(Of New York Times Magazine fame)
[View this email in your browser]( [READER Logo]( Daily Reader | April 3, 2024 A couple weeks ago I received an email from a New York Times Magazine fact-checker. The message concerned something Iâd thought only a few dozen people on earth knew existed: a zine I launched during the darkest part of the pandemic. At the end of 2020, my friend Sarah told me about a musician from Massachusetts named Matt Farley, who made scatalogical songs a kid she babysat happened to obsess over. I quickly developed a similar fixation with Farley who, under dozens of pseudonyms, recorded and released north of 23,000 songs about seemingly every quotidian subject I could dream upâand many I would not have thought of in the first place. Living through roughly nine months of the pandemic had worn on me, and if I had to continue to live in isolation for a while longer, I wanted to begin the new year with a silly project just for me. So I attempted to listen to the entirety of Farleyâs discography and catalog my thoughts in a zine. I love writing about music, but itâs also work for me; whenever Iâve brainstormed some sort of personal project related to music, Iâve inevitably imagined creating something similar to what I do with my job. And that, inevitably, has led to me failing to launch many of those hobby projects. A zine about Matt Farley, a musician (and [film director]( who records every idea, regardless of the quality, felt like the right move for me. I kept it up for a handful of months. I gave it up halfway through a 100-song album of birthday songs, all of which were largely identical save the name of the celebrant in each songâs title. But I did manage to make a couple issues of my zine, which I sold to a few dozen people online, most of whom I assume learned of it through Farley, who shared it on Twitter. (I brought some to [Quimbyâs]( to sell on consignment too; Iâm not sure who picked those up.) Since then, Iâve mostly sat on ideas for new zines. I love working on a zine; the few Iâve made have filled me with joy and reminded me why I love expressing myself creatively. I get a lot of delight out of reading zines, be it [contemporary ones that help nurture young creative communitie]( or ones from a [publication guided by a singular obsession with outmoded technology](. Zines enrich my world, nourish my curiosity, and often provide me with ideas for Reader stories. But I never expected my own zine to show up in someone elseâs journalism. So it was a special thrill to see how Brett Martin folded my zine into [his terrific Times story about Matt Farley](. I suppose now I actually have to make another zine.
â [âTrue Trans Soul Rebel,â]( by Norman Brannon (Anti-Matter) â [âBeyoncéâs âCowboy Carterâ isnât a country album. Itâs worse.,â]( by Chris Richards (Washington Post) â [âTransparent Vice,â]( by Elizabeth Lopatto (Verge) â Cindy Lee, [Diamond Jubilee]( â 1010benja, [Ten Total]( â sonhos tomam conta, [corpos de água]( â Math, [Rubber Musique](
[Sunroom marks three years of its Monthly Flyer Club with a gallery show]( Plus: Live Young Productions and Whats the Word TV launch a concert series with a free show at Chicago State. by [Tyra Nicole Triche]( and [Leor Galil]( | [Read more]( â [Civitas Ensemble champions local composers on a program that features Grammy winner Jessie Montgomery]( by [Hannah Edgar]( | [Read more]( â [Chicago electro-pop queen Brittany Bindrim celebrates her solo debut]( by [Selena Fragassi]( | [Read more]( â [Instrumental duo Zombi release the synth-driven Direct Inject]( by [Monica Kendrick]( | [Read more]( â The Reader takes over Lincoln Park Zoo! [WEâLL SEE YOU AT THE ZOO!](
Get the latest issue of the Chicago Reader Thursday, March 21, 2024 [READ ONLINE: VOL. 53, NO. 12]( [VIEW/DOWNLOAD ISSUE (PDF)]( [Become a member of the Chicago Reader.](
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