When he was 19, Jeff Gross fell under the sway of the charismatic, fifty-one-year-old Mildred Gordon and spent more than half his life in an "intentional community" they built together. It turned out to be much, much more than that. [View in Browser]( [Esquire Sunday Reads]( [The Follower]( The Follower On the night of May 29, 2006, after seeing the documentary An Inconvenient Truth in Manhattan, Jeff Gross drove home from the Staten Island ferry to Ganas, a communal-living experiment heâd spent decades building. He climbed the steep steps up to the groupâs cluster of houses scattered among leafy walkways and squinted his way through uncut shrubs and poor lighting. As Jeff approached his porch, a figure stepped from the shadows and raised a handgun. âWhat do you want?â Jeff shouted, and then, âNo, no, donât do it!â Shots pop-pop-popped as the shooter unloaded six rounds into his hip, stomach, arm, and neck. Jeff fell to the ground, blood pumping from his wounds. His assailant stepped over him and fled. A neighbor who heard the shooting knelt beside Jeff and shouted for towels to stanch the bleeding. Many moments had delivered Jeff to this one. Since 1980, Ganas had been a community that embraced all manner of new-agey life. But his relationship with the groupâparticularly with its charismatic and often abusive leader, Mildred Gordonâhad become unrecognizable since their early days. Heâd signed over a small fortune, endured thousands of hours of âfeedbackâ sessions, and entered a four-way marriage. And now he was bleeding out in the back of an ambulance. How had Jeff gotten into this mess? And why had he stayed? [Read the Full Story]( [MORE FROM ESQUIRE]( [Harrison Ford Has Stories to Tell]( Harrison Ford Has Stories to Tell Most people know a good deal about Harrison Ford. His path to becoming an actor was methodical and uneventful: going out for parts, landing small roles. He figured he could be a character actor. âAnyone but the leading manâ is how he describes it. A working actor. Getting paid and going home at night. Then thereâs the famous thing that happened, a story of which there are many versions, but this is the right one: Ford had got a small part in the second feature film by a young director named George Lucas, 1973âs American Graffiti. But he had a young family and wasnât making enough to live on, so he worked as a carpenter. A friend who had designed the millwork for the entrance to Francis Ford Coppolaâs offices couldnât find a carpenter to install it. âHe appealed to me,â Ford says. âI said I would do it but only at night, when no one was around, because I didnât want to be that guyâI wanted them to think of me as an actor, which I was. I did the job. While Iâm finishing up, first thing in the morning in walked George Lucas and Richard Dreyfuss to begin the process of meeting people for Star Wars. George had told our agents he wanted new faces, not the same people from American Graffiti. I was there with my tool belt on, sweeping up, said hello, chatted, and that was it. âLater, I was asked by the producer to help them read lines with candidates for all the parts. Donât know whether I read with people who were reading for Han Soloâcanât remember. I read with quite a few princesses. But there was no indication or forewarning that I might be considered for this part. It was just a favor. And then of course they offered me the part.â [Read the Full Story]( [How to Be a ManâAccording to Pop Culture]( How to Be a ManâAccording to Pop Culture Manuel Betancourt is a historicizing critic. He thinks about the context in which somethingâwhether a telenovela or sexy Adidas adâis created, examining the positionality between the text and himself as a consumer. For him, media isnât a mirror, but something more fluid. He thinks of it as ripples in a pond, or light reflecting off a disco ball. At turns funny and sexy, thirsty for intellectual engagement (and men too), his new book, The Male Gazed: On Hunks, Heartthrobs, and What Pop Culture Taught Me About (Desiring) Men, untangles the simultaneous threads of desire to be a beautiful man, or to be with beautiful men, then unravels the implications of all of it to understand how those threads form the self. Betancourt is a preeminent thinker, a âmovie-made gayâ man. Given that sexuality in media has become so high stakes, thereâs no better time to hear from someone who brings true intellectual rigor to his analysis of contemporary media. Betancourt spoke with Esquire about hunks, menâs body image, queerbaiting, and the realities of American soft power overseas. [Read the Full Story]( [The Best Bars in America, 2023]( The Best Bars in America, 2023 Birds were on every page. Pretty ones. Ugly ones. Downright