The music had an optimism and polished sentimentality that sounded strangely refreshing at our underpaid retail job
[READER]( One of the hardest parts about being listings coordinator is knowing just how much is happening in our city on any given night. In November, when I saw the Whistlerâs monthly city pop night, Lost in Translation, was celebrating its three-year anniversary, I knew I had to go. City pop was something I only knew about in passing. A few years ago I worked at Myopic Books, and weâd play it from YouTube playlists. Where we got the idea, I canât even remember, but the music had an optimism and polished sentimentality that sounded strangely refreshing at our underpaid retail job where we serviced an increasingly high maintenance clientele while the bookshelves sagged from the weight of titles no one had asked about since the aughts. City pop sounded artificial, similar to the forced friendliness of customer service, but also innocent and care-free in a way we permitted ourselves to surrender to because we couldnât understand the language. It was just a feeling that we needed to hold onto. As I listened, my mind drifted to places and times removed from this workplace I loved that also took a lot from me. Days soundtracked by city pop felt mellower. That mental drift seemed to be a shared sentiment at Lost in Translationâs anniversary, which was already at capacity by 9 PM. The man in front of me in line begged a friend whoâd popped out for a cigarette to sneak him in the back, but the door guy reminded them both that numbers are restricted because of COVID. When I finally made it inside, I tried to resist dancing and just observe the scene, but it was infectious. A guy who looked and dressed like a Gen Z Prince invited me to groove, and I ended up getting a crash course on Lost in Translationâs founding DJ: Van Paugam. Among other things, he told me heâd seen Paugam perform in Japan and that audience members cried during the set. When I got home, I fact-checked what I could about our conversation, then decided Paugam was someone I needed to interview for Chicagoans of Note. Talking to him, I was struck, not only with the depth of consideration Paugam had given city pop, but also his transparency about his relationship to it and its ripple effect on his life. Some readers may find Paugamâs story fraught while others will be inspired, but the questions it raises are part of what makes Paugam so interesting to me. I hope you enjoy reading stories about people who arenât easy to pin as much as I enjoy sharing them. Sending you warm holiday wishes, Micco Caporale
Listings Coordinator
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