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𝘐𝘯 𝘪𝘵, 𝘩𝘦 𝘱𝘦𝘳𝘧𝘰𝘳𝘮𝘴 𝘢𝘯 “𝘰𝘷𝘦𝘳 𝘵𝘩𝘦 𝘴𝘩𝘰𝘶𝘭𝘥𝘦𝘳” 𝘥𝘦𝘮𝘰 𝘰𝘧 𝘩𝘪𝘴 𝘖𝘯𝘦 𝘛𝘪𝘤𝘬𝘦𝘳 𝘛𝘳𝘢𝘥𝘦𝘳 𝘴𝘵𝘳𝘢𝘵𝘦𝘨𝘺. Dear Reader, Legendary Market Wizard and trader Larry Benedict just released his debut trading video. In it, he performs an “over the shoulder” demo of his One Ticker Trader strategy. It’s designed to show you how to use it to make all the money you need… No matter what happens in the market. And he also gives you his favorite ticker for FREE. [Watch it now.]( Sincerely, Lauren Wingfield Managing Editor, The Opportunistic Trader Stephen Edwin King (born September 21, 1947) is an American author of horror, supernatural fiction, suspense, crime, science-fiction, and fantasy novels. Described as the "King of Horror", a play on his surname and a reference to his high standing in pop culture,[2] his books have sold more than 350 million copies as of 2006,[3] and many have been adapted into films, television series, miniseries, and comic books. King has published 64 novels, including seven under the pen name Richard Bachman, and five non-fiction books.[4] He has also written approximately 200 short stories, most of which have been published in book collections.[5][6] King has received Bram Stoker Awards, World Fantasy Awards, and British Fantasy Society Awards. In 2003, the National Book Foundation awarded him the Medal for Distinguished Contribution to American Letters.[7] He has also received awards for his contribution to literature for his entire bibliography, such as the 2004 World Fantasy Award for Life Achievement and the 2007 Grand Master Award from the Mystery Writers of America.[8] In 2015, he was awarded with a National Medal of Arts from the U.S. National Endowment for the Arts for his contributions to literature.[9] Early life King was born in Portland, Maine, on September 21, 1947. His father, Donald Edwin King, a traveling vacuum salesman after returning from World War II,[10] was born in Indiana with the surname Pollock, changing it to King as an adult.[11][12][13] King's mother was Nellie Ruth King (née Pillsbury).[13] His parents were married in Scarborough, Maine on July 23, 1939.[14] Shortly afterwards, they lived with Donald's family in Chicago before moving to Croton-on-Hudson, New York.[15] King's parents returned to Maine towards the end of World War II, living in a modest house in Scarborough. When King was two, his father left the family. His mother raised him and his older brother David by herself, sometimes under great financial strain. They moved from Scarborough and depended on relatives in Chicago; Croton-on-Hudson; West De Pere, Wisconsin; Fort Wayne, Indiana; Malden, Massachusetts; and Stratford, Connecticut.[16][17] When King was 11, his family moved to Durham, Maine, where his mother cared for her parents until their deaths. She then became a caregiver in a local residential facility for the mentally challenged.[1] King was raised Methodist,[18][19] but lost his belief in organized religion while in high school. While no longer religious, he says he chooses to believe in the existence of God.[20] As a child, King apparently witnessed one of his friends being struck and killed by a train, though he has no memory of the event. His family told him that after leaving home to play with the boy, King returned speechless and seemingly in shock. Only later did the family learn of the friend's death. Some commentators have suggested that this event may have psychologically inspired some of King's darker works,[21] but King makes no mention of it in his memoir On Writing (2000). He related in detail his primary inspiration for writing horror fiction in his non-fiction Danse Macabre (1981), in a chapter titled "An Annoying Autobiographical Pause". He compared his uncle's dowsing for water using the bough of an apple branch with the sudden realization of what he wanted to do for a living. That inspiration occurred while browsing through an attic with his elder brother, when King uncovered a paperback version of an H. P. Lovecraft collection of short stories he remembers as The Lurker in the Shadows, that had belonged to his father. King told Barnes & Noble Studios in a 2009 interview, "I knew that I'd found home when I read that book."[22] King remembers asking a bookmobile driver, "Do you have any stories about how kids really are?" She gave him William Golding's Lord of the Flies. It would prove formative, as he recalls in his introduction to the centenary edition of the novel: "It was, so far as I can remember, the first book with hands—strong ones that reached out of the pages and seized me by the throat. It said to me, 'This is not just entertainment; it's life or death.'... To me, Lord of the Flies has always represented what novels are for."[23] King named his town of Castle Rock after the mountain fort in Lord of the Flies, and a copy of William Golding's novel features in King's Hearts in Atlantis.[24] King attended Durham Elementary School and graduated from Lisbon High School (Maine) in Lisbon Falls, Maine, in 1966.