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Code: SUMMER Offer Ends: Tonight at Midnight. Every Erin Hanson print comes in a wide variety of sizes and framing options, so you are sure to find the perfect piece for your home! Erin Hanson prints are made-to-order at our production facility in McMinnville, Oregon. For questions or assistance:
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$60 Paper Prints [SHOP // 16x20 Paper Prints]( Erin Hanson has been selling her popular 16x20 paper prints at art festivals for the past 15 years. For the first time, you can now purchase her paper prints online! Please browse through our selection of 30 Erin Hanson prints and choose your favorites. Erin Hanson’s 16x20 paper prints are printed using our state-of-the-art, 12-color Epsom printer for the most brilliant color reproduction possible. These borderless prints are printed edge-to-edge on archival, luster-finish artist paper. You will receive your print rolled in a tube, ready to frame. - 16x20 inches
- Ready to frame
- Archival, luster-finish artist paper
- Luminous full-spectrum color
- Edge-to-edge printing A R T I S T S
Frequently Asked
Questions What kind of paint do you use?
I have experimented with many paint brands over the years. I like to use certain pigments from certain brands, and other pigments from other brands. It is all about how the different pigments blend together. I mostly use Winsor and Newton's Artist Oils, but I also use Blockx, Michael Harding, and others. What are the colors you use?
I use a limited palette of four or five paint pigments only. However, these colors often change from painting to painting. I use a Quiller color wheel, which lets me experiment with different color relationships (complimentary, split complimentary, tertiary, analogous, monochromatic, etc.) As a basic rule of thumb, stick with a limited number of any of the pigments labeled on the outside edge of the Quiller Wheel, and you will be safe! Avoid using colors from the inside of the color wheel. What medium do you use to thin your paint?
I use drying linseed oil to thin my paint. What medium do you use for the underpainting?
For my underpaintings, I use Liquin to thin the oil paint. I use student-grade oils for the underpaintings, since these are less pigmented and lay on more like a wash. The Liquin creates a nice smooth surface to paint on afterwards, instead of a chalky surface created by turpentine. What are your favorite brushes?
I like Escoda brushes and Old Holland Brushes the best. I mostly use synthetic and genuine Kolinsky sable brushes. When painting, I load my brush with enough paint to create a few brush strokes. I try not to overlap or blend my brushstrokes, getting the painting "right the first time." This gives Open Impressionism a fresh, spontaneous feel. Do you ever use a palette knife?
I only use a palette knife to mix my paint, never to place paint on the canvas. I pre-mix my entire palette of colors from only four or five pigments. By pre-mixing my palette with every single hue that will appear in the painting, I am fully organized and ready to paint before I ever pick up a paintbrush. I keep my palette (a large 24" palette) sectioned off by painting section: for example, I have a sky section that includes every changing hue of the sky from horizon to apex, as well as every light and shadow color of the clouds, changing color appropriately from near to distant. [Read More]( [Facebook]([Instagram]([Pinterest]([Website]([YouTube]( The Erin Hanson Gallery in Oregon
1805 NE Colvin Ct
McMinnville, OR 97128
(503) 334-3670 Please contact us at info@erinhanson.com for more information. You are receiving this email because you subscribed to Erin Hanson's artist newsletter. [Unsubscribe](