Comics and Animation News: Original-Owner Silver Age Collection; 1,200-Lot Animation Auction

Comics and Animation News [Read this newsletter online]( [Heritage Auctions]( [Comics and Animation News]( In This Issue: • [Sunday Internet Auction](#spotlight) • [Original-Owner "Clinton Collection" of Silver Age Comics at Heritage starting this week](#collector-b) • [Animation Auction is This Saturday and Sunday](#collector-c) • [Animation Auction: Favorite Lots From Each Decade](#collector-d) • [Around Heritage Auctions](#around-1) • [Cover of the Week: He Read Them Their Rights Later](#week) • [Current Auctions](#current) December 5, 2018 []Sunday Internet Auction [Sunday Internet Comics Auction]( Auction Ends: December 9, 2018 Live Session at 6:00 PM CT Highlights of this week's auction include: [Famous Funnies #7 (Eastern Color, 1935) CGC VG/FN 5.0 Cream to off-white pages]( Famous Funnies #7 (Eastern Color, 1935) CGC VG/FN 5.0 Cream to off-white pages A rare pre-Golden Age book known to be the twelfth comic ever published. Gerber rates it an "8" or "rare", meaning that fewer than 20 are believed to exist. Overstreet 2018 VG 4.0 value = $480; FN 6.0 value = $720. CGC census 12/18: 1 in 5.0, 3 higher. [View]( [Uncle Joe's Funnies #1 (Centaur, 1938) CGC PR 0.5 Off-white to white pages]( Uncle Joe's Funnies #1 (Centaur, 1938) CGC PR 0.5 Off-white to white pages Bill Everett cover. Gerber's Photo-Journal Guide to Comics rates this issue as an "8" ("rare") in its scarcity index. This is the second copy we've offered, and the first we've seen in 16 years. CGC notes, "Centerfold and half of page 18 missing, affects story. Incomplete." Overstreet 2018 GD 2.0 value = $123. CGC census 12/18: 1 in 0.5, 5 higher. [View]( [Exciting Comics #9 (Nedor, 1941) Condition: GD]( Exciting Comics #9 (Nedor, 1941) Condition: GD Origin and first appearance of the Black Terror. Currently tied for #100 on Overstreet's list of Top 100 Golden Age Comics. Elmer Wexler bondage cover. Very nice page quality, though please note that the small tear at the lower right side runs through entire book. There are 1.5" and 1" tears to the front cover. Centerfold detached. Overstreet 2018 GD 2.0 value = $1,400. [View]( [Fight Comics #16 (Fiction House, 1941) CGC FN+ 6.5 Off-white pages]( Fight Comics #16 (Fiction House, 1941) CGC FN+ 6.5 Off-white pages Super American cover by Dan Zolnerowich. One of four copies we've had the opportunity to offer. Spy Fighter features end and Captain Fight features begin. Overstreet 2018 FN 6.0 value = $348; VF 8.0 value = $742. CGC census 12/18: 1 in 6.5, 2 higher. [View]( [Spy Smasher #9 (Fawcett Publications, 1942) CGC VG/FN 5.0 White pages]( Spy Smasher #9 (Fawcett Publications, 1942) CGC VG/FN 5.0 White pages Hitler, Tojo, and Mussolini cover. Hypodermic needle panel. Dave Berg stories and art. Overstreet 2018 VG 4.0 value = $284; FN 6.0 value = $426. CGC census 12/18: 3 in 5.0, 10 higher. [View]( [Josie #1-106 Complete Run Box Lot (Archie, 1963-82)]( Josie #1-106 Complete Run Box Lot (Archie, 1963-82) Includes #1 (GD), 2-17, 18 (FN), 19-23, 24 (FN), 25 (VF), 26-33, 34 (GD), 35-40, 41 (GD), 42-44, 45 (first appearance of Josie and the Pussycats), 46-56, 57 (GD), and 58-106. Except as noted, issues #1-25 grade an average of VG- with grades ranging from GD to FN-, #26-94 average VG/FN, and 95-106 average FN/VF. Approximate Overstreet value for group = $1,000. [View]( [Richie Rich #1 (Harvey, 1960) CGC FN- 5.5 Off-white pages]( Richie Rich #1 (Harvey, 1960) CGC FN- 5.5 Off-white pages Little Dot and Little Lotta backup stories. Currently ranked #41 on Overstreet's Top 50 Silver Age Comics list. Warren Kremer cover and art. Overstreet 2018 FN 6.0 value = $951. CGC census 12/18: 9 in 5.5, 31 higher. [View]( [Carmine Infantino and Joe Giella Flash #133 Story Page 9 Original Art (DC, 1962)]( Carmine Infantino and Joe Giella Flash #133 Story Page 9 Original Art (DC, 1962) The Flash is a one-man anti-crime wave sweeping through the city. This page gives us several speed-feats including a bullet-bouncing whirlwind, some machine-gun rapid punches, and three guys disabled in a single montage of images. Created twice-up scale in ink over graphite on Bristol board with an image area of 13" x 19" (including the paste-up header). The lightly toned