[25] He displayed an early interest in horror as an avid reader of EC horror comics, including Tales from the Crypt, and he later paid tribute to the comics in his screenplay for Creepshow. He began writing for fun while in school, contributing articles to Dave's Rag, the newspaper his brother published with a mimeograph machine, and later began selling stories to his friends based on movies he had seen. (He was forced to return the profits when it was discovered by his teachers.) The first of his stories to be independently published was "I Was a Teenage Grave Robber", which was serialized over four issues (three published and one unpublished) of a fanzine, Comics Review, in 1965. It was republished the following year in revised form, as "In a Half-World of Terror", in another fanzine, Stories of Suspense, edited by Marv Wolfman.[26] As a teen, King also won a Scholastic Art and Writing Award.[27] King entered the University of Maine in 1966, and graduated in 1970 with a Bachelor of Arts in English.[28] That year, his daughter Naomi Rachel was born. He wrote a column, Steve King's Garbage Truck, for the student newspaper, The Maine Campus, and participated in a writing workshop organized by Burton Hatlen.[29] King held a variety of jobs to pay for his studies, including as a janitor, a gas-station attendant, and an industrial laundry worker. He met his wife, fellow student Tabitha Spruce, at the university's Raymond H. Fogler Library after one of Professor Hatlen's workshops; they wed in 1971.[29] Career Beginnings In 1971, King worked as a teacher at Hampden Academy. King sold his first professional short story, "The Glass Floor", to Startling Mystery Stories in 1967.[1] After graduating from the University of Maine, King earned a certificate to teach high school but, unable to find a teaching post immediately, he supplemented his laboring wage by selling short stories to men's magazines such as Cavalier. Many of these early stories were republished in the collection Night Shift. The short story "The Raft" was published in Adam, a men's magazine. After being arrested for stealing traffic cones (he was annoyed after one of the cones knocked his muffler loose), he was fined $250 for petty larceny but had no money to pay. However, a check then arrived for "The Raft" (then titled "The Float"), and King cashed it to pay the fine.[30] In 1971, King was hired as a teacher at Hampden Academy in Hampden, Maine. He continued to contribute short stories to magazines and worked on ideas for novels.[1] During 1966–1970, he wrote a draft about his dystopian novel The Long Walk[31] and the anti-war novel Sword in the Darkness,[32][33] but neither of the works was published at the time; only The Long Walk was later released in 1979. Carrie and aftermath In 1973, King's novel Carrie was accepted by publishing house Doubleday. It was King's fourth novel,[34] but the first to be published. He wrote it on his wife Tabitha's portable typewriter. It began as a short story intended for Cavalier magazine, but King tossed the first three pages in the trash.[35] Tabitha recovered the pages and encouraged him to finish the story, saying she would help him with the female perspective; he followed her advice and expanded it into a novel.[36] He said: "I persisted because I was dry and had no better ideas… My considered opinion was that I had written the world's all-time loser."[37] Per The Guardian, Carrie "is the story of Carrie White, a high-school student with latent—and then, as the novel progresses, developing—telekinetic powers. It's brutal in places, affecting in others (Carrie's relationship with her almost hysterically religious mother being a particularly damaged one), and gory in even more."[38] When Carrie was chosen for publication, King's phone was out of service. Doubleday editor William Thompson—who became King's close friend—sent a telegram to King's house in late March or early April 1973[39] which read: "Carrie Officially A Doubleday Book. $2,500 Advance Against Royalties. Congrats, Kid – The Future Lies Ahead, Bill."[40] King said he bought a new Ford Pinto with the advance.[39] On May 13, 1973, New American Library bought the paperback rights for $400,000, which—in accordance with King's contract with Doubleday—was split between them.[41] In 1976, it was made into a successful film of the same name by Brian De Palma.[42] King's 'Salem's Lot was published in 1975. In an introduction to an illustrated edition of the novel, King recalls that "One of the ideas I had in those good old days was that it would be perfectly possible to combine the overlord-vampire myth from Bram Stoker's Dracula with the naturalistic fiction of Frank Norris and the EC horror comics I'd loved as a child...and come out with a great American novel. I was twenty-three, remember, so cut me a break."[43] In a 1987 issue of The Highway Patrolman magazine, he said, "The story seems sort of down home to me. I have a special cold spot in my heart for it!"[44] After his mother's death, King and his family moved to Boulder, Colorado, where he wrote The Shining, about an alcoholic writer and his family stranded in a haunted hotel. It was made into a film of the same name by Stanley Kubrick in 1980. King's family returned to Auburn, Maine in 1975, where he completed The Stand, an apocalyptic novel about a pandemic and its aftermath. In On Writing, King recalls that it was the novel that took him the longest to write, and that it was "also the one my longtime readers still seem to like the best (there's something a little depressing about such a united opinion that you did your best work twenty years ago, but we won't go into that just now, thanks.)