sold in 1901 to the American Hewitt sisters, Sarah and Eleanor, who were forming the Cooper-Hewitt Museum in New York City. This is a nice opportunity to enjoy and own part of the well documented Piancastelli collection. Happy Bidding! [[Italian School Group of Two Drawings] Italian School Group of Two Drawings]( [[European School Group of Two Drawings] European School Group of Two Drawings]( [[Henryk Siemiradzki Portrait of a man: Self-portrait without a beard and Lovers in a boat, with two figures with guns approaching (two works)] Henryk Siemiradzki Portrait of a man: Self-portrait without a beard and Lovers in a boat, with two figures with guns approaching (two works)]( [[Italian School Group of Two Drawings] Italian School Group of Two Drawings]( [[Filippo Indoni Portrait of a woman] Filippo Indoni Portrait of a woman]( [More information about Fine Art Auctions]( [Back to Top](#top) [Legendary singer-songwriter parting with 1969 Martin D-45 acoustic guitar played at Woodstock in 1969]( Legendary singer-songwriter parting with 1969 Martin D-45 acoustic guitar played at Woodstock in 1969 [Graham Nash]( Nash Collection of Historic Guitars Offered at Auction July 20-21 at Heritage Auctions For more than 60 years, Graham Nash was the voice of a generation. Through collaborations with the Hollies and Crosby, Stills and Nash, Nash & Young became a two-time Rock and Roll Hall of Fame inductee, however, few know of his passion for the historic collection of guitars he amassed over the years. On July 20, Heritage Auctions will present a group of 19 guitars from Nash's important collection at auction for the first time, including the iconic [1969 Martin D-45 Acoustic Guitar]( which he played at Woodstock. "I've always collected only what touches me," Nash said. "It's like being close to the fire. I like holding Duane Allman's guitar. I like holding Don Everly's guitar. It's been played on all these incredible records and you can feel it." "I don't collect just any type of guitars." Johnny Cash. Stephen Stills. Charlie Gracie. Buddy Holly. Bo Diddley. All live on in Nash's collection and each guitar has a tale to tell: [The 1969 Martin D-45 acoustic guitar Graham played at Woodstock in 1969]( offered the year of the festival's 50th anniversary. Graham paid for the guitar using some of the advance Crosby, Stills, and Nash received from their first recording contract with Atlantic Records. "I felt so great when I could afford to buy this," Nash said. ($75,000 opening bid). [Duane Allman's Circa 1961/1962 Gibson SG](. This is best known as the guitar Allman played on the live recording of "Statesboro Blues," the opening track of At Fillmore East. This was the first guitar Graham purchased when he began his collection of other guitarists' guitars ($125,000 opening bid). [Graham Nash guitar collection at Heritage Auctions]( The 1969 Martin D-45 Acoustic Guitar Nash played at Woodstock [Nash's Own 1960 Fender Esquire Custom Sunburst Solid Body Electric Guitar](. The exact guitar played at the very last performance of Crosby, Stills, and Nash ($15,000 opening bid). [Stephen Stills' 1964 Gibson Firebird Sunburst Solid Body Electric Guitar]( gifted from Stills to Graham. Stills wanted some early Stratocasters that Graham owned and the Firebird was included in a trade ($30,000 opening bid). [Johnny Cash's 1937 Martin 000-28 Natural Acoustic Guitar](. From Graham's personal collection, this guitar belonged to the Man in Black. ($25,000 opening bid), and [Johnny Cash's 1934 Martin 0-17 Mahogany Acoustic Guitar]( ($20,000 opening bid). The [1961 Guild X350-B Natural Hollow Body Electric Guitar played by Charlie Gracie]( a major rock 'n' roll influence on a young Graham Nash. "Charlie Gracie was one of the founders of American rock 'n' roll," Nash said. From Graham Nash's personal collection, the [Buddy Holly/Everly Brothers 1951 Gibson J-185 Sunburst Acoustic Guitar]( was passed around and played on the tour bus on the second-to-last tour that Buddy Holly did before his passing ($17,500 opening bid). [More information about Entertainment Auctions]( [Back to Top](#top) []Cel of the Week: Casual Gargamel! If you thought Gargamel was scary in his full villain regalia, you might find him even more so when he dresses down: [The Smurfs Gargamel Production Cel (Hanna-Barbera, c. 1980s)]( The above image is a 1980s Smurfs production cel being auctioned this week. You can [take a closer look and bid here](. [Back to Top](#top) []Current Auctions Comic & Comic Art Auctions [August 13 - 14 The Glynn and Suzanne Crain Science Fiction Collection Signature Auction - Dallas #5442]( [August 13-14 The Glynn and Suzanne Crain Science Fiction Collection Signature Auction - Dallas #5442]( [View Lots]( [Sunday Internet Comics Auction]( [Sunday Comics]( July 7 Live session @ 6PM CT OTHER SIGNATURE AUCTIONS • [Summer FUN US Coins - July 11-14]( • [The Armstrong Family Collection III Space Exploration - July 16-18]( • [Summer Sports Card Catalog - July 18-20]( • [Vintage Guitars & Musical Instruments - July 19]( • [Nature & Science - July 20]( • [Entertainment & Music Memorabilia - July 20-21]( • [Summer Luxury Online Only - July 21]( • [Urban Art - July 22-23]( OTHER INTERNET AUCTIONS • [Thur. World Coins - July 4]( • [Thur. Natural History - July 4]( • [Sun. Movie Poster - July 7]( • [Sun. Sports - July 7]( • [Tues. Jewelry - July 9]( • [Tues. World Currency - July 9]( • [Tues. US Currency - July 9]( • [Weekly US Coins - July 9-10]( • [Monthly Photographs Online - June 17]( • [World Coin Selections from the Morris Collection Monthly Online - July 28]( [Auction Schedule]( | [Order a Catalog]( [Back to Top](#top) [] DEPARTMENTS [Art & Antiques]( [Books]( [Coins]( [Comics]( [Currency]( [Domain Names & Intellectual Property]( [Entertainment & Music]( [Historical]( [Jewelry & Timepieces]( [Luxury Accessories]( [Movie Posters]( [Nature & Science]( [Real Estate]( [Sports]( [Stamps]( [Wine]( [Charity Auctions]( [] SERVICES [Free Auction Evaluation]( [Appraisal Services]( [Trusts and Estates]( [Auction Archives]( [Other Resources]( MY HERITAGE [My Bids]( [My TrackedLots]( [My Wantlist]( [My Profile]( [My Collection]( [My Consignments]( [My Orders]( [Consign Now]( [Barry Sandoval]( [1-800-872-6467 x1377](tel:1-800-872-6467) [Facebook]( [Twitter]( [LinkedIn]( [YouTube]( [Blog]( Heritage Auctions / Bid@HA.com / 3500 Maple Ave / Dallas, Texas 75219 / [1-877-HERITAGE (437-4824)](tel:1-800-872-6467) • Copyright © 1999 - 2019 Heritage Capital Corporation / All Rights Reserved Note: When calling or emailing us, please reference your client number: 3434334 [Forward to a Friend]( [Unsubscribe me permanently from all marketing emails]( Never miss an email! 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