Online Magazine No.360

Rothschild Masterpieces, Paul McCartney’s photos, The Maharajah of Indore, Félix Vallotton, Winston Branch, Post-war artists to watch, and more | [View in browser]( [Christie's]( [BUY]( [SELL]( [STORIES]( [Christie's] [Le goût Rothschild: art and objects, from French furniture to Italian maiolica, that define its essence]( [Paul McCartney on his images of The Beatles’ first tour: ‘Every picture brings back memories’]( ‘ [Manik Bagh: the fabled Mughal palace that became a temple to Europe’s foremost Modernists]( [Dangerous liaison? How Félix Vallotton satirised the romantic lives of the Paris haute bourgeoisie]( [‘I want to write my name in the ledger of British culture’: meet abstract painter Winston Branch]( [Ten post-war artists to watch — from big names to auction first-timers, all at Christie’s this week]( [More stories]( Editor’s picks [The Uruguayan-Spanish artist Joaquín Torres-García lived in Manhattan in the early 1920s. He said that his style in those days was ‘expressionistic and geometric at the same time, and very dynamic’ — which is a good description of his packed 1923 painting Port of New York]( [Estimate: $500,000-700,0000 28 September, New York]( [Having left his mark on the walls of cities around the world, the street artist Invader turned his attention to the icons of art history. Edvard Munch’s best-known work is overrun by aliens in the 2011 print Invaded Scream, their pixelated forms all the more striking for being rendered in low-tech woodcut]( [Estimate: £12,000-18,000 until 28 September, Online]( [Elaine de Kooning’s work embraces a remarkable range of styles and subjects, from portraits of figures such as Pelé and JFK to semi-abstract landscapes and still lifes. Dating from 1980, Foliage/Indoors and Out is a delicate study of lush plants in a glazed interior contrasting with the autumnal scene outside]( [Estimate: $40,000-60,000 29 September, New York]( [An exquisite object from the heyday of Op Art, Bridget Riley’s Untitled (Fragment 3) was screenprinted on Plexiglas in 1965. Like many of the artist’s works, it imbues a flat, static image with the appearance of three-dimensional form and movement, dazzling and dizzying the eye of the viewer]( [Estimate: £20,000-30,000 until 27 September, Online](   © [Christie’s 2023]( [Web version]( | [Privacy policy]( | [Unsubscribe from Online Magazine]( Interior of Château de Ferrières. Photo: © All rights reserved // Paul McCartney, Self-portrait in mirror, Paris, 1964. © 1963-1964 Paul McCartney under exclusive license to MPL Archive LLP // The Maharaja and Maharani of Indore. Photo: © Dariush Soudi // Jaune Quick-to-See Smith (b. 1940), I See Red: I Feel Green, 1992. Acrylic, oil stick and printed paper collage on paper. 43½ x 31½ in (110.5 x 80 cm). Estimate: $20,000-30,000 / Maysha Mohamedi (b. 1980), Birdie on the Back of a Sleeping Tiger, 2020. Oil and enamel on canvas. 70 x 61⅛ in (177.8 x 155.3 cm). Estimate: $40,000-60,000 / Noah Purifoy (1917-2004), Totem, 1966. Assemblage construction consisting of wood, nails, pipes, tambourines, shoe stretchers, trolley wheels, found metal objects, felt, rhinestones and leather. 56 x 19 x 16 in (142.2 x 48.3 x 40.6 cm). Estimate: $60,000-80,000 / Pat Passlof (1928-2011), Mint, 1959. Oil on canvas. 42 x 35 ⅛ in (106.7 x 89.2 cm). Estimate: $15,000-20,000 / Deborah Remington (1930-2010), Untitled, 1954. Oil on canvas. 48 x 70 in (121.9 x 177.8 cm). Estimate: $15,000-20,000 / Emma McIntyre (b. 1990), Untitled, 2020. Oil and acrylic on linen. 32 x 40 in (81.3 x 101.6 cm). Estimate: $15,000-20,000. All offered in Post-War to Present on 29 September 2023 at Christie's in New York