[45] In 1977, the family, with the addition of Owen Philip, his third and youngest child, traveled briefly to England. They returned to Maine that fall, where King began teaching creative writing at the University of Maine.[46] In 1979 he published The Dead Zone, the first of his novels to take place in his fictional town of Castle Rock, Maine. In 1983 it was adapted into a well-received film of the same name by David Cronenberg. In 1982, King published Different Seasons, a collection of four novellas with a more serious dramatic bent than the horror fiction for which he is famous.[47] It is notable for having three of its four novellas turned into Hollywood films: Stand by Me (1986) was adapted from The Body;[48] The Shawshank Redemption (1994) was adapted from Rita Hayworth and Shawshank Redemption;[49] and Apt Pupil (1998) was adapted from the novella of the same name.[50] In 1985, King wrote his first work for the comic book medium,[51] writing a few pages of the benefit X-Men comic book Heroes for Hope Starring the X-Men. The book, whose profits were donated to famine relief in Africa, was written by a number of different authors in the comic book field, such as Chris Claremont, Stan Lee, and Alan Moore, as well as authors not primarily associated with comics, such as Harlan Ellison.[52] He wrote the introduction to Batman No. 400, an anniversary issue where he expressed his preference for the character over Superman.[53][54] In 1986, King published It, about a shapeshifting monster that takes the form of its victim's fears. He said he thought he was done writing about monsters, and wanted to "bring on all the monsters one last time… and call it It."[55] In 1987, he published Misery, about a popular writer who is injured in a car wreck and held captive by Annie Wilkes, his self-described "number-one fan."[56] King says the book was inspired by his experiences with addiction: "Annie was my drug problem, and she was my number-one fan. God, she never wanted to leave."[57] The Dark Tower books Main article: The Dark Tower (series) In the late 1970s, King began what became a series of interconnected stories about a lone gunslinger, Roland, who pursues the "Man in Black" in an alternate-reality universe that is a cross between J. R. R. Tolkien's Middle-earth and the American Wild West as depicted by Clint Eastwood and Sergio Leone in their spaghetti Westerns. The first of these stories, The Dark Tower: The Gunslinger, was initially published in five installments by The Magazine of Fantasy & Science Fiction under the editorship of Edward L. Ferman, from 1977 to 1981. The Gunslinger was continued as an eight-book epic series called The Dark Tower, whose books King wrote and published infrequently over four decades (1978-2012).[58] Pseudonyms In the late 1970s and early 1980s, King published a handful of short novels—Rage (1977), The Long Walk (1979), Roadwork (1981), The Running Man (1982) and Thinner (1984)—under the pseudonym Richard Bachman. The idea behind this was to test whether he could replicate his success again and to allay his fears that his popularity was an accident. An alternate explanation was that publishing standards at the time allowed only a single book a year.[59] He picked up the name from the Canadian hard rock band Bachman–Turner Overdrive, of which he is a fan.[60] Richard Bachman was exposed as King's pseudonym by a persistent Washington, D.C. bookstore clerk, Steve Brown, who noticed similarities between the works and later located publisher's records at the Library of Congress that named King as the author of one of Bachman's novels.[61] This led to a press release heralding Bachman's "death"—supposedly from "cancer of the pseudonym".[62] King dedicated his 1989 book The Dark Half, about a pseudonym turning on a writer, to "the deceased Richard Bachman", and in 1996, when the Stephen King novel Desperation was released, the companion novel The Regulators carried the "Bachman" byline. In 2006, during a press conference in London, King declared that he had discovered another Bachman novel, titled Blaze. It was published on June 12, 2007. In fact, the original manuscript had been held at King's Alma mater, the University of Maine in Orono, for many years and had been covered by numerous King experts. King rewrote the original 1973 manuscript for its publication.[63] King has used other pseudonyms. The short story "The Fifth Quarter" was published under the pseudonym John Swithen (the name of a character in Carrie), by Cavalier in April 1972.[64] The story was reprinted in King's collection Nightmares & Dreamscapes in 1993 under his own name. In the introduction to the Bachman novel Blaze, King claims, with tongue-in-cheek, that "Bachman" was the person using the Swithen pseudonym. The "children's book" Charlie the Choo-Choo: From the World of The Dark Tower was published in 2016 under the pseudonym Beryl Evans, who was portrayed by actress Allison Davies during a book signing at San Diego Comic-Con,[65] and illustrated by Ned Dameron. It is adapted from a fictional book central to the plot of King's previous novel The Dark Tower III: The Waste Lands.[66] Digital era In 1992, King published Dolores Claiborne, a crime story narrated by the title character in an unbroken monologue.