page has a bit of lettering correction whiteout, but is in Excellent condition. The reverse side of the board has a side-view headshot of the flash signed "JM '64". This is ink over graphite and measures 8" x 10". [View]( [Gene Colan and Vince Colletta Captain Marvel #2 Story Page 13 Original Art (Marvel, 1968)]( Gene Colan and Vince Colletta Captain Marvel #2 Story Page 13 Original Art (Marvel, 1968) Captain Marvel comes to the aid of the hotel night clerk who is under attack by a Skrull. A great page to get your hands on before the release of the Captain Marvel feature film releasing next year, which will most likely have an appearance of Mar-Vell, played by Jude Law. Rendered in ink over graphite on Bristol board with an image area of 10" x 15". There is production oil staining throughout the page, most notably in Panel 3, production hole punches in the top and bottom margins, a whiteout text correction in Panel 1, and the page is slightly toned. Overall, in Very Good condition. [View]( [Who Framed Roger Rabbit? Roger Rabbit Storyboard Drawings Group of 2 (Touchstone/Amblin, 1988)]( Who Framed Roger Rabbit? Roger Rabbit Storyboard Drawings Group of 2 (Touchstone/Amblin, 1988) "I'll take care of him like he was my own brother, or my own sister, or my brother's sister!" This vivid set of storyboard drawings from the ground-breaking live-action/animated film depicts Roger Rabbit and Baby Herman's mother in the film's opening short "Somethin's Cookin." Mother leaves Roger to watch over the baby, but as usual, Baby Herman is a danger to himself almost as much as he is to Roger. These storyboard drawings are hand-colored in ink and colored pencil on black line prints measuring 7" x 9". One is labeled "Sc 9 - 17" and the other "Sc 7 - 26." Original storyboards and concept artwork from this landmark film are incredibly rare. They are in Fine condition with minor handling and small pushpin holes at the corners. [View]( [Dave Dorman - Captain America Painting Original Art (undated)]( Dave Dorman - Captain America Painting Original Art (undated) A castle wall explodes as Captain America and Bucky lead the charge of American Soldiers in the highly dramatic and colorful piece! Rendered in Gouache on illustration board with an image area of 8" x 10.75". Signed at the bottom right and in Excellent condition. [View]( [SpongeBob SquarePants Patrick and SpongeBob Production Cel (Nickelodeon, 2000)]( SpongeBob SquarePants Patrick and SpongeBob Production Cel (Nickelodeon, 2000) Hand-painted production cel of SpongeBob and his best buddy Patrick, from the award-winning (including four Emmy Awards and six Annie awards) series from Nickelodeon, their most popular animated series to date. Hand-painted and partially hand-inked (the colored lines are applied by hand, but not the black lines), indicating this to be from the first year of SpongeBob SquarePants. The cel is placed on a print background, which includes the fish characters looking on, and matted, with an opening size of 11.5" x 9"; overall mat size is 16.5" x 14". The cel includes a Nickelodeon seal, and has been hastily signed, but we cannot decipher the name. Very Good condition. [View]( Our MyHeritage: [MyBids]( feature makes tracking your favorite items easier than ever. Just a reminder...our Sunday Internet Comics, Animation, and Art Auctions end with a Live Session at 6:00 PM CT. [Browse the entire auction here](. [Back to Top](#top) []Original-Owner "Clinton Collection" of Silver Age Comics at Heritage starting this week [[Captain America #117 (Marvel, 1969) CBCS NM 9.4 White pages] Captain America #117 (Marvel, 1969) CBCS NM 9.4 White pages]( [[The Silver Surfer #4 (Marvel, 1969) CBCS VF/NM 9.0 White pages] The Silver Surfer #4 (Marvel, 1969) CBCS VF/NM 9.0 White pages]( [[The Avengers #63 (Marvel, 1969) CBCS NM+ 9.6 White pages] The Avengers #63 (Marvel, 1969) CBCS NM+ 9.6 White pages]( [[The Avengers #57 (Marvel, 1968) CBCS VF+ 8.5 White pages] The Avengers #57 (Marvel, 1968) CBCS VF+ 8.5 White pages]( A fresh Silver Age collection that sat untouched for some 50 years is hitting the auction block at Heritage Auctions starting this week. Named "the Clinton Collection" since it hails from Clinton, Massachusetts, these books were bought off the newsstand and read once each, then found