strange-looking ones. I was perusing the avian-themed cocktail menu at Meadowlark, an old library-like spot in Chicagoâs Logan Square neighborhood. Each drink was meant to resemble a specific feathered friend. You looked at the glass in front of you, sipped, looked at the bird picture againâand all of a sudden, it clicked. This joyfully odd drink menu was the brainchild of Abe Vucekovich, Meadowlarkâs beverage director, who used to work in one of the countryâs most serious temples to the cocktail, just a few L stops away, the Violet Hour. What, I asked Vucekovich, had sparked the idea to try something so delightfully trippy? And why were we seeing such a right turn away from cocktail classicism here and in so many other bars weâve been visiting lately? âPeople were ready for something more fun after the pandemic,â he explained simply. âWe felt that people deserved novelty.â He knows his customers: Every seat at the bar was full by 6:30. That same spirit of custom creativity is what drinkers sought out in an even bigger way at Mothership in San Diego. From the drinks to the bathroom to the music, Mothership commits hard to the idea that youâre in a spaceship that made an emergency landing on a tropical planet. I think it was the first time Iâve ever seen a line to get into a bar at noon. Over the past year, we criss-crossed the country to report on Americaâs finest drinking establishments. This is our eighteenth edition of the list, and in all my years of bar crawls, I donât think Iâve ever seen as much spirited originalityâas many bars that make you say, âSo strange, yet so awesome.â The pages that follow reflect that, with a slew of new bars to know. There are familiar spaces, too, some of which have been reinvented. So use this as a guide. Then get out there, find your niche, and embrace the weird and wonderful. [Read the Full Story](
[Casper vs. Saatva: Who Makes the Better Mattress?]( Casper vs. Saatva: Who Makes the Better Mattress? As someone who has been testing mattresses for yearsâin 2023 alone Iâve slept on four completely different modelsâI have strong feelings about how these reviews should be reported. It isnât just about the product and a few nights of experience. Itâs about the person who is using that item and their life. This is something review editors, like myself, need to be more transparent about. Iâm a woman who likes a soft and fluffy mattress and Iâm aware thatâs not everyoneâs preference. But I still have a job to do. From the construction and materials needed to make these things, to the way they're built, and value per dollar that the consumer is offered, I've spent years studying who makes whatâand who makes what best. I recently tested two of the brand's newest models: the Casper Snow and the Saatva Foam Hybrid. Neither of these are my first try from Casper or Saatva, giving me a deeper insight into how each brand performs. Here's my full breakdown. [Read the Full Story](The 2024 Republican Ticket from the Crypt) [Allow Me to Introduce You to the Bruschetta Method]( Allow Me to Introduce You to the Bruschetta Method You sit down at the Italian joint, order your negroni, and grab the menu off the red-and-white gingham tablecloth in front of you. The antipasti are there at the top left, and before long, youâre ready to suggest a starter. But youâre not quite sure how to say itâor play it. BruSHetta? BrusKetta? BruSKEHtta?! Based on an extensive peer-reviewed study titled, âListening to Random Americans I Both Know and Donât Know Saying It,â I feel comfortable declaring that most would suggest to their table that they share a plate of âbruSHETTA.â Thereâs a âCâ in the wordâbruschettaâbut the âSâ usually dominates an âSCâ in English (muscle). In Italian, the âCHâ creates a hard âCâ. The âSHâ is highly common, though, and also wrong, and wrong in such a way that it does betray what you do not know. Now, somebody once advised against mocking someone for mispronouncing a word because they likely learned it reading. And maybe you donât give a flying focaccia how the Italianos say it. But just in case you do possess the thin skin of an effete cosmopolitan always out to impress, hereâs a little procedure to show youâre an American of culture without doing too much. After all, nobody wants to be the guy shouting âbruSKEHHHtta!â at a waitress, either. You want the âSKâ without the ostentatious accento (and, we can only assume, pinching your fingers in upward triangles). Youâve got to find exactly the right balance to show you know how the word is pronounced without showing that youâre an asshole. [Read the Full Story]( Follow Us [Unsubscribe]( | [Privacy Notice/Notice at Collection]( esquire.com
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