[67] In 1996, he began publishing The Green Mile, about a death row inmate, as a serial novel. He recalls that "I wasn't sure, right up to the end of the book, if [John Coffey] would live or die. I wanted him to live, because I liked and pitied him."[68] In 1998, he published of Bag of Bones, his first book with Scribner. The book was well-received, with The Denver Post calling it "the finest he's written."[69] In 1999, he published Hearts in Atlantis, a book of linked short stories set in the 1960s. In an author's note, he writes that while the places in the book are fictionalized, "[a]lthough it is difficult to believe, the sixties are not fictional; they actually happened."[70] Stephen King at the Harvard Book Store, June 6, 2005 In 2000, King published On Writing, a mix of memoir and style manual which The Wall Street Journal called "a one-of-a-kind classic."[71] Later that year he began publishing a serialized horror novel, The Plant, in online installments.[72] At first the public assumed that King had abandoned the project because sales were unsuccessful, but King later stated that he had simply run out of stories.[73] The unfinished epistolary novel is still available from King's official site, now free. Also in 2000, he wrote a digital novella, Riding the Bullet, and saying he foresaw e-books becoming 50% of the market "probably by 2013 and maybe by 2012". However, he also stated: "Here's the thing—people tire of the new toys quickly."[74] King wrote the first draft of the 2001 novel Dreamcatcher with a notebook and a Waterman fountain pen, which he called "the world's finest word processor".[75] In August 2003, King began writing a column on pop culture appearing in Entertainment Weekly, usually every third week. The column was called The Pop of King (a play on the nickname "The King of Pop" commonly attributed to Michael Jackson).[76] In 2006, King published an apocalyptic novel, Cell. The book features a sudden force in which every cell phone user turns into a mindless killer. King noted in the book's introduction that he does not use cell phones.[77][78] In 2008, King published both a novel, Duma Key, and a collection, Just After Sunset. The latter featured 13 short stories, including a previously unpublished novella, N. Starting July 28, 2008, N. was released as a serialized animated series to lead up to the release of Just After Sunset.[79] In 2009, King published Ur, a novella written exclusively for the launch of the second-generation Amazon Kindle and available only on Amazon.com, and Throttle, a novella co-written with his son Joe Hill and released later as an audiobook titled Road Rage, which included Richard Matheson's short story "Duel". King's novel Under the Dome was published on November 10 of that year; it is a reworking of an unfinished novel he tried writing twice in the late 1970s and early 1980s, and at 1,074 pages, it is the largest novel he has written since It (1986). Under the Dome debuted at No. 1 in The New York Times Bestseller List.[80] On February 16, 2010, King announced on his Web site that his next book would be a collection of four previously unpublished novellas called Full Dark, No Stars. In April of that year, King published Blockade Billy, an original novella issued first by independent small press Cemetery Dance Publications and later released in mass-market paperback by Simon & Schuster. The following month, DC Comics premiered American Vampire, a monthly comic book series written by King with short-story writer Scott Snyder, and illustrated by Rafael Albuquerque, which represents King's first original comics work.[81][82][83] King wrote the background history of the very first American vampire, Skinner Sweet, in the first five-issues story arc. Scott Snyder wrote the story of Pearl.[84] King's next novel, 11/22/63, was published November 8, 2011,[85][86] and was nominated for the 2012 World Fantasy Award Best Novel.[87] The eighth Dark Tower volume, The Wind Through the Keyhole, was published in 2012.[88] King's next book was Joyland, a novel about "an amusement-park serial killer", according to an article in The Sunday Times, published on April 8, 2012.[89] During his Chancellor's Speaker Series talk at University of Massachusetts Lowell on December 7, 2012, King indicated that he was writing a crime novel about a retired policeman being taunted by a murderer. With a working title Mr. Mercedes and inspired by a true event about a woman driving her car into a McDonald's restaurant, it was originally meant to be a short story just a few pages long.[90] In an interview with Parade, published on May 26, 2013, King confirmed that the novel was "more or less" completed[91] he published it in June 2014. Later, on June 20, 2013, while doing a video chat with fans as part of promoting the upcoming Under the Dome TV series, King mentioned he was halfway through writing his next novel, Revival,[92] which was released November 11, 2014.[93] King announced in June 2014 that Mr. Mercedes is part of a trilogy; the second book, Finders Keepers, was released on June 2, 2015. On April 22, 2015, it was revealed that King was working on the third book of the trilogy, End of Watch, which was ultimately released on June 7, 2016.[94][95] During a tour to promote End of Watch, King revealed that he had collaborated on a novel, set in a women's prison in West Virginia, with his son, Owen King, titled Sleeping Beauties.