their way into a footlocker at the family home, where they remained until earlier this year. Most of the books are late 1960s Marvels and DCs, with a few other publishers represented. Every book has been certified by CBCS, and most are in the VF+ 8.5 - NM 9.4 range, though some grade as high as NM/MT 9.8. "An original-owner collection is always something special, and not only do these have a uniform appearance, they're uniformly nice! I haven't seen any tanning on one single book. These comics are fresh to the market and fresh in their appearance," said Barry Sandoval, Vice-President of Heritage Auctions. Heritage will have a selection in every Sunday Internet Comics Auction, with a few of the top highlights included in the February 2019 Signature Comics and Comic Art Auction. CBCS has noted the "Clinton Collection" provenance on the label of each comic. To peruse the 62 comics included in this week's auction, [please click here](. [Back to Top](#top) []Animation Auction is This Saturday and Sunday [December 8 - 9 Animation Art Signature Auction - Beverly Hills #7196]( Signature Floor [Session 1]( Lots 95001-95228 12:00 PM CT Saturday, December 8 Signature Floor [Session 2]( Lots 96001-96265 5:00 PM CT Saturday, December 8 Signature Internet [Session 3]( Lots 97001-97787 1:00 PM CT Sunday, December 9 No Floor or Phone Bidding [Back to Top](#top) []Animation Auction: Favorite Lots From Each Decade To give you an idea of the breadth of the material offered in this weekend's auction, here's a look at the most-tracked lot from each era of animation! 21st Century: [The Incredibles Mr. Incredible Color Key Concept Painting Original Art (Walt Disney/Pixar, 2004)]( [The Incredibles Mr. Incredible Color Key Concept Painting Original Art (Walt Disney/Pixar, 2004)]( "Yeah, I got time — I'm just here to help!" These are the words that can be heard from Bob Parr, also known as Mr. Incredible. This Brad Bird-directed feature film was released on 10/27/04 at the London Film Festival. It tells the story of the Parrs, a family of super-powered heroes who now live in secret in a quiet suburban life, fifteen years after public opinion turns against all "Supers." This is a rare pre-production Color Key of Mr. Incredible in action. Great 6" image of our hero in his crime-fighting costume. This early concept piece is painted in gouache, and is considered rare. Matted with an opening 9" x 7", and framed with Plexiglas for an overall size of 16" x 14". Frame is sold as-is; art condition is Very Good. 1990s: [The Nightmare Before Christmas Storyboard Art Group of 3 (Touchstone/Disney, 1993)]( [The Nightmare Before Christmas Storyboard Art Group of 3 (Touchstone/Disney, 1993)]( "This is Halloween! Our man Jack is King of the Pumpkin Patch. Everybody hail to the Pumpkin King now!" Here is a great set of three original storyboards from the Henry Selick-directed classic stop-motion animated feature film. These drawings are attributed to the film's storyboard artist, Jorgen Klubien. Each 8" x 5" drawing is in one common frame. The art is in ink, graphite, and crayon. Two storyboards seem to be from the opening "This is Halloween" song sequence. Framed with Plexiglas, with an overall size of 38" x 20" with three mat openings of 6" x 9". Impressive group of three! Frame is sold as-is, storyboards are in Fine condition. 1980s: [Who Framed Roger Rabbit? Jessica Rabbit Production Cel (Disney/Touchstone, 1988)]( [Who Framed Roger Rabbit? Jessica Rabbit Production Cel (Disney/Touchstone, 1988)]( "I'm not bad, I'm just drawn that way!" says Jessica to Eddie Valiant. This is a wow of an original 16 field hand-painted production cel of Jessica Rabbit. The sexy image measures all of 7" tall and is presented on a Key Master black and white photo background. Kathleen Turner provide the sultry voice to this incredibly popular character. The cel bears a Disney seal and comes with a Disney Studios COA. This was the penultimate Disney feature to use painted cels and good images of Jessica are always in high demand. Condition is Very good. 1970s: [Peanuts - A Charlie Brown Thanksgiving Charlie Brown and Lucy Production Cel Setup (Bill Melendez, 1973)]( [Peanuts - A Charlie Brown Thanksgiving Charlie Brown and Lucy Production Cel Setup (Bill Melendez, 1973)]( This enduring