Intense listening experiences can be energizing.
[READER]( The Daily Reader Last week [I came across a post]( making the rounds on music Twitter rounding up 61 full-lengths and EPs that emerged from Milwaukeeâs bustling hip-hop scene last month. So I collected everything I could find on Spotify into a 15-hour, ten-minute playlist. (If youâre curious, [hereâs a link]( Whenever I try to acquaint myself with a regional music culture, I try to listen to as much as I possibly can at that very moment. Of course, I can only listen to one song at one moment. If Iâm feeling particularly impatient I tend to jump from one track before itâs halfway through to another recording by a totally different artist for the same length of time or less. I find these intense listening experiences can often be energizing; I can spend hours chasing hyperlinks, and every new song that sparks my interest has the potential to open doors to even more musical worlds that have the potential to leave my head spinning. After a few hoursâand depending on what time of the night Iâve begun my journeyâthis can also leave me exhausted. The rudimentary playlist I assembled has allowed me to listen at a more measured pace . . . so far, anyway. Rather than trying to eat my way through a row of restaurants in just a few hours, Iâm able to savor whatâs in front of me a little easier. So when I went to run 5k over the weekend, I knew AyooLiiâs boisterous material could give me a little boost when my energy felt depleted. I canât possibly listen to the playlistâs full runtime in one goâat least, not with my current schedule. So I appreciate that this collection functions as a bookmark, allowing me to return to it after hours and remember what I wanted to listen to next. My listening habits are at the center of a constant tug-of-war between the organized part of my brain that likes to catalog what Iâve just heard and the chaotic part of my brain that likes to leave a lot of browser tabs open so I can return to a song or article of note, eventually. This playlist mollifies my anxieties around my attempts to listen to another scene moreâat least, till I reach the end of it. Sincerely,
[âThe extremely online psychedelia of brakence,â]( by Mano Sundaresan (NPR)
[âDigging Through Jangle Pop Legend Mark Mulcahyâs Expansive Archives,â]( by Jude Noel (Bandcamp)
[âHow Questlove Pulled Off the Grammysâ Crowd-Pleasing Hip-Hop Tribute,]( by Joe Coscarelli (The New York Times) Mt. Worry, [A Mountain of Fucking Worry](
Pugs Atomz, [Boom Bap on 79th Street (Happy Days)](
Names Divine, [The Crystal Arms!](
â¤ï¸ Leorâs [âalmost Valentineâs Dayâ playlist](
[J.T. Brownâs ânanny goatâ horn still echoes through the blues](
The hard-gigging saxophonist began his career traveling with the Rabbitâs Foot Minstrels and ended it sitting in with Fleetwood Mac.
by [Steve Krakow]( | [Read more]( â
[Dan OâConor, the Great Lake Jumper](
âThere were no stages to playâI think for these artists to come down and play one or two songs, it kind of gave them a stage or venue.â
by [Jamie Ludwig]( | [Read more]( â
[Chicago indie rockers Fran help cushion the worldâs tough blows with Leaving](
by [Leor Galil]( | more]( â ð³ Seven. days. left! ð³ Voting ends next Wednesday, February 15 at 12 PM.
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[Issue of
Jan. 26 â Feb. 8, 2023
Vol. 52, No. 8]( [View/Download Issue [PDF]](
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