[96] In 2018, he released the novel The Outsider, which featured the character of Holly Gibney, and the novella Elevation. In 2019, he released the novel The Institute. In 2020, King released If It Bleeds, a collection of four previously unpublished novellas. In 2022, King released his latest novel, Fairy Tale. Collaborations Writings King has written two novels with horror novelist Peter Straub: The Talisman (1984) and a sequel, Black House (2001). King has indicated that he and Straub would likely write the third and concluding book in this series, the tale of Jack Sawyer,[citation needed] but after Straub passed away in 2022 the future of the series is in doubt. King produced an artist's book with designer Barbara Kruger, My Pretty Pony (1989), published in a limited edition of 250 by the Library Fellows of the Whitney Museum of American Art. Alfred A. Knopf released it in a general trade edition.[97] The Diary of Ellen Rimbauer: My Life at Rose Red (2001) was a paperback tie-in for the King-penned miniseries Rose Red (2002). Published under anonymous authorship, the book was written by Ridley Pearson. The novel is written in the form of a diary by Ellen Rimbauer, and annotated by the fictional professor of paranormal activity, Joyce Reardon. The novel also presents a fictional afterword by Ellen Rimbauer's grandson, Steven. Intended to be a promotional item rather than a stand-alone work, its popularity spawned a 2003 prequel television miniseries to Rose Red, titled The Diary of Ellen Rimbauer. This spin-off is a rare occasion of another author being granted permission to write commercial work using characters and story elements invented by King. The novel tie-in idea was repeated on Stephen King's next project, the miniseries Kingdom Hospital. Richard Dooling, King's collaborator on Kingdom Hospital and writer of several episodes in the miniseries, published a fictional diary, The Journals of Eleanor Druse, in 2004. Eleanor Druse is a key character in Kingdom Hospital, much as Dr. Joyce Readon and Ellen Rimbauer are key characters in Rose Red.[citation needed] Throttle (2009), a novella written in collaboration with his son Joe Hill, appears in the anthology He Is Legend: Celebrating Richard Matheson.[98] Their second novella collaboration, In the Tall Grass (2012), was published in two parts in Esquire.[99][100] It was later released in e-book and audiobook formats, the latter read by Stephen Lang.[101] King and his son Owen King wrote the novel Sleeping Beauties, released in 2017, that is set in a women's prison.[102] King and Richard Chizmar collaborated to write Gwendy's Button Box (2017), a horror novella taking place in King's fictional town of Castle Rock.[103] A sequel titled Gwendy's Magic Feather (2019) was written solely by Chizmar.[104] In November 2020, Chizmar announced that he and King were writing a third installment in the series titled Gwendy's Final Task, this time as a full-length novel, to be released in February 2022.[105][106][107] Music In 1988, the band Blue Öyster Cult recorded an updated version of its 1974 song "Astronomy". The single released for radio play featured a narrative intro spoken by King.[108][109] The Blue Öyster Cult song "(Don't Fear) The Reaper" was also used in the King TV series The Stand.[110] King collaborated with Michael Jackson to create Ghosts (1996), a 40-minute musical video.[111] King states he was motivated to collaborate as he is "always interested in trying something new, and for (him), writing a minimusical would be new".[112] In 2005, King featured with a small spoken word part during the cover version of Everlong (by Foo Fighters) in Bronson Arroyo's album Covering the Bases, at the time, Arroyo was a pitcher for Major League Baseball team Boston Red Sox of whom King is a longtime fan.[113] In 2012, King collaborated with musician Shooter Jennings and his band Hierophant, providing the narration for their album, Black Ribbons.[114] King played guitar for the rock band Rock Bottom Remainders, several of whose members are authors. Other members include Dave Barry, Ridley Pearson, Scott Turow, Amy Tan, James McBride, Mitch Albom, Roy Blount, Jr., Matt Groening, Kathi Kamen Goldmark, Sam Barry, and Greg Iles. King and the other band members collaborated to release an e-book called Hard Listening: The Greatest Rock Band Ever (of Authors) Tells All (June 2013).[115][116] King wrote a musical entitled Ghost Brothers of Darkland County (2012) with musician John Mellencamp.[citation needed] Analysis Writing style and approach Stephen King in 2011 In his book On Writing, King defines writing as "Telepathy, of course... All the arts depend upon telepathy to some degree, but I believe writing offers the purest distillation. Perhaps I;m prejudiced, but even If I am we might as well stick with writing, since it's what we came her to think and talk about." Addressing the reader, he writes that "We're not even in the same year together, let alone the same room...except we are together. We're close. We're having a meeting of the minds."[117] He writes that "If you want to be a writer, you must do two things above all others: read a lot and write a lot... I'm a slow reader, but I usually get through seventy or eighty books a year, mostly fiction. I don't read in order to study the craft; I read because I like to read. It's what I do at night, kicked back in my blue chair. Similarly, I don't read fiction to study the art of fiction, but simply because I like stories. Yet there is a learning process going on. Every book you pick up has its own lesson or lessons, and quite often the bad books have more to teach than the good ones."