Thanksgiving TV special based on the Charles Schulz comic strip premiered 45 years ago and has aired every year since. Here, Lucy convinces Charlie Brown yet again that she will not yank the football away as he attempts to kick it. You can see this just before the opening credits at the 00:30 second mark. This is a very rare hand-inked, hand-painted, 12 field 2-cel setup on a printed background for presentation purposes and the characters stand approximately 3.5" tall. It is a truly iconic Peanuts image from their tenth CBS TV special which went on to win an Emmy that year. The piece comes with both a Peanuts Film Gallery Authentication and seal. Framed with Plexiglas, with a mat opening of 8.5" x 11.25" and overall frame size of 15.25" x 18.25". Condition is Fine. Frame is sold as-is. 1960s: [Scooby-Doo, Where Are You? Full Cast Stock Production Cel (Hanna-Barbera, 1969)]( [Scooby-Doo, Where Are You? Full Cast Stock Production Cel (Hanna-Barbera, 1969)]( "Scooby-Dooby-Doo, where are you? We got some work to do now!" This groundbreaking show premiered on 7/13/69 on CBS. This is a pure piece of Scooby-Doo History. It is a hand-painted production cel that was used as stock footage as the running scene for main episode titles. It is the classic image of Daphne, Velma, Freddie, Shaggy, and Scooby that opened every episode. Cel is marked "stk run" on bottom border. A photocopy of the original layout drawing of this is included. One of the single most memorable scenes from this series! Character sizes are 3" - 5" on a 12 field cel. Minor handling wear. Very Good condition. 1950s: [What's Opera, Doc Elmer Fudd Layout Drawing (Warner Brothers, 1957)]( [What's Opera, Doc Elmer Fudd Layout Drawing (Warner Brothers, 1957)]( "Oh, Bwoonhilda, you're so wovely." sings Elmer as Siegfried. "Yes, I know it, I can't help it." replies Bugs Bunny in song, disguised as Brünnhilde. This cartoon is considered to be Chuck Jones' masterpiece. It was released on 7/6/57, and in 1992, it became the first cartoon short to be chosen by The Library of Congress for the National Film Register. Written by Mike Maltese, it also boasted the talents of Chuck Jones' team of Maurice Noble, Phil DeGuard, Ken Harris, Richard Thompson, and Abe Levitow, to mention a few. Mel Blanc provided the voice for Bugs, while Arthur Q. Bryan was Elmer. This is a piece of Looney Tunes and animation history — an original Chuck Jones layout drawing of Elmer Fudd as Siegfried. This is the moment he first sees Bugs in drag as Brünnhilde, as seen around the 2:54 mark. Detailed Chuck Jones layout drawing in graphite on 12 field animation paper, signed in the bottom right corner. Matted with an opening of 13" x 10", and framed with Plexiglas for an overall size of 19" x 16". Frame is sold as-is. Minor handling wear. Very Good condition. 1940s: [Hare-Raising Hare Bugs Bunny Production Cel and Custom Background (Warner Brothers, 1946)]( [Hare-Raising Hare Bugs Bunny Production Cel and Custom Background (Warner Brothers, 1946)]( "I bet you monsters lead innnnn-teresting lives!" says Bugs Bunny to the newly-introduced orange monster, later to be named Gossamer. Gossamer made his first appearance in this Chuck Jones-directed and Tedd Pierce-written theatrical short. This classic Jones cartoon was released on 5/25/46. This was the last Chuck Jones-directed short to use his Bugs design. His next short moved over to the Robert McKimson design. You can see this cel very briefly about the 5:42 mark in the castle wall picture chase scene. Great full-figure image, with a size of 6". Cel is on a beautiful hand-painted background made for presentation purposes. Plexiglas-front frame is 23" x 20" with a mat opening of 11" x 9". Frame is sold as-is. Cel condition is Very Good. 1930s: [Snow White and the Seven Dwarfs Evil Queen Production Cel with Custom Background and Walt Disney Signature (Walt Disney, 1937)]( [Snow White and the Seven Dwarfs Evil Queen Production Cel with Custom Background and Walt Disney Signature (Walt Disney, 1937)]( "Magic Mirror on the wall, who NOW is the fairest one of all?" asks the Evil Queen. "Snow White lies dead in the forest. The Huntsman has brought me proof, behold her heart!" Here is an exceptional, original, hand-inked, hand-painted production cel of the Evil Queen with the heart box, when she finds out she has been duped with a pig's heart. It's an amazing image, measuring 8". The cel is on a custom background made for presentation purposes. This outstanding Key Scene cel is matted with a clipped signature of Walt Disney (1901-1966) to really make this special piece even more spectacular. The cel mat opening measures 9" x 9", framed with Plexiglas for an overall size of 17" x 19". Frame is sold as-is. The cel is in Very Good condition. 