Newsletter Subject

LAST CALL for 15% Off Erin Hanson Prints

From

erinhanson.com

Email Address

contact@erinhanson.com

Sent On

Mon, May 29, 2023 03:07 PM

Email Preheader Text

No images? | | - LAST CALL- 1 5 % O F F all P R I N T S Code: SUMMER Offer Ends: Tonight at Midnight

No images? [Click here]( [Erin Hanson - Landscapes in Oil]( [ORIGINALS]( | [PRINTS]( | [B]([OOKS]( - LAST CALL- 1 5 % O F F all P R I N T S Code: SUMMER Offer Ends: Tonight at Midnight. Every Erin Hanson print comes in a wide variety of sizes and framing options, so you are sure to find the perfect piece for your home! Erin Hanson prints are made-to-order at our production facility in McMinnville, Oregon. For questions or assistance: Text or Call (503) 334-3670 Email at [info](mailto:email:info@erinhanson.com)[@erinhanson.com](mailto:email:info@erinhanson.com) [View All Prints]( [Customer Favorites]( Shop by Price [Paper Prints // $60]( [Canvas Prints // $200 +]( [Textured Replicas // $1,000 +]( 16 x 20 inch $60 Paper Prints [SHOP // 16x20 Paper Prints]( Erin Hanson has been selling her popular 16x20 paper prints at art festivals for the past 15 years. For the first time, you can now purchase her paper prints online! Please browse through our selection of 30 Erin Hanson prints and choose your favorites. Erin Hanson’s 16x20 paper prints are printed using our state-of-the-art, 12-color Epsom printer for the most brilliant color reproduction possible. These borderless prints are printed edge-to-edge on archival, luster-finish artist paper. You will receive your print rolled in a tube, ready to frame. - 16x20 inches - Ready to frame - Archival, luster-finish artist paper - Luminous full-spectrum color - Edge-to-edge printing A R T I S T S Frequently Asked Questions What kind of paint do you use? I have experimented with many paint brands over the years. I like to use certain pigments from certain brands, and other pigments from other brands. It is all about how the different pigments blend together. I mostly use Winsor and Newton's Artist Oils, but I also use Blockx, Michael Harding, and others. What are the colors you use? I use a limited palette of four or five paint pigments only. However, these colors often change from painting to painting. I use a Quiller color wheel, which lets me experiment with different color relationships (complimentary, split complimentary, tertiary, analogous, monochromatic, etc.) As a basic rule of thumb, stick with a limited number of any of the pigments labeled on the outside edge of the Quiller Wheel, and you will be safe! Avoid using colors from the inside of the color wheel. What medium do you use to thin your paint? I use drying linseed oil to thin my paint. What medium do you use for the underpainting? For my underpaintings, I use Liquin to thin the oil paint. I use student-grade oils for the underpaintings, since these are less pigmented and lay on more like a wash. The Liquin creates a nice smooth surface to paint on afterwards, instead of a chalky surface created by turpentine. What are your favorite brushes? I like Escoda brushes and Old Holland Brushes the best. I mostly use synthetic and genuine Kolinsky sable brushes. When painting, I load my brush with enough paint to create a few brush strokes. I try not to overlap or blend my brushstrokes, getting the painting "right the first time." This gives Open Impressionism a fresh, spontaneous feel. Do you ever use a palette knife? I only use a palette knife to mix my paint, never to place paint on the canvas. I pre-mix my entire palette of colors from only four or five pigments. By pre-mixing my palette with every single hue that will appear in the painting, I am fully organized and ready to paint before I ever pick up a paintbrush. I keep my palette (a large 24" palette) sectioned off by painting section: for example, I have a sky section that includes every changing hue of the sky from horizon to apex, as well as every light and shadow color of the clouds, changing color appropriately from near to distant. [Read More]( [Facebook]([Instagram]([Pinterest]([Website]([YouTube]( The Erin Hanson Gallery in Oregon 1805 NE Colvin Ct McMinnville, OR 97128 (503) 334-3670 Please contact us at info@erinhanson.com for more information. You are receiving this email because you subscribed to Erin Hanson's artist newsletter. [Unsubscribe](

Marketing emails from erinhanson.com

View More
Sent On

25/05/2024

Sent On

21/05/2024

Sent On

12/05/2024

Sent On

09/05/2024

Sent On

04/05/2024

Sent On

23/04/2024

Email Content Statistics

Subscribe Now

Subject Line Length

Data shows that subject lines with 6 to 10 words generated 21 percent higher open rate.

Subscribe Now

Average in this category

Subscribe Now

Number of Words

The more words in the content, the more time the user will need to spend reading. Get straight to the point with catchy short phrases and interesting photos and graphics.

Subscribe Now

Average in this category

Subscribe Now

Number of Images

More images or large images might cause the email to load slower. Aim for a balance of words and images.

Subscribe Now

Average in this category

Subscribe Now

Time to Read

Longer reading time requires more attention and patience from users. Aim for short phrases and catchy keywords.

Subscribe Now

Average in this category

Subscribe Now

Predicted open rate

Subscribe Now

Spam Score

Spam score is determined by a large number of checks performed on the content of the email. For the best delivery results, it is advised to lower your spam score as much as possible.

Subscribe Now

Flesch reading score

Flesch reading score measures how complex a text is. The lower the score, the more difficult the text is to read. The Flesch readability score uses the average length of your sentences (measured by the number of words) and the average number of syllables per word in an equation to calculate the reading ease. Text with a very high Flesch reading ease score (about 100) is straightforward and easy to read, with short sentences and no words of more than two syllables. Usually, a reading ease score of 60-70 is considered acceptable/normal for web copy.

Subscribe Now

Technologies

What powers this email? Every email we receive is parsed to determine the sending ESP and any additional email technologies used.

Subscribe Now

Email Size (not include images)

Font Used

No. Font Name
Subscribe Now

Copyright © 2019–2024 SimilarMail.