[118] When asked why he writes, King responds: "The answer to that is fairly simple—there was nothing else I was made to do. I was made to write stories and I love to write stories. That's why I do it. I really can't imagine doing anything else and I can't imagine not doing what I do."[119] He is also often asked why he writes horror and he answers with another question: "Why do you assume I have a choice?" He says writers write about their obsessions: "Louis L'Amour, the Western writer, and I might both stand at the edge of a small pond in Colorado, and we both might have an idea at exactly the same time. We might both feel the urge to sit down and try to work it out in words. His story might be about water rights in a dry season, my story would more likely be about some dreadful, hulking thing rising out of the still waters to carry of sheep...and horses...and finally people. Louis L'Amour's 'obsession' centers on the history of the American West; I tend more toward things that slither by starlight. He writes Westerns; I write fearsomes.[120] King often begins the story creation process by imagining a "what if" scenario, such as what would happen if Old World vampires came to a small New England town ('Salem's Lot), or if an alcoholic writer was stranded with his family in a haunted hotel (The Shining), or if an injured writer was held captive by a rabid fan (Misery).[121] King often uses authors as characters, or includes mention of fictional books in his stories, novellas and novels, such as Ben Mears in 'Salem's Lot, Jack Torrance in The Shining, adult Bill Denbrough in It, and Mike Noonan in Bag of Bones. He has extended this to breaking the fourth wall by including himself as a character in the three novels of The Dark Tower series released in 2003 and 2004. In September 2009 it was announced he would serve as a writer for Fangoria.[122] He writes that "The use of simile and other figurative language is one of the chief delights of fiction—reading it and writing it, as well. When it's on target, a simile delights us in much the same way meeting an old friend in a crowd of strangers does. By comparing two seemingly unrelated objects—a restaurant bar and a cave, a mirror and a mirage—we are sometimes able to see an old thing in a new and vivid way. Even if the result is mere clarity instead of beauty, I think writer and reader are participating together in a kind of miracle. Maybe that's drawing it a little strong, but yeah—it's what I believe."[123] Influences In On Writing, King emphasizes the importance of good description, which "begins with clear seeing and ends with clear writing, the kind of writing that employs fresh images and simple vocabulary. I began learning my lessons in this regard by reading Chandler, Hammett, and Ross MacDonald; I gained perhaps even more respect for the power of compact, descriptive language from reading T. S. Eliot (those ragged claws scuttling across the ocean floor; those coffee spoons), and William Carlos Williams (white chickens, red wheelbarrow, the plums that were in the ice box, so sweet and so cold)."[124] He recalls that "When I read Ray Bradbury as a kid, I wrote like Ray Bradbury—everything green and wondrous and seen through a lens smeared with the grease of nostalgia. When I read James M. Cain, everything came out clipped and stripped and hardboiled. When I read Lovecraft, my prose became luxurious and Byzantine. I wrote stories in my teenage years where all these styles merged, creating a kind of hilarious stew. This sort of stylistic blending is a necessary part of developing one's own style, but it doesn't occur in a vacuum... Can I be blunt on this subject? If you don't have time to read, you don't have the time (or the tools) to write."[125] King has called Richard Matheson "the author who influenced me most as a writer".[126] In a current edition of Matheson's The Shrinking Man, King is quoted as saying, "A horror story if there ever was one...a great adventure story—it is certainly one of that select handful that I have given to people, envying them the experience of the first reading."[127] Other acknowledged influences include Arthur Machen,[128] Ray Bradbury,[129] Jack Finney[130], Shirley Jackson[131], Joseph Payne Brennan,[132] Elmore Leonard,[133] John D. MacDonald, and Don Robertson.[134] King's The Shining is steeped in gothic influences, including "The Masque of the Red Death" by Edgar Allan Poe (which was directly influenced by the first gothic novel, Horace Walpole's The Castle of Otranto).[135] Bag of Bones alludes to a twentieth century Gothic novel, Daphne du Maurier's Rebecca.