1920s: [Steamboat Willie Mickey Mouse Animation Drawing Original Art (Walt Disney, 1928)]( [Steamboat Willie Mickey Mouse Animation Drawing Original Art (Walt Disney, 1928)]( Walt Disney once said it all started with a mouse; well, this is the film that started it, 90 years ago this year. This is an outstanding and extremely rare 12 field 2-peghole animation drawing of Mickey Mouse from his first widely released cartoon, Steamboat Willie. After Pete kicks Mickey and he falls down the stairs, Mickey is met by a laughing parrot. He sees a pail of water and throws it over the parrot's head. You can see this at the 1:28 mark into the short. Guess Mickey had a temper, 90 years ago! Opening title card reads "A Walt Disney Comic by Ub Iwerks." Walt Disney directed this short, with most all animation done by Ub Iwerks (1901-1971). This film was named #13 in Jerry Beck's book The 50 Greatest Cartoons . Also, in 1998, this film was selected for preservation by the US National Film Registry. Great full-figure graphite image, with a size of 3" x 5". Blue stamped 87 is on reverse, with "90" written in the bottom right corner. This drawing is attributed to the hand of Ub Iwerks. This pure piece of Disney history is matted with an opening of 12.5" x 10", and framed using Plexiglas, with an overall size of 19" x 17". A print of an actual screen grab of this drawing is included. Frame is sold as-is, artwork has minor handling and edge wear. Condition is Very Good. 1910s: [Winsor McCay Gertie the Dinosaur Animation Drawing Original Art (1914)]( [Winsor McCay Gertie the Dinosaur Animation Drawing Original Art (1914)]( "Gertie will now show that she isn't afraid of me and take me for a ride." Gertie then walks up to an animated Winsor McCay, picks him up with her mouth and places him on her back for a ride. This is an outstanding and important piece of inked artwork from the hand of Winsor McCay (1869-1934), used to create the landmark animated short, Gertie the Dinosaur. McCay drew each individual scene on rice paper by hand; this was before the use of nitrate or acetate cel use began. Gertie, the subject of McCay's third cartoon, was animation's first superstar. This film premiered on February 8, 1914 at the Palace Theater in Chicago. The cartoon is ranked #6 in Jerry Beck's book The 50 Greatest Cartoons . This historic piece is the very first Gertie drawing we have ever offered that has an image of Winsor McCay in the scene. It can be found in the film around the 13:09 mark. Art is in ink on 9" x 7" rice paper mounted to board; the number 309 is inked in bottom right corner. Gertie is 4.5", while Windsor is 3" with his long wand. Matted with an opening of 10" x 8", and framed using Plexiglas for an overall size of 20" x 19". A screen grab print of this artwork is included in the lot. Frame is sold as-is, artwork condition is Very Good. [Back to Top](#top) []Around Heritage Auctions [ Auguste Rodin Éternel printemps]( Rodin's Éternel Printemps Ratchets up the Romance in Heritage Auctions' European Art Auction Leading Heritage Auctions' Dec. 7 [Fine European Art Auction]( is Auguste Rodin's monumental [Éternel printemps]( (est. $400,000-$600,000). Depicting two lovers in a passionate embrace, this magnificent bronze is a star within a constellation of masterworks from the likes of William Adolphe Bouguereau, Gerald Brockhurst, and Louis Valtat. Cast between 1899 and 1901, Éternel printemps is one of just 58-recorded Ferdinand Barbedienne casts of the celebrated sculpture in its second state, first reduction. "The dazzling play of light on the lovers' limbs accentuates the effect of movement, which was of paramount importance to Rodin," Heritage's European art specialist Marianne Berardi said. "It would be no exaggeration to say this bronze is a page out of Rodin's own biography. At the time