Jann Wenner's aversion to Black people is really twisted
[READER]( The Daily Reader September 26, 2023 The competition is fierceâwhat with MAGA [rewriting history]( to make you think slavery was beneficial for Black people. But Iâd have to say the most idiotic, racist comment of the year belongs to Jann Wenner, the 77-year-old gasbag, who made his fortune publishing Rolling Stone magazine. In case you didnât hear it . . . Wenner was promoting The Masters, a collection of puff-piece interviews heâs done with various rock stars. And a writer for the New York Times asked [why heâd only featured white men]( in the book. To which Wenner replied . . . âOf Black artistsâyou know, Stevie Wonder, genius, right? I suppose when you use a word as broad as âmasters,â the fault is using that word. Maybe Marvin Gaye, or Curtis Mayfield? I mean, they just didnât articulate at that level.â Just didnât articulate at that level? Wow. And he also said . . . âJoni was not a philosopher of rock ânâ roll. She didnât, in my mind, meet that test. Not by her work, not by other interviews she did. The people I interviewed were the kind of philosophers of rock.â Clearly, Wenner has issues with strong women. Especially Joni Mitchell. It doesn't take Sigmund Freud to realize heâs threatened by her as sheâs way cooler and more talented than heâll ever be. His aversion to Black people is really twisted. As I said, Wenner made his fortune publishing Rolling Stone. Rolling Stone is a publication that made its fortune hyping rock stars, like Bob Dylan, Mick Jagger, and Bruce Springsteen (all featured in The Masters). But it was Black musicians who invented rock ânâ roll. If it wasnât for Black musicians, there would be no Dylan, Jagger, or Springsteen. Well, theyâd exist, but they wouldnât be rock stars. Probably pharmacists. Not that thereâs anything wrong with pharmacists. Itâs just the first occupation that popped into my mind when I thought about what Dylan, Jagger, and Springsteen might be if not for the Black musicians who taught them everything they know. Youâd think Jann Wenner would be a little more appreciative of Black musicians, as theyâre the people who enabled him and his pals to get so rich. And yet it's as though they never existedâhe erased them. Reminds me of Back to the Future, when the character played by Michael J. Fox goes back to the 1950s and teaches Chuck Berry how to play rock ânâ roll. Thatâs Chuck Berry, as in one of the Black musicians who invented rock ânâ roll, who is not featured in Wennerâs book. Confession time . . . I went through a Rolling Stone phase. I was 16 years old and obsessed with Hunter S. Thompsonâs coverage of the 1972 presidential campaign. Iâd go to the newsstand at Main and Chicago in Evanston, buy issues that featured Thompsonâs stories, and race home to read them. One day I was reading at my kitchen table, when my father walked in, looked over my shoulder, read a sentence or two and exclaimed, âThatâs crap!â To which I said . . . âDonât criticize what you donât understand.â A line, of course, I stole from Dylan. Speaking of Bobby D., I had a dream about Dylan, Jagger, and Springsteen bumping into Stevie Wonder and Joni Mitchell at a party. And trying to convince them that theyâre not douche bags just cause theyâre âmastersâ in Wennerâs book. You know, over the years, Iâve had my disagreements with my father. But, Dad, wherever your spirit may be, I got to tell you that when it came to Rolling Stone, you did understandâand you were right.
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