[136] In J. Peder Zane's The Top Ten: Authors Pick Their Favorite Books, King chose The Golden Argosy, Adventures of Huckleberry Finn, The Satanic Verses, McTeague, Lord of the Flies, Bleak House, Nineteen Eighty-Four, The Raj Quartet, Light in August and Blood Meridian. He provided an appreciation for The Golden Argosy, a collection of short stories featuring Cather, Hemingway, Faulkner, Fitzgerald and others. He recalls that "I first found The Golden Argosy in a Lisbon Falls (Maine) bargain barn called the Jolly White Elephant, where it was on sale for $2.25. At that time I only had four dollars, and spending over half of it on one book, even a hardback, was a tough decision. I've never regretted it." He calls it "an amazing resource for readers and writers, a treasury in every sense of the word... The Golden Argosy taught me more about good writing than all the writing classes I've ever taken. It was the best $2.25 I ever spent."[137] In 2022, he provided another list of ten favorite books; Lord of the Flies, Nineteen Eighty-Four and Blood Meridian remained, and he added Ship of Fools, The Orphan Master's Son, Invisible Man, Watership Down, The Hair of Harold Roux, American Pastoral and The Lord of the Rings. He added "Although Anthony Powell's novels should probably be on here, especially the sublimely titled Casanova's Chinese Restaurant and Books Do Furnish a Room. And Paul Scott's Raj Quartet. And at least six novels by Patrica Highsmith. And what about Patrick O'Brian? See how hard this is to do?"[138] Critical response Science fiction editors John Clute and Peter Nicholls[139] offer a largely favorable appraisal of King, noting his "pungent prose, sharp ear for dialogue, disarmingly laid-back, frank style, along with his passionately fierce denunciation of human stupidity and cruelty (especially to children) [all of which rank] him among the more distinguished 'popular' writers." In his book The Philosophy of Horror (1990), Noël Carroll discusses King's work as an exemplar of modern horror fiction. Analyzing both the narrative structure of King's fiction and King's non-fiction ruminations on the art and craft of writing, Carroll writes that for King, "the horror story is always a contest between the normal and the abnormal such that the normal is reinstated and, therefore, affirmed."[140] In his analysis of post–World War II horror fiction, The Modern Weird Tale (2001), critic S. T. Joshi devotes a chapter to King's work. Joshi argues that King's best-known works are his worst, describing them as mostly bloated, illogical, maudlin and prone to deus ex machina endings. Despite these criticisms, Joshi argues that since Gerald's Game (1993), King has been tempering the worst of his writing faults, producing books that are leaner, more believable and generally better written.[141] In 1996, King won an O. Henry Award for his short story "The Man in the Black Suit".[142] In his short story collection A Century of Great Suspense Stories, editor Jeffery Deaver noted that King "singlehandedly made popular fiction grow up. While there were many good best-selling writers before him, King, more than anybody since John D. MacDonald, brought reality to genre novels. He has often remarked that 'Salem's Lot was "Peyton Place meets Dracula. And so it was. The rich characterization, the careful and caring social eye, the interplay of story line and character development announced that writers could take worn themes such as vampirism and make them fresh again. Before King, many popular writers found their efforts to make their books serious blue-penciled by their editors. 'Stuff like that gets in the way of the story,' they were told. Well, it's stuff like that that has made King so popular, and helped free the popular name from the shackles of simple genre writing. He is a master of masters."[143] In 2003, King was honored by the National Book Awards with a lifetime achievement award, the Medal of Distinguished Contribution to American Letters. Some in the literary community expressed disapproval of the award: Richard E. Snyder, the former CEO of Simon & Schuster, described King's work as "non-literature" and critic Harold Bloom denounced the choice: The decision to give the National Book Foundation's annual award for "distinguished contribution" to Stephen King is extraordinary, another low in the shocking process of dumbing down our cultural life. I've described King in the past as a writer of penny dreadfuls, but perhaps even that is too kind. He shares nothing with Edgar Allan Poe. What he is is an immensely inadequate writer on a sentence-by-sentence, paragraph-by-paragraph, book-by-book basis.[144] Orson Scott Card responded: Let me assure you that King's work most definitely is literature, because it was written to be published and is read with admiration. What Snyder really means is that it is not the literature preferred by the academic-literary elite.[145] Roger Ebert wrote that "Many people were outraged when he was honored at the National Book Awards, as if a popular writer couldn't be taken seriously. But after finding that his book On Writing has more useful and observant things to say about the craft than any book since Strunk and White's The Elements of Style, I have gotten over my own snobbery. King has, after all, been responsible for the movies The Shawshank Redemption, The Green Mile, The Dead Zone, Misery, Apt Pupil, Christine, Hearts in Atlantis, Stand By Me and Carrie... And we must not be ungrateful for Silver Bullet, which I awarded three stars because it was 'either the worst movie made from a Stephen King story, or the funniest', and you know which side of that I'm going to come down on."[146] In 2008, On Writing was ranked 21st on Entertainment Weekly's list of "The New Classics: The 100 Best Reads from 1983 to 2008".