he conceived it, the sculptor had fallen head over heels in love with the young sculptor Camille Claudel. She drove him wild and this bronze is a particular testament to that," Berardi said. The sale also features other notable bronzes including another Rodin, [Homme assis, etude B]( (est. $10,000-$15,000), in which Rodin gave full rein to the sensual manipulation of clay ultimately cast into bronze. In bold contrast to Rodin's work is Gerhard Marcks' [Amazon]( (est. $10,000-$15,000), which emerged out of the modernist idiom of the Bauhaus with its smooth planes and minimalist surface treatment. Marcks' figure presents the ancient women warrior as a figure whose weapons in the 20th century may be more cerebral than physical, by accentuating her stare over her physicality. In addition, Aristide Maillol's [Petit torso]( from 1910 (est. $30,000-$50,000), is a sculpture that derives its motif from the antique but conceives its form as simplified geometries, which gives it a modern appearance. English painter Gerald Brockhurst's alluring [1937 portrait of movie star Merle Oberon]( is another highpoint of the auction (est. $40,000-$60,000). Oberon's exotic beauty was her stepping-stone to a successful film career including her iconic role as Cathy in Wuthering Heights, opposite Sir Laurence Olivier as Heathcliff. "The painting comes to Heritage directly from the artist's family," European art specialist Janell Snape stresses, adding, "What a pleasure it is to include such a masterful portrait in our sale; a great combination of classic Hollywood glamour and stunning technique!" French 20th century painting makes a strong appearance in the auction. Louis Valtat's [Mère et enfants]( (est. $30,000-$50,000) beautifully demonstrates Valtat's mastery of formalist experiments of the avant-garde, while retaining traditional concepts of figuration and representation. Jules Pascin's sensitive [Fille à la mandoline]( (est. $20,000-$30,000) dates from the artist's early Parisian period and shows a strong indebtedness to Matisse and the Fauves. Othon Coubine's powerful [Femme Nue]( (estimate $10,000-15,000), Jean Jansem's monumental [Exercise au tabouret]( (est. $15,000-$25,000), and Jean-Pierre Cassigneul's colorful bouquet of tulips on a window ledge titled [Fleurs]( (est. $12,000-$18,000) are other notable French offerings. A handsome group of academic landscapes and genre scenes round out the sale with noteworthy examples such as William Adolphe Bouguereau's [La leçon de flute]( ($200,000-$300,000), Tito Conti's [A demure beauty]( (est. $10,000-$15,000), [Alexander Daiwaille's lush landscape with cattle]( (est. $8,000-$12,000) and [James Walsham Baldock's sporting picture]( (est. $10,000-$15,000). [More information about Fine Art Auctions]( [Back to Top](#top) []Cover of the Week: He Read Them Their Rights Later We're hoping this isn't really an "Authentic Police Case," since the cop here just opens fire! And the poor elevator operator not only has to deal with crooks and close-range gunfire, it can't be any fun to ride an elevator car that's only about five feet high. [Authentic Police Cases #27 (St. John, 1953) Condition: VG]( This is Matt Baker's cover for Authentic Police Cases #27. [You can bid on a VG copy here](. [Back to Top](#top) []Current Auctions Comic & Comic Art Auctions [December 8 - 9 Animation Art Signature Auction - Beverly Hills #7196]( [December 8-9 Animation Art Signature Auction - Beverly Hills #7196]( [View Lots]( [Sunday Internet Comics Auction]( [Sunday Comics]( December 9 Live session @ 6PM CT OTHER SIGNATURE AUCTIONS • [Urban Art - Dec. 4-5]( • [HKINF World Currency - Hong Kong - Dec. 5-7]( • [HKINF World Coins - Hong Kong - Dec. 6-7]( • [Fine European Art - Dec. 7]( • [Wine - Beverly Hills - Dec. 7-8]( • [Fine & Decorative Arts Including Estates - Dec. 7-9]( • [Arms & Armor, Civil War & Militaria - Dec. 9]( • [Hong Kong Jewelry - Dec. 10]( • [Hong Kong Timepieces - Dec. 10]( • [Hong Kong Luxury Accessories - Dec. 10]( • [US Coins - Dec. 13-14]( • [Nature & Science - Dec. 15]( OTHER INTERNET AUCTIONS • [Weekly US Coins - Dec. 4-5]( • [Thur. Natural History - Dec. 6]( • [Thur. World Coins - Dec. 6]( • [Sun. Sports - Dec. 9]( • [Sun. Movie Posters - Dec. 9]( • [Tues. 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