[147] Reviewing Bag of Bones in The Observer, Robert McCrum called King "a sophisticated literary craftsman" who "anatomizes, with folksy charm, the social fabric of small-town American life." Daniel Mendelsohn, reviewing the novel in the The New York Times, wrote that "Stephen King is so widely accepted as America's master of paranormal terrors that you can forget his real genius is for the everyday... This is a book about reanimation: the ghosts', of course, but also Mike's, his desire to re-embrace love and work after a long bereavement that King depicts with an eye for the kind of small but moving details that don't typically distinguish blockbuster horror novels."[148] King's novel 11/22/63 was given a rave review by filmmaker Errol Morris, who called it "one of the best time travel stories since H. G. Wells."[149] It was named one of the five best fiction books of the year in The New York Times: "His new novel imagines a time portal in a Maine diner that lets an English teacher go back to 1958 in an effort to stop Lee Harvey Oswald and — rewardingly for readers — also allows King to reflect on questions of memory, fate and free will as he richly evokes midcentury America. The past guards its secrets, this novel reminds us, and the horror behind the quotidian is time itself."[150] Influence Fantasist Neil Gaiman cites King as an influence: "My first encounter with Stephen King, long before I met him in the flesh, was on East Croydon station in about 1975. I was fourteen. I picked up a book with an all-black cover. It was called Salem's Lot... I stayed up late finishing Salem's Lot, loving the Dickensian portrait of a small American town destroyed by the arrival of a vampire. Not a nice vampire, a proper vampire. Dracula meets Peyton Place. After that I bought everything King wrote as it came out. Some books were great, and some weren't. It was okay. I trusted him."[151] in an interview, Sherman Alexie recalls the influence of "Stephen King, who was always writing about underdogs, and bullied kids, and kids fighting back against overwhelming, often supernatural forces... The world aligned against them. As an Indian boy growing up on a reservation, I always identified with his protagonists. Stephen King, fighting the monsters.”[152] In The Atlantic, Robin Wasserman writes that "Stephen King saved my life... The actual, non-allegorical, non-pithy truth: Stephen King saved my life strictly in the sense that after an especially humiliating junior high school afternoon (acid-washed jeans, a chair puddled with red paint, you get the rest), it was re-reading It that persuaded me not to run away and join the circus. Or at least not to quit school and get a job at the Gap. If the Losers Club could defeat knife-wielding bullies and a monstrous sewer clown, I reasoned, then surely I could take a stab at surviving the junior high cafeteria. After that day, the books I loved became the books I lived on. They were fresh air and security blanket in one; they were not only an acknowledgment that evil existed (you needed only meet my gym teacher to buy that) but an assurance that someone like me, needy and lonely and young, could defeat it."[153] Lauren Groff says that “I love Stephen King and I owe him more than I could ever express... I love his wild imagination and his vivid scenes, many of which populate my nightmares even decades after I last read the books they're in. But the greatest thing I gleaned most from reading Stephen King is his big-hearted glee, the way he treats writing with gratitude, the way he sees his job not as the source of anguish and pain many writers self-pityingly see it as, but rather as something he's over-the-moon delighted to be lucky enough to do. If I could steal one thing from King, and keep it close to my heart forever, it is his sense of almost-holy glee when it comes to writing.”[154] In a blurb for Lisey's Story, Michael Chabon writes that "King has been getting me to look at the world with terror and wonder since I was fifteen years old, and I have never been more persuaded than by this book of his greatness."[155] The hero of Junot Diaz's The Brief Wondrous Life of Oscar Wao dreams of being "the Dominican Stephen King", and Diaz alludes to King's work several times throughout the novel.[156] Colson Whitehead recalls that "The first big book I read was Night Shift by Stephen King, you know, a huge book of short stories. And so for many years I just wanted to write horror fiction.”[157] In a talk at Virginia Commonwealth University, Whitehad recalls that in college "I wanted to write the black Shining or the black Salem’s Lot... Take any Stephen King title and put ‘the black’ in front of it. That’s basically what I wanted to do.”[158] Sometimes, colleagues of Global Wealth Tidings share special offers with us that we think our readers should be made aware of. Above is one such special opportunity that we believe deserves your attention. From time to time, we send special emails or offers to readers who chose to opt-in. We hope you find them useful. To ensure you receive our emails in your inbox, be sure to [whitelist us.]( This email was sent by D/B/A Global Wealth Tidings. 1433 North Water Street 4th and 5th Floor Milwaukee WI 53202 USA. [Privacy Policy]( | [Terms & Conditions]( | [Update Profile]( | [Unsubscribe]( © 2023 Global Wealth Tidings. All Rights Reserved.